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商品	説明	価格
The Affirmative Discomforts of Black Female Authorship Rethinking Triple Consciousness in Contemporary American Culture【電子書籍】[ Nahum N. Welang ] 楽天Kobo電子書籍ストア	＜p＞Ubiquitous triple consciousness frameworks address the limitations of W.E.B Du Bois’ seminal double consciousness concept by emphasizing a third gendered lens, a definite consciousness that legitimizes the rich complexities of the black American female experience.＜/p＞＜p＞In ＜em＞The Affirmative Discomforts of Black Female Authorship: Rethinking Triple Consciousness in Contemporary American Culture＜/em＞, the author rethinks this methodology by examining an interesting assemblage of contemporary black female authors (Roxane Gay, Beyonc? and Issa Rae) across four disciplines (history, literature, music and television) whose contemporary multimedia works are engaging with a third lens the author conceptualizes as rupture.＜/p＞＜p＞This rupture, a simultaneous embrace and rejection of racial and gendered experiences that are affirmative but also contradictory, unsettling and ultimately unresolved, problematizes hegemonic notions of identity and boldly moves towards a potential shift, a shift on the cusp of profound rethinking and reimagination.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	6,969円
Authorship and Film【電子書籍】楽天Kobo電子書籍ストア	＜p＞Authorship in film has been a persistent theme in the field of cinema studies. This volume of new work revitalizes the question of authorship by connecting it to larger issues of identity--in film, in the marketplace, in society, in culture. Essays range from the auteur theory and ＜em＞Casablanca＜/em＞ to Oscar Micheaux, from the American avant-garde to community video, all illuminating how "authorship" is a complex idea with far-reaching implications. This ambitious and wide-ranging book will be essential reading for anyone concerned with film studies and the concept of the author.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	7,934円
Animation Genre and Authorship【電子書籍】[ Paul Wells ] 楽天Kobo電子書籍ストア	＜p＞＜em＞Animation: Genre and Authorship＜/em＞ explores the distinctive language of animation, its production processes, and the particular questions about who makes it, under what conditions, and with what purpose. In this first study to look specifically at the ways in which animation displays unique models of ‘auteurism’ and how it revises generic categories, Paul Wells challenges the prominence of live-action moviemaking as the first form of contemporary cinema and visual culture. The book also includes interviews with Ray Harryhausen and Caroline Leaf, and a full timeline of the history of animation.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	3,013円
Anatomy of Sound Norman Corwin and Media Authorship【電子書籍】楽天Kobo電子書籍ストア	＜p＞This collection examines the work of Norman Corwinーone of the most important, yet understudied, media authors of all timeーas a critical lens to view the history of multimedia authorship and sound production. Known as the “poet laureate” of radio, Corwin is most famous for his radio dramas, which reached millions of listeners around the world and contributed to radio’s success as a mass media form in the 1930s and 1940s. But Corwin was also a pioneer in other fields, including cinema, theater, TV, and journalism. In each of these areas, he had a distinctive approach to “soundwork,” relying on inventive prerecorded and live-in-real-time atmospheric effects in the studio, among other aesthetic techniques. Exploring the range of Corwin’s workーfrom his World War II?era poetry and his special projects for the United Nations to his path-breaking writing for film and televisionーand its influence on media today, these essays underscore the political and social impact of Corwin’s oeuvre and cement his reputation as a key writer in the history of many sound media.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	4,721円
Hollywood's Artists The Directors Guild of America and the Construction of Authorship【電子書籍】[ Virginia Wright Wexman ] 楽天Kobo電子書籍ストア	＜p＞Today, the director is considered the leading artistic force behind a film. The production of a Hollywood movie requires the labor of many people, from screenwriters and editors to cinematographers and boom operators, but the director as author of the film overshadows them all. How did this concept of the director become so deeply ingrained in our understanding of cinema?＜/p＞＜p＞In ＜em＞Hollywood’s Artists＜/em＞, Virginia Wright Wexman offers a groundbreaking history of how movie directors became cinematic auteurs that reveals and pinpoints the influence of the Directors Guild of America (DGA). Guided by Frank Capra’s mantra “one man, one film,” the Guild has portrayed its director-members as the creators responsible for turning Hollywood entertainment into cinematic art. Wexman details how the DGA differentiated itself from other industry unions, focusing on issues of status and creative control as opposed to bread-and-butter concerns like wages and working conditions. She also traces the Guild’s struggle for creative and legal power, exploring subjects from the language of on-screen credits to the House Un-American Activities Committee’s investigations of the movie industry. Wexman emphasizes the gendered nature of images of the great director, demonstrating how the DGA promoted the idea of the director as a masculine hero. Drawing on a broad array of archival sources, interviews, and theoretical and sociological insight, ＜em＞Hollywood’s Artists＜/em＞ sheds new light on the ways in which the Directors Guild of America has shaped the role and image of directors both within the Hollywood system and in the culture at large.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	4,304円
In Search of Elena Ferrante The Novels and the Question of Authorship【電子書籍】[ Karen Bojar ] 楽天Kobo電子書籍ストア	＜p＞Elena Ferrante--named one of the 100 most influential people in 2016 by ＜em＞Time＜/em＞ magazine--is best known for her Neapolitan novels, which explore such themes as the complexity of female friendship; the joys and constraints of motherhood; the impact of changing gender roles; the pervasiveness of male violence; the struggle for upward mobility; and the impact of the feminist movement. Ferrante's three novellas encompass similar themes, focusing on moments of extreme tension in women's lives.＜/p＞＜p＞This study analyzes the integration of political themes and feminist theory in Ferrante's works, including men's entrapment in a sexist script written for them from time immemorial. Her decision to write under a pseudonym is examined, along with speculation that Rome-based translator Anita Raja and her husband Domenico Starnone are coauthors of Ferrante's books.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	3,510円
Refugee Women, Representation and Education Creating a discourse of self-authorship and potential【電子書籍】[ Melinda McPherson ] 楽天Kobo電子書籍ストア	＜p＞Even with increased attention to refugee women‘s issues in the late 20th century, post-colonial discourses have nurtured limiting representations of refugee women, predominantly as subjects of charity and as victims. Adding to a growing body of work in the field, the author challenges this preconception by offering an opportunity for women‘s voices＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	10,974円
Women and Authorship in Revolutionary America【電子書籍】[ Angela Vietto ] 楽天Kobo電子書籍ストア	＜p＞Exploring the wealth of writings by early American women in a broad spectrum of genres, Women and Authorship in Revolutionary America presents one of the few synthetic approaches to early US women’s writing. Through an examination of the strategic choices writers made as they constructed their authorial identities at a moment when ideals of both Author and Woman were in flux, Angela Vietto argues that the relationship between gender and authorship was dynamic: women writers drew on available conceptions of womanhood to legitimize their activities as writers, and, often simultaneously, drew on various conceptions of authorship to authorize discursive constructions of gender. Focusing on the half-century surrounding the Revolution, this study ranges widely over both well-known and more obscure writers, including Mercy Otis Warren, Judith Sargent Murray, Sarah Wentworth Morton, Hannah Griffitts, Annis Boudinot Stockton, Elizabeth Graeme Fergusson, Deborah Gannett, and Sarah Pogson Smith. The resulting analysis complicates and challenges a number of critical commonplaces, presenting instead a narrative of American literary history that presents the novel as women’s entr?e into authorship; dichotomized views of civic and commercial authorship and of manuscript and print cultures; and a persistent sense that women of letters constantly struggled against a literary world that begrudged them entrance based on their gender.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	11,311円
The Digital Pen Navigating the Performance of Authorship in the Digital Age【電子書籍】[ Miriam J Johnson ] 楽天Kobo電子書籍ストア	＜p＞The growth and adoption of social media has significantly impacted the writing and publishing landscape, challenging traditional concepts of authorship and prompting a re-evaluation of how authors present themselves in digitally social spaces. This book explores how authors navigate the performance of their authorship in the digital age, focusing on the development of author identity, its relationship to performance, the value of authenticity, and how authors may self-censor based on who they think their audiences are. Drawing on qualitative surveys and interviews, and quantitative data scraping and mining for sentiment analysis, this research explores how authors project their identities within the consumer's cultural landscape. By investigating the performative nature of authorship in digitally social spaces, this study aims to deepen our understanding of the evolving dynamics between authors, their works, and readers in the digital era.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	4,861円
Becoming a Woman of Letters Myths of Authorship and Facts of the Victorian Market【電子書籍】[ Linda Peterson ] 楽天Kobo電子書籍ストア	＜p＞During the nineteenth century, women authors for the first time achieved professional status, secure income, and public fame. How did these women enter the literary profession; meet the demands of editors, publishers, booksellers, and reviewers; and achieve distinction as "women of letters"? ＜em＞Becoming a Woman of Letters＜/em＞ examines the various ways women writers negotiated the market realities of authorship, and looks at the myths and models women writers constructed to elevate their place in the profession.＜/p＞＜p＞Drawing from letters, contracts, and other archival material, Linda Peterson details the careers of various women authors from the Victorian period. Some, like Harriet Martineau, adopted the practices of their male counterparts and wrote for periodicals before producing a best seller; others, like Mary Howitt and Alice Meynell, began in literary partnerships with their husbands and pursued independent careers later in life; and yet others, like Charlotte Bront?, and her successors Charlotte Riddell and Mary Cholmondeley, wrote from obscure parsonages or isolated villages, hoping an acclaimed novel might spark a meteoric rise to fame. Peterson considers these women authors' successes and failures--the critical esteem that led to financial rewards and lasting reputations, as well as the initial successes undermined by publishing trends and pressures.＜/p＞＜p＞Exploring the burgeoning print culture and the rise of new genres available to Victorian women authors, this book provides a comprehensive account of the flowering of literary professionalism in the nineteenth century.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	8,105円
Music, Authorship, and the Book in the First Century of Print【電子書籍】[ Kate van Orden ] 楽天Kobo電子書籍ストア	＜p＞What does it mean to author a piece of music? What transforms the performance scripts written down by musicians into authored books? In this fascinating cultural history of Western music’s adaptation to print, Kate van Orden looks at how musical authorship first developed through the medium of printing. When music printing began in the sixteenth century, publication did not always involve the composer: printers used the names of famous composers to market books that might include little or none of their music. Publishing sacred music could be career-building for a composer, while some types of popular song proved too light to support a reputation in print, no matter how quickly they sold. Van Orden addresses the complexities that arose for music and musicians in the burgeoning cultures of print, concluding that authoring books of polyphony gained only uneven cultural traction across a century in which composers were still first and foremost performers.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	8,105円
Modernist Authorship and Transatlantic Periodical Culture 1895?1925【電子書籍】[ Amanda Sigler ] 楽天Kobo電子書籍ストア	＜p＞Exploring the collaborative, consumer-oriented Modernism that developed out of both planned and fortuitous groupings in periodicals, this book traces the serialization and advertisement of Henry James's ＜em＞The Turn of the Screw＜/em＞ in ＜em＞Collier's＜/em＞ (1898), Rudyard Kipling's ＜em＞Kim＜/em＞ in ＜em＞McClure's＜/em＞ and ＜em＞Cassell's＜/em＞ (1900-1901), James Joyce's ＜em＞Ulysses＜/em＞ in the ＜em＞Little Review＜/em＞ (1918-1920), and Virginia Woolf's “Mrs.Dalloway in Bond Street”in the ＜em＞Dial＜/em＞ (1923).＜/p＞＜p＞These periodicals-whether mass-market journals or literary magazines-adjust our perceptions of authors elsewhere known to be “in charge” and reveal the central role that compromise and chance played in the emergence of Modernism.＜/p＞＜p＞Bringing to light new research from multiple archives, Sigler pieces together original records of journals' advertising strategies, previously unpublished editorial correspondence, and long-buried letters to unearth the forgotten stories behind the texts we think we know so well.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	5,159円
The Birth and Death of the Author A Multi-Authored History of Authorship in Print【電子書籍】楽天Kobo電子書籍ストア	＜p＞The Birth and Death of the Author is a work about the changing nature of authorship as a concept. In eight specialist interventions by a diverse group of the finest international scholars it tells a history of print authorship in a set of author case studies from the fifteenth to the twenty-first century. The introduction surveys the prehistory of print authorship and sets the historical and theoretical framework that opens the discussion for the seven succeeding chapters. Engaging particularly with the history of the materials and technology of authorship it places this in conversation with the critical history of the author up to and beyond the crisis of Barthes' 'Death of the Author'.＜/p＞＜p＞As a multi-authored history of authorship itself, each subsequent chapter takes a single author or work from every century since the advent of print and focuses in on the relationship between the author and the reader. Thus they explore the complexities of the concept of authorship in the works of Thomas Hoccleve and John Lydgate (Andrew Galloway, Cornell University), William Shakespeare and Christopher Marlowe (Rory Loughnane, University of Kent), John Taylor, "the Water Poet" (Edel Semple, University College Cork), Samuel Richardson (Natasha Simonova, University of Oxford), Herman Melville (and his reluctant scrivener ‘Bartleby’) (William E. Engel, Sewanee, The University of the South), James Joyce (Brad Tuggle, University of Alabama), and Grant Morrison (Darragh Greene, University College Dublin).＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	9,285円
Laura Ingalls Wilder and Rose Wilder Lane Authorship, Place, Time, and Culture【電子書籍】[ John E. Miller ] 楽天Kobo電子書籍ストア	＜p＞The mother-daughter partnership that produced the Little House books has fascinated scholars and readers alike. Now, John E. Miller, one of America’s leading authorities on Laura Ingalls Wilder and Rose Wilder Lane, combines analyses of both women to explore this collaborative process and shows how their books reflect the authors’ distinctive views of place, time, and culture. Along the way, he addresses the two most controversial issues for Wilder/Lane aficionados: how much did Lane actually contribute to the writing of the Little House books, and what was Wilder’s real attitude toward American Indians.＜/p＞＜p＞Interpreting these writers in their larger historical and cultural contexts, Miller reconsiders their formidable artistic, political, and literary contributions to American cultural life in the 1930s. He looks at what was happening in 1932ーfrom depression conditions and politics to chain stores and celebrity cultureーto shed light on Wilder’s life, and he shows how actual “little houses” established ideas of home that resonated emotionally for both writers.＜/p＞＜p＞In considering each woman’s ties to history, Miller compares Wilder with Frederick Jackson Turner as a frontier mythmaker and examines Lane’s unpublished history of Missouri in the context of a contemporaneous project, Thomas Hart Benton’s famous Jefferson City mural. He also looks at Wilder’s ＜em＞Missouri Ruralist＜/em＞ columns to assess her pre?Little House values and writing skills, and he readdresses her literary treatment of Native Americans. A final chapter shows how Wilder’s and Lane’s conservative political views found expression in their work, separating Lane’s more libertarian bent from Wilder’s focus on writing moralist children’s fiction.＜/p＞＜p＞These nine thoughtful essays expand the critical discussion on Wilder and Lane beyond the Little House. Miller portrays them as impassioned and dedicated writers who were deeply involved in the historical changes and political challenges of their timesーand contends that questions over the books’ authorship do not do justice to either woman’s creative investment in the series. Miller demystifies the aura of nostalgia that often prevents modern readers from seeing Wilder as a real-life woman, and he depicts Lane as a kindred artistic spirit, helping readers better understand mother and daughter as both women and authors.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	3,370円
Making Milton Print, Authorship, Afterlives【電子書籍】楽天Kobo電子書籍ストア	＜p＞This volume consists of fourteen original essays that showcase the latest thinking about John Milton's emergence as a popular and canonical author. Contributors consider how Milton positioned himself in relation to the book trade, contemporaneous thinkers, and intellectual movements, as well as how his works have been positioned since their first publication. The individual chapters assess Milton's reception by exploring how his authorial persona was shaped by the modes of writing in which he chose to express himself, the material forms in which his works circulated, and the ways in which his texts were re-appropriated by later writers. The Milton that emerges is one who actively fashioned his reputation by carefully selecting his modes of writing, his language of composition, and the stationers with whom he collaborated. Throughout the volume, contributors also demonstrate the profound impact Milton and his works have had on the careers of a variety of agents, from publishers, booksellers, and fellow writers to colonizers in Mexico and South America.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	13,776円
Female Authorship and the Documentary Image Theory, Practice and Aesthetics【電子書籍】楽天Kobo電子書籍ストア	画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	14,931円
Women's garments - Volume 2 Become a pattern drafter【電子書籍】[ ESMOD Collective authorship ] 楽天Kobo電子書籍ストア	＜p＞＜strong＞Flat pattern drafting and design fashion book for women's wardrobe＜/strong＞＜/p＞＜p＞This method uses a logical drafting technique called ""flat pattern design” that provides key formulas that apply to all fashions. A complete women’s wardrobe can be made using this method from pants to ""suit-coats”: tailored pants, jeans, warm-up suits, suits, jackets and coats in all styles (classic and timeless, fashion, luxury, sport).＜/p＞＜p＞ABOUT THE AUTHOR＜/p＞＜p＞＜strong＞ESMOD＜/strong＞ is the oldest and most renowned fashion design school in the world, with schools established around the globe. Founded in 1841 by Alexis Lavigne, master tailor for Empress Eug?nie, ESMOD’s International network has been transmitting ""French Expertise"" that foresees current events and has evolved to meet the market’s needs for over 170 years.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	4,350円
Hollywood's Artists The Directors Guild of America and the Construction of Authorship【電子書籍】[ Virginia Wright Wexman ] 楽天Kobo電子書籍ストア	＜p＞Today, the director is considered the leading artistic force behind a film. The production of a Hollywood movie requires the labor of many people, from screenwriters and editors to cinematographers and boom operators, but the director as author of the film overshadows them all. How did this concept of the director become so deeply ingrained in our understanding of cinema?＜/p＞＜p＞In ＜em＞Hollywood’s Artists＜/em＞, Virginia Wright Wexman offers a groundbreaking history of how movie directors became cinematic auteurs that reveals and pinpoints the influence of the Directors Guild of America (DGA). Guided by Frank Capra’s mantra “one man, one film,” the Guild has portrayed its director-members as the creators responsible for turning Hollywood entertainment into cinematic art. Wexman details how the DGA differentiated itself from other industry unions, focusing on issues of status and creative control as opposed to bread-and-butter concerns like wages and working conditions. She also traces the Guild’s struggle for creative and legal power, exploring subjects from the language of on-screen credits to the House Un-American Activities Committee’s investigations of the movie industry. Wexman emphasizes the gendered nature of images of the great director, demonstrating how the DGA promoted the idea of the director as a masculine hero. Drawing on a broad array of archival sources, interviews, and theoretical and sociological insight, ＜em＞Hollywood’s Artists＜/em＞ sheds new light on the ways in which the Directors Guild of America has shaped the role and image of directors both within the Hollywood system and in the culture at large.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	4,050円
Authorship as Promotional Discourse in the Screen Industries Selling Genius【電子書籍】[ Leora Hadas ] 楽天Kobo電子書籍ストア	＜p＞This book discusses the use of authorship discourses and author figures in the promotion and marketing of media content, dealing with the U.S. mainstream media, including franchise film, network television, and triple-A video games.＜/p＞＜p＞The research takes a unique approach studying ideas of authorship in promotion, diverging from extant approaches looking at the text, production, or reception. Conceptualizing authorship within the logic of media branding, the book studies the construction of ideas around creativity and the creative person in marketing and publicity content where media industries communicate with audiences. A cross-media approach allows the book to take a broad look and make comparisons across the increasingly integrated media industries.＜/p＞＜p＞The book will be of great relevance to academics in the fields of film, television, and media studies, including postgraduate students, conducting teaching and research around authorship, media industries, and media promotion.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	8,947円
Authorship as Alchemy Subversive Writing in Pushkin, Scott, and Hoffmann【電子書籍】[ David Glenn Kropf ] 楽天Kobo電子書籍ストア	＜p＞This book is an attempt to answer Michel Foucault's question, 'What is an author?' It examines the relationship between personal identity, the physical person of the writer, and the 'author' projected as a matter of public perception via the reception of written texts. It approaches this problem by analyzing the way Romantic writers play upon and subvert the 'author' position projected upon them in the public reception of their texts, and it sheds light on the use of anonyms and pseudonyms as strategies that subvert the emerging institution of authorship.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	12,199円
Kierkegaard's Authorship A Guide to the Writings of Kierkegaard【電子書籍】[ George E. Arbaugh ] 楽天Kobo電子書籍ストア	＜p＞First published in English in 1968, ＜em＞Kierkegaard's Authorship＜/em＞ begins with a brief account of the life and meaning of Kierkegaard and concludes with the brief treatment of his relation to multifaceted existentialism. By reviewing the total authorship and by making available much of the fruit of widespread research, this work throws into relief Kierkegaard’s central purposes and makes it possible to avoid some of the dubious interpretations which have grown out of more narrowly selective study.＜/p＞＜p＞This critical introduction and guide is especially important because Kierkegaard’s style was deliberately indirect and distorted and even more because half of the works are actually antagonistic to Kierkegaard’s own views. By the pseudonymous works he intended to lead into truth through a process of frustration, provoking the reader into existence. In another sense, the body of the book is also a biography for, in a degree perhaps without parallel in world history, the library which he created was his deed and life. This is an important read for scholars and researchers of Philosophy specially existentialism.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	11,311円
Fanfiction as Queer Healing Femslash Authorship and the Swan Queen Ship【電子書籍】[ Dr Alice M. Chapman-Kelly ] 楽天Kobo電子書籍ストア	＜p＞＜strong＞Exploring the phenomenon of Femslash fanfiction (fan narratives that bring together heterosexual female characters from mainstream media and fiction), this book analyses fan-authored works as forms of literature worthy of studying at length.＜/strong＞ It examines the anti-racist, feminist, sapphic fan works produced in response to white supremacist, heteronormative, queerbaiting mainstream fantasy and argues that they represent a significant site of queer healing for marginalised audience members.＜/p＞＜p＞Focusing on the 'Swan Queen' fandom, where fans pair the 'white trash' heroine, Emma Swan and the villainous Latina Evil Queen (Regina Mills) from ABC's hit show ＜em＞Once Upon a Time＜/em＞, Alice Kelly redresses the widespread academic neglect of queer female fandoms and responds to urgent calls to diversify fan and fantasy scholarship. With reference to complex theoretical subjects such as ethnography, sociology, psychology and decolonial, queer, film and media studies, the book also delves into the alternative timescales on which queer female and genderqueer fan authorship runs; offers intriguing insights into fanfiction narrative structures; and tackles the issues of broader fandom representation and contextualization.＜/p＞＜p＞Making the case that fan texts deserve attention in the academy, Kelly shows how some of the most prolific fan works have the ability to enact colour reparation and a reclamation of memory, fantasy, romance, maternity, childhood, parenting and magic. These fictions serve fan communities as a whole through intersectional challenges to the power dynamics of the source text and within the fandom itself and, as the book demonstrates, offer attendant validation to fantasy fans who have been repeatedly told that the genre is not for them.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	14,854円
A Theory of Linguistic Individuality for Authorship Analysis【電子書籍】[ Andrea Nini ] 楽天Kobo電子書籍ストア	＜p＞Authorship analysis is the process of determining who produced a questioned text by language analysis. Although there has been significant success in the performance of computational methods to solve this problem in recent years, these are often methods that are not amenable to interpretation. Authorship analysis is in all effects an area of computer science with very little linguistics or cognitive science. This Element introduces a Theory of Linguistic Individuality that, starting from basic notions of cognitive linguistics, establishes a formal framework for the mathematical modelling of language processing that is then applied to three computational experiments, including using the likelihood ratio framework. The results propose new avenues of research and a change of perspective in the way authorship analysis is currently carried out.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	2,972円
The Trial of William Shakespeare A dramatization of the authorship controversy in which the audience renders a verdict【電子書籍】[ J. Ajlouny ] 楽天Kobo電子書籍ストア	＜p＞Few men have endured the indignity of having their very existence challenged as thoroughly as William Shakespeare, late of Stratford-upon-Avon. From scholars to amateur enthusiasts, many cannot bring themselves to believe he wrote his own body of work. Playwright J. Ajlouny presents the arguments for and against, all statements and proofs drawn from the historical record. Everybody must decide for himself, but ＜em＞The Trial of William Shakespeare＜/em＞ makes the controversy both intriguing and fun.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	372円
William Stanley as Shakespeare Evidence of Authorship by the Sixth Earl of Derby【電子書籍】[ John M. Rollett ] 楽天Kobo電子書籍ストア	＜p＞Presenting striking new evidence, this book shows that "William Shakespeare" was the pen name of William Stanley, son of the Earl of Derby. Born in 1561, he was educated at Oxford, travelled for three years abroad, and studied law in London, mixing with poets and playwrights. In 1592 Spenser recorded that Stanley had written several plays. In 1594 he unexpectedly inherited the earldom--hence the pen name. He became a Knight of the Garter in 1601, eligible to help bear the canopy over King James at his coronation, likely prompting Sonnet 125's "Wer't ought to me I bore the canopy?"--he is the only authorship candidate ever in a position to "bear the canopy" (which was only ever borne over royalty).＜/p＞＜p＞＜em＞Love's Labour's Lost＜/em＞ parodies an obscure poem by Stanley's tutor, which few others would have read. Hamlet's situation closely mirrors Stanley's in 1602. His name is concealed in the list of actors' names in the First Folio. His writing habits match Shakespeare's as deduced from the early printed plays. He was a patron of players who performed several times at court, and financed the troupe known as Paul's Boys. No other member of the upper class was so thoroughly immersed in the theatrical world.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	3,510円
Lukan Authorship of Hebrews【電子書籍】[ David L. Allen ] 楽天Kobo電子書籍ストア	＜p＞A new volume in the NEW AMERICAN COMMENTARY STUDIES IN BIBLE AND THEOLOGY series, ＜em＞Lukan Authorship of Hebrews＜/em＞ explains why Luke is the likely author of the book of Hebrews. The ramifications of this possibility are then detailed in depth, including the way Hebrews informs the interpretation of the books of Luke and Acts. Also present throughout is commentary author David L. Allen’s thorough analysis of the writing style similarities between Hebrews, Luke, and Acts.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	3,376円
Incorporation, Authorship, and Anglo-American Literature (1815?1918)【電子書籍】[ Jasper Schelstraete ] 楽天Kobo電子書籍ストア	＜p＞Incorporation, Authorship, and Anglo-American Literature (1815?1918) is concerned with the new ways in which nineteenth-century authors came to imagine nationhood in response to the emergent global market. It investigates how authors negotiated a largely unregulated global economic space, both imaginativelyーin their representations of itーand pragmatically, through author-publisher agreements to circumvent the lack of transnational copyright or through market-driven self-censorship for different audiences. Until now, scholarship has struggled to find a single dynamic from which to consider the Anglo-American transatlantic cultural field, and transnational fields more generally. This volume offers that single dynamic through an innovative and interdisciplinary approach that brings together the research areas of literary and transnational studies with economic history. It shows how the positional national identities constructed by nineteenth-century texts were informed by economic self-interest in the emergent global marketplace. Through a series of case studies the book analyses how contemporary economic innovations determined nineteenth-century concepts of national and cultural self-identification. Presented within four main body chapters, each considers two case studies of nineteenth-century authors that are in productive contrast, including pairings between Herman Melville and Washington Irving, E.D.E.N. Southworth and Anthony Trollope, Charles Dickens and Harriet Beecher Stowe, and finally Thomas Hardy and Joseph Conrad.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	9,285円
Between Generations Collaborative Authorship in the Golden Age of Children's Literature【電子書籍】[ Victoria Ford Smith ] 楽天Kobo電子書籍ストア	＜p＞＜strong＞Winner of the Children’s Literature Association’s 2019 Book Award＜/strong＞＜/p＞＜p＞＜em＞Between Generations＜/em＞ is a multidisciplinary volume that reframes children as powerful forces in the production of their own literature and culture by uncovering a tradition of creative, collaborative partnerships between adults and children in nineteenth- and early twentieth-century England. The intergenerational collaborations documented here provide the foundations for some of the most popular Victorian literature for children, from Margaret Gatty's ＜em＞Aunt Judy's Tales＜/em＞ to Robert Louis Stevenson's ＜em＞Treasure Island＜/em＞. Examining the publication histories of both canonical and lesser-known Golden Age texts reveals that children collaborated with adult authors as active listeners, coauthors, critics, illustrators, and even small-scale publishers.＜/p＞＜p＞These literary collaborations were part of a growing interest in child agency evident in cultural, social, and scientific discourses of the time. ＜em＞Between Generations＜/em＞ puts these creative partnerships in conversation with collaborations in other fields, including child study, educational policy, library history, and toy culture. Taken together, these collaborations illuminate how Victorians used new critical approaches to childhood to theorize young people as viable social actors. Smith's work not only recognizes Victorian children as literary collaborators but also interrogates how those creative partnerships reflect and influence adult-child relationships in the world beyond books. ＜em＞Between Generations＜/em＞ breaks the critical impasse that understands children's literature and children themselves as products of adult desire and revises common constructions of childhood that frequently and often errantly resign the young to passivity or powerlessness.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	4,052円
The Victorian Diary Authorship and Emotional Labour【電子書籍】[ Anne-Marie Millim ] 楽天Kobo電子書籍ストア	＜p＞In her examination of neglected diaristic texts, Anne-Marie Millim expands the field of Victorian diary criticism by complicating the conventional notion of diaries as mainly private sources of biographical information. She argues that for Elizabeth Rigby Eastlake, Henry Crabb Robinson, George Eliot, George Gissing, John Ruskin, Edith Simcox and Gerard Manley Hopkins, the exposure or publication of their diaries was a real possibility that they either coveted or feared. Millim locates the diary at the intersection of the public and private spheres to show that well-known writers and public figures of both sexes exploited the diary's self-reflexive, diurnal structure in order to enhance their creativity and establish themselves as authors. Their object was to manage, rather than to indulge or repress, their emotions for the purposes of perfecting their observational and critical skills. Reading these diaries as literary works in their own right, Millim analyses their crucial role in the construction of authorship. By relating these Victorian writers' diaries to their publications and to contemporary works of cultural criticism, Millim shows the multifarious ways in which diaristic practices, emotional management and professional output corresponded to experiences of the literary marketplace and to nineteenth-century codes of propriety.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	9,285円
Shakespeare's Authorship Question. A Short Input to a Long Discussion【電子書籍】[ Lore Li ] 楽天Kobo電子書籍ストア	＜p＞Pre-University Paper from the year 2015 in the subject English Language and Literature Studies - Literature, grade: 15 NP, , language: English, abstract: William Shakespeare was born in 1564 and died in 1616 in Stratford-upon-Avon farther writing plays like 'Romeo and Juliet', 'Othello', 'Macbeth', 'A Midsummer Night's Dream' and others. He was a brilliant playwright creating nearly 40 productions and 154 sonnets, while dwelling in London. This is at least the majority opinion taught in schools. There is however reason for doubt. While dealing a bit deeper with Shakespeare you unavoidably will come to the point that opinions differ in the question if he truly was who he pretended to be. Imagine the magnificent bard was not the author of all the dramas, comedies, history plays and poems. Or could it be possible that this famous name was just a pseudonym? And if it was, then the question is why? Which clues for and against are existing? In the English lessons we learned the prevailing aspects along with the common view about the grand composer and his plays. After a rough contribution into the authorship debate more questions emerged and the foundation of this term paper was laid. To come to one of many answers, this work will be structured at first in a short biography of Shakespeare and an overview of his time concerning the theatre and authorship in general. Afterwards I would like to explore positions that assume Shakespeare not to be the man who is thought to be the drafter Shakespeare. On the other hand also the opposing view will be presented and explained. To forge an own profound opinion it is significant to have a review about this complex of themes. A detailed presentation of my own view regarding arguments for and against Shakespeare from Stratford as the writer will be followed by a final synopsis and prospect of the issue. So the focus in this work is more on investigate the Stratford-man than on other theories, even though these will come up for discussion. Because of their multifacetedness it would go beyond the scopes of this term paper.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	1,829円