カペリ Cappelli [CD・DVD]

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商品	説明	価格
【中古】 Marco Cappelli / Norwegian Landscapes 【CD】 HMV＆BOOKS online 1号店	状態可状態詳細ケースすれ中古商品のご購入について※中古商品の状態、仕様、内容等に関するお問い合わせはお受けできません※中古商品にはサイト上に記載がある場合でも、封入/外付け特典は付属いたしません＞＞その他注意事項（必ずご確認ください）出荷目安の詳細はこちら	550円
【輸入盤CD】Carlevaro/Cappelli / Guitar Music (2PK)【K2019/3/15発売】あめりかん・ぱい	発売日: 2019/3/15輸入盤USレーベル: Brilliant Classics収録曲:コメント:This new release presents an absorbing portrait of Abel Carlevaro (1916-2001) through his music as performed by Cristiano Poli Cappelli, an Italian guitarist making his second album for Brilliant Classics. The first was of guitar music by another relatively forgotten figure, Alexander Tansman, and it was enthusiastically reviewed by Classical Guitar magazine: 'Highly recommended!' Like Tansman, Carlevaro studied with Andres Segovia, the father of the modern guitar, during the 1930s. However, he broke away from his master's teachings in order to make his own experiments in both guitar manufacture and composition. His music caught the ear of Heitor Villa-Lobos, another South American innovator, and it embraces the widest stylistic range captured by Poli Cappelli on this album, from the delicate watercolours of the Preludios Americanos (1969-74) to the vivid brushstrokes and abstract form of Cronomias (1972). Carlevaro's later music returned often to the milonga, a tango-related dance popularised in the classical sphere by Astor Piazzolla. Milonga para Ling (1999) is brief but saturated with melancholy, while to the Milonga Oriental (1994) belongs one of the composer's happiest melodic inspirations. Later still, a pair of milonga suites describe a peaceful return to the composer's heritage. An essential acquisition for guitar aficionados, but also a collection of beautiful South American melodies that deserve to travel more widely.This new release presents an absorbing portrait of Abel Carlevaro (1916-2001) through his music as performed by Cristiano Poli Cappelli, an Italian guitarist making his second album for Brilliant Classics. The first was of guitar music by another relatively forgotten figure, Alexander Tansman, and it was enthusiastically reviewed by Classical Guitar magazine: 'Highly recommended!' Like Tansman, Carlevaro studied with Andres Segovia, the father of the modern guitar, during the 1930s. However, he broke away from his master's teachings in order to make his own experiments in both guitar manufacture and composition. His music caught the ear of Heitor Villa-Lobos, another South American innovator, and it embraces the widest stylistic range captured by Poli Cappelli on this album, from the delicate watercolours of the Preludios Americanos (1969-74) to the vivid brushstrokes and abstract form of Cronomias (1972). Carlevaro's later music returned often to the milonga, a tango-related dance popularised in the classical sphere by Astor Piazzolla. Milonga para Ling (1999) is brief but saturated with melancholy, while to the Milonga Oriental (1994) belongs one of the composer's happiest melodic inspirations. Later still, a pair of milonga suites describe a peaceful return to the composer's heritage. An essential acquisition for guitar aficionados, but also a collection of beautiful South American melodies that deserve to travel more widely.	4,490円
【輸入盤DVD】【1】MARCO CAPPELLI & ART SPIEGELMAN / IN THE SHADOW OF NO TOWERS あめりかん・ぱい	こちらのDVDは輸入盤DVDです。リージョン＝フリーのDVDプレイヤーでない場合、再生できない可能性があります。リージョン＝フリーのDVDプレイヤーはこちらでご案内しております。種別：DIGITAL VIDEO DISCジャンル：Special Interest発売日：2011/9/6収録分数：50公開年：2011出演者：Enzo Salomone, John Turturroアーティスト：Marco Cappelliオリジナル言語：ENG字幕：ITAディスク枚数：1コメント：The artist and New York City resident Art Spiegelman drew the comic board book in the Shadow of No Towers immediately after the September 11th attacks.	5,190円
【中古】【輸入盤】TANSMAN／COMPLETE　MUSIC　FOR　SOLO　GUITAR／CRISTIANO　POLI　CAPPELLI ブックオフ楽天市場店	CRISTIANO　POLI　CAPPELLI販売会社/発売会社：BRILLIANTCLASSICS発売年月日：2016/02/19JAN：5028421952215	1,573円
【輸入盤CD】Marco Cappelli / Idr-Italian Doc Remix あめりかん・ぱい	2014/10/7 発売イタリア盤レーベル：IMPORTS 収録曲：	5,690円
【輸入盤CD】Lauro/Cappelli / Guitar Music【K2023/3/24発売】あめりかん・ぱい	発売日: 2023/3/24輸入盤USレーベル: Brilliant Classics収録曲:コメント:Born in Venezuela to Italian parents, Antonio Lauro (1917-1986) was very young when he began taking music lessons from his father. At the age of 9, Lauro, against his family's wishes, began lessons in piano and composition at the Academia de Musica y Declamacion. However, after he encountered the music of Agustin Barrios Mangore, Lauro gave up his violin and piano studies to dedicate himself completely to the guitar, moved as he was by Mangore's music. Lauro went on to become an exceptional guitarist, as well as a composer. Politically engaged, Lauro was a fervent nationalist, and it was his political convictions that drove him to celebrate, and make in-depth studies of, the origins and heritage of Venezuelan music. In 1951, Lauro was imprisoned by General Marcos Perez Jimenez on account of his democratic convictions; Lauro would later describe his prison experience as a normal part of life for a Venezuelan man of his generation. However, imprisonment did not deter him from organising a series of concerts, as well as continuing to compose wonderful pieces that would later win him the National Music Prize, Venezuela's highest artistic award. And it was during his time in prison that he wrote two of his most important pieces: the Sonata for guitar and the famous Suite venezolana, followed by his Concerto for guitar and orchestra. His music, and particularly his pieces for guitar, transcended the confines of Venezuela's musical scene to become a hugely important benchmark for subsequent generations of players worldwide. His compositions for guitar aimed to create a synthesis of Venezuelan popular music with elaborate forms from the European tradition. He took inspiration firstly from popular and folk-inspired pieces such as the Venezuelan waltzes (valses venezolanos) and pieces written in traditional styles; secondly, from demanding works deploying the most sophisticated aspects and features of the Western compositional tradition, such as the Sonata and the Suite venezolana; and thirdly, contrapuntal styles. Lauro is a composer whose greatness is deserving of recognition above and beyond his accomplishments in the reinterpretation of music from the popular and folk traditions, hugely successful though these were. His great achievement as a composer was to absorb and synthesise, in an entirely idiosyncratic and personally creative manner, a range of highly distinct elements and to bring them to life in compositions of real substance. This recording aims to bring together all the different facets of Lauro's musical personality, while attempting to avoid the cliche of a folk-based, instinctual interpretation, instead approaching his music in a more structured manner. The son of two Italians, a barber and a musician, Antonio Lauro (1917-1986) was born in Ciudad Bolivar, Venezuela. He began at an early age to take music lessons from his father. The family moved to Caracas, a city with many stimuli and full of opportunities and he started taking music lessons, studying piano and composition at the Academy of Music and Declamation. It would be his encounter with the music of Agustin Barrios Mangore, who was giving a series of concerts in Venezuela at the time, that he decided to abandon the study of the piano and violin to dedicate himself completely to the guitar, becoming an exceptional guitarist and composer. Antonio Lauro was, in 1938, the first Venezuelan to complete formal studies in classical guitar, while at the same time cultivating a career as a popular musician and performing in a trio for voice and guitars with which he toured all of South America. Lauro was politically committed and a fervent nationalist. This inspired him to celebrate and explore his Venezuelan origins and musical heritage: he was particularly attracted to the Venezuelan Waltz form, characterized by it's brilliant, rhythmic melodies and frequent use of the hemiola and changes of metre and tempo. In 1951, Lauro was imprisoned, because of his democratic convictions, by General Marcos Perez Jimenez, this however did not stop his composing activities, it was during his time in prison that he wrote two of his most important works: the Sonata for guitar and the famous Venezuelan Suite, followed by the Concerto for guitar and orchestra. In his compositions for guitar Lauro aimed to unite popular Venezuelan music with complex forms of the European tradition. They are highly attractive, melodious works, full of spirit, charm and brilliant writing for the instrument. Beautifully played by Cristiano Poli Cappelli, one of the leading Italian guitarists. He already recorded several successful albums for Brilliant Classics with music by Gangi, Tansman, Carlevaro and Castelnuovo-Tedesco.Born in Venezuela to Italian parents, Antonio Lauro (1917-1986) was very young when he began taking music lessons from his father. At the age of 9, Lauro, against his family's wishes, began lessons in piano and composition at the Academia de Musica y Declamacion. However, after he encountered the music of Agustin Barrios Mangore, Lauro gave up his violin and piano studies to dedicate himself completely to the guitar, moved as he was by Mangore's music. Lauro went on to become an exceptional guitarist, as well as a composer. Politically engaged, Lauro was a fervent nationalist, and it was his political convictions that drove him to celebrate, and make in-depth studies of, the origins and heritage of Venezuelan music. In 1951, Lauro was imprisoned by General Marcos Perez Jimenez on account of his democratic convictions; Lauro would later describe his prison experience as a normal part of life for a Venezuelan man of his generation. However, imprisonment did not deter him from organising a series of concerts, as well as continuing to compose wonderful pieces that would later win him the National Music Prize, Venezuela's highest artistic award. And it was during his time in prison that he wrote two of his most important pieces: the Sonata for guitar and the famous Suite venezolana, followed by his Concerto for guitar and orchestra. His music, and particularly his pieces for guitar, transcended the confines of Venezuela's musical scene to become a hugely important benchmark for subsequent generations of players worldwide. His compositions for guitar aimed to create a synthesis of Venezuelan popular music with elaborate forms from the European tradition. He took inspiration firstly from popular and folk-inspired pieces such as the Venezuelan waltzes (valses venezolanos) and pieces written in traditional styles; secondly, from demanding works deploying the most sophisticated aspects and features of the Western compositional tradition, such as the Sonata and the Suite venezolana; and thirdly, contrapuntal styles. Lauro is a composer whose greatness is deserving of recognition above and beyond his accomplishments in the reinterpretation of music from the popular and folk traditions, hugely successful though these were. His great achievement as a composer was to absorb and synthesise, in an entirely idiosyncratic and personally creative manner, a range of highly distinct elements and to bring them to life in compositions of real substance. This recording aims to bring together all the different facets of Lauro's musical personality, while attempting to avoid the cliche of a folk-based, instinctual interpretation, instead approaching his music in a more structured manner. The son of two Italians, a barber and a musician, Antonio Lauro (1917-1986) was born in Ciudad Bolivar, Venezuela. He began at an early age to take music lessons from his father. The family moved to Caracas, a city with many stimuli and full of opportunities and he started taking music lessons, studying piano and composition at the Academy of Music and Declamation. It would be his encounter with the music of Agustin Barrios Mangore, who was giving a series of concerts in Venezuela at the time, that he decided to abandon the study of the piano and violin to dedicate himself completely to the guitar, becoming an exceptional guitarist and composer. Antonio Lauro was, in 1938, the first Venezuelan to complete formal studies in classical guitar, while at the same time cultivating a career as a popular musician and performing in a trio for voice and guitars with which he toured all of South America. Lauro was politically committed and a fervent nationalist. This inspired him to celebrate and explore his Venezuelan origins and musical heritage: he was particularly attracted to the Venezuelan Waltz form, characterized by it's brilliant, rhythmic melodies and frequent use of the hemiola and changes of metre and tempo. In 1951, Lauro was imprisoned, because of his democratic convictions, by General Marcos Perez Jimenez, this however did not stop his composing activities, it was during his time in prison that he wrote two of his most important works: the Sonata for guitar and the famous Venezuelan Suite, followed by the Concerto for guitar and orchestra. In his compositions for guitar Lauro aimed to unite popular Venezuelan music with complex forms of the European tradition. They are highly attractive, melodious works, full of spirit, charm and brilliant writing for the instrument. Beautifully played by Cristiano Poli Cappelli, one of the leading Italian guitarists. He already recorded several successful albums for Brilliant Classics with music by Gangi, Tansman, Carlevaro and Castelnuovo-Tedesco.	2,690円
【輸入盤CD】Marco Cappelli / Le Stagioni Del Commissario Ricciardi あめりかん・ぱい	2013/10/22 発売輸入盤レーベル：TZADIK収録曲：	2,990円
【輸入盤CD】Gangi/Duo Pace Poli Cappelli / Complete Music For 2 Guitars【K2021/2/12発売】あめりかん・ぱい	発売日: 2021/2/12輸入盤USレーベル: Brilliant Classics収録曲:コメント:Mario Gangi (1923-2010) was among the pre-eminent Italian guitarists of his generation. Born in Rome to a professional jazz-musician father, Gangi graduated from the city's Accademia della Santa Cecilia and soon followed in his father's footsteps as both an orchestral bassist (with the local radio orchestra) and a guitarist. This latter career took off in the 50s: Gangi gave several important first performances of concertos by the likes of Petrassi and even the 19th-century Giuliani. His teaching method became an essential study for young guitarists, and he edited the music of Sor, Tarrega and J.S. Bach for modern guitar editions. With this recording, the Duo Pace Poli Cappelli present Gangi's music for two guitars, comprising a trio of suites - the Suite Italiana, the Suite Spagnola and Suite Barocca - and a pair of standalone rhapsodies in a more contemporary idiom, the Fantas and Fabulae. The three suites evoke their titled points of inspiration. An Andalusa, Fandango and Sevillana capture the idiom of Spanish folk-music; a Saltarello, Adagio and whirling Tarantella present musical snapshots of Italy; and the Minuet and Gigue of the Suite Barocca return to the courtly world of the 18th century without parody. The Fantas and Fabulae plough a more modern furrow: still essentially lyrical in style, rhapsodic in form but more flecked with dissonance and less dependent than the suites on the specifics of a national idiom. The influence of modern popular styles imbues the Fantas in particular with sunshine and contemporary energy.Mario Gangi (1923-2010) was among the pre-eminent Italian guitarists of his generation. Born in Rome to a professional jazz-musician father, Gangi graduated from the city's Accademia della Santa Cecilia and soon followed in his father's footsteps as both an orchestral bassist (with the local radio orchestra) and a guitarist. This latter career took off in the 50s: Gangi gave several important first performances of concertos by the likes of Petrassi and even the 19th-century Giuliani. His teaching method became an essential study for young guitarists, and he edited the music of Sor, Tarrega and J.S. Bach for modern guitar editions. With this recording, the Duo Pace Poli Cappelli present Gangi's music for two guitars, comprising a trio of suites - the Suite Italiana, the Suite Spagnola and Suite Barocca - and a pair of standalone rhapsodies in a more contemporary idiom, the Fantas and Fabulae. The three suites evoke their titled points of inspiration. An Andalusa, Fandango and Sevillana capture the idiom of Spanish folk-music; a Saltarello, Adagio and whirling Tarantella present musical snapshots of Italy; and the Minuet and Gigue of the Suite Barocca return to the courtly world of the 18th century without parody. The Fantas and Fabulae plough a more modern furrow: still essentially lyrical in style, rhapsodic in form but more flecked with dissonance and less dependent than the suites on the specifics of a national idiom. The influence of modern popular styles imbues the Fantas in particular with sunshine and contemporary energy.	2,390円
【輸入盤CD】MARCO CAPPELLI / EXTREME GUITAR PROJECT: MUSIC FROM DOWN TOWN NEW あめりかん・ぱい	輸入盤収録曲：	3,090円