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20件中 1件 - 20件  1
商品説明価格
【輸入盤CD】Boismortier/Elysium Ensemble / Joseph Bodin De Boismortier: Six Sonates Op 51【K2016/11/11発売】
あめりかん・ぱい
2016/11/11 発売輸入盤レーベル:RESONUS CLASSICS収録曲: 2,990円
【輸入盤CD】Boismortier/Le Concert Spirituel / Don Quichotte Chez La Duchesse【K2022/9/23発売】
あめりかん・ぱい
2022/9/23 発売輸入盤レーベル: CHATEAU VERSAILLES収録曲: 3,290円
【輸入盤CD】Boismortier/Jeffery/Vashegyi / Les Voyages De L'Amour (2PK)【K2020/10/2発売】
あめりかん・ぱい
2020/10/2 発売輸入盤レーベル:GLOSSA収録曲: 4,890円
【輸入盤CD】Boismortier/Geoffroy/Barrucand / Caracteres D'Ulysse【K2020/3/27発売】
あめりかん・ぱい
2020/3/27 発売輸入盤レーベル: CHATEAU VERSAILLES収録曲: 3,290円
【輸入盤CD】Boismortier/Bond/Kohnen / French Music For Bassoon (3PK)【K2021/6/18発売】
あめりかん・ぱい
こちらの商品はネコポスでお届け出来ません。2021/6/18 発売輸入盤レーベル: ACCENT RECORDS収録曲: 3,940円
【輸入盤CD】Boismortier/Trianon / Boismortier: Sonatas & Trios【K2017/5/26発売】
あめりかん・ぱい
2017/5/26 発売輸入盤レーベル:RICERCAR収録曲: 3,290円
【輸入盤CD】Boismortier/Fasch/Ensemble Marsyas/Whelan / Proud Bassoon - Virtuoso Works For Baroque Bassoon【2014/2/25発売】
あめりかん・ぱい
2014/2/25 発売輸入盤レーベル:LINN RECORDS収録曲:SUPER-AUDIO CD 3,890円
【輸入盤CD】Boismortier/Wentz/Musica Ad Rhenum / Joseph Bodin De Boismortier: Sonatas Opp 44【K2017/2/24発売】
あめりかん・ぱい
発売日: 2017/2/24輸入盤USレーベル: Brilliant Classics収録曲: 1.1 I. Prelude. Lentement1.2 II. Allemande. Moderement1.3 III. Rondeau, 'Les Charites'. Gracieusement1.4 IV. L'emerveillee. Gaiment1.5 V. Gavotte1.6 VI. Menuet1.7 I. Prelude. Lentement1.8 II. Bouree1.9 III. Musette en Rondeau. Gracieusement1.10 IV. Gigue1.11 V. Rigaudon 1 ; 21.12 I. Prelude. Lentement1.13 II. Courante1.14 III. Rondeau: Gravement1.15 IV. Autre Rondeau. Gaiment1.16 V. Sarabande1.17 VI. Gavotte1.18 I. Prelude. Lentement1.19 II. Air. Gaiment1.20 III. Rondeau: Gaiment1.21 IV. Air. Doucement, Et Mesure1.22 V. Musette. Gracieusement1.23 I. Prelude. Lentement1.24 II. Bouree en Rondeau1.25 III. Rondeau: Graciesement1.26 IV. Fantaisie. Vivement1.27 V. Gigue1.28 I. Prelude. Lentement1.29 II. Allemande. Moderement1.30 III. Ramage. Doucement. Gaiment1.31 IV. Menuet 1 ; 22.1 I. Adagio. Allegro. Adagio2.2 II. Allegro2.3 III. Siciliana2.4 IV. Allegro2.5 I. Vivace2.6 II. Presto2.7 III. Aria. Affettuoso2.8 IV. Giga2.9 I. Vivace2.10 II. Allegro2.11 III. Adagio2.12 IV. Allegro2.13 I. Largo2.14 II. Allegro2.15 III. Aria. Andante2.16 IV. Allegro2.17 I. Andante2.18 II. Allegro2.19 III. Adagio2.20 IV. Gavotta2.21 I. Andante2.22 II. Allegro2.23 III. Aria. Affetuoso2.24 IV. Giga3.1 I. Sicilienne3.2 II. Gayement3.3 III. Gracieusement3.4 IV. Gayement3.5 I. Gayement3.6 II. Gracieusement3.7 III. Gayement3.8 I. Rondement. Gayement3.9 II. Air. Gracieusement3.10 III. Gayement3.11 I. Gayement3.12 II. Gracieusement3.13 III. Gayement3.14 I. Legerement3.15 II. Gracieusement3.16 III. Gayement3.17 I. Gayement3.18 II. Gracieusement3.19 III. Menuet I ; 2コメント: 3,390円
【輸入盤CD】Boismortier/Martignago/Ventimiglia / Sonatas For 2 Flutes【K2020/10/16発売】
あめりかん・ぱい
発売日: 2020/10/16輸入盤USレーベル: Brilliant Classics収録曲:コメント:Composing came easily to Joseph Bodin de Boismortier (1689-1755). Having arrived in Paris in 1724, he embarked on writing what would become a vast catalogue of instrumental music focused on the flute (or recorder), which so tickled the palates of his bourgeois and aristocratic audiences and amateur performers, and of which he was himself a considerable practitioner. In particular the works for paired flutes reveal a fluency of style that speaks eloquently for Boismortier's fluency as a composer. The six duets collected here are first and foremost music to enjoy, both in the playing and the listening. Boismortier's duets reflect the rhetorical principle of elegant and refined conversation, a musical translation of intimate dialogue between two equals, neither of which is ever reduced to the role of mere accompaniment. The prevailing rule is imitation or agreement: when a theme is stated by one player it is taken over by the other and developed, never challenged or opposed. Even the three duets in his first published collection, Op.1, provide ample proof of Boismortier's lively creative spirit as well as his skill in counterpoint, designed to attract professional players keen to show off their technical and expressive expertise. The movement titles within each duet may encapsulate French dance forms - Gavotte, Allemande, Courante and so on - but Boismortier was far too cultivated and cosmopolitan a musician not to absorb influences from farther afield. His contrapuntal style makes him the French equivalent of Telemann, and the busy passagework recall the violin writing of Italian Baroque masters such as Corelli and Geminiani.Composing came easily to Joseph Bodin de Boismortier (1689-1755). Having arrived in Paris in 1724, he embarked on writing what would become a vast catalogue of instrumental music focused on the flute (or recorder), which so tickled the palates of his bourgeois and aristocratic audiences and amateur performers, and of which he was himself a considerable practitioner. In particular the works for paired flutes reveal a fluency of style that speaks eloquently for Boismortier's fluency as a composer. The six duets collected here are first and foremost music to enjoy, both in the playing and the listening. Boismortier's duets reflect the rhetorical principle of elegant and refined conversation, a musical translation of intimate dialogue between two equals, neither of which is ever reduced to the role of mere accompaniment. The prevailing rule is imitation or agreement: when a theme is stated by one player it is taken over by the other and developed, never challenged or opposed. Even the three duets in his first published collection, Op.1, provide ample proof of Boismortier's lively creative spirit as well as his skill in counterpoint, designed to attract professional players keen to show off their technical and expressive expertise. The movement titles within each duet may encapsulate French dance forms - Gavotte, Allemande, Courante and so on - but Boismortier was far too cultivated and cosmopolitan a musician not to absorb influences from farther afield. His contrapuntal style makes him the French equivalent of Telemann, and the busy passagework recall the violin writing of Italian Baroque masters such as Corelli and Geminiani. 2,390円

【輸入盤DVD】BOISMORTIER/LE CONCERT SPIRITUEL/NIQUET / DON QUIXOTE AT THE DUCHESS

あめりかん・ぱい
こちらのDVDは輸入盤DVDです。リージョン=フリーのDVDプレイヤーでない場合、再生できない可能性があります。リージョン=フリーのDVDプレイヤーはこちらでご案内しております。種別:DIGITAL VIDEO DISCジャンル:Classical Artists発売日:2016/1/29ディスク枚数:1コメント:The Niquet, Shirley & Dino trio was formed on the occasion of Purcell's King Arthur, a show that marked the lyric stage and the world of the DVD. Five years later, their complicity has been further reinforced, and they present a work close to Herve Niquet's heart: Boismortier's Don Quichotte chez la Duchesse. This opera-ballet, written for Carnival and first performed in Paris in 1743, occupies a particular place in Herve Niquet's career since it was the first work played by Le Concert Spirituel 27 years ago: 'In addition to being composed by a genius of the Enlightenment, this comic opera is a gem of music, wit and humour,' says he. The wit of the famous Benizio couple is felicitously expressed in this story of which they have rewritten the comedy scenes, which had disappeared: 'From this succession of episodes, one more incongruous than the next, from this incredible accumulation of remarkably constructed gags (Niquet as Don Quichotte, Corinne Benizio/Shirley in a hilarious cantadora number, accompanied by Herve Niquet with castanets, Gilles/Dino singing - not too badly! - a courtly air with harpsichord whilst the hysterical Duchess bellows in the wings), ensues a perfectly mad show' (ResMusica). The whole thing with all the necessary strictness in reproducing the music... Worth noting: the performance of the singer-actors and the splendid costumes and sets. A total spectacle filmed at the Royal Opera of the Chateau de Versailles. Bonus: a 52-minute documentary on the behind-the-scenes preparation of the production. 'First of all, we must hail the remarkable writing and dramaturgical work that is marvellously faithful to the work's off-beat universe. In phase with the reading of Shirley and Dino, the prize goes to the orchestra and dynamic, lively and invigorating conducting. Decidedly, Niquet has no rivals for transmitting his boundless love for this Poulenc of the Enlightenment.' 5,490円
【輸入盤CD】Aho/Boismortier/Adrian Tully / Reflections【K2022/10/21発売】
あめりかん・ぱい
2022/10/21 発売輸入盤レーベル: MDG収録曲: 3,290円
【輸入盤CD】De Boismortier/Fasoli-Von Harten/Fasoli / Chamber Music For Flute & Violin
あめりかん・ぱい
2015/10/9 発売輸入盤レーベル: THOROFON収録曲: 3,890円
【輸入盤CD】Boismortier/Neumeyer Consort / Trios Quartets & Concerto【K2021/3/19発売】
あめりかん・ぱい
2021/3/19 発売輸入盤レーベル: CHRISTOPHORUS収録曲: 3,290円
【輸入盤CD】Boismortier/Ciuffa / Court & Village【K2019/11/1発売】
あめりかん・ぱい
発売日: 2019/11/1輸入盤USレーベル: Brilliant Classics収録曲:コメント:Boismortier (1689-1755) was a highly successful composer, active at the same time as Jean-Louis Rameau (1683-1764) during the Rococo era and the reign of Louis XV. He wrote over 100 compositions during his lifetime, and their characteristic lightness and grace made him immensely popular with Parisian sophisticates of his day. This set opens with an upbeat and charming trio sonata (Op.37/3) in which the recorder flits between playful and sombre melody lines with ensemble accompaniment. Boismortier is most known for his compositions for the recorder and the flute, but he composed for a wide variety of instruments. For example, this release includes two suite movements from his Pieces de clavecin Op.59 for solo harpsichord. 'La Puce' (The Flea) has a humorous staccato theme which jumps along the keyboard before evolving into a satisfying harmonic progression. Boismortier's music is a blend of Italian and French styles, and he was the first French composer to employ the Italian concerto style, of which this set contains two examples. An entrepreneur in the modern sense, Boismortier had no patrons and published his own music, a rare feat for the time. The composer earned enough from sales to be self-sufficient, meaning he could freely pursue the latest musical trends without having to conform to the tastes of commissioning aristocrats. Boismortier studied with the accomplished motetist Joseph Valette de Montigny (1665-1738), and he lived in Perpignan for several years working as a receiver for the Royal Tobacco Control before making a name for himself as a composer. Word of his sublime and effortless music soon reached Paris, and not long after, in 1724, he moved to the French capital, where he continued composing until his death. The set closes with rousing folk music in the fourth 'village dance' suite from his 4 Balets de village en trio Op.52. The rustic melodies contrast with an arrangement typically favoured by the elites: Boismortier employs flutes, recorders, violin and a steady basso continuo. This is perhaps a reflection on dual identity, by a composer who climbed the economic ladder from a humble upbringing in Thionville to join the ranks of Parisian high society.Boismortier (1689-1755) was a highly successful composer, active at the same time as Jean-Louis Rameau (1683-1764) during the Rococo era and the reign of Louis XV. He wrote over 100 compositions during his lifetime, and their characteristic lightness and grace made him immensely popular with Parisian sophisticates of his day. This set opens with an upbeat and charming trio sonata (Op.37/3) in which the recorder flits between playful and sombre melody lines with ensemble accompaniment. Boismortier is most known for his compositions for the recorder and the flute, but he composed for a wide variety of instruments. For example, this release includes two suite movements from his Pieces de clavecin Op.59 for solo harpsichord. 'La Puce' (The Flea) has a humorous staccato theme which jumps along the keyboard before evolving into a satisfying harmonic progression. Boismortier's music is a blend of Italian and French styles, and he was the first French composer to employ the Italian concerto style, of which this set contains two examples. An entrepreneur in the modern sense, Boismortier had no patrons and published his own music, a rare feat for the time. The composer earned enough from sales to be self-sufficient, meaning he could freely pursue the latest musical trends without having to conform to the tastes of commissioning aristocrats. Boismortier studied with the accomplished motetist Joseph Valette de Montigny (1665-1738), and he lived in Perpignan for several years working as a receiver for the Royal Tobacco Control before making a name for himself as a composer. Word of his sublime and effortless music soon reached Paris, and not long after, in 1724, he moved to the French capital, where he continued composing until his death. The set closes with rousing folk music in the fourth 'village dance' suite from his 4 Balets de village en trio Op.52. The rustic melodies contrast with an arrangement typically favoured by the elites: Boismortier employs flutes, recorders, violin and a steady basso continuo. This is perhaps a reflection on dual identity, by a composer who climbed the economic ladder from a humble upbringing in Thionville to join the ranks of Parisian high society. 2,390円
【輸入盤CD】Boismortier/Franceschini/Baldassarri / Winds In Versailles【K2017/1/27発売】
あめりかん・ぱい
2017/1/27 発売輸入盤レーベル:URANIA RECORDS収録曲: 2,990円

【輸入盤CD】Boismortier/Les Deux Violes / Sonates A Deux Violes 10【K2020/3/6発売】

あめりかん・ぱい
発売日: 2020/3/6輸入盤USレーベル: Antes収録曲:コメント:Les deux Violes (Georg Noeldeke & Rahel Klein, viola da gamba) present their new album on the ANTES EDITION label. Georg Noeldeke was born in Neuenburg in 1964. His first music lessons were with Prof. Rolf Schweizer at the Evangelical Singin School Pforzheim. He studied double bass and musical composition at the music academies in Trossingen and Mannheim. Since 2000 he has worked as a freelance artist with a focus on early music and historical string instruments. Rahel Klein was born in Calw in 1992 and grew up in a family of musicians. She began playing cello at the age of six, and was drawn eventually to the music of the Baroque era. Rahel Klein works as a freelance musician in various projects. She teaches at the music schools in Calw and Trossingen.Les deux Violes (Georg Noeldeke & Rahel Klein, viola da gamba) present their new album on the ANTES EDITION label. Georg Noeldeke was born in Neuenburg in 1964. His first music lessons were with Prof. Rolf Schweizer at the Evangelical Singin School Pforzheim. He studied double bass and musical composition at the music academies in Trossingen and Mannheim. Since 2000 he has worked as a freelance artist with a focus on early music and historical string instruments. Rahel Klein was born in Calw in 1992 and grew up in a family of musicians. She began playing cello at the age of six, and was drawn eventually to the music of the Baroque era. Rahel Klein works as a freelance musician in various projects. She teaches at the music schools in Calw and Trossingen. 3,890円
【輸入盤CD】Boismortier/Bagliano/Umbra Lucis Ensemble / Music For Flute【K2018/12/7発売】
あめりかん・ぱい
発売日: 2018/12/7輸入盤USレーベル: Brilliant Classics収録曲:コメント:As attractive as it is fluent and copious in quantity, the music of Joseph Bodin de Boismortier (1682-1765) gave immense pleasure to his courtly French audiences, so lucratively that he was able, unusually for his time, to pursue a career loosened from the ties of aristocratic patronage. He embodied the 18th-century homme du monde, and his music always reflects the conviviality and refined taste that permeated every aspect of the Parisian society of the time. This collection of Boismortier's chamber music opens with the Ballet de village in G Op.52 No.1, published in 1752. A traditional sequence of dance movements is treated in a subtle and charming manner and concluding with a flamboyant chaconne: a stunning example of the composer's refinement, grace and virtuoso writing for the flute which was his own instrument. This Italian early-music ensemble then explores a more Italian side to Boismortier's idiom with sonatas from the Opp. 34, 37 and 91 collections. They alternate with excerpts from the vividly pictorial Pieces de clavecin Op.59, which capture archetypes of contemporary French society with wit and even sympathy in works such as La Valetudinaire. The music fits perfectly under the fingers: for clarity, refinement and expressive power these pieces are comparable in form and inventiveness to the keyboard music of Francois Couperin. Also wholly French in idiom is the Suite in D Op.31 for viola da gamba and basso continuo: it's flowing and sensuous cantabile style may even be heard as a homage to Marin Marais, who had died in 1728. This album is the latest in a series of critically acclaimed recordings made by the recorder and flute player and director Stefano Bagliano. Previous Brilliant Classics albums have included concertos and sonatas by Quantz, praised by MusicWeb International as "an excellent recording to become acquainted with Quantz... one might consider getting hold of other recordings of Bagliano after having been left spellbound by his rendering."As attractive as it is fluent and copious in quantity, the music of Joseph Bodin de Boismortier (1682-1765) gave immense pleasure to his courtly French audiences, so lucratively that he was able, unusually for his time, to pursue a career loosened from the ties of aristocratic patronage. He embodied the 18th-century homme du monde, and his music always reflects the conviviality and refined taste that permeated every aspect of the Parisian society of the time. This collection of Boismortier's chamber music opens with the Ballet de village in G Op.52 No.1, published in 1752. A traditional sequence of dance movements is treated in a subtle and charming manner and concluding with a flamboyant chaconne: a stunning example of the composer's refinement, grace and virtuoso writing for the flute which was his own instrument. This Italian early-music ensemble then explores a more Italian side to Boismortier's idiom with sonatas from the Opp. 34, 37 and 91 collections. They alternate with excerpts from the vividly pictorial Pieces de clavecin Op.59, which capture archetypes of contemporary French society with wit and even sympathy in works such as La Valetudinaire. The music fits perfectly under the fingers: for clarity, refinement and expressive power these pieces are comparable in form and inventiveness to the keyboard music of Francois Couperin. Also wholly French in idiom is the Suite in D Op.31 for viola da gamba and basso continuo: it's flowing and sensuous cantabile style may even be heard as a homage to Marin Marais, who had died in 1728. This album is the latest in a series of critically acclaimed recordings made by the recorder and flute player and director Stefano Bagliano. Previous Brilliant Classics albums have included concertos and sonatas by Quantz, praised by MusicWeb International as "an excellent recording to become acquainted with Quantz... one might consider getting hold of other recordings of Bagliano after having been left spellbound by his rendering." 2,390円

【輸入盤CD】Boismortier/Les Deux Violes / Diverses Pieces De Viole 31【K2021/5/7発売】

あめりかん・ぱい
発売日: 2021/5/7輸入盤USレーベル: Antes収録曲:コメント:Joseph Bodin de Boismortier embodies a universal ability that reveals itself in, among other things, the enormous variety of genres and settings in his oeuvre. There is no need to give his music "a helping hand"; musicians just have to play it well, in an informed manner and on authentic instruments - as with all Baroque music. He is formally superior at all times, indisputably perfect as regards harmony, unmatched in the inventiveness of his melodies, with any subject flowing easily from his quill, always authentic in his personal style and distinct from others. Here, Boismortier's works are beautifully performed by Les Deux Violes alongside Thorsten Bleich.Joseph Bodin de Boismortier embodies a universal ability that reveals itself in, among other things, the enormous variety of genres and settings in his oeuvre. There is no need to give his music "a helping hand"; musicians just have to play it well, in an informed manner and on authentic instruments - as with all Baroque music. He is formally superior at all times, indisputably perfect as regards harmony, unmatched in the inventiveness of his melodies, with any subject flowing easily from his quill, always authentic in his personal style and distinct from others. Here, Boismortier's works are beautifully performed by Les Deux Violes alongside Thorsten Bleich. 3,890円

【中古】 【輸入盤】Six Sonates Pour Flute/JosephBodindeBoismortier(作曲),LucBeaus?jour(Harpsichord)

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JosephBodindeBoismortier(作曲),LucBeaus?jour(Harpsichord)販売会社/発売会社:Analekta発売年月日:2006/10/26JAN:0774204300821 762円

【中古】 【輸入盤】Jeux De Dames a La Cour/JeanBarri?re(作曲),JosephBodindeBoismortier(作曲),PierreDanicanPhilidor(作曲)

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JeanBarri?re(作曲),JosephBodindeBoismortier(作曲),PierreDanicanPhilidor(作曲)販売会社/発売会社:Ambroisie発売年月日:2006/08/28JAN:3760020170042 1,331円