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BURO
フラピーハット
belle
ブワト・ア・ヴァン
Evah

398件中 91件 - 120件 1 2 3 4 5 6 7 8 9

商品	説明	価格
Performing the Politics of Translation in Modern Japan Staging the Resistance【電子書籍】[ Aragorn Quinn ] 楽天Kobo電子書籍ストア	＜p＞＜em＞Performing the Politics of Translation in Modern Japan＜/em＞ sheds new light on the adoption of concepts that motivated political theatres of resistance for nearly a century and even now underpin the collective understanding of the Japanese nation.＜/p＞＜p＞Grounded in the aftermath of the Meiji Restoration in 1868 and analyzing its legacy on stage, this book tells the story of the crucial role that performance and specifically embodied memory played in the changing understanding of the imported Western concepts of "liberty" (jiy?) and "revolution" (kakumei). Tracing the role of the post-Restoration movement itself as an important touchstone for later performances, it examines two key moments of political crisis. The first of these is the Proletarian Theatre Movement of the 1920s and '30s, in which the post-Restoration years were important for theorizing the Japanese communist revolution. The second is in the postwar years when Rights Movement theatre and thought again featured as a vehicle for understanding the present through the past. As such, this book presents the translation of "liberty" and "revolution", not through a one-to-one correspondence model, but rather as a many-to-many relationship. In doing so, it presents a century of evolution in the dramaturgy of resistance in Japan.＜/p＞＜p＞This book will be useful to students and scholars of Japanese history, society and culture, as well as literature and translation studies alike.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	9,948円
Rapa Nui Theatre Staging Indigenous Identities in Easter Island【電子書籍】[ Moira Fortin Cornejo ] 楽天Kobo電子書籍ストア	＜p＞This book examines the relationships between theatrical representations and socio-political aspects of Rapa Nui culture from pre-colonial times to the present.＜/p＞＜p＞This is the first book written about the production of Rapa Nui theatre, which is understood as a unique and culturally distinct performance tradition. Using a multilingual approach, this book journeys through Oceania, reclaiming a sense of connection and reflecting on synergies between performances of Oceanic cultures beyond imagined national boundaries. The author argues for a holistic and inclusive understanding of Rapa Nui theatre as encompassing and being inspired by diverse aspects of Rapa Nui performance cultures, festivals, and art forms.＜/p＞＜p＞This book will be of great interest to students and scholars of Indigenous studies, Pacific Island studies, performance, anthropology, theatre education and Rapa Nui community, especially schoolchildren from the island who are learning about their own heritage.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	9,616円
Messianic Fulfillments Staging Indigenous Salvation in America【電子書籍】[ Hayes Peter Mauro ] 楽天Kobo電子書籍ストア	＜p＞In ＜em＞Messianic Fulfillments＜/em＞ Hayes Peter Mauro examines the role of Christian evangelical movements in shaping American identity in the seventeenth, eighteenth, and nineteenth centuries. Focusing on Christianity’s fervent pursuit of Native American salvation, Mauro discusses Anglo American artists influenced by Christian millenarianism, natural history, and racial science in America. Artists on the colonial, antebellum, and post?Civil War frontier graphically projected their idealization of Christian-based identity onto the bodies of American Indians.＜/p＞＜p＞＜em＞Messianic Fulfillments＜/em＞ explores how Puritans, Quakers, Mormons, and members of other Christian millenarian movements viewed Native peoples as childlike, primitive, and in desperate need of Christianization lest they fall into perpetual sin and oblivion and slip into eternal damnation. Christian missionaries were driven by the idea that catastrophic Native American spiritual failure would, in Christ’s eyes, reflect on the shortcomings of those Christians tasked with doing the work of Christian “charity” in the New World.＜/p＞＜p＞With an interdisciplinary approach drawing from religious studies and the histories of popular science and art, ＜em＞Messianic Fulfillments＜/em＞ explores ethnohistorical encounters in colonial and nineteenth-century America through the lens of artistic works by evangelically inspired Anglo American artists and photographers. Mauro takes a critical look at a variety of visual mediums to illustrate how evangelical imagery influenced definitions of “Americaness,” and how such images reinforced or challenged historically prevailing conceptions of what it means (and looks like) to be American.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	9,286円
Staging Civilization A Transnational History of French Theater in Eighteenth-Century Europe【電子書籍】[ Rahul Markovits ] 楽天Kobo電子書籍ストア	＜p＞Eighteenth-century France is understood to have been the dominant cultural power on that era’s international scene. Considering the emblematic case of the theater, Rahul Markovits goes beyond the idea of "French Europe" to offer a serious consideration of the intentions and goals of those involved in making this so. Drawing on extensive archival research, Staging Civilization reveals that between 1670 and 1815 at least twenty-seven European cities hosted resident theater troupes composed of French actors and singers who performed French-language repertory. By examining the presence of French companies of actors in a wide set of courts and cities throughout Europe, Markovits uncovers the complex mechanisms underpinning the dissemination of French culture. The book ultimately offers a revisionist account of the traditional Europe fran?aise thesis, engaging topics such as transnational labor history, early-modern court culture and republicanism, soft power, and cultural imperialism.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	6,131円
Milestones in Staging Contemporary Genders and Sexualities【電子書籍】楽天Kobo電子書籍ストア	＜p＞This introduction to the staging of genders and sexualities across world theatre sets out a broad view of the subject by featuring plays and performance artists that shifted the conversation in their cultural, social, and historical moments.＜/p＞＜p＞Designed for weekly use in theatre studies, dramatic literature, or gender and performance studies courses, these ten milestones highlight women and writers of the global majority, supporting and amplifying voices that are key to the field and some that have typically been overlooked. From Paula Vogel, Split Britches, and Young Jean Lee to Werewere Liking, Mahesh Dattani, Yvette Nolan, and more, the chapters place artists’ key works into conversation with one another, structurally offering an intersectional perspective on staging genders and sexualities.＜/p＞＜p＞Milestones are a range of accessible textbooks, breaking down the need-to-know moments in the social, cultural, political, and artistic development of foundational subject areas.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	9,119円
Clinical Staging in Psychiatry Making Diagnosis Work for Research and Treatment【電子書籍】楽天Kobo電子書籍ストア	＜p＞Psychiatric diagnosis is experiencing a crisis of confidence. Current approaches are outmoded, with reform desperately needed. Clinical staging is a solution to this crisis. Clinical staging addresses the limitations of current diagnostic systems by recognising the full continuum or trajectory of mental illness from asymptomatic to chronic illness. It acknowledges the overlap between mental health symptoms during early stages and directly links each stage to treatment and underlying cognitive, neurological and biological changes. This approach enhances chances of early identification, promotes the implementation of safer treatments, and increases opportunities to alter the negative trajectory of mental disorders. This book comprehensively describes the conceptual basis of clinical staging in psychiatry, details current progress in identifying biomarkers for each stage, and explores the implications of staging on treatment and health systems. This book provides a foundation for transformational reform in psychiatric diagnosis.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	9,818円
The Practicalities of Early English Performance: Manuscripts, Records, and Staging Shifting Paradigms in Early English Drama Studies【電子書籍】[ Peter Meredith ] 楽天Kobo電子書籍ストア	＜p＞Collected Studies CS1069＜/p＞＜p＞The essays selected for this volume reflect Peter Meredith’s major contribution to the revival and revision of academic and public interest in medieval English drama and theatre. A number of coinciding factors in the last quarter of the twentieth century brought together a group of scholars, represented here in the ＜em＞Shifting Paradigms＜/em＞ series, determined to place the study of medieval drama in a broader context than that of solely reading texts. The publication of ＜em＞Records of Early English Drama＜/em＞, the University of Leeds facsimiles of medieval drama manuscripts, the establishment of the journal and annual meetings of ＜em＞Medieval English Theatre＜/em＞, brought a wider perspective to the discipline. And, by no means least, the bringing to bear of all these ground-breaking developments to the mammoth tasks of recreating in the public domain the original-staging of medieval plays. Peter Meredith had a hand in the formation and lasting influence of all these crucial innovations. The variety and depth of his comprehensive approach to the study of medieval drama and theatre is clearly evinced in each of the essays chosen for this volume.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	10,280円
Staging America, Staging the Self Figurations of Loss in John Berryman's Dream Songs【電子書籍】[ Agnieszka Pantuchowicz ] 楽天Kobo電子書籍ストア	＜p＞This study focuses on theatricality and melancholia in John Berryman's ＜em＞The Dream Songs,＜/em＞ and proposes to view them as inherent in the American cultural experience. It discusses Berryman's work in the context of a larger debate on the significance of loss in the process of subject formation and its relation to language, with a commentary on the presences and absences found in the Polish translations of the poem. Revealing the mechanisms of staging the Self after loss, the Songs provide insight into the theatrical and dialogue-driven, context-dependent, intertextual and continuously rewritten character of the American subject.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	6,998円
Staging Modern American Life Popular Culture in the Experimental Theatre of Millay, Cummings, and Dos Passos【電子書籍】[ T. Fahy ] 楽天Kobo電子書籍ストア	＜p＞Thomas Fahy examines the integration of and challenges to popular culture found in the theatrical works of Millay, Cummings, and Dos Passos, which have largely been marginalized in discussions of theatre history and literary studies, despite offering a hybrid theatre that integrates popular with formal, and mainstream with experimental＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	6,076円
Feminist Theatres in the USA Staging Women's Experience【電子書籍】[ Charlotte Canning ] 楽天Kobo電子書籍ストア	＜p＞Feminist Theaters in the USA is a fresh, informative portrait of a key era in feminist and theater history It is vital reading for feminist students, theater historians and theater practitioners. Their continued movement forward will be challenged and enriched by this timely look back at the trials and accomplishments of their predecessors. Canning interviews over thirty women who took part in the dynamic feminist theater of the 1970s and 1980s. They provide first-hand accounts of the excitement, struggles and innovations which formed their experience. From this foundation Cannning constructs a compelling combination of historical survey, critique and celebration which explores: * The history of the groups and their formation * The politics which shaped their work * Their methods and creative processes * The productions they brought to the stage * The reception from critics and audiences＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	10,280円
Staging Disgust Rape, Shame, and Performance in Shakespeare and Middleton【電子書籍】[ Jennifer Panek ] 楽天Kobo電子書籍ストア	＜p＞This Element turns to the stage to ask a simple question about gender and affect: what causes the shame of the early modern rape victim? Beneath honour codes and problematic assumptions about consent, the answer lies in affect, disgust. It explores both the textual "performance" of affect, how literary language works to evoke emotions and the ways disgust can work in theatrical performance. Here Shakespeare's poem The Rape of Lucrece is the classic paradigm of sexual pollution and shame, where disgust's irrational logic of contamination leaves the raped wife in a permanent state of uncleanness that spreads from body to soul. Staging Disgust offers alternatives to this depressing trajectory: Middleton's Women Beware Women and Shakespeare's Titus Andronicus perform disgust with a difference, deploying the audience's revulsion to challenge the assumption that a raped woman should “naturally” feel intolerable shame.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	3,051円
Voice in Motion Staging Gender, Shaping Sound in Early Modern England【電子書籍】[ Gina Bloom ] 楽天Kobo電子書籍ストア	＜p＞＜em＞Voice in Motion＜/em＞ explores the human voice as a literary, historical, and performative motif in early modern English drama and culture, where the voice was frequently represented as struggling, even failing, to work. In a compelling and original argument, Gina Bloom demonstrates that early modern ideas about the efficacy of spoken communication spring from an understanding of the voice's materiality. Voices can be cracked by the bodies that produce them, scattered by winds when transmitted as breath through their acoustic environment, stopped by clogged ears meant to receive them, and displaced by echoic resonances. The early modern theater underscored the voice's volatility through the use of pubescent boy actors, whose vocal organs were especially vulnerable to malfunction.＜/p＞＜p＞Reading plays by Shakespeare, Marston, and their contemporaries alongside a wide range of late sixteenth- and early seventeenth-century textsーincluding anatomy books, acoustic science treatises, Protestant sermons, music manuals, and even translations of OvidーBloom maintains that cultural representations and theatrical enactments of the voice as "unruly matter" undermined early modern hierarchies of gender. The uncontrollable physical voice creates anxiety for men, whose masculinity is contingent on their capacity to discipline their voices and the voices of their subordinates. By contrast, for women the voice is most effective not when it is owned and mastered but when it is relinquished to the environment beyond. There, the voice's fragile material form assumes its full destabilizing potential and becomes a surprising source of female power. Indeed, Bloom goes further to query the boundary between the production and reception of vocal sound, suggesting provocatively that it is through active listening, not just speaking, that women on and off the stage reshape their world.＜/p＞＜p＞Bringing together performance theory, theater history, theories of embodiment, and sound studies, this book makes a significant contribution to gender studies and feminist theory by challenging traditional conceptions of the links among voice, body, and self.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	7,101円
Staging the Past: The Politics of Commemoration in Habsburg Central Europe, 1848 to the Present (Cen STAGING THE PAST （Central European Studies） [ Maria Bucur ] 楽天ブックス	STAGING THE PAST Central European Studies Maria Bucur Nancy Meriwether Wingfield PURDUE UNIV PR2001 Paperback English ISBN：9781557531612 洋書 Social Science（社会科学） History	9,328円
Staging Women and the Soul-Body Dynamic in Early Modern England【電子書籍】[ Sarah E. Johnson ] 楽天Kobo電子書籍ストア	＜p＞Though the gender-coded soul-body dynamic lies at the root of many negative and disempowering depictions of women, Sarah Johnson here argues that it also functions as an effective tool for redefining gender expectations. Building on past criticism that has concentrated on the debilitating cultural association of women with the body, she investigates dramatic uses of the soul-body dynamic that challenge the patriarchal subordination of women. Focusing on two tragedies, two comedies, and a small selection of masques, from approximately 1592-1614, Johnson develops a case for the importance of drama to scholarly considerations of the soul-body dynamic, which habitually turn to devotional works, sermons, and philosophical and religious treatises to elucidate this relationship. Johnson structures her discussion around four theatrical relationships, each of which is a gendered relationship analogous to the central soul-body dynamic: puppeteer and puppet, tamer and tamed, ghost and haunted, and observer and spectacle. Through its thorough and nuanced readings, this study redefines one of the period’s most pervasive analogies for conceptualizing women and their relations to men as more complex and shifting than criticism has previously assumed. It also opens a new interpretive framework for reading representations of women, adding to the ongoing feminist re-evaluation of the kinds of power women might actually wield despite the patriarchal strictures of their culture.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	12,269円
Staging Solidarity Truth and Reconciliation in a New South Africa【電子書籍】[ Tanya Goodman ] 楽天Kobo電子書籍ストア	＜p＞The South African Truth and Reconciliation Commission (TRC) is a modern social drama that enabled the nation's apartheid past to be constructed as a cultural trauma, and by doing so created a new collective narrative of diversity and inclusion. The TRC relied primarily on testimonies from victims and perpetrators of apartheid violence who came forward to tell their stories in a public forum. Rather than simply serving as data for setting the historical record straight, this book shows that it was not only the content of these testimonies but also how these stories were told and what values were attached to them that became significant. Goodman argues that the performative nature of the TRC process effectively designated the past as profane and simultaneously imagined a sacred future community based on democratic idealism and universal solidarity.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	11,772円
Staging Beckett in Ireland and Northern Ireland【電子書籍】[ Trish McTighe ] 楽天Kobo電子書籍ストア	＜p＞This is the first full-length study to focus on the staging of Samuel Beckett's drama in Ireland and Northern Ireland.＜/p＞＜p＞Beckett's relationship with his native land was a complex one, but the importance of his drama as a creative force both historically and in contemporary practice in Ireland and Northern Ireland cannot be underestimated. Drawing on previously unpublished archival materials and re-examining familiar narratives, this volume traces the history of Beckett's drama at Dublin's Abbey and Gate Theatres as well as bringing to light unexamined and little-known productions such as those performed in the Irish language, Druid Theatre Company's productions, and those of Dublin's Focus Theatre. Leading scholars in Beckett studies and in Irish drama, including Anna McMullan and Anthony Roche, and renowned interpreters of Beckett's dramatic work such as Barry McGovern, explore Beckett's drama within the context of Irish creative theatrical practice and heritage, and analyse its legacies.＜br /＞ As with its companion volume, ＜em＞Staging Beckett in Great Britain＜/em＞, production analyses are underpinned by a consideration of the political, economic and cultural contexts. Readers are invited to experience Beckett's drama as resonating in new ways, through theatre practice, against the complex and connected histories of Ireland, north and south.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	6,082円
(M)Other Perspectives Staging Motherhood in 21st Century North American Theatre & Performance【電子書籍】楽天Kobo電子書籍ストア	＜p＞This anthology examines maternity in contemporary performance at the intersection of a wide range of topics from nationhood to mental health, queer parenting, embodied dramaturgy, cultural practice, and immigration.＜/p＞＜p＞Across the breadth of these themes, we interrogate the cultural implications and politics of how we script, perform, receive, and define mothers, challenging many of the normalizing and patriarchal tropes associated with the mother-as-character. This book includes critical essays examining twenty-first century dramatic literature, first-hand ethnographic accounts of motherhood in practice, interviews, feminist manifestos, and artist reflections. In its deliberately curated variety, this collection seeks to resist homogeneity and offer instead a range of approaches to key questions: what versions of motherhood get staged, and why? And what do dramatic representations tell us about the role of mothers in our own fraught contemporary moment?＜/p＞＜p＞This collection will be of great interest to those in academia who are teaching, researching, or studying in the fields of Theatre and Performance Studies, American Studies, and Feminist and Gender Studies.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	9,616円
Staging Habla de Negros Radical Performances of the African Diaspora in Early Modern Spain【電子書籍】[ Nicholas R. Jones ] 楽天Kobo電子書籍ストア	＜p＞In this volume, Nicholas R. Jones analyzes white appropriations of black African voices in Spanish theater from the 1500s through the 1700s, when the performance of Africanized Castilian, commonly referred to as ＜em＞habla de negros＜/em＞ (black speech), was in vogue.＜/p＞＜p＞Focusing on Spanish Golden Age theater and performative poetry from authors such as Calder?n de la Barca, Lope de Rueda, and Rodrigo de Reinosa, Jones makes a strong case for revising the belief, long held by literary critics and linguists, that white appropriations and representations of ＜em＞habla de negros＜/em＞ language are “racist buffoonery” or stereotype. Instead, Jones shows black characters who laugh, sing, and shout, ultimately combating the violent desire of white supremacy. By placing early modern Iberia in conversation with discourses on African diaspora studies, Jones showcases how black Africans and their descendants who built communities in early modern Spain were rendered legible in performative literary texts.＜/p＞＜p＞Accessibly written and theoretically sophisticated, Jones’s groundbreaking study elucidates the ways that ＜em＞habla de negros＜/em＞ animated black Africans’ agency, empowered their resistance, and highlighted their African cultural retentions. This must-read book on identity building, performance, and race will captivate audiences across disciplines.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	4,861円
Staging the Archive Art and Photography in the Age of New Media【電子書籍】[ Ernst van Alphen ] 楽天Kobo電子書籍ストア	＜p＞Dedicated to art practices that mobilize the model of the archive, this book demonstrates the ways in which such ‘archival artworks’ probe the possibilities of what art is and what it can do. Through a variety of media, methodologies and perspectives, the artists surveyed here also challenge the principles on which the notions of organization, evidence and documentation are built.＜/p＞＜p＞The earliest examples of the modern archival artwork were made in the 1930s, but it is since the 1960s that archival principles have increasingly been used by artists to inform, structure and shape their works. This includes practices that consist of archive construction, archaeological investigation, record keeping or the use of archived materials; however, they also interrogate the principles, claims and effects of the archive. ＜em＞Staging the Archive＜/em＞ shows how artists read the concept of the archive against the grain, questioning not only what the archive is and can be but what materials, images or ideas can be archived.＜/p＞＜p＞In this book Ernst van Alphen examines these archival artists and artworks in detail, setting them within their social, political and aesthetic contexts. Exploring the work of Marcel Duchamp, Marcel Broodthaers, Christian Boltanski, Annette Messager, Fiona Tan and Sophie Calle, among others, this book reveals how modern and contemporary artists have used and contested the notion of the archive to establish new relationships to history, information and data.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	4,825円
Staging Memory Myth, Symbolism and Identity in Postcolonial Italy and Libya【電子書籍】[ Stefania Del Monte ] 楽天Kobo電子書籍ストア	＜p＞Memory in postcolonial Italy and Libya has been used, reinterpreted and ＜em＞staged＜/em＞ by political powers and the media. This book investigates the roots of myth, colonial amnesia and censorship in postwar Italy, as well as Colonel Gaddafi’s deliberate use of rituals, symbols, and the colonial past to shape national identity in Libya. The argument is sustained by case studies ranging among film, documentary, literature and art, shedding new light on how memory has been treated in the two postcolonial societies examined. The last part briefly analyses the identity transformation process in the new Libya.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	6,723円
Dramaturgy of Migration Staging Multilingual Encounters in Contemporary Theatre【電子書籍】楽天Kobo電子書籍ストア	＜p＞Dramaturgy of Migration: Staging Multilingual Encounters in Contemporary Theatre examines the function of dramaturgy and the role of the dramaturg in making a theatre performance situated at the crossroads of multiple theatre forms and performative devices.＜/p＞＜p＞This book explores how these forms and devices are employed, challenged, experimented with, and reflected upon in the work of migrant theatre by performance and dance artists. Meerzon and Pewny ask: What impact do peoples’ movement between continents, countries, cultures, and languages have on the process of meaning production in plays about migration created by migrant artists? What dramaturgical devices do migrant artists employ when they work in the context of multilingual production, with the texts written in many languages, and when staging performances that target multicultural and multilingual theatregoers? And, finally, how do the new multilingual practices of theatre writing and performance meet and transform the existing practices of postdramatic dramaturgies? By considering these questions in a global context, the editors explore the overlapping complexities of migratory performances with both range and depth.＜/p＞＜p＞Ideal for scholars, students, and practitioners of theatre, dramaturgy, and devising, ＜em＞Dramaturgy of Migration＜/em＞ expresses not only the practicalities of migratory performances but also the emotional responses of the artists who stage them.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	5,305円
Staging Trauma Bodies in Shadow【電子書籍】[ Miriam Haughton ] 楽天Kobo電子書籍ストア	＜p＞This book investigates contemporary British and Irish performances that stage traumatic narratives, histories, acts and encounters. It includes a range of case studies that consider the performative, cultural and political contexts for the staging and reception of sexual violence, terminal illness, environmental damage, institutionalisation and asylum. In particular, it focuses on 'bodies in shadow' in twenty-first century performance: those who are largely written out of or marginalised in dominant twentieth-century patriarchal canons of theatre and history. This volume speaks to students, scholars and artists working within contemporary theatre and performance, Irish and British studies, memory and trauma studies, feminisms, performance studies, affect and reception studies, as well as the medical humanities.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	14,585円
Staging, Playing, Pyrotechnics and Magic: Conventions of Performance in Early English Theatre Shifting Paradigms in Early English Drama Studies【電子書籍】[ Philip Butterworth ] 楽天Kobo電子書籍ストア	＜p＞In this selection of research articles Butterworth focuses on investigation of the practical and technical means by which early English theatre, from the fifteenth to the early seventeenth century, was performed. Matters of staging for both 'pageant vehicle' and 'theatre-in-the-round' are described and analysed to consider their impact on playing by players, expositors, narrators and prompters. All these operators also functioned to promote the closely aligned disciplines of pyrotechnics and magic (legerdemain or sleight of hand) which also influence the nature of the presented theatre.＜/p＞＜p＞The sixteen chapters form four clearly identified partsーstaging, playing, pyrotechnics and magicーand drawing on a wealth of primary source material, Butterworth encourages the reader to rediscover and reappreciate the actors, magicians, wainwrights and wheelwrights, pyrotechnists, and (in modern terms) the special effects people and event managers who brought these early texts to theatrical life on busy city streets and across open arenas.＜/p＞＜p＞The chapters variously explore and analyse the important backwaters of material culture that enabled, facilitated and shaped performance yet have received scant scholarly attention. It is here, among the itemised payments to carpenters and chemists, the noted requirements of mechanics and wheelwrights, or tucked away among the marginalia of suppliers of staging and ingenious devices that Butterworth has made his stamping ground. This is a fascinating introduction to the very ‘nuts and bolts’ of early theatre.＜/p＞＜p＞Staging, Playing, Pyrotechnics and Magic: Conventions of Performance in Early English Theatre is a closely argued celebration of stagecraftthat will appeal to academics and students of performance, theatre history and medieval studies as well as history and literature more broadly. It constitutes the eighth volume in the Routledge series ＜em＞Shifting Paradigms in Early English Drama Studies＜/em＞ and continues the valuable work of that series (of which Butterworth is a general editor) in bringing significant and expert research articles to a wider audience. (CS 1105).＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	9,616円
Shakespeare's Tercentenary Staging Nations and Performing Identities in 1916【電子書籍】[ Monika Smialkowska ] 楽天Kobo電子書籍ストア	＜p＞The worldwide commemorations of the three-hundredth anniversary of Shakespeare's death were held amid the global upheaval of the First World War. As empires battled for world domination and nations sought self-determination, diverse communities vied to claim Shakespeare as their own, to underpin their sense of collective identity and cohesion. Unearthing previously unknown Tercentenary events in Europe, the British Empire, and the USA, Monika Smialkowska demonstrates that the 1916 Shakespeare commemorators did not speak with one unified voice. Tributes by marginalised social, ethnic, and racial groups often challenged the homogenising narratives of the official celebrations. Rather than the traditionally patriotic Bard, used to support totalising versions of national or imperial identity, this study reveals Shakespeare as a site of debate and contestation, in which diverse voices ? local and global, nationalist and universalist, militant and pacifist ? combined and clashed in a fascinating, open-ended dialogue.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	14,593円
Staging Spectatorship in the Plays of Philip Massinger【電子書籍】[ Joanne Rochester ] 楽天Kobo電子書籍ストア	＜p＞The playwrights composing for the London stage between 1580 and 1642 repeatedly staged plays-within and other metatheatrical inserts. Such works present fictionalized spectators as well as performers, providing images of the audience-stage interaction within the theatre. They are as much enactments of the interpretive work of a spectator as of acting, and as such they are a potential source of information about early modern conceptions of audiences, spectatorship and perception. This study examines on-stage spectatorship in three plays by Philip Massinger, head playwright for the King's Men from 1625 to 1640. Each play presents a different form of metatheatrical inset, from the plays-within of The Roman Actor (1626), to the masques-within of The City Madam (1632) to the titular miniature portrait of The Picture (1629), moving thematically from spectator interpretations of dramatic performance, the visual spectacle of the masque to staged 'readings' of static visual art. All three forms present a dramatization of the process of examination, and allow an analysis of Massinger's assumptions about interpretation, perception and spectator response.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	9,616円
【中古】Staging in Shakespeare's Theatres (Oxford Shakespeare Topics) ブックサプライ	◇◆朝9時までのご注文は当日出荷(日曜日除く)◆主にゆうメールによるポスト投函、サイズにより宅配便になります。◆梱包：完全密封のビニール包装または宅配専用パックにてお届けいたします。◆帯、封入物、及び各種コード等の特典は無い場合もございます◆商品画像は一例です。カバー・パッケージなどのデザインは時期によって異なる場合がございます。◆◇【11582】全商品、送料無料！	3,119円
The Theater of Experiment Staging Natural Philosophy in Eighteenth-Century Britain【電子書籍】[ Al Coppola ] 楽天Kobo電子書籍ストア	＜p＞The first book-length study of the relationship between science and theater during the long eighteenth century in Britain, ＜em＞The＜/em＞＜em＞Theater of Experiment＜/em＞ explores the crucial role of spectacle in the establishment of modern science by analyzing how eighteenth-century science was "staged" in a double sense. On the one hand, this study analyzes science in performance: the way that science and scientists were made a public spectacle in comedies, farces, and pantomimes for purposes that could range from the satiric to the pedagogic to the hagiographic. But this book also considers the way in which these plays laid bare science as performance: that is, the way that eighteenth-century science was itself a kind of performing art, subject to regimes of stagecraft that traversed the laboratory, the lecture hall, the anatomy theater, and the public stage. Not only did the representation of natural philosophy in eighteenth-century plays like Thomas Shadwell's ＜em＞Virtuoso＜/em＞, Aphra Behn's ＜em＞The Emperor of the Moon＜/em＞, Susanna Centlivre's ＜em＞The Basset Table＜/em＞, and John Rich's ＜em＞Necromancer, or Harelequin Doctor Faustus,＜/em＞ influence contemporary debates over the role that experimental science was to play public life, the theater shaped the very form that science itself was to take. By disciplining, and ultimately helping to legitimate, experimental philosophy, the eighteenth-century stage helped to naturalize an epistemology based on self-evident, decontextualized facts that might speak for themselves. In this, the stage and the lab jointly fostered an Enlightenment culture of spectacle that transformed the conditions necessary for the production and dissemination of scientific knowledge. Precisely because Enlightenment public science initiatives, taking their cue from the public stages, came to embrace the stagecraft and spectacle that Restoration natural philosophy sought to repress from the scene of experimental knowledge production, eighteenth-century science organized itself around not the sober, masculine "modest witness" of experiment but the sentimental, feminized, eager observer of scientific performance.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	14,939円
Smart Course in Magic Secrets, Staging, Tricks, Tips【電子書籍】[ Nakul Shenoy ] 楽天Kobo電子書籍ストア	＜p＞Learn to do magic from one of India's most thrilling performers.Magic is about the ability to convince. It is about performance. You don't fool your audience, you amaze and entertain them. Nakul Shenoy, mind reader and internationally successful magician, can teach you how.Smart Course in Magic is a simple and effective off-the-shelf course that teaches the craft as it should be: focusing on the theory of performance and presentation. Whether you want to take up magic as a hobby or improve your skills as a professional performer, this is the book to set you on your way.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	1,326円
Staging the Other in Nineteenth-Century British Drama【電子書籍】[ Isobel Armstrong ] 楽天Kobo電子書籍ストア	＜p＞The body of the ≪Other≫ ? exotic, unfamiliar, fascinating ? is the topic of this collection of essays on nineteenth-century British theatre. Arranged chronologically, the volume traces visual representations of the Other across the nineteenth century as well as their legacy in contemporary theatrical culture. Essays explore the concept, politics and aesthetic features of the ≪exotic≫ body on stage, be it the actual body of the actor or actress, or the fictional, ≪picturesque≫ bodies brought on stage.＜br /＞ Far from focusing exclusively on the subaltern, colonial subject, this volume addresses the Other in its wider meaning, focusing on case studies as famous as Edwin Forrest and Ira Aldridge or as neglected as that of the M?ori who appeared on the London stage in the 1860s. Written by an international group of scholars, this collection offers an informed, updated insight into the extensive and multifaceted presence of the non-British in both Georgian and Victorian drama, investigated through new lenses and materials to shed light on the complex engagement of nineteenth-century British culture with alterity.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	17,422円
Staging Feminisms Gender, Violence and Performance in Contemporary India【電子書籍】[ Anita Singh ] 楽天Kobo電子書籍ストア	＜p＞This book questions how feminist beliefs are enacted within an artistic context. It critically examines the intersection of violence, gender, performance and power through contemporary interventionist performances. The volume explores a host of key themes like feminism and folk epic, community theatre, performance as radical cultural intervention, volatile bodies and celebratory protests. Through analysing performances of theatre stalwarts like Usha Ganguly, Maya Krishna Rao, Sanjoy Ganguly, Shilpi Marwaha and Teejan Bai, the volume discusses the complexities and contradictions of a feminist reading of contemporary performances.＜/p＞＜p＞A major intervention in the field of feminism and performance, this book will be useful for scholars and researchers of gender studies, performance studies, theatre studies, women’s studies, cultural studies, sociology of gender and literature.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	9,616円