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商品	説明	価格
Staging Violence Gender and Social Control in J?caras and Entremeses【電子書籍】[ Tania de Miguel Magro ] 楽天Kobo電子書籍ストア	＜p＞＜em＞Staging Violence＜/em＞ explores gender violence in Spanish early modern short theater.＜/p＞＜p＞This book deals with domestic violence against women, extortion of prostitutes, and violence against men who display non-conventional forms of masculinity. The author argues that many "＜em＞j?caras＜/em＞"and "＜em＞entremeses＜/em＞"stage subversive discourses that repudiate or complicate official narratives of gender and the use of violence as a tool for achieving gender compliance. Short comic pieces are read against ＜em＞comedias＜/em＞. Each section of the book is expertly contextualized through an overview of the legal and moral contexts and the analysis of a variety of primary sources (law codes, manuals of conduct, church rulings, transcripts of civil and religious trials, and medical manuals) as well as statistical information. ＜em＞Staging Violence＜/em＞ invites the reader to consider the transgressive potential of performance.＜/p＞＜p＞As the first monograph entirely dedicated to the study of gender in this genre, this book is a vital resource for students and scholars interested in gender studies and theatre.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	8,544円
The Dancing God Staging Hindu Dance in Australia【電子書籍】[ Amit Sarwal ] 楽天Kobo電子書籍ストア	＜p＞＜em＞The Dancing God: Staging Hindu Dance in Australia＜/em＞ charts the sensational and historic journey of de-provincialising and popularising Hindu dance in Australia.＜/p＞＜p＞In the late nineteenth and early twentieth centuries, colonialism, orientalism and nationalism came together in various combinations to make traditional Hindu temple dance into a global art form. The intricately symbolic Hindu dance in its vital form was virtually unseen and unknown in Australia until an Australian impresario, Louise Lightfoot, brought it onto the stage. Her experimental changes, which modernised Kathakali dance through her pioneering collaboration with Indian dancer Ananda Shivaram, moved the Hindu dance from the sphere of ritualistic practice to formalised stage art. Amit Sarwal argues that this movement enabled both the authentic Hindu dance and dancer to gain recognition worldwide and created in his persona a cultural guru and ambassador on the global stage.＜/p＞＜p＞Ideal for anyone with an interest in global dance, ＜em＞The Dancing God＜/em＞ is an in-depth study of how a unique dance form evolved in the meeting of travellers and cultures.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	4,836円
The Model as Performance Staging Space in Theatre and Architecture【電子書籍】[ Thea Brejzek ] 楽天Kobo電子書籍ストア	＜p＞＜em＞The Model as Performance＜/em＞ investigates the history and development of the scale model from the Renaissance to the present. Employing a scenographic perspective and a performative paradigm, it explores what the model can do and how it is used in theatre and architecture. The volume provides a comprehensive historical context and theoretical framework for theatre scholars, scenographers, artists and architects interested in the model's reality-producing capacity and its recent emergence in contemporary art practice and exhibition.＜/p＞＜p＞Introducing a typology of the scale model beyond the iterative and the representative model, the authors identify the autonomous model as a provocative construction between past and present, idea and reality, that challenges and redefines the relationship between object, viewer and environment.＜/p＞＜p＞＜em＞The Model as Performance＜/em＞ was shortlisted for the best Performance Design & Scenography Publication Award at the Prague Quadrennial (PQ) 2019.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	4,679円
Cosmo-Modernism and Theater in India Writing and Staging Multilingual Modernisms【電子書籍】[ Aparna Bhargava Dharwadker ] 楽天Kobo電子書籍ストア	＜p＞Urban theater took shape in postindependence India as a large and complex field produced in more than sixteen major languages, including Bengali, Marathi, Hindi, Gujarati, and Kannada. The cosmopolitan engagement of leading playwrights with modernist and postcolonial literary movements around the world created distinctly new aesthetic and political approaches to Indian myth, history, and sociocultural experience, which had become the most prominent subjects in modern Indian drama. Yet even as critics and scholars of global modernism have increasingly turned their attention beyond North America and Europe, they continue to focus on dominant world languages at the expense of multilingual cultures such as India’s. Despite their originality and significance, modernist works written in Indian languages other than English remain neglected.＜/p＞＜p＞In ＜em＞Cosmo-Modernism and Theater in India＜/em＞, Aparna Bhargava Dharwadker develops a new framework for understanding non-Anglophone Indian modernisms by recovering crucial theoretical concepts and using them to analyze the writing, staging, and reception of major plays in multiple languages. She argues that the output of prominent mid- to late-twentieth-century playwrights such as Dharamvir Bharati, Mohan Rakesh, Badal Sircar, Vijay Tendulkar, Girish Karnad, and Habib Tanvir registers a decisive rupture from nineteenth-century forms of colonial modernity. In representing the ancient Indian past, the postcolonial urban present, and the rich repertoire of precolonial performance traditions, these authors’ works became highly inventive expressions of modernist classicism, realism, and traditionalism. Dharwadker shows how a decommercialized performance economy and the incessant activity of translation further enhanced modernist production, and she connects Indian modernisms to regional, national, and transnational networks. Offering bold new insights into the theory and practice of modernist drama, this book delivers a radical remapping of global modernisms.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	5,070円
Kierkegaard and the Staging of Desire Rhetoric and Performance in a Theology of Eros【電子書籍】[ Carl S. Hughes ] 楽天Kobo電子書籍ストア	＜p＞Theology in the modern era often assumes that the consummate form of theological discourse is objective proseーignoring or condemning apophatic traditions and the spiritual eros that drives them. For too long, Kierkegaard has been read along these lines as a progenitor of twentieth-century neo-orthodoxy and a stern critic of the erotic in all its forms. In contrast, Hughes argues that Kierkegaard envisions faith fundamentally as a form of infinite, insatiable eros. He depicts the essential purpose of Kierkegaard’s writing as to elicit ever-greater spiritual desire, not to provide the satisfactions of doctrine or knowledge.＜/p＞＜p＞Hughes’s argument revolves around close readings of provocative, disparate, and (in many cases) little-known Kierkegaardian texts. The thread connecting all of these texts is that they each conjure up some sort of performative “stage setting,” which they invite readers to enter. By analyzing the theological function of these texts, the book sheds new light on the role of the aesthetic in Kierkegaard’s authorship, his surprising affinity for liturgy and sacrament, and his overarching effort to conjoin eros for God with this-worldly love.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	7,536円
Staging Memory and Materiality in Eighteenth-Century Theatrical Biography【電子書籍】[ Amanda Weldy Boyd ] 楽天Kobo電子書籍ストア	＜p＞"Staging Memory and Materiality in Eighteenth-Century Theatrical Biography” examines theatrical biography as a nascent genre in eighteenth-century England. This study suggests a visibleーbut not impermeableーteleology from Thomas Davies to James Boaden in the development of theatrical biography as a professional enterprise. Chapter One explores Davies, the first significant biographer to throw off the shadows of anonymity and weld his own image to his subject, David Garrick. The second chapter traces three biographies of Charles Macklin written by biographers dueling amongst themselves for the right to tell Macklin’s story in the post-Davies competitive market. Finally, the third chapter tells the story of the serial biographer James Boaden’s attempts to build a professional reputation for himself as a biographer and prominent participatory character in the multiple “Lives” he tells, including those of John Philip Kemble, Sarah Siddons, Dorothy Jordan, and Elizabeth Inchbald. In each instance of producing a theatrical biography, the author is confronted not only with his duty to represent the actor, but the need to do so in an original, compelling manner that sets his account apart from other contenders and guarantees the permanency of his account as a treasured artifact of the stage rather than a disposable commodity.＜/p＞＜p＞The willful encouragement of viewing literary materiality as an antidote to ephemeral stage-business leads in turn to the absorption of prior biographical works and letters by authors, and reverberates in their readers’ quests to augment their copies of theatrical biographies through adding playbills, marginal notes, etchings, paintings, newspaper clippings, and even funerary souvenirs that not only testified to their interest in the stage, but secured their existence as well by evidence of participation. Thus, the author at once guaranteed the thespian’s legacy would live on while hitching his own likelihood of being remembered to the actor. The audience followed suit by adding their own personal touches, forming a palimpsest of participants. Drawing heavily on primary sources, then-contemporary reviews, and archival material in the form of extra-illustrated or “scrapbooked” editions of the biographies, this book is invested in the ways that the increasing emphasis on materiality was designed to consolidate, but often challenged, the biographer’s authority.＜/p＞＜p＞The book provides an introduction to theatrical biography as an immensely popular genre in the eighteenth century that deserves more scholarly attention. Currently, theatrical biography is usually overlooked or encountered solely in excerpts offered to advance individual research goals; the texts are perceived as repositories of facts or the odd opinion, more akin to a reference work than anything innately artistic. This study’s contribution is to read these biographies in context, exploring their participation in a developing poetics of a new artistic subgenre, from the content of the works and the concerns of its authors to the responses that these biographies elicited from their readers.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	3,916円
The Civil Rights Theatre Movement in New York, 1939?1966 Staging Freedom【電子書籍】[ Julie Burrell ] 楽天Kobo電子書籍ストア	＜p＞This book argues that African American theatre in the twentieth century represented a cultural front of the civil rights movement. Highlighting the frequently ignored decades of the 1940s and 1950s, Burrell documents a radical cohort of theatre artists who became critical players in the fight for civil rights both onstage and offstage, between the Popular Front and the Black Arts Movement periods. ＜em＞The Civil Rights Theatre Movement＜/em＞ recovers knowledge of little-known groups like the Negro Playwrights Company and reconsiders Broadway hits including Lorraine Hansberry’s ＜em＞A Raisin in the Sun,＜/em＞ showing how theatre artists staged radically innovative performances that protested Jim Crow and U.S. imperialism amidst a repressive Cold War atmosphere. By conceiving of class and gender as intertwining aspects of racism, this book reveals how civil rights theatre artists challenged audiences to reimagine the fundamental character of American democracy.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	9,723円
Transmissions in Dance Contemporary Staging Practices【電子書籍】楽天Kobo電子書籍ストア	＜p＞This book is a collection of essays that capture the artistic voices at play during a staging process. Situating familiar practices such as reimagining, reenactment and recreation alongside the related and often intersecting processes of transmission, translation and transformation, it features deep insights into selected dances from directors, performers, and close associates of choreographers. The breadth of practice on offer illustrates the capacity of dance as a medium to adapt successfully to diverse approaches and, further, that there is a growing appetite amongst audiences for seeing dances from the near and far past. This study spans a century, from Rudolf Laban’s ＜em＞Dancing Drumstick＜/em＞ (1913) to Robert Cohan’s ＜em＞Sigh＜/em＞ (2015), and examines works by Mary Wigman, Madge Atkinson (Natural Movement), Doris Humphrey, Martha Graham, Yvonne Rainer and Rosemary Butcher, an eclectic mix that crosses time and borders.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	14,585円
Staging to Sell The Secret to Selling Homes in a Down Market【電子書籍】[ Barb Schwarz ] 楽天Kobo電子書籍ストア	＜p＞＜strong＞Home staging strategies needed to succeed in a down market＜/strong＞＜/p＞＜p＞Whether a buyer, seller, or real estate agent, the home selling and purchasing process is fraught with potholes that can usually be overcome. But in this weakened housing market, everyone involved in the selling process must increase their efforts. In order to sell homes at top dollar, houses must be "prepared for sales." That’s where Staging comes in. The real estate mantra is no longer location, location, location. It is now Staging, Staging, Staging! It’s all about presentation. In ＜em＞Staging to Sell＜/em＞, Barb Schwarz, The Creator of Home Staging?, offers her winning tactics, secrets, and strategies for selling a home at top dollar during these challenging times. In addition to offering specific tips on how to Stage a home, Schwarz, a sought-after speaker and Real Estate broker who has Staged and sold over 5,000 homes, provides readers, sellers, Realtors? and Stagers, with useful advice on correctly pricing properties, marketing properties so that they sell, addressing objections early on, having the seller handle the Staging before the house is viewed, and much more. Written with today’s turbulent real estate market in mind, ＜em＞Staging to Sell＜/em＞ contains the information readers need to get their homes Sold in the market quickly for top dollar.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	1,691円
Fe/Male Friends Staging Gender and Friendship in Seventeenth- and Eighteenth-Century Spanish Literature【電子書籍】楽天Kobo電子書籍ストア	＜p＞Although the traditions of philia and amicitia proclaim friendship as a universal concept, it has been an androcentric model until the emergence of the female friend in the Age of Enlightenment. This book analyzes the discursive turn from premodern to modern gendered constructions of friends in Spanish literature and sheds light on specific models of male, female, and mixed relationships in the seventeenth- and eighteenth-century. Our approach reveals the gendering of male friendship through the exclusion of women and shows the crucial moment when women appear capable of true friendship. The study traces the process of transition from a homosocial bond based on a feudal notion of honor in the Siglo de Oro to new forms of affective relations in a proto-bourgeois society that promotes equality, reason and citizenship. This book spans two centuries of friendship and scrutinizes the creation of specifically gendered social bonds in literary and theoretical frameworks ranging from political writing to poetry, and from the working classes to the intellectual elites. Through novellas, novels, plays, poems, moral weeklies, and letters by female and male authors, every chapter examines a specific concept of fe/male friends related to society, politics, ethics, subjectivity, courtly culture, family and marriage structures. Thus, the book demonstrates the very act of gendering as it relates to friendship as one of the most important forms of social interaction.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	7,400円
Losing It Staging the Cultural Conundrum of Dementia and Decline in American Theatre【電子書籍】[ Dorothy Chansky ] 楽天Kobo電子書籍ストア	＜p＞This monograph is a study of American (U.S.) stage representations of dementia mounted between 1913 and 2019. Its imbricated strands are playtexts; audiences as both the targets of the productions (artifacts in the marketplace) and as anticipated determinants of legibility; and medical science, both as has been (and is) known to researchers and, more importantly, as it has been (and is) known to educated general audiences. As the Baby Boom generation finds itself solidly in the category of “Senior,” interest in plays that address personal and social issues around cognitive decline as a potentially frightening and expensive experience, no two iterations of which are identical, have, understandably, burgeoned. This study shines a spotlight on eleven dementia plays that have been produced in the United States over the past century, and seeks, in the words of medical humanities scholar Anne Whitehead, to “open up, ＜em＞and to hold open＜/em＞, central ethical questions of responsiveness, interpretation, responsibility, complicity and care.”＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	15,800円
Staging Class Conflict in the UK【電子書籍】[ Liz Tomlin ] 楽天Kobo電子書籍ストア	＜p＞This Element focuses on the frequent staging of the most precarious fraction of the working class in the context of a theatre industry, academy and audiences that are dominated by the cultural fraction of the middle class. It interrogates the staging of an abjectified figure as a means of challenging the stigmatisation of the poor in political discourse, defined here as an ideological imaginary of moral and cultural deficit. The Element argues that in seeking to subvert such an imaginary, theatre that stages the abjectified subject may risk consolidating two further imaginaries of working class deficit that have been confected in political discourse from the 1990s to the 2020s. In conclusion, the Element reflects on the political potential of theatre that rather seeks to eradicate class descriptors, conflicts and hierarchies altogether. This title is also available as Open Access on Cambridge Core.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	2,967円
Staging America, Staging the Self Figurations of Loss in John Berryman's Dream Songs【電子書籍】[ Agnieszka Pantuchowicz ] 楽天Kobo電子書籍ストア	＜p＞This study focuses on theatricality and melancholia in John Berryman's ＜em＞The Dream Songs,＜/em＞ and proposes to view them as inherent in the American cultural experience. It discusses Berryman's work in the context of a larger debate on the significance of loss in the process of subject formation and its relation to language, with a commentary on the presences and absences found in the Polish translations of the poem. Revealing the mechanisms of staging the Self after loss, the Songs provide insight into the theatrical and dialogue-driven, context-dependent, intertextual and continuously rewritten character of the American subject.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	6,804円
Staging Modern American Life Popular Culture in the Experimental Theatre of Millay, Cummings, and Dos Passos【電子書籍】[ T. Fahy ] 楽天Kobo電子書籍ストア	＜p＞Thomas Fahy examines the integration of and challenges to popular culture found in the theatrical works of Millay, Cummings, and Dos Passos, which have largely been marginalized in discussions of theatre history and literary studies, despite offering a hybrid theatre that integrates popular with formal, and mainstream with experimental＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	6,076円
Feminist Theatres in the USA Staging Women's Experience【電子書籍】[ Charlotte Canning ] 楽天Kobo電子書籍ストア	＜p＞Feminist Theaters in the USA is a fresh, informative portrait of a key era in feminist and theater history It is vital reading for feminist students, theater historians and theater practitioners. Their continued movement forward will be challenged and enriched by this timely look back at the trials and accomplishments of their predecessors. Canning interviews over thirty women who took part in the dynamic feminist theater of the 1970s and 1980s. They provide first-hand accounts of the excitement, struggles and innovations which formed their experience. From this foundation Cannning constructs a compelling combination of historical survey, critique and celebration which explores: * The history of the groups and their formation * The politics which shaped their work * Their methods and creative processes * The productions they brought to the stage * The reception from critics and audiences＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	9,188円
Staging Prison Theatre in Canada Setting the Spotlight on William Head on Stage【電子書籍】[ Mme Thana Ridha ] 楽天Kobo電子書籍ストア	＜p＞For over forty years, William Head on Stage (WHoS) has operated as an inmate-run prison theatre, making it one of Canada’s longest-standing prison arts initiatives.＜/p＞＜p＞＜em＞Staging Prison Theatre in Canada: Setting the Spotlight on William Head on Stage＜/em＞ delves into the story of WHoS through the voices of the men involved, offering a unique criminological perspective that situates their experiences within the prison context.＜/p＞＜p＞The analysis explores how WHoS creates an alternative space within the social and emotional realities of incarceration. By unlocking participants’ capacities, skills, and confidence, the initiative fosters a sense of agency and community both inside the prison and beyond. WHoS becomes a space for transformation, offering men opportunities to re-imagine themselves and build meaningful connections.＜/p＞＜p＞This work underscores the broader significance of arts-based initiatives like WHoS, not only within prisons but also in the fields of criminology, theatre, and community engagement. It offers valuable insights for correctional administrators, criminologists, theatre practitioners, scholars, students, and anyone interested in the intersection of art and rehabilitation.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	3,869円
Staging Democracy Political Performance in Ukraine, Russia, and Beyond【電子書籍】[ Jessica Pisano ] 楽天Kobo電子書籍ストア	＜p＞＜strong＞Focusing on the experiences of people in Russia and Ukraine,＜/strong＞＜em＞＜strong＞Staging Democracy＜/strong＞＜/em＞＜strong＞shows how some national leaders' seeming popularity rests on local economic compacts.＜/strong＞ Jessica Pisano draws on long-term research in rural communities and company towns, analyzing how local political and business leaders, seeking favor from incumbent politicians, used salaries, benefits, and public infrastructure to pressure citizens to participate in command performances.＜/p＞＜p＞Pisano looks at elections whose outcome was known in advance, protests for hire, and smaller mises en sc?ne to explain why people participate, what differs from spectacle in totalitarian societies, how political theater exists in both authoritarian and democratic systems, and how such performances reshape understandings of the role of politics.＜/p＞＜p＞＜em＞Staging Democracy＜/em＞ moves beyond Russia and Ukraine to offer a novel economic argument for why some people support Putin and similar politicians. Pisano suggests we can analyze politics in both democracies and authoritarian regimes using the same analytical lens of political theater.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	2,877円
Performing the Politics of Translation in Modern Japan Staging the Resistance【電子書籍】[ Aragorn Quinn ] 楽天Kobo電子書籍ストア	＜p＞＜em＞Performing the Politics of Translation in Modern Japan＜/em＞ sheds new light on the adoption of concepts that motivated political theatres of resistance for nearly a century and even now underpin the collective understanding of the Japanese nation.＜/p＞＜p＞Grounded in the aftermath of the Meiji Restoration in 1868 and analyzing its legacy on stage, this book tells the story of the crucial role that performance and specifically embodied memory played in the changing understanding of the imported Western concepts of "liberty" (jiy?) and "revolution" (kakumei). Tracing the role of the post-Restoration movement itself as an important touchstone for later performances, it examines two key moments of political crisis. The first of these is the Proletarian Theatre Movement of the 1920s and '30s, in which the post-Restoration years were important for theorizing the Japanese communist revolution. The second is in the postwar years when Rights Movement theatre and thought again featured as a vehicle for understanding the present through the past. As such, this book presents the translation of "liberty" and "revolution", not through a one-to-one correspondence model, but rather as a many-to-many relationship. In doing so, it presents a century of evolution in the dramaturgy of resistance in Japan.＜/p＞＜p＞This book will be useful to students and scholars of Japanese history, society and culture, as well as literature and translation studies alike.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	9,028円
Violent Women in Contemporary Theatres Staging Resistance【電子書籍】[ Nancy Taylor Porter ] 楽天Kobo電子書籍ストア	＜p＞This book brings together the fields of theatre, gender studies, and psychology/sociology in order to explore the relationships between what happens when women engage in violence, how the events and their reception intercept with cultural understandings of gender, how plays thoughtfully depict this topic, and how their productions impact audiences. Truthful portrayals force consideration of both the startling reality of women's violence ー not how it's been sensationalized or demonized or sexualized, but how it ＜em＞is＜/em＞ー and what parameters, what possibilities, ＜em＞should＜/em＞ exist for its enactment in life and live theatre. These women appear in a wide array of contexts: they are mothers, daughters, lovers, streetfighters, boxers, soldiers, and dominatrixes. Who they are and why they choose to use violence varies dramatically. They stage resistance and challenge normative expectations for women. This fascinating and balanced study will appeal to anyone interested in gender/feminism issues and theatre.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	12,154円
Staging Muslims in Britain Playwriting, Performance, and Representation【電子書籍】[ ?nder ?ak?rta? ] 楽天Kobo電子書籍ストア	＜p＞This scholarly volume delves into the manner in which British Muslims articulate their cultural, social and religious identities through theatrical productions in 21st-century Britain and examines their portrayal within these performances.＜/p＞＜p＞The study investigates the factors influencing the emergence and evolution of Islamic theatre in Britain, providing an in-depth analysis of plays by British playwrights of both Muslim and non-Muslim origins that have shaped the trajectory of British Islamic theatre from the late 20th century to the present. ?nder ?ak?rta? critically examines how British playwrights, predominantly of Muslim origin but also including some of non-Muslim origin, depict Muslim identity and culture from their unique perspectives, particularly in the context of post-9/11 society. Adopting a comprehensive approach to Islamic playwriting and performance, this book highlights the accomplishments and contributions of contemporary British playwrights, primarily from Muslim backgrounds.＜/p＞＜p＞This study will be of significant interest to scholars and students in theatre studies, as well as related disciplines such as Islamic studies, sociology and political science.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	9,188円
Staging Haiti in Nineteenth-Century America Revolution, Race and Popular Performance【電子書籍】[ Peter Reed ] 楽天Kobo電子書籍ストア	＜p＞American culture maintained a complicated relationship with Haiti from its revolutionary beginnings onward. In this study, Peter P. Reed reveals how Americans embodied and re-enacted their connections to Haiti through a wide array of performance forms. In the wake of Haiti's slave revolts in the 1790s, generations of actors, theatre professionals, spectators, and commentators looked to Haiti as a source of both inspiring freedom and vexing disorder. French colonial refugees, university students, Black theatre stars, blackface minstrels, abolitionists, and even writers such as Herman Melville all reinvented and restaged Haiti in distinctive ways. Reed demonstrates how Haiti's example of Black freedom and national independence helped redefine American popular culture, as actors and audiences repeatedly invoked and suppressed Haiti's revolutionary narratives, characters, and themes. Ultimately, Haiti shaped generations of performances, transforming America's understandings of race, power, freedom, and violence in ways that still reverberate today.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	3,869円
Carthage in Virgil's Aeneid Staging the Enemy under Augustus【電子書籍】[ Elena Giusti ] 楽天Kobo電子書籍ストア	＜p＞Founded upon more than a century of civil bloodshed, the first imperial regime of ancient Rome, the Principate of Caesar Augustus, looked at Rome's distant and glorious past in order to justify and promote its existence under the disguise of a restoration of the old Republic. In doing so, it used and revisited the history and myth of Rome's major success against external enemies: the wars against Carthage. This book explores the ideological use of Carthage in the most authoritative of the Augustan literary texts, the Aeneid of Virgil. It analyses the ideological portrait of Carthaginians from the middle Republic and the truth-twisting involved in writing about the Punic Wars under the Principate. It also investigates the mirroring between Carthage and Rome in a poem whose primary concern was rather the traumatic memory of Civil War and the subsequent subversion of Rome's Republican institutions through the establishment of Augustus' Principate.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	5,805円
Performativity in the Gallery Staging Interactive Encounters【電子書籍】[ J. Barrie Bullen ] 楽天Kobo電子書籍ストア	＜p＞This book coincides with an increase in the programming of live art elements in many galleries and museums. Traditional art history has, however, been wary of live art’s interdisciplinarity and its tendency to encourage increased formal and conceptual risk taking. Time-based performances have challenged the conventions of documentation and the viewer’s access to the art experience. This book questions the canon of art history by exploring participation, liveness, interactivity, digital and process-based performative practices and performance for the camera, as presented in gallery spaces.＜br /＞ The essays present both academic research as well as case studies of curatorial projects that have pushed the boundaries of the art historical practice. The authors come from a wide range of backgrounds, ranging from curators and art producers to academics and practising artists. They ask what it means to present, curate and create interdisciplinary performative work for gallery spaces and offer cutting-edge research that explores the intricate relationship between art history, live and performing arts, and museum and gallery space.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	14,513円
Staging Personhood Costuming in Early Qing Drama【電子書籍】[ Guojun Wang ] 楽天Kobo電子書籍ストア	＜p＞After toppling the Ming dynasty, the Qing conquerors forced Han Chinese males to adopt Manchu hairstyle and clothing. Yet China’s new rulers tolerated the use of traditional Chinese attire in performances, making theater one of the only areas of life where Han garments could still be seen and where Manchu rule could be contested.＜/p＞＜p＞＜em＞Staging Personhood＜/em＞ uncovers a hidden history of the Ming?Qing transition by exploring what it meant for the clothing of a deposed dynasty to survive onstage. Reading dramatic works against Qing sartorial regulations, Guojun Wang offers an interdisciplinary lens on the entanglements between Chinese drama and nascent Manchu rule in seventeenth-century China. He reveals not just how political and ethnic conflicts shaped theatrical costuming but also the ways costuming enabled different modes of identity negotiation during the dynastic transition. In case studies of theatrical texts and performances, Wang considers clothing and costumes as indices of changing ethnic and gender identities. He contends that theatrical costuming provided a productive way to reconnect bodies, clothes, and identities disrupted by political turmoil. Through careful attention to a variety of canonical and lesser-known plays, visual and performance records, and historical documents, ＜em＞Staging Personhood＜/em＞ provides a pathbreaking perspective on the cultural dynamics of early Qing China.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	8,907円
Shakespeare and the Embodied Heroine Staging Female Characters in the Late Plays and Early Adaptations【電子書籍】[ L. Leigh ] 楽天Kobo電子書籍ストア	＜p＞Shakespeare and the Embodied Heroine is a bold new investigation of Shakespeare's female characters using the late plays and the early adaptations written and staged during the seventeenth and eighteenth century.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	6,076円
Rapa Nui Theatre Staging Indigenous Identities in Easter Island【電子書籍】[ Moira Fortin Cornejo ] 楽天Kobo電子書籍ストア	＜p＞This book examines the relationships between theatrical representations and socio-political aspects of Rapa Nui culture from pre-colonial times to the present.＜/p＞＜p＞This is the first book written about the production of Rapa Nui theatre, which is understood as a unique and culturally distinct performance tradition. Using a multilingual approach, this book journeys through Oceania, reclaiming a sense of connection and reflecting on synergies between performances of Oceanic cultures beyond imagined national boundaries. The author argues for a holistic and inclusive understanding of Rapa Nui theatre as encompassing and being inspired by diverse aspects of Rapa Nui performance cultures, festivals, and art forms.＜/p＞＜p＞This book will be of great interest to students and scholars of Indigenous studies, Pacific Island studies, performance, anthropology, theatre education and Rapa Nui community, especially schoolchildren from the island who are learning about their own heritage.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	8,866円
Messianic Fulfillments Staging Indigenous Salvation in America【電子書籍】[ Hayes Peter Mauro ] 楽天Kobo電子書籍ストア	＜p＞In ＜em＞Messianic Fulfillments＜/em＞ Hayes Peter Mauro examines the role of Christian evangelical movements in shaping American identity in the seventeenth, eighteenth, and nineteenth centuries. Focusing on Christianity’s fervent pursuit of Native American salvation, Mauro discusses Anglo American artists influenced by Christian millenarianism, natural history, and racial science in America. Artists on the colonial, antebellum, and post?Civil War frontier graphically projected their idealization of Christian-based identity onto the bodies of American Indians.＜/p＞＜p＞＜em＞Messianic Fulfillments＜/em＞ explores how Puritans, Quakers, Mormons, and members of other Christian millenarian movements viewed Native peoples as childlike, primitive, and in desperate need of Christianization lest they fall into perpetual sin and oblivion and slip into eternal damnation. Christian missionaries were driven by the idea that catastrophic Native American spiritual failure would, in Christ’s eyes, reflect on the shortcomings of those Christians tasked with doing the work of Christian “charity” in the New World.＜/p＞＜p＞With an interdisciplinary approach drawing from religious studies and the histories of popular science and art, ＜em＞Messianic Fulfillments＜/em＞ explores ethnohistorical encounters in colonial and nineteenth-century America through the lens of artistic works by evangelically inspired Anglo American artists and photographers. Mauro takes a critical look at a variety of visual mediums to illustrate how evangelical imagery influenced definitions of “Americaness,” and how such images reinforced or challenged historically prevailing conceptions of what it means (and looks like) to be American.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	9,029円
Staging British South Asian Culture Bollywood and Bhangra in British Theatre【電子書籍】[ Jerri Daboo ] 楽天Kobo電子書籍ストア	＜p＞＜em＞Staging British South Asian Culture: Bollywood and Bhangra in British Theatre＜/em＞ looks afresh at the popularity of forms and aesthetics from Bollywood films and bhangra music and dance on the British stage.＜/p＞＜p＞From Andrew Lloyd Webber’s ＜em＞Bombay Dreams＜/em＞ to the finals of ＜em＞Britain’s Got Talent,＜/em＞ Jerri Daboo reconsiders the centrality of Bollywood and bhangra to theatre made for or about British South Asian communities. Addressing rarely discussed theatre companies such as Rifco, and phenomena such as the emergence of large- scale Bollywood revue performances, this volume goes some way towards remedying the lack of critical discourse around British South Asian theatre.＜/p＞＜p＞A timely contribution to this growing field, ＜em＞Staging British South Asian Culture＜/em＞ is essential reading for any scholar or student interested in exploring the highlycontested questions of identity and representation for British South Asiancommunities.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	8,544円
Social and Political Theatre in 21st-Century Britain Staging Crisis【電子書籍】[ Vicky Angelaki ] 楽天Kobo電子書籍ストア	＜p＞In a context of financial crisis that has often produced a feeling of identity crisis for the individual, the theatre has provided a unifying forum, treating spectators as citizens. This book critically deals with representative plays and playwrights who have stood out in the UK and internationally in the post-recession era, delivering theatre that in the process of being truthful to the contemporary experience has also redefined theatrical form and content.＜/p＞＜p＞Built around a series of case-studies of seminal contemporary plays exploring issues of social and political crisis, the volume is augmented by interviews with UK and international directors, artistic directors and the playwrights whose work is examined. As well as considering UK stage productions, Angelaki analyses European, North American and Australian productions, of post-2000 plays by writers including: Caryl Churchill, Mike Bartlett, Dennis Kelly, Simon Stephens, Martin Crimp, debbie tucker green, Duncan Macmillan, Nick Payne and Lucy Prebble.＜/p＞＜p＞At the heart of the analysis and of the plays discussed is an appreciation of what interconnects artists and audiences, enabling the kind of mutual recognition that fosters the feeling of collectivity. As the book argues, this is the state whereby the theatre meets its social imperative by eradicating the distance between stage and spectator and creating a genuinely shared space of ideas and dialogue, taking on topics including the economy, materialism, debt culture, the environment, urban protest, social media and mental health. ＜em＞Social and Political Theatre in 21st-Century Britain＜/em＞ demonstrates that such contemporary playwriting invests in and engenders moments of performative reciprocity and spirituality so as to present the audience with a cohesive collective experience.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	4,434円
Staging the Blazon in Early Modern English Theater【電子書籍】[ Sara Morrison ] 楽天Kobo電子書籍ストア	＜p＞Offering the first sustained and comprehensive scholarly consideration of the dramatic potential of the blazon, this volume complicates what has become a standard reading of the Petrarchan convention of dismembering the beloved through poetic description. At the same time, it contributes to a growing understanding of the relationship between the material conditions of theater and interpretations of plays by Shakespeare and his contemporaries. The chapters in this collection are organized into five thematic parts emphasizing the conventions of theater that compel us to consider bodies as both literally present and figuratively represented through languge. The first part addresses the dramatic blazon as used within the conventions of courtly love. Examining the classical roots of the Petrarchan blazon, the next part explores the violent eroticism of a poetic technique rooted in Ovidian notions of metamorphosis. With similar attention paid to brutality, the third part analyzes the representation of blazonic dismemberment on stage and screen. Figurative battles become real in the fourth part, which addresses the frequent blazons surfacing in historical and political plays. The final part moves to the role of audience, analyzing the role of the observer in containing the identity of the blazoned woman as well as her attempts to resist becoming an objectified spectacle.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	8,866円