Authorship 電子書籍
 
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The Affirmative Discomforts of Black Female Authorship Rethinking Triple Consciousness in Contemporary American Culture【電子書籍】[ Nahum N. Welang ]

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<p>Ubiquitous triple consciousness frameworks address the limitations of W.E.B Du Bois’ seminal double consciousness concept by emphasizing a third gendered lens, a definite consciousness that legitimizes the rich complexities of the black American female experience.</p> <p>In <em>The Affirmative Discomforts of Black Female Authorship: Rethinking Triple Consciousness in Contemporary American Culture</em>, the author rethinks this methodology by examining an interesting assemblage of contemporary black female authors (Roxane Gay, Beyonc? and Issa Rae) across four disciplines (history, literature, music and television) whose contemporary multimedia works are engaging with a third lens the author conceptualizes as rupture.</p> <p>This rupture, a simultaneous embrace and rejection of racial and gendered experiences that are affirmative but also contradictory, unsettling and ultimately unresolved, problematizes hegemonic notions of identity and boldly moves towards a potential shift, a shift on the cusp of profound rethinking and reimagination.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 6,673円

Authorship and Film【電子書籍】

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<p>Authorship in film has been a persistent theme in the field of cinema studies. This volume of new work revitalizes the question of authorship by connecting it to larger issues of identity--in film, in the marketplace, in society, in culture. Essays range from the auteur theory and <em>Casablanca</em> to Oscar Micheaux, from the American avant-garde to community video, all illuminating how "authorship" is a complex idea with far-reaching implications. This ambitious and wide-ranging book will be essential reading for anyone concerned with film studies and the concept of the author.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 8,423円

Authorship and Aesthetics in the Cinematography of Gregg Toland【電子書籍】[ Philip Cowan ]

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<p>In this three-part book-length study of the work of Gregg Toland, Philip Cowan explores approaches to co-authorship in collaborative filmmaking to propose new ways of identifying, attributing, and evaluating the creative work of cinematographers. In the first part of the study, Cowan challenges the dominant, director-centered auteur approach to film studies, critiquing the historical development of authorship theory and providing a contemporary analysis of the cinematographer’s authorial role in creating images that communicate meaning through content and construction. By synthesizing and updating the work of previous film theorists to define the complexities of composition, movement, and lighting in the second part of the study, Cowan develops a new, comprehensive taxonomy of functional and aesthetic elements of the moving image. Finally, by using the co-author approach and the analytical tools developed in part two of the book, Cowan provides an in-depth re-examination of Toland’s work, highlighting the historical neglect of the cinematographer’s artistic contribution to filmmaking and developing a fresh approach to the analysis of contemporary cinematography in film.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 6,673円

Speaking Pictures Neuropsychoanalysis and Authorship in Film and Literature【電子書籍】[ Alistair Fox ]

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<p><strong>A new way to understand the human longing for stories, informed by both neuroscience and psychoanalytic theory.</strong></p> <p>In this book, Alistair Fox presents a theory of literary and cinematic representation through the lens of neurological and cognitive science in order to understand the origins of storytelling and our desire for fictional worlds.</p> <p>Fox contends that fiction is deeply shaped by emotions and the human capacity for metaphorical thought. Literary and moving images bridge emotional response with the cognitive side of the brain. In a radical move to link the neurosciences with psychoanalysis, Fox foregrounds the interpretive experience as a way to reach personal emotional equilibrium by working through autobiographical issues within a fictive form.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 1,936円

Modern Sentimentalism Affect, Irony, and Female Authorship in Interwar America【電子書籍】[ Lisa Mendelman ]

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<p>Modern Sentimentalism examines how American female novelists reinvented sentimentalism in the modernist period. Just as the birth of the modern woman has long been imagined as the death of sentimental feeling, modernist literary innovation has been understood to reject sentimental aesthetics. Modern Sentimentalism reframes these perceptions of cultural evolution. Taking up icons such as the New Woman, the flapper, the free lover, the New Negro woman, and the divorc?e, this book argues that these figures embody aspects of a traditional sentimentality while also recognizing sentiment as incompatible with ideals of modern selfhood. These double binds equally beleaguer the protagonists and shape the styles of writers like Willa Cather, Edith Wharton, Anita Loos, and Jessie Fauset. 'Modern sentimentalism' thus translates nineteenth-century conventions of sincerity and emotional fulfillment into the skeptical, self-conscious modes of interwar cultural production. Reading canonical and under-examined novels in concert with legal briefs, scientific treatises, and other transatlantic period discourse, and combining traditional and quantitative methods of archival research, Modern Sentimentalism demonstrates that feminine feeling, far from being peripheral to twentieth-century modernism, animates its central principles and preoccupations.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 11,884円

Ethics of Writing Authorship and Legacy in Plato and Nietzsche【電子書籍】[ Sean Burke ]

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画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 5,381円

Authorship and the Films of David Lynch Aesthetic Receptions in Contemporary Hollywood【電子書籍】[ Antony Todd ]

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<p>This important new contribution to studies on authorship and film explores the ways in which shared and disputed opinions on aesthetic quality, originality and authorial essence have shaped receptions of Lynch's films. It is also the first book to approach David Lynch as a figure composed through language, history and text. Tracing the development of Lynch's career from cult obscurity with Eraserhead, to star auteur through the release of Blue Velvet, and TV phenomenon Twin Peaks, Antony Todd examines how his idiosyncratic style introduced the term 'Lynchian' to the colloquial speech of new Hollywood and helped establish Lynch as the leading light among contemporary American auteurs. Todd explores contemporary manners and attitudes for artistic reputation building, and the standards by which Lynch's reputation was dismantled following the release of Wild at Heart and Twin Peaks: Fire Walk with Me, only to be reassembled once more through films such as Lost Highway, Mulholland Dr. and INLAND EMPIRE.<br /> In its account of the experiences at play in the encounter between ephemera, text and reader, this book reveals how authors function for pleasure in the modern filmgoer's everyday consumption of films.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 4,246円

Development and Assessment of Self-Authorship Exploring the Concept Across Cultures【電子書籍】

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<p>This book brings together new scholarship that expands and refines the concept of self-authorship across cultures. It adopts a constructive-developmental approach to self-evolution that emphasizes the interaction of personal characteristics and contextual influences on individuals’ construction of knowledge, identities, and relationships. Individual chapters cover subjects from populations as varied as Dutch students, male and female Bedouin and Jewish adolescents, African American male and female adolescents in economically depressed areas of the US, Latino/a college students grappling with ethnic identity and dissonance, Australian college females preparing to be childcare workers, and finally a comparative study of Japanese and U.S. college students’ epistemic beliefs.The book concludes by addressing questions about the challenges and opportunities involved in developing a valid measure of self-authorship that is less time and expertise-intensive than the in-depth one-on-one interview employed until now; and offering an outline of future theoretical and methodological research needed to further our understanding of self-evolution in general and self-authorship in particular.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 6,569円

Medieval Authorship and Cultural Exchange in the Late Fifteenth Century The Utrecht Chronicle of the Teutonic Order【電子書籍】[ Rombert Stapel ]

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<p><em>Medieval Authorship and Cultural Exchange in the Late Fifteenth Century</em> is a multidisciplinary study of late medieval authorship and the military orders, framed as a whodunit that uncovers the anonymous author of the ‘Utrecht Chronicle of the Teutonic Order’.</p> <p>Through a close analysis of the <em>Utrecht Chronicle of the Teutonic Order</em> and its manuscripts, and by exploiting a wide range of scholarly techniques, from traditional philology and extensive codicological examinations to modern digital humanities techniques, the book argues that the recently resurfaced Vienna manuscript is actually an author’s copy, written in direct cooperation with the original author. This important assertion leads to a reinterpretation of the text, its sources and composition, authorship, and the context in which it was conceived. It allows us to associate the text with an upsurge of historiographical activities by various military orders across the continent, seemingly in response to the publication and aggressive dissemination of the account of the Siege of Rhodes by Guillaume Caoursin in 1480. Furthermore, the text can be positioned at the crossroads between different cultural spheres, ranging from the Baltic region to the Low Countries, spanning French, German, Dutch, and Latin linguistic traditions.</p> <p>This book will appeal to scholars and students of medieval history, as well as those interested in cultural history and the military religious orders.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 9,602円

Examining Text and Authorship in Translation What Remains of Christa Wolf?【電子書籍】[ Caroline Summers ]

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<p>This book, the first in-depth study of authorship in translation, explores how authorial identity is ‘translated’ in the literary text. In a detailed exploration of the writing of East German author Christa Wolf in English translation, it examines how the work of translators, publishers, readers and reviewers reframes the writer’s identity for a new reading public. This detailed study of Wolf, an author with a complex and contested public profile, intervenes in wide-ranging contemporary debates on globalised literary culture by examining how the fragmented identity of the ‘international’ author is contested by different stakeholders in the construction of a world literature. The book is interdisciplinary in its approach, representing new work in Translation Studies and German Studies that is also of interest and relevance to scholars of literature in other languages.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 10,331円

Gender, Performance, and Authorship at the Abbey Theatre【電子書籍】[ Elizabeth Brewer Redwine ]

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<p>Gender, Performance, and Authorship at the Abbey Theatre argues for a reconsideration of authorship at the Abbey Theatre. The actresses who performed the key roles at the Abbey contributed original ideas, language, stage directions, and revisions to the theatre's most renowned performances and texts, and this study asks that we consider the role of actresses in the development of these plays. Plays that have been historically attributed to W. B. Yeats and J. M. Synge have complicated histories, and the neglect of these women's contributions over the past century reflects power dynamics that privilege male, Anglo Irish writers over the contributions of working class actresses. The study asks that readers consider the importance of past performance in the creation of written text. Yeats began his earliest plays performing with and writing for Laura Armstrong, a young woman who was a precursor to Maud Gonne in her irreverent challenge to traditional gender roles. After writing his first plays and poems for Armstrong, Yeats met Gonne and developed two Cathleen plays, The Countess Cathleen and Cathleen ni Houlihan, for her to perform, beginning a lifetime of fruitful argument between the two writers about how Ireland should appear onstage. The book then turns to Synge's work with Molly Allgood in creating The Playboy of the Western World and Molly's contributions to Synge's Deirdre of the Sorrows. A section on Yeats's Deirdre shows the contributions of Lady Gregory and the play's performers. The book ends with a reconsideration of Abbey actress Sara Allgood's performances in British and American film as she brought her earliest work in the pre-Abbey tableau movement to American audiences in the 1940s, in ways that challenged ideas of Irishness, American identity, and aging women on screen.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 11,884円

Antigone's Daughters? Gender, Genealogy and the Politics of Authorship in 20th-Century Portuguese Women's Writing【電子書籍】[ Hilary Owen ]

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<p>Antigone's Daughters? provides the first detailed discussion in English of six well-known Portuguese women writers, working across a wide range of genres: Florbela Espanca (1894-1930), Irene Lisboa (1892-1958), Agustina Bessa Lu's, (1923- ), Nat_lia Correia (1923-93), HZlia Correia (1949 -) and L'dia Jorge (1946 - ). Together they cover the span of the 20th century and afford historical insights into the complex gender politics of achieving institutional acceptance and validation in the Portuguese national canon at different points in the 20th century. Although a patrilinear evolutionary model visibly structures national literary history in Portugal to the present day, women writers and critics have not generally sought to replace this with a matrilinear feminist counter-history. The unifying metaphor that the authors adopt here for the purpose of discussing Portuguese women's ambivalent response to female genealogy is the classical figure of Antigone, who paradoxically sacrifices her own genealogical continuity in the name of defending family and kinship, while resisting the patriarchal pragmatics of state-building. Should women writers, faced with the absence of a female tradition, posit a woman-centred place outside the jurisdiction of male genealogy, however strategically essentialist that place may be, or should they primarily eschew fixed sexual identity to act as unnameable saboteurs, undoing the law of patriarchal tradition from within?</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 6,026円

Authorship Attribution De-attribution & Re-attribution of Johannes Vermeer Paintings【電子書籍】[ Zara Ellis ]

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<p>Introduction</p> <p>Artworks have in the past been attributed to Johannes Vermeer (1632 ? 1675) as they have been similar in composition, style, technique, materials and subject matter. Some of these were later de-attributed for a number of reasons. The effect that this can have can be detrimental to the person who purchased it believing that it was a genuine Vermeer. On the other hand the person who bought a painting by a lesser known artist for a small sum and it later turns out to be a Vermeer worth millions would only be too pleased at his new found wealth. The effect on museum entrants may also be affected as some people may only visit to see a Vermeer painting and may be put off visiting if it turns out that it is a fake.</p> <p>When someone admits to faking artworks supposedly by famous artists every artwork by that artist is looked at in a different light and some are de-attributed if the examiner is in doubt. It is likely that it is then re-attributed by another person with the relevant knowledge which generally results in chaos and confusion within the art world.</p> <p>This eBook looks at some of the cases of Vermeer artworks that have been caught up in the chaotic world of artist forgeries.</p> <p>About the author</p> <p>Zara Ellis has a B.A. (Hons) in Antiques, History & Collecting from Southampton Solent University.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 631円

Rethinking ‘Authority’ in Late Antiquity Authorship, Law, and Transmission in Jewish and Christian Tradition【電子書籍】

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<p>The historian’s task involves unmasking the systems of power that underlie our sources. A historian must not only analyze the content and context of ancient sources, but also the structures of power, authority, and political contingency that account for their transmission, preservation, and survival. But as a tool for interpreting antiquity, "authority" has a history of its own. As authority gained pride of place in the historiographical order of knowledge, other types of contingency have faded into the background. This book’s introduction traces the genesis and growth of the category, describing the lacuna that scholars seek to fill by framing texts through its lens. The subsequent chapters comprise case studies from late ancient Christian and Jewish sources, asking what lies "beyond authority" as a primary tool of analysis. Each uncovers facets of textual and social history that have been obscured by overreliance on authority as historical explanation. While chapters focus on late ancient topics, the methodological intervention speaks to the discipline of history as a whole. Scholars of classical antiquity and the early medieval world will find immediately analogous cases and applications. Furthermore, the critique of the place of authority as used by historians will find wider resonance across the academic study of history.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 9,602円

Trance Speakers Femininity and Authorship in Spiritual S?ances, 1850-1930【電子書籍】[ Claudie Massicotte ]

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<p>Few people know that Susanna Moodie participated in spiritual s?ances with her husband, Dunbar, and her sister, Catharine Parr Traill. Moodie, like many other women, found in her communications with the departed an important space to question her commitment to authorship and her understanding of femininity. Retracing the history of possession and mediumship among women following the emergence of spiritualism in mid-nineteenth-century Canada ? and unearthing a vast collection of archival documents and photographs from s?ances ? Claudie Massicotte pinpoints spiritualism as a site of conflict and gender struggle and redefines modern understandings of female agency. Trance Speakers offers a new feminist and psychoanalytical approach to the religious and creative practice of trance, arguing that by providing women with a voice for their conscious and unconscious desires, this phenomenon helped them resolve their inner struggles in a society that sought to confine their lives. Drawing attention to the fascinating history of spiritualism and its persistent appeal to women, Massicotte makes a strong case for moving this practice out of the margins of the past. A compelling new reading of spiritual possession as a response to conflicting interpretations of authorship, agency, and gender, Trance Speakers shines a much-needed light on women’s religious practices and on the history of spiritualist traditions and travels across North America and Europe.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 7,104円

Rough Writing Ethnic Authorship in Theodore Roosevelt’s America【電子書籍】[ Aviva F. Taubenfeld ]

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<p>As the United States struggled to absorb a massive influx of ethnically diverse immigrants at the turn of the twentieth century, the question of who and what an American is took on urgent intensity. It seemed more critical than ever to establish a definition by which Americanness could be established, transmitted, maintained, and judged. Americans of all stripes sought to articulate and enforce their visions of the nation’s past, present, and future; central to these attempts was President Theodore Roosevelt.<br /> Roosevelt fully recognized the narrative component of American identity, and he called upon authors of diverse European backgrounds including Israel Zangwill, Jacob Riis, Elizabeth Stern, and Finley Peter Dunne to promote the nation in popular written form. With the swell and shift in immigration, he realized that a more encompassing national literature was needed to “express and guide the soul of the nation.” <strong>Rough Writing</strong> examines the surprising place and implications of the immigrant and of ethnic writing in Roosevelt’s America and American literature.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 4,583円

A Portrait of the Auteur as Fanboy The Construction of Authorship in Transmedia Franchises【電子書籍】[ Anastasia Salter ]

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<p>Increasingly over the past decade, fan credentials on the part of writers, directors, and producers have come to be seen as a guarantee of quality media makingーthe “fanboy auteur.” Figures like Joss Whedon are both one of “us” and one of “them.” This is a strategy of marketing and brandingーit is a claim from the auteur himself or industry PR machines that the presence of an auteur who is also a fan means the product is worth consuming. Such claims that fan credentials guarantee quality are often contested, with fans and critics alike rejecting various auteur figures as the true leader of their respective franchises. That split, between assertions of fan and auteur status and acceptance (or not) of that status, is key to unravelling the fan auteur.</p> <p>In <em>A Portrait of the Auteur as Fanboy: The Construction of Authorship in Transmedia Franchises</em>, authors Anastasia Salter and Mel Stanfill examine this phenomenon through a series of case studies featuring fanboys. The volume discusses both popular fanboys, such as J. J. Abrams, Kevin Smith, and Joss Whedon, as well as fangirls like J. K. Rowling, E L James, and Patty Jenkins, and dissects how the fanboy-fangirl auteur dichotomy is constructed and defended by popular media and fans in online spaces, and how this discourse has played in maintaining the exclusionary status quo of geek culture.</p> <p>This book is particularly timely given current discourse, including such incidents as the controversy surrounding Joss Whedon’s so-called feminism, the publication of <em>Harry Potter and the Cursed Child</em>, and contestation over authorial voices in the DC cinematic universe, as well as broader conversations about toxic masculinity and sexual harassment in Hollywood.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 4,044円

Scientific Authorship Credit and Intellectual Property in Science【電子書籍】

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<p>Since the seventeenth century our ideas of scientific authorship have expanded and changed dramatically. In this ambitious volume of new work, Mario Biagioli and Peter Galison have brought together historians of science, literary historians, and historians of the book. Together they track the changing nature and identity of the author in science, both historically and conceptually, from the emergence of scientific academies in the age of Galileo to concerns with large-scale multiauthorship and intellectual property rights in the age of cloning labs and pharmaceutical giants. How, for example, do we decide whether a chemical compound is discovered or invented? What does it mean to patent genetic material? Documenting the emergence of authorship in the late medieval period, authorship's limits and its fragmentation, Scientific Authorship offers a collective history of a complex relationship.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 10,108円

Assimilating Asians Gendered Strategies of Authorship in Asian America【電子書籍】[ Donald E. Pease ]

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<p>One of the central tasks of Asian American literature, argues Patricia P. Chu, has been to construct Asian American identities in the face of existing, and often contradictory, ideas about what it means to be an American. Chu examines the model of the Anglo-American bildungsroman and shows how Asian American writers have adapted it to express their troubled and unstable position in the United States. By aligning themselves with U.S. democratic ideals while also questioning the historical realities of exclusion, internment, and discrimination, Asian American authors, contends Chu, do two kinds of ideological work: they claim Americanness for Asian Americans, and they create accounts of Asian ethnicity that deploy their specific cultures and histories to challenge established notions of Americanness.<br /> Chu further demonstrates that Asian American male and female writers engage different strategies in the struggle to adapt, reflecting their particular, gender-based relationships to immigration, work, and cultural representation. While offering fresh perspectives on the well-known writingsーboth fiction and memoirーof Maxine Hong Kingston, Amy Tan, Bharati Mukherjee, Frank Chin, and David Mura, <em>Assimilating Asians</em> also provides new insight into the work of less recognized but nevertheless important writers like Carlos Bulosan, Edith Eaton, Younghill Kang, Milton Murayama, and John Okada. As she explores this expansive range of textsーpublished over the course of the last century by authors of Chinese, Japanese, Korean, Filipino, and Indian origin or descentーChu is able to illuminate her argument by linking it to key historical and cultural events.<br /> <em>Assimilating Asians</em> makes an important contribution to the fields of Asian American, American, and women’s studies. Scholars of Asian American literature and culture, as well as of ethnicity and assimilation, will find particular interest and value in this book.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 4,710円

Pier Paolo Pasolini Performing Authorship【電子書籍】[ Gian Maria Annovi ]

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<p>Before his mysterious murder in 1975, Pier Paolo Pasolini had become famousーand infamousーnot only for his groundbreaking films and literary works but also for his homosexuality and criticism of capitalism, colonialism, and Western materialism. In <em>Pier Paolo Pasolini: Performing Authorship</em>, Gian Maria Annovi revisits Pasolini's oeuvre to examine the author's performance as a way of assuming an antagonistic stance toward forms of artistic, social, and cultural oppression. Annovi connects Pasolini's notion of authorship to contemporary radical artistic practices and today's multimedia authorship.</p> <p>Annovi considers the entire range of Pasolini's work, including his poetry, narrative and documentary film, dramatic writings, and painting, as well as his often scandalous essays on politics, art, literature, and theory. He interprets Pasolini's multimedia authorial performance as a masochistic act to elicit rejection, generate hostility, and highlight the contradictions that structure a repressive society. Annovi shows how questions of authorial self-representation and self-projection relate to the artist's effort to undermine the assumptions of his audience and criticize the conformist practices that the culture industry and mass society impose on the author. Pasolini reveals the critical potential of his spectacular celebrity by using the author's corporeal or vocal presence to address issues of sexuality and identity, and through his strategic self-fashioning in films, paintings, and photographic portraits he destabilizes the audience's assumptions about the author.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 9,307円

A Letter on Shakespeare's Authorship of the Two Noble Kinsmen and on the Characteristics of Shakespeare's Style and the Secret of His Supremacy【電子書籍】[ William Spalding ]

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<p>This Letter by Prof. Spalding has always seemd to me one of the ablest (if not the ablest) and most stimulating pieces of Shakspere criticism I ever read. And even if you differ from the writer’s conclusion as to Shakspere’s part, or even hold that Shakspere took no part at all, in the Play, you still get almost as much good from the essay as if you accept its conclusions as to the authorship of The Two Noble Kinsmen. It is for its general, more than for its special, discussions, that I value this Letter. The close reasoning, the spirited language, the perception and distinction of the special qualities of Shakspere’s work, the investigation into the nature of dramatic art, the grasp of subject, and the mixt logic and enthusiasm of the whole Letter, are worthy of a true critic of our great poet, and of the distinguisht Professor of Logic, Rhetoric, and Metaphysics, who wrote this treatise, that at once delights and informs every one who reads it. No wonder it carrid away and convinct even the calm judicial mind of Hallam. Indeed, while reading the Letter, one can hardly resist the power of Prof. Spalding’s argument, backt as it is by his well-chosen passages from the Play. But when one turns to the play itself, when one reads it aloud with a party of friends, then come doubt and hesitation. One begins to ask, ‘Is this indeed Shakspere, Shakspere at the end of his glorious career, Shakspere who has just given us Perdita, Hermione and Autolycus’? Full of the heavenly beauty of Perdita’s flowers, one reads over The Two Noble Kinsmen flower-song, and asks, pretty as the fancy of a few of the epithets is, whether all that Shakspere, with the spring-flowers of Stratford about him, and the love of nature deeper than ever in his soulーwhether all he has to say of the daisyーChaucer’s ‘Quene of flour?s alle’ーis, that it is “smelless but most quaint”; and of marigolds, that they blow on death-beds, when one recollects his twenty-years’ earlier use of them in Lucrece (A.D. 1594):ー Without the bed her other fair hand was, On the green coverlet; whose perfect white Show’d like an April daisy on the grass, With pearly sweat, resembling dew of night.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 640円

Ecclesiastes and the Riddle of Authorship【電子書籍】[ Thomas M. Bolin ]

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<p>In Ecclesiastes, the authorial voice of Qohelet presents an identity that has challenged readers for centuries. This book offers a reception history of the different ways readers have constructed Qohelet as an author. Previous reception histories of Ecclesiastes group readings into "premodern" and "critical," or separate Jewish from Christian readings. In deliberate contrast, this analysis arranges readings thematically according to the interpretive potential inherent in the text, a method of biblical reception history articulated by Brennan Breed. Doing so erases the artificial distinctions between so-called scholarly and confessional readings and highlights the fact that many modern academic readings of the authorship of Ecclesiastes travel in well-worn interpretive paths that long predate the rise of critical scholarship. Thus this book offers a reminder that, while critical biblical scholarship is an essential part of the interpretive task, academic readings are themselves indebted to the Bible’s reception history and a part of it.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 10,108円

Wingless Desire in Modernist Russia Envy and Authorship in the 1920s【電子書籍】[ Yelena Zotova ]

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<p>In Wingless Desire in Modernist Russia, Yelena Zotova argues that the concept of envy underwent a peculiar transformation in the Russian Modernist prose of the 1920s due to a series of radical shifts in societal values, with each subsequent change thwarting Russia’s volatile axiological hierarchy. Industriousness and austerity, inferior to playful genius in Pushkin’s “Mozart and Salieri,” became virtues, while the intrinsic value of nonutilitarian art was officially nullified by the Bolshevik state.Consequently, a new literary type emerged, and envy, described as “wingless desire” by Russia’s chief poet Alexander Pushkin, obtained new ownership as the envied became the envier. Superimposing twentieth-century theories of envy onto Mikhail Bakhtin’s “Author and Hero in the Aesthetic Activity” (1923), Zotova proposes that Salieri’s envy could be the wingless embryo of the Bakhtinian authorship.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 6,673円

Imperial Culture and the Sudan Authorship, Identity and the British Empire【電子書籍】[ Lia Paradis ]

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<p>General Gordon's death in the Sudan marks the height of imperial cultural fever. Even in the late nineteen seventies, the themes of Khartoum were still the basis for children's stories, comic books, and depictions of masculinity.<em>Imperial Culture in the Sudan</em> seeks to examine the cultural impact of Sudan on the popular image of the British empire ? why were these colonial administrators characterized as 'adventurers'? Why was Sudan and the story of General Gordon so popular? The author argues it coincided with the mass production of popular journalism, the height of Jingoism as a cultural product and therefore a study of Sudan's experience tells us a lot about the British Empire ? how it was made, consumed and remembered.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 5,277円

MOSAIC AUTHORSHIP CONTROVERSY Who Really Wrote the First Five Books of the Bible?【電子書籍】[ Edward D. Andrews ]

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<p>Who wrote the first five books of the Bible? Was it Moses or was it others centuries later? If Moses wrote the first five books of the Bible, then how was his own death and burial written in Deuteronomy Chapter 34? Many mainstream Bible scholars argue that Moses could not have written the Pentateuch since he likely existed many centuries earlier than the development of the Hebrew language. When was the origin of the Hebrew language? Popular scholarship says that if Moses had written the Pentateuch, he would have written in the Egyptian language, not the Hebrew. Moreover, most of the Israelites and other people of the sixteenth century B.C.E. were illiterate, so who could have written the Torah, and for whom would it be written because the people of that period did not read?</p> <p>Finally, analysis of the first five books demonstrates multiple authors, not just one, which explains the many discrepancies. Multiple authors also explain the many cases of telling of the same story twice, making the same events appear to happen more than once. The modern mainstream scholarship would argue that within the Pentateuch we see such things as preferences for certain words, differences in vocabulary, reoccurring expressions in Deuteronomy that are not found in Genesis, Exodus, Leviticus, and Numbers, all evidence for their case for multiple authors.</p> <p>What does the evidence say? What does archaeology, linguistic analysis, historical studies, textual analysis, and insights from Egyptologists tell us? Again, who wrote the first five books of the Bible? Was it Moses or was it others centuries later? Andrews offers his readers an objective view of the evidence.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 1,172円

Author, Reader, Book Medieval Authorship in Theory and Practice【電子書籍】

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<p>The current focus on the theme of authorship in Medieval and Early Modern studies reopens questions of poetic agency and intent. Bringing into conversation several kinds of scholarship on medieval authorship, the essays in <em>Author, Reader, Book</em> examine interrelated questions raised by the relationship between an author and a reader, the relationships between authors and their antecedents, and the ways in which authorship interacts with the physical presentation of texts in books.</p> <p>The broad chronological range within this volume reveals the persistence of literary concerns that remain consistent through different periods, languages, and cultural contexts. Theoretical reflections, case studies from a wide variety of languages, examinations of devotional literature from figures such as Bishop Reginald Pecock, and analyses of works that are more secular in focus, including some by Chaucer and Christine de Pizan, come together in this volume to transcend linguistic and disciplinary boundaries.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 13,479円

Authorship and Cultural Identity in Early Greece and China Patterns of Literary Circulation【電子書籍】[ Alexander Beecroft ]

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<p>In this book, Alexander Beecroft explores how the earliest poetry in Greece (Homeric epic and lyric) and China (the Canon of Songs) evolved from being local, oral, and anonymous to being textualised, interpreted, and circulated over increasingly wider areas. Beecroft re-examines representations of authorship as found in poetic biographies such as Lives of Homer and the Zuozhuan, and in the works of other philosophical and historical authors like Plato, Aristotle, Herodotus, Confucius, and Sima Qian. Many of these anecdotes and narratives have long been rejected as spurious or motivated by na?ve biographical criticism. Beecroft argues that these texts effectively negotiated the tensions between local and pan-cultural audiences. The figure of the author thus served as a catalyst to a sense of shared cultural identity in both the Greek and Chinese worlds. It also facilitated the emergence of both cultures as the bases for cosmopolitan world orders.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 6,875円

Performing Authorship in the Nineteenth-Century Transatlantic Lecture Tour【電子書籍】[ Amanda Adams ]

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<p>Expanding our understanding of what it meant to be a nineteenth-century author, Amanda Adams takes up the concept of performative, embodied authorship in relationship to the transatlantic lecture tour. Adams argues that these tours were a central aspect of nineteenth-century authorship, at a time when authors were becoming celebrities and celebrities were international. Spanning the years from 1834 to 1904, Adams’s book examines the British lecture tours of American authors such as Frederick Douglass, Harriet Beecher Stowe, and Mark Twain, and the American lecture tours of British writers that include Harriet Martineau, Charles Dickens, Oscar Wilde, and Matthew Arnold. Adams concludes her study with a discussion of Henry James, whose American lecture tour took place after a decades-long absence. In highlighting the wide range of authors who participated in this phenomenon, Adams makes a case for the lecture tour as a microcosm for nineteenth-century authorship in all its contradictions and complexity.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 12,635円

Fanfiction as Queer Healing Femslash Authorship and the Swan Queen Ship【電子書籍】[ Dr Alice M. Chapman-Kelly ]

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<p><strong>Exploring the phenomenon of Femslash fanfiction (fan narratives that bring together heterosexual female characters from mainstream media and fiction), this book analyses fan-authored works as forms of literature worthy of studying at length.</strong> It examines the anti-racist, feminist, sapphic fan works produced in response to white supremacist, heteronormative, queerbaiting mainstream fantasy and argues that they represent a significant site of queer healing for marginalised audience members.</p> <p>Focusing on the 'Swan Queen' fandom, where fans pair the 'white trash' heroine, Emma Swan and the villainous Latina Evil Queen (Regina Mills) from ABC's hit show <em>Once Upon a Time</em>, Alice Kelly redresses the widespread academic neglect of queer female fandoms and responds to urgent calls to diversify fan and fantasy scholarship. With reference to complex theoretical subjects such as ethnography, sociology, psychology and decolonial, queer, film and media studies, the book also delves into the alternative timescales on which queer female and genderqueer fan authorship runs; offers intriguing insights into fanfiction narrative structures; and tackles the issues of broader fandom representation and contextualization.</p> <p>Making the case that fan texts deserve attention in the academy, Kelly shows how some of the most prolific fan works have the ability to enact colour reparation and a reclamation of memory, fantasy, romance, maternity, childhood, parenting and magic. These fictions serve fan communities as a whole through intersectional challenges to the power dynamics of the source text and within the fandom itself and, as the book demonstrates, offer attendant validation to fantasy fans who have been repeatedly told that the genre is not for them.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 14,823円

A Theory of Linguistic Individuality for Authorship Analysis【電子書籍】[ Andrea Nini ]

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<p>Authorship analysis is the process of determining who produced a questioned text by language analysis. Although there has been significant success in the performance of computational methods to solve this problem in recent years, these are often methods that are not amenable to interpretation. Authorship analysis is in all effects an area of computer science with very little linguistics or cognitive science. This Element introduces a Theory of Linguistic Individuality that, starting from basic notions of cognitive linguistics, establishes a formal framework for the mathematical modelling of language processing that is then applied to three computational experiments, including using the likelihood ratio framework. The results propose new avenues of research and a change of perspective in the way authorship analysis is currently carried out. This title is also available as Open Access on Cambridge Core.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 3,100円