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商品	説明	価格
Staging the Third Reich Essays in Cultural and Intellectual History【電子書籍】[ Anson Rabinbach ] 楽天Kobo電子書籍ストア	＜p＞A widely celebrated intellectual historian of twentieth-century Europe, Anson Rabinbach is one of the most important scholars of National Socialism working over the last forty years. This volume collects, for the first time, his pathbreaking work on Nazi culture, antifascism, and the after-effects of Nazism on postwar German and European culture. Historically detailed and theoretically sophisticated, his essays span the aesthetics of production, messianic and popular claims, the ethos that Nazism demanded of its adherents, the brilliant and sometimes successful efforts of antifascist intellectuals to counter Hitler’s rise, the most significant concepts to emerge out of the 1930s and 1940s for understanding European authoritarianism, the major controversies around Nazism that took place after the regime’s demise, the philosophical claims of postwar philosophers, sociologists and psychoanalystsーfrom Theodor Adorno to Hannah Arendt and from Alexander Kluge to Klaus Theweleitーand the role of Auschwitz in European history.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	10,280円
Christoph Schlingensief Staging Chaos, Performing Politics and Theatrical Phantasmagoria【電子書籍】[ Anna Teresa Scheer ] 楽天Kobo電子書籍ストア	＜p＞The first book to focus specifically on the late German artist Christoph Schlingensief's theatre work, it subversively merges art, politics and everyday life to imbue his productions both inside and outside the theatre with a re-energized concept of the political in art.＜/p＞＜p＞Scheer traces Schlingensief's artistic lineage as a filmmaker with no formal training in theatre, whose work does not correspond to theoretical frameworks such as postdramatic theatre, Regietheater, or established categories of political theatre such as Brechtian, community, and agit-prop theatre. She explores how his work instead draws upon the highly performative gestures of the historical and post-Cold War avant-gardes as well the happenings and event-based practices of the sixties. Comprehensive case studies of six diverse theatrical and activist events are offered to demonstrate both the immediacy of Schlingensief's response to contemporary social and political events and his use of a range of artistic influences and different genres: ＜em＞Rocky Dutschke '68＜/em＞ (1996), ＜em＞Save Capitalism: Throw the Money Away!＜/em＞ (1999) ＜em＞The Berlin Republic ? or the Ring in Africa＜/em＞ (1999) ＜em＞Hamlet＜/em＞ (2001), ＜em＞Atta Atta ? Art Has Broken Out!＜/em＞ (2003) and the ＜em＞Church of Fear＜/em＞ (2003).＜/p＞＜p＞Key questions such as how his theatre functions as a provocation, and how an artist can insert themselves into the powerful flows of imagery produced by the perpetual global news cycle, form a coherent line of enquiry throughout each of the chapters. The significance of Schlingensief's artistic legacy of politicized theatre-making that pioneers new modes of active, aesthetic and public engagement in the political realm remains pertinent to topical socio-political debates and is of relevance to an international audience across a diversity of disciplines.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	6,082円
【エントリー最大10倍＆3％クーポン】TRIGER SAFE GLOCK STAGING HOLSTER グロック用トリガーセーフ【あす楽】エアガンショップモケイパドック	電動ガン、モデルガン、エアガン、カスタムガン、カスタム電動ガン販売中！モケイパドック【安全性の注意点】●製品説明書をよく読んで取扱下さい。●エアガン・電動ガン・ガスガンは周囲の状況を確かめながら人や車が通らない場所で遊びましょう。●エアガンの形をしているものを持ち運ぶ場合は、周囲に誤解や恐怖を与えないようケースやバッグをお使い下さい。●サバゲー会場以外では、小さい子供やマナーの知らない人に触らせないようにしましょう。●エアガンから放たれたBB弾は跳ね返りますので必ずエアガン・電動ガン・ガスガンで遊ぶ場合はゴーグルを着用しましょう。●人や動物にエアガン・電動ガンを向けたり発射してはいけません。●絶対にエアガン・電動ガンの銃口を覗いてはいけません。 ※ギフトの場合は領収書や納品書等は同梱いたしません。TRIGER SAFE GLOCK STAGING HOLSTER グロック用トリガーセーフ TRIGGER SAFEのグロック用。　実銃用に開発された安全装置で、取り付けることでトリガーを物理的に引けなくしてしまうアイテム。不意のトリガー操作を防ぎ、暴発を防いでくれる。また、明確にセーフティ状態を周りにアピールするためのアイテムにもなる。ストラップホールもついているため、ランヤードタグを取り付けたり、キーホルダーなどを取り付けることができる。カラーはブラックとイエローからお選びください。 ※画像の銃本体やランヤードタグは付属しません※ トリガーガード周辺が実銃と同じサイズのマルイGlockシリーズなどに使用可能です。対応機種 Glock17　GEN3 Glock17　GEN4 Glock18 Glock19　GEN3 Glock19　GEN4 Glock22 Glock26 Glock26　ADVANCE Glock34 取り付け可能なランヤードタグはこちら＞＞＞キーチェーンランヤードタグ REMOVE BRFORE PEW PEW RED	2,680円
Between Nostalgia and Apocalypse Popular Music and the Staging of Brazil【電子書籍】[ Daniel B. Sharp ] 楽天Kobo電子書籍ストア	＜p＞＜strong＞Chronicles the entanglement of traditional and experimental music in northeast Brazil＜/strong＞＜/p＞＜p＞Between Nostalgia and Apocalypse is a close-to-the-ground account of musicians and dancers from Arcoverde, Pernambucoーa small city in the northeastern Brazilian backlands. The book's focus on samba de coco families, marked as bearers of tradition, and the band Cordel do Fogo Encantado, marketed as pop iconoclasts, offers a revealing portrait of performers engaged in new forms of cultural preservation during a post-dictatorship period of democratization and neoliberal reform. Daniel B. Sharp explores how festivals, museums, television, and tourism steep musicians' performances in national-cultural nostalgia, which both provides musicians and dancers with opportunities for cultural entrepreneurship and hinders their efforts to be recognized as part of the Brazilian here-and-now. The book charts how Afro-Brazilian samba de coco became an unlikely emblem in an interior where European and indigenous mixture predominates. It also chronicles how Cordel do Fogo Encantadoーdrawing upon the sounds of samba de coco, ecstatic Afro-Brazilian religious music, and heavy metalーsought to make folklore dangerous by embodying an apocalyptic register often associated with northeastern Brazil. Publication of this book was supported by AMS 75 PAYS Endowment of the American Musicological Society, funded in part by the National Endowment for the Humanities and the Andrew W. Mellon Foundation.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	18円
Hello Image: The Staging of Things HELLO IMAGE [ Tulga Beyerle ] 楽天ブックス	HELLO IMAGE Tulga Beyerle Viktoria Heinrich Esther Ruelfs HIRMER VERLAG2025 Paperback English ISBN：9783777445489 洋書 NonーClassifiable（その他）	10,890円
Staging Anatomies Dissection and Spectacle in Early Stuart Tragedy【電子書籍】[ Hillary M. Nunn ] 楽天Kobo電子書籍ストア	＜p＞Hillary M. Nunn here traces the connections between the London public's interest in medical dissection and the changing cultural significance of bloodshed on the early Stuart playhouse stage. Considering the playhouses' role within the social world of early modern London, Nunn explores the influence of public dissection upon the presentation of human bodies in well-known plays such as King Lear, as well as in a wide range of often neglected early Stuart tragedies like The Second Maiden's Tragedy and Revenge for Honour. In addition to dramatic texts, the study draws heavily on anatomy treatises and popular pamphlets of the time. Incorporating views of anatomy's significance from a wide range of sources, this study shows the ways in which early Stuart dramatists called upon Londoners' increasing fascination with anatomical dissection to shape the staging of their tragedies.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	13,265円
Staging Governance Theatrical Imperialism in London, 1770?1800【電子書籍】[ Daniel O'Quinn ] 楽天Kobo電子書籍ストア	＜p＞Between 1770 and 1800, transformations in the relationship between metropolitan British society and its colonial holdings, and in the concept of the nation itself, left Britons with a new sense of themselves. Over the same period, the consolidation of the middle classes was accompanied by growing social constraints on sexuality and family life. ＜em＞Staging Governance＜/em＞ locates the intersection of these two trends in the representation of British India on the London stage. Theatrical productions, especially those representing colonial life, pushed the limits of public discourse on sexuality and colonialism even as the government made efforts to shape and narrow them. At the same time, official discourse on colonial practices, such as the public trials of Clive and Hastings, became theatrical events themselves.＜/p＞＜p＞Exploring this rapidly shifting world through a series of original readings of dramatic texts and important moments of oratory, ＜em＞Staging Governance＜/em＞ demonstrates how the perceived crises of imperial and domestic Britain joined these spheres in the popular imagination. The economics of political and sexual exchange not only became entwined but functioned as mutual supports during a period of social, cultural, and political readjustment.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	9,413円
Staging Beckett in Great Britain【電子書籍】楽天Kobo電子書籍ストア	＜p＞Beckett's relationship with British theatre is complex and underexplored, yet his impact has been immense. Uniquely placing performance history at the centre of its analysis, this volume examines Samuel Beckett's drama as it has been staged in Great Britain, bringing to light a wide range of untold histories and in turn illuminating six decades of drama in Britain.＜/p＞＜p＞Ranging from studies of the first English tour of ＜em＞Waiting for Godot＜/em＞ in 1955 to Talawa's 2012 all-black co-production of the same play, ＜em＞Staging Samuel Beckett in Great Britain＜/em＞ excavates a host of archival resources in order to historicize how Beckett's drama has interacted with specific theatres, directors and theatre cultures in the UK. It traces production histories of plays such as ＜em＞Krapp's Last Tape＜/em＞; presents Beckett's working relationships with the Royal Court, Riverside and West Yorkshire Playhouse, as well as with directors such as Peter Hall; looks at the history of Beckett's drama in Scotland and how the plays have been staged in London's West End. Production analyses are mapped onto political, economic and cultural contexts of Great Britain so that Beckett's drama resonates in new ways, through theatre practice, against the complex contexts of Great Britain's regions.＜/p＞＜p＞With contributions from experts in the fields of both Beckett studies and UK drama, including S.E. Gontarski, David Pattie, Mark Taylor-Batty and Sos Eltis, the volume offers an exceptional and unique understanding of Beckett's reception on the UK stage and the impact of his drama within UK theatre practices. Together with its sister volume, ＜em＞Staging Samuel Beckett in Ireland and Northern Ireland＜/em＞ it will prove a terrific resource for students, scholars and theatre practitioners.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	6,082円
Neuroprogression and Staging in Bipolar Disorder【電子書籍】楽天Kobo電子書籍ストア	＜p＞After the original proposals of staging for psychotic disorders developed by McGorry and colleagues, a few systems have been put forward specifically for people with bipolar disorder. There is now consistent evidence that, at least for a significant portion of people with this disease, clinical course and outcome are not as benign as initially described. The evidence thus far points to relevant differences between early and late stages of bipolar disorders in the clinical course of illness, neurobiology and systemic pathology. These differences all suggest that staging is a viable addition to clinical care in bipolar disorder. ＜em＞Neuroprogression and Staging in Bipolar Disorder＜/em＞ provides a comprehensive summary of the current state of the evidence regarding the use of staging systems in bipolar disorder. Edited by the leading researchers in the field, the book systematically covers the theoretical basis for staging, comparisons between different proposals, neurobiological underpinnings, the current evidence-base, limitations and future directions, and clinical implications and recommendations for practice. The book provides a solid and in-depth outline and thus to influence research and practice in the field of bipolar disorder.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	8,456円
Home Staging. Come Valorizzare, Commercializzare e Rendere Affascinante la Tua Casa in Vendita per Attirare un Maggior Numero di Acquirenti. (Ebook Italiano - Anteprima Gratis) Come Valorizzare, Commercializzare e Rendere Affascinante la【電子書籍】楽天Kobo電子書籍ストア	＜p＞Programma di Home Staging＜br /＞ Come Valorizzare, Commercializzare e Rendere Affascinante la Tua Casa in Vendita per Attirare un Maggior Numero di Acquirenti＜/p＞＜p＞COME EMOZIONARE PER VENDERE＜br /＞ Come presentare al meglio il prodotto/casa attraverso una presentazione scenografica.＜br /＞ Come dare risalto ai pregi dell'immobile in vendita per attirare un maggior numero di acquirenti.＜br /＞ Come coinvolgere il visitatore per indirizzarlo e convincerlo all'acquisto.＜/p＞＜p＞COME DARE VALORE ALL'IMMOBILE＜br /＞ Quali e quante azioni mirate compiere per la buona vendita del tuo immobile.＜br /＞ Come utilizzare consapevolmente i colori per creare un'atmosfera accogliente.＜br /＞ Come rendere unico il tuo immobile e metterlo in risalto rispetto a tutti gli altri.＜/p＞＜p＞COME PUBBLICARE UN OTTIMO ANNUNCIO＜br /＞ Come individuare i pregi dell'immobile e sviluppare tutto il suo potenziale.＜br /＞ Come dare un'identit? alla propria offerta per sbaragliare la concorrenza.＜br /＞ Come caratterizzare ciascuna stanza grazie a pochi e semplici complementi d'arredo.＜/p＞＜p＞COME ARREDARE UNA CASA CON 2.900 EURO＜br /＞ Come effettuare uno studio preventivo degli ingombri per scegliere i mobili giusti.＜br /＞ Come e dove acquistare mobili low cost per un risultato eccellente.＜br /＞ Come rientrare delle spese dell'Home Staging per investire in sicurezza.＜/p＞＜p＞COME AVERE SUCCESSO NELLA VENDITA＜br /＞ Tutte le strategie di marketing che ti garantiranno un vantaggio competitivo.＜br /＞ Come comporre un annuncio accattivante e completo di informazioni.＜br /＞ Cosa sono i rendering tridimensionali e come ti aiuteranno nel vendere l'immobile.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	1,657円
Staging Personhood Costuming in Early Qing Drama【電子書籍】[ Guojun Wang ] 楽天Kobo電子書籍ストア	＜p＞After toppling the Ming dynasty, the Qing conquerors forced Han Chinese males to adopt Manchu hairstyle and clothing. Yet China’s new rulers tolerated the use of traditional Chinese attire in performances, making theater one of the only areas of life where Han garments could still be seen and where Manchu rule could be contested.＜/p＞＜p＞＜em＞Staging Personhood＜/em＞ uncovers a hidden history of the Ming?Qing transition by exploring what it meant for the clothing of a deposed dynasty to survive onstage. Reading dramatic works against Qing sartorial regulations, Guojun Wang offers an interdisciplinary lens on the entanglements between Chinese drama and nascent Manchu rule in seventeenth-century China. He reveals not just how political and ethnic conflicts shaped theatrical costuming but also the ways costuming enabled different modes of identity negotiation during the dynastic transition. In case studies of theatrical texts and performances, Wang considers clothing and costumes as indices of changing ethnic and gender identities. He contends that theatrical costuming provided a productive way to reconnect bodies, clothes, and identities disrupted by political turmoil. Through careful attention to a variety of canonical and lesser-known plays, visual and performance records, and historical documents, ＜em＞Staging Personhood＜/em＞ provides a pathbreaking perspective on the cultural dynamics of early Qing China.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	8,622円
Staging Memory and Materiality in Eighteenth-Century Theatrical Biography【電子書籍】[ Amanda Weldy Boyd ] 楽天Kobo電子書籍ストア	＜p＞“Staging Memory and Materiality in Eighteenth-Century Theatrical Biography” examines theatrical biography as a nascent genre in eighteenth-century England. This study specifically focuses on Thomas Davies’ 1780 memoir of David Garrick as the first moment of mastery in the genre’s history, the three-way war for the right to tell Charles Macklin’s story at the turn of the century and James Boaden’s theatrical biography spree in the 1820s and 1830s, including the lives of John Philip Kemble, Sarah Siddons, Dorothy Jordan and Elizabeth Inchbald. This project investigates the extent to which biographers envisioned themselves as artists, inheriting the anxiety of impermanence and correlating fear of competition that plagued their thespian subjects. It traces a suggestive, but not determinative, outline of generic development, noting the shifting generic features that emerge in context of a given work’s predecessors. Drawing heavily on primary sources, then-contemporary reviews and archival material in the form of extra-illustrated or “scrapbooked” editions of the biographies, this text is invested in the ways that the increasing emphasis on materiality was designed to consolidate, but often challenged, the biographer’s authority. This turn to materiality also authorized readerly participation, allowing readers to “co-author” biographies through the use of material insertions, asserting their own presence in the texts about beloved thespians.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	4,279円
Crime Scene Staging Dynamics in Homicide Cases【電子書籍】[ Laura Gail Pettler ] 楽天Kobo電子書籍ストア	＜p＞Individuals who perpetrate murder sometimes pose or reposition victims, weapons, and evidence to make it look like events happened in a different way than what actually transpired. Until now, there has been scarce literature published on crime scene staging.Crime Scene Staging Dynamics in Homicide Cases is the first book to look at this practice, p＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	8,124円
Staging Christ's Passion in Eighteenth-Century Nahua Mexico【電子書籍】[ Louise M. Burkhart ] 楽天Kobo電子書籍ストア	＜p＞＜em＞Staging Christ’s Passion in Eighteenth-Century Nahua Mexico＜/em＞ explores the Passion plays performed in Nahuatl (Aztec) by Indigenous Mexicans living under Spanish colonial occupation. Though sourced from European writings and devotional practices that emphasized the suffering of Christ and his mother, this Nahuatl theatrical tradition grounded the Passion story in the Indigenous corporate community. Passion plays had courted controversy in Europe since their twelfth-century origin, but in New Spain they faced Catholic authorities who questioned the spiritual and intellectual capacity of Indigenous people and, in the eighteenth century, sought to suppress these performances. Six surviving eighteenth-century scripts, variants of an original play possibly composed early in the seventeenth century, reveal how Nahuas passed along this model text while modifying it with new dialogue, characters, and stage techniques. Louise M. Burkhart explores the way Nahuas merged the Passion story with their language, cultural constructs, social norms, and religious practices while also responding to surveillance by Catholic churchmen. Analytical chapters trace significant themes through the six plays and key these to a composite play in English included in the volume.＜/p＞＜p＞A cast with over fifty distinct roles acted out events extending from Palm Sunday to Christ’s death on the cross. One actor became a localized embodiment of Jesus through a process of investiture and mimesis that carried aspects of pre-Columbian materialized divinity into the later colonial period. The play told afar richer version of the Passion story than what later colonial Nahuas typically learned from their priests or catechists. And by assimilating Jesus to an Indigenous, or ＜em＞macehualli,＜/em＞ identity, the players enacted a protest against colonial rule.＜/p＞＜p＞The situation in eighteenth-century New Spain presents both a unique confrontation between Indigenous communities and Enlightenment era religious reformers and a new chapter in an age-old power game between popular practice and religious orthodoxy. By focusing on how Nahuas localized the universalizing narrative of Christ’s Passion, ＜em＞Staging Christ’s Passion in Eighteenth-Century Nahua Mexico＜/em＞ offers an unusually in-depth view of religious life under colonial rule.＜/p＞＜p＞Burkhart’s ＜a href="passionplaysofeighteenthcenturymexico.omeka.net"＞accompanying website＜/a＞ also makes available transcriptions and translations of the six Nahuatl-language plays, four Spanish-language plays composed in response to the suppression of the Nahuatl practice, and related documentation, providing a valuable resource for anyone interested in consulting the original material.＜/p＞＜p＞Comments restricted to single page＜/p＞＜p＞plays composed in response to the suppression of the Nahuatl practice, and related documentation,＜br /＞ providing a valuable resource for anyone interested in consulting the original material＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	4,371円
Carmen and the Staging of Spain Recasting Bizet's Opera in the Belle Epoque【電子書籍】[ Michael Christoforidis ] 楽天Kobo電子書籍ストア	＜p＞Carmen ＜em＞and the Staging of Spain＜/em＞ explores the Belle ?poque fascination with Spanish entertainment that refashioned Bizet's opera and gave rise to an international "Carmen industry." Authors Michael Christoforidis and Elizabeth Kertesz challenge the notion of ＜em＞Carmen＜/em＞ as an unchanging exotic construct, tracing the ways in which performers and productions responded to evolving fashions for Spanish style from its 1875 premiere to 1915. Focusing on selected realizations of the opera in Paris, London and New York, Christoforidis and Kertesz explore the cycles of influence between the opera and its parodies; adaptations in spoken drama, ballet and film; and the panorama of flamenco, Spanish dance, and musical entertainments. Their findings also uncover ＜em＞Carmen＜/em＞'s dynamic interaction with issues of Hispanic identity against the backdrop of Spain's changing international fortunes. The Spanish response to this now most-Spanish of operas is illuminated by its early reception in Madrid and Barcelona, adaptations to local theatrical genres, and impact on Spanish composers of the time. A series of Spanish Carmens, from opera singers Elena Sanz and Maria Gay to the infamous music-hall star La Belle Otero, had a crucial influence on the interpretation of the title role. Their stories provide a fresh context for the book's reappraisal of leading Carmens of the era, including Emma Calv? and Geraldine Farrar.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	4,791円
Staging Class Conflict in the UK【電子書籍】[ Liz Tomlin ] 楽天Kobo電子書籍ストア	＜p＞This Element focuses on the frequent staging of the most precarious fraction of the working class in the context of a theatre industry, academy and audiences that are dominated by the cultural fraction of the middle class. It interrogates the staging of an abjectified figure as a means of challenging the stigmatisation of the poor in political discourse, defined here as an ideological imaginary of moral and cultural deficit. The Element argues that in seeking to subvert such an imaginary, theatre that stages the abjectified subject may risk consolidating two further imaginaries of working class deficit that have been confected in political discourse from the 1990s to the 2020s. In conclusion, the Element reflects on the political potential of theatre that rather seeks to eradicate class descriptors, conflicts and hierarchies altogether. This title is also available as Open Access on Cambridge Core.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	3,051円
Staging Buenos Aires Theater, Society, and Politics in Argentina, 1860-1920【電子書籍】[ Kristen L. McCleary ] 楽天Kobo電子書籍ストア	＜p＞＜em＞Staging Buenos Aires＜/em＞ centers theater as a source of historical inquiry to understand how nonelites experienced and shaped a city undergoing dramatic transformations. Commercial theater constituted the core of the city’s public sphere, one in which middle-class playwrights and audiences assumed the leading role. Audiences and critics often disagreed about what was “acceptable” entertainment. Playwrights used theater to promote their own ideas of sociopolitical change, creating a space for working- and middle-class audiences to identify and push back against imposed regulations and attitudes. Cultural production on the city’s stages revealed fissures and social anxieties about the expansion of the political system and of the public sphere as women became increasingly visible in urban spaces. At the same time, theater also gave structure and meaning to these rapid changes, providing the space for the city’s playwrights and complex publics to play a key role in identifying, processing, and shaping the transforming nation. Plays helped audience members work through dramatic shifts in societal norms as urbanization and industrialization resulted in the visible decline of patriarchal social structures, made most visible in the urban sphere.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	8,457円
Staging Britain's Past Pre-Roman Britain in Early Modern Drama【電子書籍】[ Kim Gilchrist ] 楽天Kobo電子書籍ストア	＜p＞＜em＞Staging Britain's Past＜/em＞ is the first study of the early modern performance of Britain's pre-Roman history. The mythic history of the founding of Britain by the Trojan exile Brute and the subsequent reign of his descendants was performed through texts such as Norton and Sackville's ＜em＞Gorboduc＜/em＞, Shakespeare's ＜em＞King Lear＜/em＞ and ＜em＞Cymbeline,＜/em＞ as well as civic pageants, court masques and royal entries such as Elizabeth I's 1578 entry to Norwich. Gilchrist argues for the power of performed history to shape early modern conceptions of the past, ancestry, and national destiny, and demonstrates how the erosion of the Brutan histories marks a transformation in English self-understanding and identity.＜/p＞＜p＞When published in 1608, Shakespeare's ＜em＞King Lear＜/em＞ claimed to be a “True Chronicle History”. Lear was said to have ruled Britain centuries before the Romans, a descendant of the mighty Trojan Brute who had conquered Britain and slaughtered its barbaric giants. But this was fake history. Shakespeare's contemporaries were discovering that Brute and his descendants, once widely believed as proof of glorious ancient origins, were a mischievous medieval invention.＜/p＞＜p＞Offering a comprehensive account of the extraordinary theatrical tradition that emerged from these Brutan histories and the reasons for that tradition's disappearance, this study gathers all known evidence of the plays, pageants and masques portraying Britain's ancient rulers. ＜em＞Staging Britain's Past＜/em＞ reveals how the loss of England's Trojan origins is reflected in plays and performances from ＜em＞Gorboduc＜/em＞'s powerful invocation of history to Cymbeline's elegiac erosion of all notions of historical truth.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	5,448円
Acting Up Staging the Subject in Enlightenment France【電子書籍】[ Jeffrey M. Leichman ] 楽天Kobo電子書籍ストア	＜p＞Acting concentrated both the aspirations and anxieties of seventeenth- and eighteenth-century France, where theater was a defining element of urban sociability. In Acting Up: Staging the Subject in Enlightenment France, Jeffrey M. Leichman argues for a new understanding of the relationship between performance and self. Innovative interpretations of La Chauss?e, Rousseau, Diderot, R?tif, Beaumarchais, and others demonstrate how the figure of the actor threatened ancien r?gime moral hierarchies by decoupling affect from emotion. As acting came to be understood as an embodied practice of individual freedom, attempts to alternately perfect and repress it proliferated. Across religious diatribes and sentimental comedies, technical manuals and epistolary novels, Leichman traces the development of early modern acting theories that define the aesthetics, philosophy, and politics of the performed subject. Acting Up weaves together cultural studies, literary analysis, theater history, and performance studies to establish acting as a key conceptual model for the subject, for the Enlightenment, and for our own time.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	14,205円
Staging 'Euridice' Theatre, Sets, and Music in Late Renaissance Florence【電子書籍】[ Tim Carter ] 楽天Kobo電子書籍ストア	＜p＞Euridice was one of several music-theatrical works commissioned to celebrate the wedding of Maria de' Medici and King Henri IV of France in Florence in October 1600. As the first 'opera' to survive complete, it has been viewed as a landmark work, but its libretto by Ottavio Rinuccini and music by Jacopo Peri and Giulio Caccini have tended to be studied in the abstract rather than as something to be performed in a specific time and place. Staging “Euridice” explores how newly-discovered documents can be used to precisely reconstruct every aspect of its original stage and sets in the room for which it was intended in the Palazzo Pitti. By also taking into account what the singers and instrumentalists did, what the audience saw and heard, and how things changed from creation through rehearsals to performance, this book brings new aspects of Euridice to light in startling ways.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	3,979円
Literary Optics Staging the Collective in the Nahda【電子書籍】[ Maha AbdelMegeed ] 楽天Kobo電子書籍ストア	＜p＞In L＜em＞iterary Optics,＜/em＞ Maha AbdelMegeed offers a compelling and far-reaching alternative to the traditional mode of analyzing Arabic literature through an encounter between Arabic narrative forms and European ones. Drawing upon close engagements with the works of canonical authors from the period, including Hassan Husni al-Tuwayrani, Muhammad al-Muwaylihi, Ali Mubarak, Francis Marrash, and ‘Abdallah al-Nadim, AbdelMegeed addresses not where these works emanate from but rather how and why they were drawn together to form a canon. In doing so, she rejects the expectation that these texts, through the trope of encounter, hold the explanatory key to modern Arabic literature.＜/p＞＜p＞In this reformulation of Arabic literary history, AbdelMegeed argues that the canon is forged through an urgency to define a new form of political sovereignty and to make history visible. In doing so, she explores three pivotal concepts: the spectral (＜em＞khaya＜/em＞l), the trace (＜em＞athar＜/em＞) and the collective (＜em＞alnas＜/em＞). By examining the texts through these concepts, ＜em＞Literary Optics＜/em＞ provides a remarkable intellectual history that delves into the aesthetic, philosophical, and political stakes of nineteenth-century Arabic literature.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	4,637円
Aspiration Cytology in the Staging of Urological Cancer Clinical, Pathological and Radiological Bases【電子書籍】楽天Kobo電子書籍ストア	画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	6,076円
Performing Disfiguration Pain, Affect and Staging of Relationalities in Performances【電子書籍】[ Akhila Vimal C. ] 楽天Kobo電子書籍ストア	＜p＞This book explores the processes of disfiguration in the 'classical' and 'ritual-healing' performances of India, with a particular focus on the rich and diverse performance traditions of Kerala. It examines three modes of disfigurationー'blood,' 'madness,' and 'laughter'ーto offer unique insights into how these elements shape the performative body. By drawing on Kerala’s distinctive cultural and ritual contexts, this work provides a deep understanding of the region’s embodied practices. Written from an interdisciplinary perspective, the book blends performance studies with detailed ethnographic descriptions to capture the nuances of 'pain' and 'affect.' It challenges and subverts normative notions of performance, offering a fresh lens through which to view these dynamic traditions. This book serves as an invaluable resource for scholars of dance, performance studies, and practitioners seeking to explore the interplay between region, ritual, and disfiguration in Indian performance forms.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	14,585円
Staging the End of the World Theatre in a Time of Climate Crisis【電子書籍】[ Brian Kulick ] 楽天Kobo電子書籍ストア	＜p＞This book is a brief history of the end of the world as seen through the eyes of theatre. Since its inception, theatre has staged the fall of empires, floods, doomsdays, shipwrecks, earthquakes, plagues, environmental degradations, warfare, nuclear annihilation, and the catastrophic effects of climate change. Using a wide range of plays alongside contemporary thinkers, this study helps guide and galvanize the reader in grappling with the climate crisis.＜/p＞＜p＞Kulick divides this litany of theatrical cataclysms into four distinct historical phases: the Ancients, including Euripides and Bhasa, the legendary Sanskrit dramatist; the Age of Belief, with the anonymous authors of the medieval mystery cycles, Shakespeare, and Pushkin; the Moderns, with Ibsen, Chekhov, Brecht, Beckett, and Bond; and, finally, the way the world might end now, encompassing Caryl Churchill, Tony Kushner, and Anne Washburn. In tandem with the insights gleaned from these playwrights, the book draws upon the work of contemporary scientists, ecologists, and ethicists to further tease out the philosophical implications of such plays and their relevance to our own troubled times. In the end, Kulick shows how each of these ages and their respective authors have something essential to say, not only about humanity's potential end, but, more importantly, about the possibility for our collective continuance.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	3,544円
Staging Rebellion in the Musical, Hair Marginalised Voices in Musical Theatre【電子書籍】[ Sarah Elisabeth Browne ] 楽天Kobo電子書籍ストア	＜p＞This volume provides a comprehensive survey of the musical ＜em＞Hair＜/em＞ and will offer critical analysis which focuses on giving voice to those who are historically considered to be on the margins of musical theatre history.＜/p＞＜p＞Sarah Browne interrogates key scenes from the musical which will seek to identify the relationship between performance and the cultural moment. Whilst it is widely acknowledged that ＜em＞Hair＜/em＞ is a product of the sixties counter-culture, this study will place the analysis in its socio-historical context to specifically reveal American values towards race, gender, and adolescence. In arguing that ＜em＞Hair＜/em＞ is a rebellion against the established normative values of both American society and the art form of the musical itself, this book will suggest ways in which ＜em＞Hair＜/em＞ can be considered utopian: not only as a utopian ‘text’ but in the practices and values it embodies, and the emotions it generates in its audiences.＜/p＞＜p＞This book will be of great interest to scholars and students of music, musical theatre, popular music, American studies, film studies, gender studies, or African American studies.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	9,616円
Staging Pain, 1580?1800 Violence and Trauma in British Theater【電子書籍】[ Mathew R. Martin ] 楽天Kobo電子書籍ストア	＜p＞Bookending the chronology of this collection are two crucial moments in the histories of pain, trauma, and their staging in British theater: the establishment of secular and professional theater in London in the 1580s, and the growing dissatisfaction with theatrical modes of public punishment alongside the increasing efficacy of staging extravagant spectacles at the end of the eighteenth century. From the often brutal spectacle of late medieval mystery plays to early Romantic re-evaluations of eighteenth-century appropriations of spectacles of pain, the essays take up the significance of these watershed moments in British theater and expand on recent work treating bodies in pain: what and how pain means, how such meaning can be embodied, how such embodiment can be dramatized, and how such dramatizations can be put to use and made meaningful in a variety of contexts. Grouped thematically, the essays interrogate individual plays and important topics in terms of the volume's overriding concerns, among them Tamburlaine and The Maid's Tragedy, revenge tragedy, Joshua Reynolds on public executions, King Lear, Settle's Moroccan plays, spectacles of injury, torture, and suffering, and Joanna Baillie's Plays on the Passions. Collectively, these essays make an important contribution to the increasingly interrelated histories of pain, the body, and the theater.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	10,280円
Staging Revolutions and the Many Faces of Modernism Performing Politics in Irish and Egyptian Theatre【電子書籍】[ Amina ElHalawani ] 楽天Kobo電子書籍ストア	＜p＞The book explores how theatre, with its performative capacity, has the power to engage with and affect the politics of its day. It sets the stage for the reader to discover the revolutionary traditions of Egyptian and Irish theatre, very distinct in their histories and cultures, and understand their enduring relevance in today’s world. The volume takes Ireland as a case study of the interplay between cultural nationalism and politically engaged theatre and compares it to the role of the theatre in Egypt during its Golden era in the 1960s.＜/p＞＜p＞Through a selection of Egyptian plays by Tawfiq al-Hakim, Mikhail Roman, Yusuf Idris, and Salah Abdul-Saboor, alongside Irish plays by Brian Friel, Frank McGuinness, Christina Reid, and Samuel Beckett, it maps the political aesthetics of unsteady times and seemingly disparate places to reflect on the dynamics of revolt as a staged act in and of itself. Further, the book examines how playwrights from both nations have engaged with theatre as a medium, focusing on how their contemplations, hesitations, frustrations, and protest have been translated onto the stage in their various plays, and comprehends the transformative role the theatre has always played in politics in shaping history across time and space.＜/p＞＜p＞Bridging together discussions on transnational modernisms with nuanced cultural histories of protest, this critical work will be of great interest to scholars and researchers of literary studies, identity politics, cultural studies, theatre and performance studies, and political studies.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	9,285円
DIY Household Cleaning, Organizing and Staging 3-in-1 Book Set【電子書籍】[ Jeanne Clarkson ] 楽天Kobo電子書籍ストア	＜p＞Want to get your home cleaner, more organized and looking as good as it can? This special set of books features three of top selling DIY household author Jeanne Clarkson’s three books on those very topics. With this collection of helpful guides you’ll discover DIY cleaning, organization and staging tips, tricks, hacks and shortcuts to get your home in complete order.＜/p＞＜p＞＜strong＞Included in this 3-book set:＜/strong＞＜/p＞＜p＞＜strong＞DIY Home Cleaning: Household Tips, Shortcuts and Remedies for Cleaning Made Easy!＜/strong＞＜/p＞＜p＞＜strong＞Home Organization Guide: Tips & Ideas for More Organized Living＜/strong＞＜/p＞＜p＞＜strong＞Do Your Own Home Staging: How to Stage Your Home to Sell＜/strong＞＜/p＞＜p＞Use these powerful resources together to get your home in tip-top shape. With over a hundred great tips, tricks, shortcuts and hacks, you’ll be able to go room-by-room and around the house, making sure each room is cleaner, more organized and even looking as good as open house homes do on the real estate market!＜/p＞＜p＞Whether you’re preparing your house to sell or simply want ways to save time and money while making your household look great, this three book set is the resource for you. Download this 3-in-1 book set now and have your home looking its absolute best!＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	903円
Staging Buenos Aires: Theater, Society, and Politics in Argentina, 1860-1920 STAGING BUENOS AIRES （Pitt Latin American） [ Kristen L. McCleary ] 楽天ブックス	STAGING BUENOS AIRES Pitt Latin American Kristen L. McCleary UNIV OF PITTSBURGH PR2024 Hardcover English ISBN：9780822948247 洋書 Social Science（社会科学） History	20,460円
Staging Contemplation Participatory Theology in Middle English Prose, Verse, and Drama【電子書籍】[ Eleanor Johnson ] 楽天Kobo電子書籍ストア	＜p＞What does it mean to contemplate? In the Middle Ages, more than merely thinking with intensity, it was a religious practice entailing utter receptiveness to the divine presence. Contemplation is widely considered by scholars today to have been the highest form of devotional prayer, a rarified means of experiencing God practiced only by the most devout of monks, nuns, and mystics.＜br /＞ Yet, in this groundbreaking new book, Eleanor Johnson argues instead for the pervasiveness and accessibility of contemplative works to medieval audiences. By drawing together ostensibly diverse literary genresーdevotional prose, allegorical poetry, cycle dramas, and morality playsー＜em＞Staging Contemplation＜/em＞ paints late Middle English contemplative writing as a broad genre that operated collectively and experientially as much as through radical individual disengagement from the world. Johnson further argues that the contemplative genre played a crucial role in the exploration of the English vernacular as a literary and theological language in the fifteenth century, tracing how these works engaged modes of disfluencyーfrom strained syntax and aberrant grammar, to puns, slang, code-switching, and laughterーto explore the limits, norms, and potential of English as a devotional language. Full of virtuoso close readings, this book demonstrates a sustained interest in how poetic language can foster a participatory experience of likeness to God among lay and devotional audiences alike.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	2,320円