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398件中 61件 - 90件 1 2 3 4 5 6 7 8

商品	説明	価格
Staging Queer Feminisms Sexuality and Gender in Australian Performance, 2005-2015【電子書籍】[ Sarah French ] 楽天Kobo電子書籍ストア	＜p＞This book examines sexuality, gender and race in Australia’s vibrant independent theatre and performance culture. It analyses selected feminist and queer performances that interrogate the cultural construction of sexuality and gender, challenge the normative trends of mainstream Australian society and culture and open up spaces for alternative representations of gender identity and sexual expression. Offering the first full-length study on sexuality and gender in Australian theatre since 2005, this book reveals a resurgence of feminist themes in independent performance and explores the intersection of feminist and queer politics. Ranging across drag, burlesque, cabaret, theatre and performance art, the book provides an accessible and engaging account of some of the most innovative, entertaining and politically subversive Australian theatrical works from the past decade.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	6,076円
Staging Harmony Music and Religious Change in Late Medieval and Early Modern English Drama【電子書籍】[ Katherine Steele Brokaw ] 楽天Kobo電子書籍ストア	＜p＞＜strong＞In＜/strong＞＜em＞＜strong＞Staging Harmony＜/strong＞＜/em＞, Katherine Steele Brokaw reveals how the relationship between drama, music, and religious change across England's long sixteenth century moved religious discourse to more moderate positions. It did so by reproducing the complex personal attachments, nostalgic overtones, and bodily effects that allow performed music to evoke the feeling, if not always the reality, of social harmony. Brokaw demonstrates how theatrical music from the late fifteenth to the early seventeenth centuries contributed to contemporary discourses on the power and morality of music and its proper role in religious life, shaping the changes made to church music as well as people's reception of those changes. In representing social, affective, and religious life in all its intricacy, and in unifying auditors in shared acoustic experiences, staged musical moments suggested the value of complexity, resolution, and compromise rather than oversimplified, absolutist binaries worth killing or dying for.＜/p＞＜p＞The theater represented the music of the church's present and past. By bringing medieval and early Tudor drama into conversation with Elizabethan and Jacobean drama, Brokaw uncovers connections and continuities across diverse dramatic forms and demonstrates the staying power of musical performance traditions. In analyzing musical practices and discourses, theological debates, devotional practices, and early staging conditions, Brokaw offers new readings of well-known plays (Marlowe's ＜em＞Doctor Faustus＜/em＞, Shakespeare's ＜em＞The Tempest＜/em＞ and ＜em＞The Winter's Tale＜/em＞) as well as Tudor dramas by playwrights including John Bale, Nicholas Udall, and William Wager.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	7,328円
Staging British South Asian Culture Bollywood and Bhangra in British Theatre【電子書籍】[ Jerri Daboo ] 楽天Kobo電子書籍ストア	＜p＞＜em＞Staging British South Asian Culture: Bollywood and Bhangra in British Theatre＜/em＞ looks afresh at the popularity of forms and aesthetics from Bollywood films and bhangra music and dance on the British stage.＜/p＞＜p＞From Andrew Lloyd Webber’s ＜em＞Bombay Dreams＜/em＞ to the finals of ＜em＞Britain’s Got Talent,＜/em＞ Jerri Daboo reconsiders the centrality of Bollywood and bhangra to theatre made for or about British South Asian communities. Addressing rarely discussed theatre companies such as Rifco, and phenomena such as the emergence of large- scale Bollywood revue performances, this volume goes some way towards remedying the lack of critical discourse around British South Asian theatre.＜/p＞＜p＞A timely contribution to this growing field, ＜em＞Staging British South Asian Culture＜/em＞ is essential reading for any scholar or student interested in exploring the highlycontested questions of identity and representation for British South Asiancommunities.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	9,285円
Social and Political Theatre in 21st-Century Britain Staging Crisis【電子書籍】[ Vicky Angelaki ] 楽天Kobo電子書籍ストア	＜p＞In a context of financial crisis that has often produced a feeling of identity crisis for the individual, the theatre has provided a unifying forum, treating spectators as citizens. This book critically deals with representative plays and playwrights who have stood out in the UK and internationally in the post-recession era, delivering theatre that in the process of being truthful to the contemporary experience has also redefined theatrical form and content.＜/p＞＜p＞Built around a series of case-studies of seminal contemporary plays exploring issues of social and political crisis, the volume is augmented by interviews with UK and international directors, artistic directors and the playwrights whose work is examined. As well as considering UK stage productions, Angelaki analyses European, North American and Australian productions, of post-2000 plays by writers including: Caryl Churchill, Mike Bartlett, Dennis Kelly, Simon Stephens, Martin Crimp, debbie tucker green, Duncan Macmillan, Nick Payne and Lucy Prebble.＜/p＞＜p＞At the heart of the analysis and of the plays discussed is an appreciation of what interconnects artists and audiences, enabling the kind of mutual recognition that fosters the feeling of collectivity. As the book argues, this is the state whereby the theatre meets its social imperative by eradicating the distance between stage and spectator and creating a genuinely shared space of ideas and dialogue, taking on topics including the economy, materialism, debt culture, the environment, urban protest, social media and mental health. ＜em＞Social and Political Theatre in 21st-Century Britain＜/em＞ demonstrates that such contemporary playwriting invests in and engenders moments of performative reciprocity and spirituality so as to present the audience with a cohesive collective experience.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	4,686円
Staging the Blazon in Early Modern English Theater【電子書籍】[ Sara Morrison ] 楽天Kobo電子書籍ストア	＜p＞Offering the first sustained and comprehensive scholarly consideration of the dramatic potential of the blazon, this volume complicates what has become a standard reading of the Petrarchan convention of dismembering the beloved through poetic description. At the same time, it contributes to a growing understanding of the relationship between the material conditions of theater and interpretations of plays by Shakespeare and his contemporaries. The chapters in this collection are organized into five thematic parts emphasizing the conventions of theater that compel us to consider bodies as both literally present and figuratively represented through languge. The first part addresses the dramatic blazon as used within the conventions of courtly love. Examining the classical roots of the Petrarchan blazon, the next part explores the violent eroticism of a poetic technique rooted in Ovidian notions of metamorphosis. With similar attention paid to brutality, the third part analyzes the representation of blazonic dismemberment on stage and screen. Figurative battles become real in the fourth part, which addresses the frequent blazons surfacing in historical and political plays. The final part moves to the role of audience, analyzing the role of the observer in containing the identity of the blazoned woman as well as her attempts to resist becoming an objectified spectacle.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	9,616円
Cosmo-Modernism and Theater in India Writing and Staging Multilingual Modernisms【電子書籍】[ Aparna Bhargava Dharwadker ] 楽天Kobo電子書籍ストア	＜p＞Urban theater took shape in postindependence India as a large and complex field produced in more than sixteen major languages, including Bengali, Marathi, Hindi, Gujarati, and Kannada. The cosmopolitan engagement of leading playwrights with modernist and postcolonial literary movements around the world created distinctly new aesthetic and political approaches to Indian myth, history, and sociocultural experience, which had become the most prominent subjects in modern Indian drama. Yet even as critics and scholars of global modernism have increasingly turned their attention beyond North America and Europe, they continue to focus on dominant world languages at the expense of multilingual cultures such as India’s. Despite their originality and significance, modernist works written in Indian languages other than English remain neglected.＜/p＞＜p＞In ＜em＞Cosmo-Modernism and Theater in India＜/em＞, Aparna Bhargava Dharwadker develops a new framework for understanding non-Anglophone Indian modernisms by recovering crucial theoretical concepts and using them to analyze the writing, staging, and reception of major plays in multiple languages. She argues that the output of prominent mid- to late-twentieth-century playwrights such as Dharamvir Bharati, Mohan Rakesh, Badal Sircar, Vijay Tendulkar, Girish Karnad, and Habib Tanvir registers a decisive rupture from nineteenth-century forms of colonial modernity. In representing the ancient Indian past, the postcolonial urban present, and the rich repertoire of precolonial performance traditions, these authors’ works became highly inventive expressions of modernist classicism, realism, and traditionalism. Dharwadker shows how a decommercialized performance economy and the incessant activity of translation further enhanced modernist production, and she connects Indian modernisms to regional, national, and transnational networks. Offering bold new insights into the theory and practice of modernist drama, this book delivers a radical remapping of global modernisms.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	5,214円
Kierkegaard and the Staging of Desire Rhetoric and Performance in a Theology of Eros【電子書籍】[ Carl S. Hughes ] 楽天Kobo電子書籍ストア	＜p＞Theology in the modern era often assumes that the consummate form of theological discourse is objective proseーignoring or condemning apophatic traditions and the spiritual eros that drives them. For too long, Kierkegaard has been read along these lines as a progenitor of twentieth-century neo-orthodoxy and a stern critic of the erotic in all its forms. In contrast, Hughes argues that Kierkegaard envisions faith fundamentally as a form of infinite, insatiable eros. He depicts the essential purpose of Kierkegaard’s writing as to elicit ever-greater spiritual desire, not to provide the satisfactions of doctrine or knowledge.＜/p＞＜p＞Hughes’s argument revolves around close readings of provocative, disparate, and (in many cases) little-known Kierkegaardian texts. The thread connecting all of these texts is that they each conjure up some sort of performative “stage setting,” which they invite readers to enter. By analyzing the theological function of these texts, the book sheds new light on the role of the aesthetic in Kierkegaard’s authorship, his surprising affinity for liturgy and sacrament, and his overarching effort to conjoin eros for God with this-worldly love.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	7,751円
Staging Memory and Materiality in Eighteenth-Century Theatrical Biography【電子書籍】[ Amanda Weldy Boyd ] 楽天Kobo電子書籍ストア	＜p＞"Staging Memory and Materiality in Eighteenth-Century Theatrical Biography” examines theatrical biography as a nascent genre in eighteenth-century England. This study suggests a visibleーbut not impermeableーteleology from Thomas Davies to James Boaden in the development of theatrical biography as a professional enterprise. Chapter One explores Davies, the first significant biographer to throw off the shadows of anonymity and weld his own image to his subject, David Garrick. The second chapter traces three biographies of Charles Macklin written by biographers dueling amongst themselves for the right to tell Macklin’s story in the post-Davies competitive market. Finally, the third chapter tells the story of the serial biographer James Boaden’s attempts to build a professional reputation for himself as a biographer and prominent participatory character in the multiple “Lives” he tells, including those of John Philip Kemble, Sarah Siddons, Dorothy Jordan, and Elizabeth Inchbald. In each instance of producing a theatrical biography, the author is confronted not only with his duty to represent the actor, but the need to do so in an original, compelling manner that sets his account apart from other contenders and guarantees the permanency of his account as a treasured artifact of the stage rather than a disposable commodity.＜/p＞＜p＞The willful encouragement of viewing literary materiality as an antidote to ephemeral stage-business leads in turn to the absorption of prior biographical works and letters by authors, and reverberates in their readers’ quests to augment their copies of theatrical biographies through adding playbills, marginal notes, etchings, paintings, newspaper clippings, and even funerary souvenirs that not only testified to their interest in the stage, but secured their existence as well by evidence of participation. Thus, the author at once guaranteed the thespian’s legacy would live on while hitching his own likelihood of being remembered to the actor. The audience followed suit by adding their own personal touches, forming a palimpsest of participants. Drawing heavily on primary sources, then-contemporary reviews, and archival material in the form of extra-illustrated or “scrapbooked” editions of the biographies, this book is invested in the ways that the increasing emphasis on materiality was designed to consolidate, but often challenged, the biographer’s authority.＜/p＞＜p＞The book provides an introduction to theatrical biography as an immensely popular genre in the eighteenth century that deserves more scholarly attention. Currently, theatrical biography is usually overlooked or encountered solely in excerpts offered to advance individual research goals; the texts are perceived as repositories of facts or the odd opinion, more akin to a reference work than anything innately artistic. This study’s contribution is to read these biographies in context, exploring their participation in a developing poetics of a new artistic subgenre, from the content of the works and the concerns of its authors to the responses that these biographies elicited from their readers.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	4,028円
Staging the Ghost Story Shadows in the Limelight【電子書籍】[ Kelly Jones ] 楽天Kobo電子書籍ストア	＜p＞＜em＞Staging the Ghost Story＜/em＞ is the first book to offer a critical appraisal of the centuries-long relationship between the ghost story and the English stage. The book balances a critical consideration of the ghost story in performance, its history, its cultural politics, and its generic conventions, with practical insight regarding the valency of live representations of the supernatural, the challenges of embodiment, and the power of storytelling. Throughout, it draws upon accompanying interviews with prominent directors, playwrights, performers and stage designers in the industry, including Mark Gatiss, Robin Herford, Michael Holt, Danny Robins, Robert Lloyd Parry, Rebecca Vaughan, Tajinder Singh Hayer, Glen Neath, Adam Z. Robinson, Richard Sutton, Paul Voodini, and Jonathan Goodwin. With a focus upon the seminal elements of theatrical performance: time, space, bodies, devices, and audience, the book invites the elusive shadows of the ghost story to take centre stage.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	13,369円
Staging Ghana Artistry and Nationalism in State Dance Ensembles【電子書籍】[ Paul Schauert ] 楽天Kobo電子書籍ストア	＜p＞The Ghana Dance Ensemble takes Ghana's national culture and interprets it in performance using authentic dance forms adapted for local or foreign audiences. Often, says Paul Schauert, the aims of the ensemble and the aims of the individual performers work in opposition. Schauert discusses the history of the dance troupe and its role in Ghana's post-independence nation-building strategy and illustrates how the nation's culture makes its way onto the stage. He argues that as dancers negotiate the terrain of what is or is not authentic, they also find ways to express their personal aspirations, discovering, within the framework of nationalism or collective identity, that there is considerable room to reform national ideals through individual virtuosity.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	1,760円
Staging Violence Gender and Social Control in J?caras and Entremeses【電子書籍】[ Tania de Miguel Magro ] 楽天Kobo電子書籍ストア	＜p＞＜em＞Staging Violence＜/em＞ explores gender violence in Spanish early modern short theater.＜/p＞＜p＞This book deals with domestic violence against women, extortion of prostitutes, and violence against men who display non-conventional forms of masculinity. The author argues that many "＜em＞j?caras＜/em＞"and "＜em＞entremeses＜/em＞"stage subversive discourses that repudiate or complicate official narratives of gender and the use of violence as a tool for achieving gender compliance. Short comic pieces are read against ＜em＞comedias＜/em＞. Each section of the book is expertly contextualized through an overview of the legal and moral contexts and the analysis of a variety of primary sources (law codes, manuals of conduct, church rulings, transcripts of civil and religious trials, and medical manuals) as well as statistical information. ＜em＞Staging Violence＜/em＞ invites the reader to consider the transgressive potential of performance.＜/p＞＜p＞As the first monograph entirely dedicated to the study of gender in this genre, this book is a vital resource for students and scholars interested in gender studies and theatre.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	9,285円
The Dancing God Staging Hindu Dance in Australia【電子書籍】[ Amit Sarwal ] 楽天Kobo電子書籍ストア	＜p＞＜em＞The Dancing God: Staging Hindu Dance in Australia＜/em＞ charts the sensational and historic journey of de-provincialising and popularising Hindu dance in Australia.＜/p＞＜p＞In the late nineteenth and early twentieth centuries, colonialism, orientalism and nationalism came together in various combinations to make traditional Hindu temple dance into a global art form. The intricately symbolic Hindu dance in its vital form was virtually unseen and unknown in Australia until an Australian impresario, Louise Lightfoot, brought it onto the stage. Her experimental changes, which modernised Kathakali dance through her pioneering collaboration with Indian dancer Ananda Shivaram, moved the Hindu dance from the sphere of ritualistic practice to formalised stage art. Amit Sarwal argues that this movement enabled both the authentic Hindu dance and dancer to gain recognition worldwide and created in his persona a cultural guru and ambassador on the global stage.＜/p＞＜p＞Ideal for anyone with an interest in global dance, ＜em＞The Dancing God＜/em＞ is an in-depth study of how a unique dance form evolved in the meeting of travellers and cultures.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	5,470円
The Model as Performance Staging Space in Theatre and Architecture【電子書籍】[ Thea Brejzek ] 楽天Kobo電子書籍ストア	＜p＞＜em＞The Model as Performance＜/em＞ investigates the history and development of the scale model from the Renaissance to the present. Employing a scenographic perspective and a performative paradigm, it explores what the model can do and how it is used in theatre and architecture. The volume provides a comprehensive historical context and theoretical framework for theatre scholars, scenographers, artists and architects interested in the model's reality-producing capacity and its recent emergence in contemporary art practice and exhibition.＜/p＞＜p＞Introducing a typology of the scale model beyond the iterative and the representative model, the authors identify the autonomous model as a provocative construction between past and present, idea and reality, that challenges and redefines the relationship between object, viewer and environment.＜/p＞＜p＞＜em＞The Model as Performance＜/em＞ was shortlisted for the best Performance Design & Scenography Publication Award at the Prague Quadrennial (PQ) 2019.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	5,068円
Staging Personhood Costuming in Early Qing Drama【電子書籍】[ Guojun Wang ] 楽天Kobo電子書籍ストア	＜p＞After toppling the Ming dynasty, the Qing conquerors forced Han Chinese males to adopt Manchu hairstyle and clothing. Yet China’s new rulers tolerated the use of traditional Chinese attire in performances, making theater one of the only areas of life where Han garments could still be seen and where Manchu rule could be contested.＜/p＞＜p＞＜em＞Staging Personhood＜/em＞ uncovers a hidden history of the Ming?Qing transition by exploring what it meant for the clothing of a deposed dynasty to survive onstage. Reading dramatic works against Qing sartorial regulations, Guojun Wang offers an interdisciplinary lens on the entanglements between Chinese drama and nascent Manchu rule in seventeenth-century China. He reveals not just how political and ethnic conflicts shaped theatrical costuming but also the ways costuming enabled different modes of identity negotiation during the dynastic transition. In case studies of theatrical texts and performances, Wang considers clothing and costumes as indices of changing ethnic and gender identities. He contends that theatrical costuming provided a productive way to reconnect bodies, clothes, and identities disrupted by political turmoil. Through careful attention to a variety of canonical and lesser-known plays, visual and performance records, and historical documents, ＜em＞Staging Personhood＜/em＞ provides a pathbreaking perspective on the cultural dynamics of early Qing China.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	9,160円
Shakespeare and the Embodied Heroine Staging Female Characters in the Late Plays and Early Adaptations【電子書籍】[ L. Leigh ] 楽天Kobo電子書籍ストア	＜p＞Shakespeare and the Embodied Heroine is a bold new investigation of Shakespeare's female characters using the late plays and the early adaptations written and staged during the seventeenth and eighteenth century.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	6,076円
Staging Witchcraft Before the Law Skepticism, Performance as Proof, and Law as Magic in Early Modern Witch Trials【電子書籍】[ Julie Stone Peters ] 楽天Kobo電子書籍ストア	＜p＞While the judicial machinery of early modern witch-hunting could work with terrifying swiftness, skepticism and evidentiary barriers often made conviction difficult. Seeking proof strong enough to overcome skepticism, judges and accusers turned to performance, staging 'acts of Sorcery and Witch-craft manifest to sense.' Looking at an array of demonological treatises, pamphlets, documents, and images, this Element shows that such staging answered to specific doctrines of proof: catching the criminal 'in the acte'; establishing 'notoriety of the fact'; producing 'violent presumptions' of guilt. But performance sometimes overflowed the demands of doctrine, behaving in unpredictable ways. A detailed examination of two cases ? the 1591 case of the French witch-demoniac Fran?oise Fontaine and the 1593 case of John Samuel of Warboys ?suggests the manifold, multilayered ways that evidentiary staging could signify ? as it can still in that conjuring practice we call law. This title is also available as Open Access on Cambridge Core.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	3,051円
Staging the Sacred Performance in Late Ancient Liturgical Poetry【電子書籍】[ Laura S. Lieber ] 楽天Kobo電子書籍ストア	＜p＞＜em＞Staging the Sacred＜/em＞ examines the importance of Christian, Jewish, and Samaritan liturgical poetry from Late Antiquity through the lenses of performance, entertainment, and spectacle. Laura Lieber proposes an account of hymnody as a performative and theatrical genre, combining religious and theatrical studies to examine how performers creatively engaged their audiences, utilized different modes of performance, and created complex characters through their speeches. To truly consider performance and engage with these poems fully, Lieber urges readers to imagine the world beyond the page. While poetry and hymnody from Late Antiquity are usually presented in textual form, Lieber moves away from studying the text on its own, engaging instead with how these poems would have been performed and acted. The specific literary techniques associated with oratory and acting in Late Antiquity, such as apostrophe and vivid imagery, help craft a more accurate idea of liturgical presentations. Lieber suggests ways that these ancient poets could have used their physical spaces of performance by borrowing from the gestures and body language of oratory, mime, and pantomime. A highly interdisciplinary study that will appeal to scholars across religion, theatre, literature, and beyond, ＜em＞Staging the Sacred＜/em＞ proposes a novel interpretation of Late Antique hymnody and poetry as a performative genre, akin to oratory, theatre, and other modes of public performance, placing these works in their wider societal context.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	18,041円
Staging Musicals for Young Performers: How to Produce a Show in 36 Sessions or Less STAGING MUSICALS FOR YOUNG PER [ Adele Firth ] 楽天ブックス	STAGING MUSICALS FOR YOUNG PER Adele Firth Maria C. Novelly PIONEER DRAMA SERV INC2006 Paperback English ISBN：9781566080996 洋書 Art & Entertainment（芸術＆エンターテインメント） Performing Arts	4,158円
Violent Women in Contemporary Theatres Staging Resistance【電子書籍】[ Nancy Taylor Porter ] 楽天Kobo電子書籍ストア	＜p＞This book brings together the fields of theatre, gender studies, and psychology/sociology in order to explore the relationships between what happens when women engage in violence, how the events and their reception intercept with cultural understandings of gender, how plays thoughtfully depict this topic, and how their productions impact audiences. Truthful portrayals force consideration of both the startling reality of women's violence ー not how it's been sensationalized or demonized or sexualized, but how it ＜em＞is＜/em＞ー and what parameters, what possibilities, ＜em＞should＜/em＞ exist for its enactment in life and live theatre. These women appear in a wide array of contexts: they are mothers, daughters, lovers, streetfighters, boxers, soldiers, and dominatrixes. Who they are and why they choose to use violence varies dramatically. They stage resistance and challenge normative expectations for women. This fascinating and balanced study will appeal to anyone interested in gender/feminism issues and theatre.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	12,154円
The Civil Rights Theatre Movement in New York, 1939?1966 Staging Freedom【電子書籍】[ Julie Burrell ] 楽天Kobo電子書籍ストア	＜p＞This book argues that African American theatre in the twentieth century represented a cultural front of the civil rights movement. Highlighting the frequently ignored decades of the 1940s and 1950s, Burrell documents a radical cohort of theatre artists who became critical players in the fight for civil rights both onstage and offstage, between the Popular Front and the Black Arts Movement periods. ＜em＞The Civil Rights Theatre Movement＜/em＞ recovers knowledge of little-known groups like the Negro Playwrights Company and reconsiders Broadway hits including Lorraine Hansberry’s ＜em＞A Raisin in the Sun,＜/em＞ showing how theatre artists staged radically innovative performances that protested Jim Crow and U.S. imperialism amidst a repressive Cold War atmosphere. By conceiving of class and gender as intertwining aspects of racism, this book reveals how civil rights theatre artists challenged audiences to reimagine the fundamental character of American democracy.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	9,723円
Transmissions in Dance Contemporary Staging Practices【電子書籍】楽天Kobo電子書籍ストア	＜p＞This book is a collection of essays that capture the artistic voices at play during a staging process. Situating familiar practices such as reimagining, reenactment and recreation alongside the related and often intersecting processes of transmission, translation and transformation, it features deep insights into selected dances from directors, performers, and close associates of choreographers. The breadth of practice on offer illustrates the capacity of dance as a medium to adapt successfully to diverse approaches and, further, that there is a growing appetite amongst audiences for seeing dances from the near and far past. This study spans a century, from Rudolf Laban’s ＜em＞Dancing Drumstick＜/em＞ (1913) to Robert Cohan’s ＜em＞Sigh＜/em＞ (2015), and examines works by Mary Wigman, Madge Atkinson (Natural Movement), Doris Humphrey, Martha Graham, Yvonne Rainer and Rosemary Butcher, an eclectic mix that crosses time and borders.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	14,585円
Staging to Sell The Secret to Selling Homes in a Down Market【電子書籍】[ Barb Schwarz ] 楽天Kobo電子書籍ストア	＜p＞＜strong＞Home staging strategies needed to succeed in a down market＜/strong＞＜/p＞＜p＞Whether a buyer, seller, or real estate agent, the home selling and purchasing process is fraught with potholes that can usually be overcome. But in this weakened housing market, everyone involved in the selling process must increase their efforts. In order to sell homes at top dollar, houses must be "prepared for sales." That’s where Staging comes in. The real estate mantra is no longer location, location, location. It is now Staging, Staging, Staging! It’s all about presentation. In ＜em＞Staging to Sell＜/em＞, Barb Schwarz, The Creator of Home Staging?, offers her winning tactics, secrets, and strategies for selling a home at top dollar during these challenging times. In addition to offering specific tips on how to Stage a home, Schwarz, a sought-after speaker and Real Estate broker who has Staged and sold over 5,000 homes, provides readers, sellers, Realtors? and Stagers, with useful advice on correctly pricing properties, marketing properties so that they sell, addressing objections early on, having the seller handle the Staging before the house is viewed, and much more. Written with today’s turbulent real estate market in mind, ＜em＞Staging to Sell＜/em＞ contains the information readers need to get their homes Sold in the market quickly for top dollar.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	1,757円
Staging Female Characters in Shakespeare's English History Plays【電子書籍】[ Hailey Bachrach ] 楽天Kobo電子書籍ストア	＜p＞Hailey Bachrach reveals how Shakespeare used female characters in deliberate and consistent ways across his history plays. Illuminating these patterns, she helps us understand these characters not as incidental or marginal presences, but as a key lens through which to understand Shakespeare's process for transforming history into drama. Shakespeare uses female characters to draw deliberate attention to the blurry line between history and fiction onstage, bringing to life the constrained but complex position of women not only in the past itself, but as characters in depictions of said past. In Shakespeare's historical landscape, female characters represent the impossibility of fully recovering voices the record has excluded, and the empowering potential of standing outside history that Shakespeare can only envision by drawing upon the theatre's material conditions. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	14,593円
Grading and Staging in Gastroenterology【電子書籍】[ Guido N. J. Tytgat ] 楽天Kobo電子書籍ストア	＜p＞Staging and grading are indispensable in reaching an adequate diagnosis, to determine disease severity, to choose an appropriate therapy, and to assure the best patient care and quality of life, but up to now no one source in gastroenterology has existed. Gastroenterologists, gastrointestinal surgeons, and fellows-in-training in gastroenterology will therefore immediately recognize the practical value of Grading and Staging in Gastroenterology - a comprehensive and systematic overview of all the current and most relevant information regarding grading and staging in gastroenterology - now selected and compiled for the first time in a single volume.＜/p＞＜p＞Organized into three sections - ＜strong＞Instruments for Overall Patient and Disease Assessment＜/strong＞ ; ＜strong＞Organ and Disease-related Staging and Grading Systems＜/strong＞, and ＜strong＞Quality of Life Patient Assessments＜/strong＞ - readers have the option of using as an overall reference, to refer to a specific organ or disease, or by virtue of the extensive subject index, to research according to specific instrument or other relevant topics.＜/p＞＜p＞The following timesaving and didactic features further enhance the usefulness, and whether you are a clinician or surgeon, responsible for training, involved in research including setting up research trials, or require deeper understanding of evidence-based studies you will find making this compendium a part of your gastroenterology library a smart investment.＜/p＞＜ul＞＜li＞Uniform presentation -- each of the grading and staging systems is anchored in a strict text structure which includes aims, comments, and exact reference＜/li＞＜li＞Precise and unobtrusive explanatory notes (comments) -- especially useful for nurse practitioners＜/li＞＜li＞Numerous supplementary, high-quality line drawings, and endoscopic, radiologic and histological images -- clarify and elucidate where appropriate＜/li＞＜li＞Complete and accurate reference of all original sources respective to each instrument -- saves valuable research time＜/li＞＜/ul＞＜p＞＜em＞Grading and Staging in Gastroenterology＜/em＞ is for all gastrointestinal professionals looking for an ideal guide into the myriad of staging and grading systems in gastroenterology.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	12,684円
Dancing the World Smaller Staging Globalism in Mid-Century America【電子書籍】[ Rebekah J. Kowal ] 楽天Kobo電子書籍ストア	＜p＞This is an open access title. It is available to read and download as a free PDF on the Oxford Academic platform. It is made available under a CC BY-NC-ND 4.0 International licence. ＜em＞Dancing the World Smaller＜/em＞ examines international dance performances in New York City in the 1940s as sites in which dance artists and audiences contested what it meant to practice globalism in mid-twentieth-century America. During and after the Second World War, modern dance and ballet thrived in New York City, a fertile cosmopolitan environment in which dance was celebrated as an emblem of American artistic and cultural dominance. In the ensuing Cold War years, American choreographers and companies were among those the U.S. government sent abroad to serve as ambassadors of American cultural values and to extend the nation's geo-political reach. Less-known is that international dance performance, or what was then-called "ethnic" or "ethnologic" dance, enjoyed strong support among audiences in the city and across the nation as well. Produced in non-traditional dance venues, such as the American Museum of Natural History, the Ethnologic Dance Center, and Carnegie Hall, these performances elevated dance as an intercultural bridge across human differences and dance artists as transcultural interlocutors. Dancing the World Smaller draws on extensive archival resources, as well as critical and historical studies of race and ethnicity in the U.S., to uncover a hidden history of globalism in American dance and to see artists such as La Meri, Ruth St. Denis, Asadata Dafora, Pearl Primus, Jos? Lim?n, Ram Gopal, and Charles Weidman in new light. Debates about how to practice globalism in dance proxied larger cultural struggles over how to reconcile the nation's new role as a global superpower. In dance as in cultural politics, Americans labored over how to realize diversity while honoring difference and manage dueling impulses toward globalism, on the one hand, and isolationism, on the other.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	4,085円
Staging Conventions in Medieval English Theatre【電子書籍】[ Philip Butterworth ] 楽天Kobo電子書籍ストア	＜p＞How was medieval English theatre performed? Many of the modern theatrical concepts and terms used today to discuss the nature of medieval English theatre were never used in medieval times. Concepts and terms such as character, characterisation, truth and belief, costume, acting style, amateur, professional, stage directions, effects and special effects are all examples of post-medieval terms that have been applied to the English theatre. Little has been written about staging conventions in the performance of medieval English theatre and the identity and value of these conventions has often been overlooked. In this book, Philip Butterworth analyses dormant evidence of theatrical processes such as casting, doubling of parts, rehearsing, memorising, cueing, entering, exiting, playing, expounding, prompting, delivering effects, timing, hearing, seeing and responding. All these concerns point to a very different kind of theatre to the naturalistic theatre produced today.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	5,970円
Performativity in the Gallery Staging Interactive Encounters【電子書籍】[ J. Barrie Bullen ] 楽天Kobo電子書籍ストア	＜p＞This book coincides with an increase in the programming of live art elements in many galleries and museums. Traditional art history has, however, been wary of live art’s interdisciplinarity and its tendency to encourage increased formal and conceptual risk taking. Time-based performances have challenged the conventions of documentation and the viewer’s access to the art experience. This book questions the canon of art history by exploring participation, liveness, interactivity, digital and process-based performative practices and performance for the camera, as presented in gallery spaces.＜br /＞ The essays present both academic research as well as case studies of curatorial projects that have pushed the boundaries of the art historical practice. The authors come from a wide range of backgrounds, ranging from curators and art producers to academics and practising artists. They ask what it means to present, curate and create interdisciplinary performative work for gallery spaces and offer cutting-edge research that explores the intricate relationship between art history, live and performing arts, and museum and gallery space.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	14,927円
Staging Haiti in Nineteenth-Century America Revolution, Race and Popular Performance【電子書籍】[ Peter Reed ] 楽天Kobo電子書籍ストア	＜p＞American culture maintained a complicated relationship with Haiti from its revolutionary beginnings onward. In this study, Peter P. Reed reveals how Americans embodied and re-enacted their connections to Haiti through a wide array of performance forms. In the wake of Haiti's slave revolts in the 1790s, generations of actors, theatre professionals, spectators, and commentators looked to Haiti as a source of both inspiring freedom and vexing disorder. French colonial refugees, university students, Black theatre stars, blackface minstrels, abolitionists, and even writers such as Herman Melville all reinvented and restaged Haiti in distinctive ways. Reed demonstrates how Haiti's example of Black freedom and national independence helped redefine American popular culture, as actors and audiences repeatedly invoked and suppressed Haiti's revolutionary narratives, characters, and themes. Ultimately, Haiti shaped generations of performances, transforming America's understandings of race, power, freedom, and violence in ways that still reverberate today.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	3,979円
Carthage in Virgil's Aeneid Staging the Enemy under Augustus【電子書籍】[ Elena Giusti ] 楽天Kobo電子書籍ストア	＜p＞Founded upon more than a century of civil bloodshed, the first imperial regime of ancient Rome, the Principate of Caesar Augustus, looked at Rome's distant and glorious past in order to justify and promote its existence under the disguise of a restoration of the old Republic. In doing so, it used and revisited the history and myth of Rome's major success against external enemies: the wars against Carthage. This book explores the ideological use of Carthage in the most authoritative of the Augustan literary texts, the Aeneid of Virgil. It analyses the ideological portrait of Carthaginians from the middle Republic and the truth-twisting involved in writing about the Punic Wars under the Principate. It also investigates the mirroring between Carthage and Rome in a poem whose primary concern was rather the traumatic memory of Civil War and the subsequent subversion of Rome's Republican institutions through the establishment of Augustus' Principate.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	5,970円
Staging Democracy Political Performance in Ukraine, Russia, and Beyond【電子書籍】[ Jessica Pisano ] 楽天Kobo電子書籍ストア	＜p＞＜strong＞Focusing on the experiences of people in Russia and Ukraine,＜/strong＞＜em＞＜strong＞Staging Democracy＜/strong＞＜/em＞＜strong＞shows how some national leaders' seeming popularity rests on local economic compacts.＜/strong＞ Jessica Pisano draws on long-term research in rural communities and company towns, analyzing how local political and business leaders, seeking favor from incumbent politicians, used salaries, benefits, and public infrastructure to pressure citizens to participate in command performances.＜/p＞＜p＞Pisano looks at elections whose outcome was known in advance, protests for hire, and smaller mises en sc?ne to explain why people participate, what differs from spectacle in totalitarian societies, how political theater exists in both authoritarian and democratic systems, and how such performances reshape understandings of the role of politics.＜/p＞＜p＞＜em＞Staging Democracy＜/em＞ moves beyond Russia and Ukraine to offer a novel economic argument for why some people support Putin and similar politicians. Pisano suggests we can analyze politics in both democracies and authoritarian regimes using the same analytical lens of political theater.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	2,818円