SPECTATORS

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商品	説明	価格
Sidi Larbi Cherkaoui Dramaturgy and Engaged Spectatorship【電子書籍】[ Lise Uytterhoeven ] 楽天Kobo電子書籍ストア	＜p＞This book analyses the world-renowned Belgian choreographer’s key approaches and dramaturgical strategies through selected case studies from his oeuvre between 2000 and 2010, from ＜em＞Rien de Rien＜/em＞ to ＜em＞Babel＜/em＞(words). It investigates Cherkaoui’s choreographic and dramaturgic interventions in debates on the nation, culture, religion and language, by emphasising the transcultural, transreligious and geopolitical dimensions of the dialogues and exchanges he explored during this initial decade.＜/p＞＜p＞Engaged spectatorship refers to the ongoing thinking, talking, research and writing that the spectator is invited to do in order to fulfil the work’s macro-dramaturgical potential to resist nationalism, populism and religious fundamentalism. The book meticulously explores Cherkaoui’s rich, multi-layered theatrical imagery and aural landscapes to demonstrate the agile and ever-shifting interpretive acts the works elicit from their audiences. Offering a full-length analysis of Cherkaoui’s work, the book is essential reading for students, researchers, practitioners and Cherkaoui fans.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	6,076円
The stadium century Sport, spectatorship and mass society in modern France【電子書籍】[ Robert W. Lewis ] 楽天Kobo電子書籍ストア	＜p＞＜em＞The stadium century＜/em＞ traces the history of stadia and mass spectatorship in modern France from the ＜em＞v?lodromes＜/em＞ of the late nineteenth century to the construction of the Stade de France before the 1998 soccer World Cup. As the book demonstrates, the stadium was at the centre of debates over public health and urban development and proved to be a key space for mobilising the urban crowd for political rallies and spectator sporting events alike. After 1945, the transformed French stadium constituted part of the process of postwar modernisation but also was increasingly connected to global transformations to the spaces and practices of sport. Drawing from a wide range of sources,＜em＞the stadium century＜/em＞ links the histories of French urbanism, mass politics and sport through the stadium in an innovative work that will appeal to historians, students of French history and the history of sport, and general readers alike.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	12,819円
Early Modern Spectatorship Interpreting English Culture, 1500-1780【電子書籍】楽天Kobo電子書籍ストア	＜p＞What did it mean to be a spectator during the lifetime of Shakespeare or of Aphra Behn? In Early Modern Spectatorship contributors use the idea of spectatorship to reinterpret canonical early modern texts and bring visibility to relatively unknown works. While many early modern spectacles were designed to influence those who watched, the very presence of spectators and their behaviour could alter the conduct and the meaning of the event itself. In the case of public executions, for example, audiences could both observe and be observed by the executioner and the condemned. Drawing on work in the digital humanities and theories of cultural spectacle, these essays discuss subjects as various as the death of Desdemona in Othello, John Donne's religious orientation, Ned Ward's descriptions of London, and Louis Laguerre's murals painted for the residences of English aristocrats. A lucid exploration of subtle questions, Early Modern Spectatorship identifies, imagines, and describes the spectator's experience in early modern culture.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	3,933円
Political Dramaturgies and Theatre Spectatorship Provocations for Change【電子書籍】[ Liz Tomlin ] 楽天Kobo電子書籍ストア	＜p＞What do we mean when we describe theatre as political today? How might theatre-makers' provocations for change need to be differently designed when addressing the precarious spectator-subject of twenty- first century neoliberalism? In this important study Liz Tomlin interrogates the influential theories of Jacques Ranci?re to propose a new framework of analysis through which contemporary political dramaturgies can be investigated. Drawing, in particular, on Ernesto Laclau and Chantal Mouffe, Lilie Chouliaraki and Judith Butler, Tomlin argues that the capacities of the contemporary and future spectator to be 'effected' or 'affected' by politically-engaged theatre need to be urgently re-evaluated.＜/p＞＜p＞Central to this study is Tomlin's theorized figuration of the neoliberal spectator-subject as precarious, individualized and ironic, with a reduced capacity for empathy, agency and the ability to imagine better futures. This, in turn, leads to a predilection for a response to injustice that is driven by a concern for the feelings of the subject-self, rather than concern for the suffering other. These characteristics are argued to shape even those spectator-subjects towards the left of the political spectrum, thus necessitating a careful reconsideration of new and long-standing dramaturgies of political provocation.＜/p＞＜p＞Dramaturgies examined include the ironic invitations of Made in China and Martin Crimp, the exploration of affect in Kieran Hurley's Heads Up, the new sincerity that characterizes the work of Andy Smith, the turn to the staging of the spectators' 'other' in Developing Artists' ＜em＞Queens of Syria＜/em＞ and Chris Thorpe and Rachel Chavkin's ＜em＞Confirmation＜/em＞, and the community activism of Common Wealth's ＜em＞The Deal Versus＜/em＞＜em＞the People＜/em＞.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	4,387円
Performance and Spectatorship in Edwardian Art Writing【電子書籍】[ Sophie Hatchwell ] 楽天Kobo電子書籍ストア	＜p＞This book explores how Edwardian art writing shaped and narrated embodied, performative forms of aesthetic spectatorship. It argues that we need to expand the range of texts we think of as art writing, and features a diverse array of critical and fictional works, often including texts that are otherwise absent from art-historical study. Multi-disciplinary in scope, this book proposes a methodology for analyzing the aesthetic encounter within and through art writing, adapting and reworking a form of phenomenological-semiotic analysis found conventionally in performance studies. It focuses on moments where theories of spectatorship meet practice, moving between the varied spaces of Edwardian art viewing, from the critical text, to the lecture hall, the West End theatre and gallery, middle-class home, and fictional novel. It contributes to a rethinking of Edwardian culture by exploring the intriguing heterogeneity and self-consciousness of viewing practices in a period more commonly associated with the emergence of formalism.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	6,076円
Kinesthetic Spectatorship in the Theatre Phenomenology, Cognition, Movement【電子書籍】[ Stanton B. Garner, Jr. ] 楽天Kobo電子書籍ストア	＜p＞This book is about the centrality of movement, movement perception, and kinesthetic experience to theatrical spectatorship. Drawing upon phenomenological accounts of movement experience and the insights of cognitive science, neuroscience, acting theory, dance theory, philosophy of mind, and linguistics, it considers how we inhabit the movements of others and how these movements inhabit us. Individual chapters explore the dynamics of movement and animation, action and intentionality, kinesthetic resonance (or mirroring), language, speech, and empathy. In one of its most important contributions to the study of theatre, performance, and spectatorship, this book foregrounds otherness, divergence, and disability in its account of movement perception. The discussions of this and other issues are accompanied by detailed analysis of theatre, puppetry, and dance performances.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	3,402円
Spectatorship and Film Theory The Wayward Spectator【電子書籍】[ Carlo Comanducci ] 楽天Kobo電子書籍ストア	＜p＞This book interrogates the relation between film spectatorship and film theory in order to criticise some of the disciplinary and authoritarian assumptions of 1970s apparatus theory, without dismissing its core political concerns. Theory, in this perspective, should not be seen as a practice distinct from spectatorship but rather as an integral aspect of the spectator’s gaze. Combining Jacques Ranci?re’s emancipated spectator with Judith Butler’s queer theory of subjectivity, ＜em＞Spectatorship and Film Theory＜/em＞ foregrounds the contingent, embodied and dialogic aspects of our experience of film. Erratic and always a step beyond the grasp of disciplinary discourse, this singular work rejects the notion of the spectator as a fixed position, and instead presents it as a field of tensionsーa “wayward” history of encounters.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	6,076円
The Optical Vacuum Spectatorship and Modernized American Theater Architecture【電子書籍】[ Jocelyn Szczepaniak-Gillece ] 楽天Kobo電子書籍ストア	＜p＞Between the 1920s and the 1960s, American mainstream cinematic architecture underwent a seismic shift. From the massive movie palace to the intimate streamlined theater, movie theaters became neutralized spaces for calibrated, immersive watching. Leading this charge was New York architect Benjamin Schlanger, a fiery polemicist whose designs and essays reshaped how movies were watched. In its close examination of Schlanger's work and of changing patterns of spectatorship, this book reveals that the essence of film viewing lies not only in the text, but in the spaces where movies are shown. ＜em＞The Optical Vacuum＜/em＞ demonstrates that our changing models of cinephilia are always determined by physical structure: from the decorations of the palace to the black box of the contemporary auditorium, variations in movie theater design are icons for how viewing has similarly transformed.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	3,972円
Spectatorship Shifting Theories of Gender, Sexuality, and Media【電子書籍】楽天Kobo電子書籍ストア	＜p＞Media platforms continually evolve, but the issues surrounding media representations of gender and sexuality have persisted across decades. ＜em＞Spectator: The University of Southern California Journal of Film and Television Criticism＜/em＞ has published groundbreaking articles on gender and sexuality, including some that have become canonical in film studies, since the journal’s founding in 1982. This anthology collects seventeen key articles that will enable readers to revisit foundational concerns about gender in media and discover models of analysis that can be applied to the changing media world today.＜/p＞＜p＞＜em＞Spectatorship＜/em＞ begins with articles that consider issues of spectatorship in film and television content and audience reception, noting how media studies has expanded as a field and demonstrating how theories of gender and sexuality have adapted to new media platforms. Subsequent articles show how new theories emerged from that initial scholarship, helping to develop the fields of fandom, transmedia, and queer theory. The most recent work in this volume is particularly timely, as the distinctions between media producers and media spectators grow more fluid and as the transformation of media structures and platforms prompts new understandings of gender, sexuality, and identification. Connecting contemporary approaches to media with critical conversations of the past, ＜em＞Spectatorship＜/em＞ thus offers important points of historical and critical departure for discussion in both the classroom and the field.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	4,606円
Forgetting Lot's Wife On Destructive Spectatorship【電子書籍】[ Martin Harries ] 楽天Kobo電子書籍ストア	＜p＞Can looking at disaster and mass death destroy us? Forgetting Lot’s Wife provides a theory and a fragmentary history of destructive spectatorship in the twentieth century. Its subject is the notion that the sight of historical catastrophe can destroy the spectator. The fragments of this history all lead back to the story of Lot’s wife: looking back at the destruction of the cities of Sodom and Gomorrah, she turns into a pillar of salt. This biblical story of punishment and transformation, a nexus of sexuality, sight, and cities, becomes the template for the modern fear that looking back at disaster might petrify the spectator. Although rarely articulated directly,＜br /＞ this idea remains powerful in our culture. This book traces some of its aesthetic, theoretical, and ethical consequences.＜/p＞＜p＞Harries traces the figure of Lot’s wife across media. In extended engagements with examples from twentieth-century theater, film, and painting, he focuses on the theatrical theory of Antonin Artaud, a series of American films, and paintings by Anselm Kiefer. These examples all return to the story of Lot’s wife as a way to think about modern predicaments of the spectator. On the one hand, the sometimes veiled figure of Lot’s wife allows these artists to picture the desire to destroy the spectator; on the other, she stands as a sign of the potential danger to the spectator. These works, that is, enact critiques of the very desire that inspires them.＜br /＞ The book closes with an extended meditation on September 11, criticizing the notion that we should have been destroyed by witnessing the events of that day.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	4,425円
The Ironic Spectator Solidarity in the Age of Post-Humanitarianism【電子書籍】[ Lilie Chouliaraki ] 楽天Kobo電子書籍ストア	＜p＞＜strong＞WINNER of the 2015 ICA Outstanding Book Award＜/strong＞＜/p＞＜p＞This path-breaking book explores how solidarity towards vulnerable others is performed in our media environment. It argues that stories where famine is described through our own experience of dieting or or where solidarity with Africa translates into wearing a cool armband tell us about much more than the cause that they attempt to communicate. They tell us something about the ways in which we imagine the world outside ourselves.＜/p＞＜p＞By showing historical change in Amnesty International and Oxfam appeals, in the Live Aid and Live 8 concerts, in the advocacy of Audrey Hepburn and Angelina Jolie as well as in earthquake news on the BBC, this far-reaching book shows how solidarity has today come to be not about conviction but choice, not vision but lifestyle, not others but ourselves ? turning us into the ironic spectators of other people’s suffering.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	3,117円
Staging Spectatorship in the Plays of Philip Massinger【電子書籍】[ Joanne Rochester ] 楽天Kobo電子書籍ストア	＜p＞The playwrights composing for the London stage between 1580 and 1642 repeatedly staged plays-within and other metatheatrical inserts. Such works present fictionalized spectators as well as performers, providing images of the audience-stage interaction within the theatre. They are as much enactments of the interpretive work of a spectator as of acting, and as such they are a potential source of information about early modern conceptions of audiences, spectatorship and perception. This study examines on-stage spectatorship in three plays by Philip Massinger, head playwright for the King's Men from 1625 to 1640. Each play presents a different form of metatheatrical inset, from the plays-within of The Roman Actor (1626), to the masques-within of The City Madam (1632) to the titular miniature portrait of The Picture (1629), moving thematically from spectator interpretations of dramatic performance, the visual spectacle of the masque to staged 'readings' of static visual art. All three forms present a dramatization of the process of examination, and allow an analysis of Massinger's assumptions about interpretation, perception and spectator response.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	6,848円
Erotic Performance and Spectatorship New Frontiers in Erotic Dance【電子書籍】[ Katy Pilcher ] 楽天Kobo電子書籍ストア	＜p＞Erotic dance is one of the most contentious issues in feminist debates today and a source of fascination in media and popular cultural representations. Yet, why is it that we currently know so little about those who perform erotic dance for female customers, or the experiences of these spectators themselves?＜/p＞＜p＞The result of a unique investigation within two of the UK’s leisure venues, Erotic Performance and Spectatorship seeks to rectify the aforementioned lack of insight. Through vivid ethnographies of a lesbian leisure venue and a male strip show, Pilcher’s research advances key debates about the gender and sexual politics of erotic dance, whilst simultaneously relating these to debates about the sex industry more widely. This book also subverts previous assumptions that only women perform erotic dance and only men spectate. Thus, this book stands out amongst other academic accounts, developing the debate beyond the established focus on erotic dance as either empowering or degrading.＜/p＞＜p＞This new contribution to the study of erotic dance ? which provides a fresh theoretical perspective combining queer and feminist theorising, in addition to rich empirical evidence ? will appeal to academic researchers and both undergraduate and postgraduate students within the fields of sociology, gender studies, sexuality studies, gay & lesbian studies, feminism and other neighbouring disciplines. It will also be of interest to feminist and sex work activists, policy makers, and practitioners.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	7,024円
The Public Image Photography and Civic Spectatorship【電子書籍】[ Robert Hariman ] 楽天Kobo電子書籍ストア	＜p＞Even as the media environment has changed dramatically in recent years, one thing at least remains true: photographs are everywhere. From professional news photos to smartphone selfies, images have become part of the fabric of modern life. And that may be the problem. Even as photography bears witness, it provokes anxieties about fraudulent representation; even as it evokes compassion, it prompts anxieties about excessive exposure. Parents and pundits alike worry about the unprecedented media saturation that transforms society into an image world. And yet a great news photo can still stop us in our tracks, and the ever-expanding photographic archive documents an era of continuous change.＜/p＞＜p＞By confronting these conflicted reactions to photography, Robert Hariman and John Louis Lucaites make the case for a fundamental shift in understanding photography and public culture. In place of suspicions about the medium’s capacity for distraction, deception, and manipulation, they suggest how it can provide resources for democratic communication and thoughtful reflection about contemporary social problems.＜/p＞＜p＞The key to living well in the image world is to unlock photography from viewing habits that inhibit robust civic spectatorship. Through insightful interpretations of dozens of news images, ＜em＞The Public Image＜/em＞ reveals how the artistry of the still image can inform, challenge, and guide reflection regarding endemic violence, environmental degradation, income inequity, and other chronic problems that will define the twenty-first century.＜/p＞＜p＞By shifting from conventional suspicions to a renewed encounter with the image, we are challenged to see more deeply on behalf of a richer life for all, and to acknowledge our obligations as spectators who are, crucially, also citizens.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	4,379円
'You Freud, Me Jane?' Concepts of Spectatorship in Alfred Hitchcock's Marnie【電子書籍】[ Simone Donecker ] 楽天Kobo電子書籍ストア	＜p＞Seminar paper from the year 2005 in the subject Film Science, grade: A, Indiana University (Department: Communication and Culture), course: Introduction to Media Theory and Aesthetics, language: English, abstract: Men act and women appear. Men look at women. Women watch themselves being looked at. In the history of cinema Hitchcock appears as one who no longer conceives of the constitution of a film as a function of two termsthe director and the film to be made - but as a function of three: the director, the film and the public which must come into the film, or whose reactions must form an integrating part of the film. The interest of visual narrative in Alfred Hitchcock's movies is well-documented and widely-known. His films provide a context for the analyses of spectatorship which examine the theories, structures, and functions of the gaze. Furthermore, by letting the spectator negotiating and producing the film's meaning, Hitchcock's works acknowledge the presence of the audience. His film's calculated narrative style, the self-consciousness within his works, and the address of the spectator make his movies a prolific source for the examination of different approaches to the media viewer. In film theory, Hitchcock's concentration on the male character and the male gaze represents a specific and often problematic debate. In my paper I will examine some of the theories that shaped the discourse of identifying and positioning the spectator within the narrative of film by focusing on Alfred Hitchcock's filmMarnie(1964), since this movie is probably Hitchcock's most significant work to visualize the subjective psychological states of his problematic central character through the use of cinematic technique. First, I want to focus on a psychoanalytical interpretation by explaining the dynamics that Laura Mulvey describes in her analysis of conventional narrative films in the 'classical' Hollywood tradition that not only typically focus on a male protagonist in the narrative, but that also assume a male spectator. Theories that work within this tradition have cited Hitchcock as a director exemplary of the Freudian or Lacanian exegesis. By the 1980s Mulvey's theory generated considerable controversy amongst film theorists and was criticized to present an oversimplification of Hitchcock's agenda. Since then scholars shifted their interest to a strong empiric or historic focus on the spectator. The collapse of the psychoanalytic interpretation was replaced by heavily contextualized analyses that questioned universalizing categories. [...]＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	571円
Theatricality, Dark Tourism and Ethical Spectatorship Absent Others【電子書籍】[ E. Willis ] 楽天Kobo電子書籍ストア	＜p＞Works of theatre that depict grievous histories derive their force from making audible voices of the past. Such performances, theatrical or tourist, require the attentive belief of spectators. This engaging new study explores how theatricality works in each instance and how 'playing the part' of the listener can be understood in ethical terms.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	6,685円
Disability, Public Space Performance and Spectatorship Unconscious Performers【電子書籍】[ B. Hadley ] 楽天Kobo電子書籍ストア	＜p＞In Disability, Public Space Performance and Spectatorship: Unconscious Performers, Bree Hadley examines the performance practices of disabled artists in the US, UK, Europe and Australasia who re-engage, re-enact and re-envisage the stereotyping they are subject to in the very public spaces and places where this stereotyping typically plays out.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	6,076円
The Eyes of the People Democracy in an Age of Spectatorship【電子書籍】[ Jeffrey Edward Green ] 楽天Kobo電子書籍ストア	＜p＞For centuries it has been assumed that democracy must refer to the empowerment of the People's voice. In this pioneering book, Jeffrey Edward Green makes the case for considering the People as an ocular entity rather than a vocal one. Green argues that it is both possible and desirable to understand democracy in terms of what the People gets to see instead of the traditional focus on what it gets to say. ＜em＞The Eyes of the People＜/em＞ examines democracy from the perspective of everyday citizens in their everyday lives. While it is customary to understand the citizen as a decision-maker, in fact most citizens rarely engage in decision-making and do not even have clear views on most political issues. The ordinary citizen is not a decision-maker but a spectator who watches and listens to the select few empowered to decide. Grounded on this everyday phenomenon of spectatorship, ＜em＞The Eyes of the People＜/em＞ constructs a democratic theory applicable to the way democracy is actually experienced by most people most of the time. In approaching democracy from the perspective of the People's eyes, Green rediscovers and rehabilitates a forgotten "plebiscitarian" alternative within the history of democratic thought. Building off the contributions of a wide range of thinkers-including Aristotle, Shakespeare, Benjamin Constant, Max Weber, Joseph Schumpeter, and many others-Green outlines a novel democratic paradigm centered on empowering the People's gaze through forcing politicians to appear in public under conditions they do not fully control. ＜em＞The Eyes of the People＜/em＞ is at once a sweeping overview of the state of democratic theory and a call to rethink the meaning of democracy within the sociological and technological conditions of the twenty-first century.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	5,221円
The Eyes of the People Democracy in an Age of Spectatorship【電子書籍】[ Jeffrey Edward Green ] 楽天Kobo電子書籍ストア	＜p＞For centuries it has been assumed that democracy must refer to the empowerment of the People's voice. In this pioneering book, Jeffrey Edward Green makes the case for considering the People as an ocular entity rather than a vocal one. Green argues that it is both possible and desirable to understand democracy in terms of what the People gets to see instead of the traditional focus on what it gets to say. ＜em＞The Eyes of the People＜/em＞ examines democracy from the perspective of everyday citizens in their everyday lives. While it is customary to understand the citizen as a decision-maker, in fact most citizens rarely engage in decision-making and do not even have clear views on most political issues. The ordinary citizen is not a decision-maker but a spectator who watches and listens to the select few empowered to decide. Grounded on this everyday phenomenon of spectatorship, ＜em＞The Eyes of the People＜/em＞ constructs a democratic theory applicable to the way democracy is actually experienced by most people most of the time. In approaching democracy from the perspective of the People's eyes, Green rediscovers and rehabilitates a forgotten "plebiscitarian" alternative within the history of democratic thought. Building off the contributions of a wide range of thinkers-including Aristotle, Shakespeare, Benjamin Constant, Max Weber, Joseph Schumpeter, and many others-Green outlines a novel democratic paradigm centered on empowering the People's gaze through forcing politicians to appear in public under conditions they do not fully control. ＜em＞The Eyes of the People＜/em＞ is at once a sweeping overview of the state of democratic theory and a call to rethink the meaning of democracy within the sociological and technological conditions of the twenty-first century.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	5,221円
Visual Peace Images, Spectatorship, and the Politics of Violence【電子書籍】[ Frank M?ller ] 楽天Kobo電子書籍ストア	＜p＞This book introduces a new research agenda for visual peace research, providing a political analysis of the relationship between visual representations and the politics of violence nationally and internationally. Using a range of genres, from photography to painting, it elaborates on how people can become agents of their own image.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	6,076円
Spectatorship, Embodiment and Physicality in the Contemporary Mutilation Film【電子書籍】[ Laura Wilson ] 楽天Kobo電子書籍ストア	＜p＞Spectatorship, Embodiment and Physicality in the Contemporary Mutilation Film explores 'physical spectatorship': the representation of mutilation on the screen and the physical responses this evokes. The book is organised around the study of a series of dynamic engagements that reconfigure the film-viewer relationship.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	6,076円
Africa's World Cup Critical Reflections on Play, Patriotism, Spectatorship, and Space【電子書籍】楽天Kobo電子書籍ストア	＜p＞＜em＞Africa’s World Cup: Critical Reflections on Play, Patriotism, Spectatorship, and Space＜/em＞focuses on a remarkable month in the modern history of Africa and in the global history of football. Peter Alegi and Chris Bolsmann are well-known experts on South African football, and they have assembled an impressive team of local and international journalists, academics, and football experts to reflect on the 2010 World Cup and its broader significance, its meanings, complexities, and contradictions.＜/p＞＜p＞The World Cup’s sounds, sights, and aesthetics are explored, along with questions of patriotism, nationalism, and spectatorship in Africa and around the world. Experts on urban design and communities write on how the presence of the World Cup worked to refashion urban spaces and negotiate the local struggles in the hosting cities. The volume is richly illustrated by authors’ photographs, and the essays in this volume feature chronicles of match day experiences; travelogues; ethnographies of fan cultures; analyses of print, broadcast, and electronic media coverage of the tournament; reflections on the World Cup’s private and public spaces; football exhibits in South African museums; and critiques of the World Cup’s processes of inclusion and exclusion, as well as its political and economic legacies.＜/p＞＜p＞The volume concludes with a forum on the World Cup, including Thabo Dladla, Director of Soccer at the University of KwaZulu-Natal, Mohlomi Kekeletso Maubane, a well-known Soweto-based writer and a soccer researcher, and Rodney Reiners, former professional footballer and current chief soccer writer for the ＜em＞Cape Argus＜/em＞ newspaper in Cape Town. This collection will appeal to students, scholars, journalists, and fans.＜/p＞＜p＞Cover illustration: South African fan blowing his vuvuzela at South Africa vs. France, Free State Stadium, Bloemfontein, June 22, 2010. Photo by Chris Bolsmann.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	3,307円
Floodlights and Touchlines: A History of Spectator Sport【電子書籍】[ Mr Rob Steen ] 楽天Kobo電子書籍ストア	＜p＞＜strong＞SHORTLISTED FOR THE WILLIAM HILL SPORTS BOOK OF THE YEAR AWARD****2014＜/strong＞＜/p＞＜p＞＜strong＞Spectator sport is living, breathing, non-stop theatre for all.＜/strong＞＜/p＞＜p＞Focusing on spectator sports and their accompanying issues, tracing their origins, evolution and impact, inside the lines and beyond the boundary, this book offers a thematic history of professional sport and the ingredients that magnetise millions around the globe.＜/p＞＜p＞It tells the stories that matter: from the gladiators of Rome to the runners of Rift Valley via the innovator-missionaries of Rugby School; from multi-faceted British exports to the Americanisation of professionalism and the Indianisation of cricket.＜/p＞＜p＞Rob Steen traces the development of these sports which captivate the turnstile millions and the mouse-clicking masses, addressing their key themes and commonalities, from creation myths to match fixing via race, politics, sexuality and internationalism.＜/p＞＜p＞Insightful and revelatory, this is an entertaining exploration of spectator sports' intrinsic place in culture and how sport imitates life ? and life imitates sport.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	3,141円
Opera and Modern Spectatorship in Late Nineteenth-Century Italy【電子書籍】[ Alessandra Campana ] 楽天Kobo電子書籍ストア	＜p＞At the turn of the twentieth century Italian opera participated to the making of a modern spectator. The Ricordi stage manuals testify to the need to harness the effects of operatic performance, activating opera's capacity to cultivate a public. This book considers how four operas and one film deal with their public: one that in Boito's Mefistofele is entertained by special effects, or that in Verdi's Simon Boccanegra is called upon as a political body to confront the specters of history. Also a public that in Verdi's Otello is subjected to the manipulation of contemporary acting, or one that in Puccini's Manon Lescaut is urged to question the mechanism of spectatorship. Lastly, the silent film Rapsodia satanica, thanks to the craft and prestige of Pietro Mascagni's score, attempts to transform the new industrial medium into art, addressing its public's search for a bourgeois pan-European cultural identity, right at the outset of the First World War.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	4,486円
Star Gazing Hollywood Cinema and Female Spectatorship【電子書籍】[ Jackie Stacey ] 楽天Kobo電子書籍ストア	＜p＞In a historical investigation of the pleasures of cinema, ＜em＞Star Gazing＜/em＞ puts female spectators back into theories of spectatorship. Combining film theory with a rich body of ethnographic research, Jackie Stacey investigates how female spectators understood Hollywood stars in the 1940's and 1950's. Her study challenges the universalism of psychoanalytic theories of female spectatorship which have dominated the feminist agenda within film studies for over two decades.＜br /＞ Drawing on letters and questionnaires from over three hundred keen cinema-goers, Stacey investigates the significance of certain Hollywood stars in women's memories of wartime and postwar Britain. Three key processes of spectatorship - escapism, identification and consumption - are explored in detail in terms of their multiple and changing meanings for female spectators at this time. ＜em＞Star Gazing＜/em＞ demonstrates the importance of cultural and national location for the meanings of female spectatorship, giving a new direction to questions of popular culture and female desire.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	6,670円
Killer Tapes and Shattered Screens Video Spectatorship From VHS to File Sharing【電子書籍】[ Caetlin Benson-Allott ] 楽天Kobo電子書籍ストア	＜p＞Since the mid-1980s, US audiences have watched the majority of movies they see on a video platform, be it VHS, DVD, Blu-ray, Video On Demand, or streaming media. Annual video revenues have exceeded box office returns for over twenty-five years. In short, video has become the structuring discourse of US movie culture. ＜em＞Killer Tapes and Shattered Screens＜/em＞ examines how prerecorded video reframes the premises and promises of motion picture spectatorship. But instead of offering a history of video technology or reception, Caetlin Benson-Allott analyzes how the movies themselves understand and represent the symbiosis of platform and spectator. Through case studies and close readings that blend industry history with apparatus theory, psychoanalysis with platform studies, and production history with postmodern philosophy, ＜em＞Killer Tapes and Shattered Screens＜/em＞ unearths a genealogy of post-cinematic spectatorship in horror movies, thrillers, and other exploitation genres. From ＜em＞Night of the Living Dead＜/em＞ (1968) through ＜em＞Paranormal Activity＜/em＞ (2009), these movies pursue their spectator from one platform to another, adapting to suit new exhibition norms and cultural concerns in the evolution of the video subject.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	3,733円
Visions of Japanese Modernity Articulations of Cinema, Nation, and Spectatorship, 1895-1925【電子書籍】[ Aaron Gerow ] 楽天Kobo電子書籍ストア	＜p＞Japan has done marvelous things with cinema, giving the world the likes of Kurosawa, Mizoguchi, and Ozu. But cinema did not arrive in Japan fully formed at the end of the nineteenth century, nor was it simply adopted into an ages-old culture. Aaron Gerow explores the processes by which film was defined, transformed, and adapted during its first three decades in Japan. He focuses in particular on how one trend in criticism, the Pure Film Movement, changed not only the way films were made, but also how they were conceived. Looking closely at the work of critics, theorists, intellectuals, benshi artists, educators, police, and censors, Gerow finds that this trend established a way of thinking about cinema that would reign in Japan for much of the twentieth century.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	3,733円
The Spectatorship of Suffering【電子書籍】[ Lilie Chouliaraki ] 楽天Kobo電子書籍ストア	＜p＞`The work is on an important topic that has been oft debated but rarely systematically studied - the political, cultural, and moral effects of distant news coverage of suffering. [The book] is extremely well steeped in the relevant literature, including semiotics, discourse analysis, media and social theory and makes a fresh methodological contribution by looking at the codes and formats of news about suffering. It has a fresh vision and answer to some of the stickiest moral and media problems of our time… and deserves to find its place among important books about the moral aspects of media and society in our times′ - John D Peters, F. Wendell Miller Distinguished Professor, University of Iowa＜/p＞＜p＞`Lilie Chouliaraki grounds her sophisticated arguments in meticulous research. The result is a work of important scholarship that might even make us think about the world and its mediation in profoundly new ways′*- Roger Silverstone, Professor of Media and Communications, The London School of Economics and Political Science*＜/p＞＜p＞`Few intellectuals command this scope from classical rhetoric to the cutting edge of contemporary social theory as [Lillie Chouliaraki] is doing in her new book ＜strong＞The Spectatorship of Suffering＜/strong＞. This book is destined, in my mind, to be foundational for our understanding of not just the media but of the highly complex social process of mediation′ ＜em＞＜strong＞- Ron Scollon, Professor of Linguistics, Georgetown University＜/strong＞＜/em＞＜/p＞＜p＞This book is about the relationship between the spectators in countries of the west, and the distant sufferer on the television screen; the sufferer in Somalia, Nigeria, Bangladesh, India, Indonesia, but also from New York and Washington DC. How do we relate to television images of the distant sufferer? This question touches on the ethical role of the media in public life today. It addresses the issue of whether the media can cultivate a disposition of care for and engagement with the far away other; whether television can create a global public with a sense of social responsibililty towards the distant sufferer.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	7,378円
Pedestrianism When Watching People Walk Was America's Favorite Spectator Sport【電子書籍】[ Matthew Algeo ] 楽天Kobo電子書籍ストア	＜p＞Strange as it sounds, during the 1870s and 1880s, America's most popular spectator sport wasn't baseball, boxing, or horseracingーit was competitive walking. Inside sold-out arenas, competitors walked around dirt tracks almost nonstop for six straight days (never on Sunday), risking their health and sanity to see who could walk the farthestー500 miles, then 520 miles, and 565 miles! These walking matches were as talked about as the weather, the details reported from coast to coast.＜/p＞＜p＞This long-forgotten sport, known as pedestrianism, spawned America's first celebrity athletes and opened doors for immigrants, African Americans, and women. The top pedestrians earned a fortune in prize money and endorsement deals. But along with the excitement came the inevitable scandals, charges of dopingーcoca leaves!ーand insider gambling. It even spawned a riot in 1879 when too many fans showed up at New York's Gilmore's Garden, later renamed Madison Square Garden, and were denied entry to a widely publicized showdown.＜/p＞＜p＞＜em＞Pedestrianism: When Watching People Walk Was America's Favorite Spectator Sport＜/em＞ chronicles competitive walking's peculiar appeal and popularity, its rapid demise, and its enduring influence, and how pedestrianism marked the beginning of modern spectator sports in the United States.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	1,247円
Documentary's Awkward Turn Cringe Comedy and Media Spectatorship【電子書籍】[ Jason Middleton ] 楽天Kobo電子書籍ストア	＜p＞Despite the prominence of "awkwardness" as cultural buzzword and descriptor of a sub-genre of contemporary film and television comedy, it has yet to be adequately theorized in academic film and media studies. ＜em＞Documentary’s Awkward Turn＜/em＞ contributes a new critical paradigm to the field by presenting an analysis of awkward moments in documentary film and other reality-based media formats. It examines difficult and disrupted encounters between social actors on the screen, between filmmaker and subject, and between film and spectator. These encounters are, of course, often inter-connected. Awkward moments occur when an established mode of representation or reception is unexpectedly challenged, stalled, or altered: when an interviewee suddenly confronts the interviewer, when a subject who had been comfortable on camera begins to feel trapped in the frame, when a film perceived as a documentary turns out to be a parodic mockumentary. This book makes visible the ways in which awkwardness connects and subtends a range of transformative textual strategies, political and ethical problematics, and modalities of spectatorship in documentary film and media from the 1970s to the present.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	7,024円