CUOLO [CD・DVD]
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【輸入盤CD】Celano/Criscuolo/Romabarocca Ensemble / Bass Cantatas【K2023/1/27発売】
あめりかん・ぱい | 2023/1/27 発売輸入盤レーベル： BRILLIANT CLASSICS収録曲： | 2,390円 |
 Celano / Criscuolo / Romabarocca Ensemble - BaSS Cantatas CD アルバム 【輸入盤】 WORLD DISC PLACE | ◆タイトル: BaSS Cantatas◆アーティスト: Celano / Criscuolo / Romabarocca Ensemble◆現地発売日: 2023/01/27◆レーベル: Brilliant ClassicsCelano / Criscuolo / Romabarocca Ensemble - BaSS Cantatas CD アルバム 【輸入盤】※商品画像はイメージです。デザインの変更等により、実物とは差異がある場合があります。 ※注文後30分間は注文履歴からキャンセルが可能です。当店で注文を確認した後は原則キャンセル不可となります。予めご了承ください。[楽曲リスト]1.1 *** Dalle balze sicane, TriCo 58 1.2 I. Recitative: Dalle balze sicane 1.3 II. Aria: Giove tiranno 1.4 III. Recitative: Anneriscon le sfere 1.5 IV. Aria: Cieli ingrati 1.6 V. Recitative: Disseta pur lo sdegno 1.7 VI. Aria: Li ciechi abissi 1.8 VII. Recitativo: Tacete, alme 1.9 VIII. Aria: Agl'urli tremanti 1.10 IX. Aria: Son sorde a danno mio 1.11 *** Cruda legge del mio fato, TriCo 57 1.12 I. Aria: Cruda legge del mio fato 1.13 II. Aria: Mi stracciano le pene 1.14 III. Recitativo: Ma non lice al mio core 1.15 IV. Aria: Se con note di gioia 1.16 V. Recitative: Ed in stato infelice 1.17 Vi. Aria: Cos? confondano 1.18 VII. Recitative: Pianger non posso 1.19 VIII. Aria: Cruda legge 1.20 IX. Recitative and Aria: Or s’? pena il tacer 1.21 Toccata 1.22 Ruggiero 1.23 Bergamasco 1.24 Chiacona 1.25 Me lo volete dire?, TriCo 63a 1.26 *** Abbandonato e solo, TriCo 49 1.27 I. Recitative: Abbandonato e solo 1.28 II. Aria: Quella morte che per gioco 1.29 III. Recitative: Ma che miro! 1.30 V. Aria: Vieni pur 1.31 V. Recitative: Ma no. Merta Nerone 1.32 VI. Aria: Contro l'armi dell'inganno 1.33 *** Partite sopra diverse Sonate per il violone 1.34 Capritio sopra ono figure 1.35 Capritio sopra li cinque tempi 1.36 Passa Galli 1.37 *** Pompe voi che ascondete 1.38 I. Recitative: Pompe, voi che ascondete 1.39 II. Aria: Perch'io tema bastanti voi siete 1.40 III. Aria: Nel profondo cieco mondoGiuseppe Corsi (c.1631/1691), known as Celani, was one of the most important composers of the Roman school active in the second half of the 17th century. Corsi's catalogue of works includes around 23 secular compositions including Cantatas for one voice and basso continuo. The protagonist of the cantata Dalle balze sicane is the mythological Enceladus who, having been plunged into the bowels of Mount Etna by the goddess Athena, invokes Jupiter to placate the outrage against him. The character's 'misfortunes' and 'sorrows' of love in Cruda legge del mio fato find analogies with those experienced by the composer. The first aria in this cantata is rich in complex enharmonics, greatly expanded and varied in the repeat, when the voice is engaged in difficult bravura passages. The cantata Abbandonato e solo begins with a veritable monologue from Roman emperor Nero, tormented by his past ghosts. The cantata on this album by Giacomo Antonio Perti (1661-1756), Pompe, voi che ascondete, although attributed to Corsi's favourite pupil, is in fact still of unproven authorship. It is possible that Giuseppe Corsi met Giovanni Battista Vitali (1632-1692). The two composers in 1685 took part in the famous dispute over parallel fifths in Arcangelo Corelli's Sonata Op.2 No.3. The bass of the violin family, of which Vitali was a virtuoso, was widespread thanks to the Este patronage of Duke Francesco I. In his cantatas, Corsi repeatedly insists on the B flat grave, a characteristic of violin bass tuning, and the numerous semiquaver passages are particularly agile on the violone, so it is not unlikely that the composer from Marsica had this instrument in mind. It is also for this reason that Corsi's compositions have been joined by some movements from the Partite sopra diverse sonatas for the violone by Vitali that are particularly pleasing. | 3,446円 |
 Caporale / Criscuolo / Tozzi - Cello Sonatas CD アルバム 【輸入盤】 WORLD DISC PLACE | ◆タイトル: Cello Sonatas◆アーティスト: Caporale / Criscuolo / Tozzi◆現地発売日: 2019/07/05◆レーベル: Brilliant ClassicsCaporale / Criscuolo / Tozzi - Cello Sonatas CD アルバム 【輸入盤】※商品画像はイメージです。デザインの変更等により、実物とは差異がある場合があります。 ※注文後30分間は注文履歴からキャンセルが可能です。当店で注文を確認した後は原則キャンセル不可となります。予めご了承ください。[楽曲リスト]On the 260th anniversary of the composer's death, this release celebrates Handel's vocal works and particularly his writing for the cello. The set also sheds light on the lesser-known Andrea Caporale, one of the greatest cellists of the Baroque era and also a composer himself. In the 1730s, Handel and Caporale both lived and worked in London. While Caporale held celebrity status as the capital's most sought-after cellist, Handel rubbed shoulders with the elite and composed for the royal court. This album takes a closer look at the time when they crossed paths. Caporale and Handel both moved in London's musical circles and so it's not surprising that they often worked together. A few years after his arrival in London, Caporale became part of Handel's Opera Orchestra; he was the star name on the bill at fundraising concerts and performed in new works such as Deidamia and Alexander's Feast, the latter containing two arias with obbligato cello which Handel had written specifically for him. Handel brought overall vision to the music and Caporale brought expert knowledge of his instrument. Their partnership came at an important turning point in the history of the cello: Prince Frederick of Wales had recently developed a keen interest in playing it, and this propelled the instrument, once regarded as inferior to the viol, into mainstream culture. The opening track comes from Handel's opera Parnasso in Festa and in keeping with the trend, the movement features a decorative cello solo. The following tracks showcase Caporale's creative output. The sonatas are characteristic of the late Baroque and various melody lines weave an intricate tapestry, through different keys and moods, before drawing to a unified close. Handel's vocal works display similar traits and the set alternates between the two composers, revealing their similarities and how they appropriated musical trends of the era. Whereas most players of the era were prized for their virtuosity and technical prowess, Caporale was famous for his emotional playing. | 3,417円 |
 Boni / Fossa / Fontana / Gato / Criscuolo - Sonata for Cello ＆ BC Op 1 CD アルバム 【輸入盤】 WORLD DISC PLACE | ◆タイトル: Sonata for Cello ＆ BC Op 1◆アーティスト: Boni / Fossa / Fontana / Gato / Criscuolo◆現地発売日: 2009/01/27◆レーベル: Dynamic ItalyBoni / Fossa / Fontana / Gato / Criscuolo - Sonata for Cello ＆ BC Op 1 CD アルバム 【輸入盤】※商品画像はイメージです。デザインの変更等により、実物とは差異がある場合があります。 ※注文後30分間は注文履歴からキャンセルが可能です。当店で注文を確認した後は原則キャンセル不可となります。予めご了承ください。[楽曲リスト]1.1 I. Grave 1.2 II. Allegro E Alla Francese 1.3 III. Allegro 1.4 I. Allegro 1.5 II. Adagio 1.6 III. Allegro 1.7 I. Largo 1.8 II. Alla Francese Allegro 1.9 III. Allegro 1.10 I. Andante 1.11 II. Allegro 1.12 III. Adagio 1.13 IV. Allegro 1.14 I. Cantabile 1.15 II. Allegro 1.16 III. Cantabile 1.17 IV. Alla Francese Allegro 1.18 I. Largo 1.19 II. Allegro 1.20 III. Largo 1.21 IV. Allegro 1.22 I. Adagio 1.23 II. Alla Francese Allegro 1.24 III. Allegro 1.25 I. Largo 1.26 II. Alla Francese Allegro 1.27 III. Largo 1.28 IV. Allegro | 4,461円 |
 Handel / Varriale / Criscuolo - Italian Cantatas CD アルバム 【輸入盤】 WORLD DISC PLACE | ◆タイトル: Italian Cantatas◆アーティスト: Handel / Varriale / Criscuolo◆現地発売日: 2013/01/29◆レーベル: Brilliant ClassicsHandel / Varriale / Criscuolo - Italian Cantatas CD アルバム 【輸入盤】※商品画像はイメージです。デザインの変更等により、実物とは差異がある場合があります。 ※注文後30分間は注文履歴からキャンセルが可能です。当店で注文を確認した後は原則キャンセル不可となります。予めご了承ください。[楽曲リスト]1.1 Mira Lilla Gentile 1.2 Non Dar Pi? Pena O Cara 1.3 Ferma Deh Ferma O Bella 1.4 Consolati Mio Core 1.5 Sogno O Son Desto 1.6 Bench? Infida Tu Mi Fuggi 1.7 Sinfonia - Mvsica Perdvta 1.8 Tra Le Fiamme Tu Scherzi Per Gioco 1.9 Dedalo Gi? Le Fortunate Penne 1.10 Pien Di Nuovo E Bel Diletto 1.11 Si S?, Purtroppo ? Vero 1.12 Impenni L'ali Chi Pu? Volare 1.13 L'uomo Che Nacque Per Salire Al Cielo 1.14 Tra Le Fiamme Tu Scherzi Per Gioco (Reprise) 1.15 Mira Lilla Gentile 1.16 Non Dar Pi? Pena O Cara 1.17 Ferma Deh Ferma O Bella 1.18 Consolati Mio Core 1.19 Sogno O Son Desto 1.20 Bench? Infida Tu Mi Fuggi 1.21 Tra Le Fiamme Tu Scherzi Per Gioco 1.22 Dedalo Gi? Le Fortunate Penne 1.23 Pien Di Nuovo E Bel Diletto 1.24 Si S?, Purtroppo ? Vero 1.25 Voli Nell'aria Chi Pu? Volare 1.26 L'uomo Che Nacque Per Salire Al Cielo 1.27 Tra Le Fiamme Tu Scherzi Per Gioco (Reprise)The disc brings together two different versions of Handel's two lesser-known cantatas, and includes the first ever recording of the two versions of Mira Lilla gentile. Largely neglected until now, these latter works tell the story of a young man's unrequited love for Lilla, and while the earlier version contains a soprano solo alternating with a violin, the later version sees this instrument replaced by a cello. The second pair of cantatas comprises the anonymous La caduta di Icaro and Handel's Tra le fiamme HWV170 - both of which use the same libretto by Cardinal Benedetto Pamphili. Here the CD switches from heartbreak to counsel against pride; with the text declaiming the legend of Icarus and Daedalus, Tra le fiamme is particularly striking for it's rich assortment of instruments. The World Premiere of Handel's Cantata Mira Lilla gentile, recorded 2010-2012, Rome. World premiere recording of Mira Lilla gentile. Soprano Valentina Varriale is an upcoming star in the Early Music scene, she sings in opera productions of Jordi Savall and Ottavio Dantone, and has recently performed in the Festivals of Salzburg, Edinburgh and Dresden. | 3,388円 |
 Legrenzi / Borgioni / Criscuolo - Bass Cantatas ＆ Sonatas CD アルバム 【輸入盤】 WORLD DISC PLACE | ◆タイトル: Bass Cantatas ＆ Sonatas◆アーティスト: Legrenzi / Borgioni / Criscuolo◆現地発売日: 2021/09/10◆レーベル: Brilliant ClassicsLegrenzi / Borgioni / Criscuolo - Bass Cantatas ＆ Sonatas CD アルバム 【輸入盤】※商品画像はイメージです。デザインの変更等により、実物とは差異がある場合があります。 ※注文後30分間は注文履歴からキャンセルが可能です。当店で注文を確認した後は原則キャンセル不可となります。予めご了承ください。[楽曲リスト]The Venetian composer Giovanni Legrenzi (1626-1690) wrote a total of eight cantatas and canzonettas for bass voice with a continuo accompaniment, all but one presented here in new, historically informed recordings by a distinguished Italian ensemble specializing in Italian chamber music of the Baroque. His cantatas are longer than those of other Venetian composers of the period, with richer counterpoint between the vocal part and the continuo and freer movement between recitative and aria. Just as the recitatives are often rich in pathos, so the arias reveal great variety of form in both the vocal and the continuo part. While the continuo part is sometimes spare and at other times more elaborated, it supports the vocal line with naturalistic illustration of the text. Legrenzi often conjures up comical situations for the bass voice: for instance, in the canzonetta Son canuto e d'un bambin, where the words revolve around the idea that there are slaves of love even in old age; or in the cantata Dal calore agitato, where the subject is the erotic dreams of a poor Arcadian shepherd. The three trio sonatas on this recording are among Legrenzi's best instrumental compositions. They come from the six printed collections of instrumental sonatas, and are all ? violino (played in this version on the cornett, which was common practice in the 17th century) and viola da brazzo). Within conventional formal structures, Legrenzi invests these works with a remarkably advanced sense of melody. The impression is Legrenzi was most at home working with a small ensemble, rather than with the larger groups of instrumentalists that had become common in 17th-century Venice. | 3,432円 |
 Rainaldi / Romabarocca Ensemble / Criscuolo - Cantate E Duetti 3 CD アルバム 【輸入盤】 WORLD DISC PLACE | ◆タイトル: Cantate E Duetti 3◆アーティスト: Rainaldi / Romabarocca Ensemble / Criscuolo◆現地発売日: 2022/03/04◆レーベル: Tactus RecordsRainaldi / Romabarocca Ensemble / Criscuolo - Cantate E Duetti 3 CD アルバム 【輸入盤】※商品画像はイメージです。デザインの変更等により、実物とは差異がある場合があります。 ※注文後30分間は注文履歴からキャンセルが可能です。当店で注文を確認した後は原則キャンセル不可となります。予めご了承ください。[楽曲リスト]Art historians unanimously regard Carlo Rainaldi as the most important architect of seventeenth-century Baroque Rome after Bernini, Borromini and Pietro da Cortona. He was born in Rome, on 4 May 1611, to Girolama Verovio and Girolamo Rainaldi, a Roman architect, and received his education at the Collegio Romano, for music, and at the Sapienza, for architecture. He was active in all the major Roman constructions of that period, ranging from S. Agnese in Agone, in Piazza Navona, to the two twin churches of Piazza del Popolo, from S. Maria in Campitelli to the fa?ade of S. Andrea della Valle, from S. Maria in Via to the apse of S. Maria Maggiore, not to mention Palazzo Salviati in the Corso, the loggia of Palazzo Borghese and the sepulchral monument to Clement ix in S. Maria Maggiore. We should also add to this list a number of chapels, sepulchral monuments, altars, triumphal arches and decorations for papal transits and processions. While as an architect Rainaldi has aroused the interest of art historians, he is not well-known yet as a musician. This third CD dedicated to the composer's chamber vocal production (see TC611801 and TC611802), edited by Lorenzo Tozzi at the helm of the RomaBarocca Ensemble, contributes to the necessary rediscovery of this aspect; the refined Roman cantata of the seventeenth century that sees it's standard bearers in Giacomo Carissimi and Luigi Rossi, finds another and unexpected protagonist in the architect Rainaldi. | 4,454円 |
 Greco / Musica Perduta / Criscuolo - Music for Bass Violin CD アルバム 【輸入盤】 WORLD DISC PLACE | ◆タイトル: Music for Bass Violin◆アーティスト: Greco / Musica Perduta / Criscuolo◆現地発売日: 2021/02/12◆レーベル: Brilliant ClassicsGreco / Musica Perduta / Criscuolo - Music for Bass Violin CD アルバム 【輸入盤】※商品画像はイメージです。デザインの変更等により、実物とは差異がある場合があります。 ※注文後30分間は注文履歴からキャンセルが可能です。当店で注文を確認した後は原則キャンセル不可となります。予めご了承ください。[楽曲リスト]The early-music cellist Renato Criscuolo and his Musica Perduta ensemble have specialized in reviving vocal and chamber music by Italy-based composers from the 17th and 18th centuries, producing well-received albums of Francesco Maria Zuccari (94306), Nicola Porpora (95279), Pergolesi (94763), Handel (94426) and others. Their latest album revives the name and the music of Rocco Greco, a cellist-composer who can be considered the founder of the distinguished Neapolitan cello tradition that later produced more renowned names such as Lanzetti and Caporale. Few personal details are known of Greco's life. He lived in Naples during the second half of the 17th century, dying there at some point before 1718. As an instrumentalist recorded as working in the Viceroy of Naples' private chapel, he was known for his virtuosity on the bass violin, a forerunner of the cello and tuned one tone below it. The bow was held underhand, like a viola da gamba. Greco produced a collection of 28 'Sinfonias' - sonatas, we would now call them - for two viols, demanding a virtuoso technique in the quick movements and the opportunity for elaborate ornamentation in the slow movements. Criscuolo intersperses 13 of these sinfonias with brief and untitled movements and with instrumental contrafacta of a pair of motets by Greco. To perform and record this music for the first time in the modern era, he and his colleague Andrea Lattarulo have used modern copies of bass violins, playing at Neapolitan pitch and joined in some of the sinfonias by a light continuo accompaniment or theorbo, harpsichord and/or chamber organ. | 3,395円 |
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【輸入盤CD】Rainaldi/Romabarocca Ensemble/Criscuolo / Cantate E Duetti 3【K2022/3/4発売】
あめりかん・ぱい | 2022/3/4 発売輸入盤レーベル： TACTUS RECORDS収録曲： | 2,990円 |
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【輸入盤CD】Legrenzi/Borgioni/Criscuolo / Bass Cantatas & Sonatas【K2021/8/27発売】
あめりかん・ぱい | 発売日: 2021/9/10輸入盤USレーベル: Brilliant Classics収録曲:コメント:The Venetian composer Giovanni Legrenzi (1626-1690) wrote a total of eight cantatas and canzonettas for bass voice with a continuo accompaniment, all but one presented here in new, historically informed recordings by a distinguished Italian ensemble specializing in Italian chamber music of the Baroque. His cantatas are longer than those of other Venetian composers of the period, with richer counterpoint between the vocal part and the continuo and freer movement between recitative and aria. Just as the recitatives are often rich in pathos, so the arias reveal great variety of form in both the vocal and the continuo part. While the continuo part is sometimes spare and at other times more elaborated, it supports the vocal line with naturalistic illustration of the text. Legrenzi often conjures up comical situations for the bass voice: for instance, in the canzonetta Son canuto e d'un bambin, where the words revolve around the idea that there are slaves of love even in old age; or in the cantata Dal calore agitato, where the subject is the erotic dreams of a poor Arcadian shepherd. The three trio sonatas on this recording are among Legrenzi's best instrumental compositions. They come from the six printed collections of instrumental sonatas, and are all a violino (played in this version on the cornett, which was common practice in the 17th century) and viola da brazzo). Within conventional formal structures, Legrenzi invests these works with a remarkably advanced sense of melody. The impression is Legrenzi was most at home working with a small ensemble, rather than with the larger groups of instrumentalists that had become common in 17th-century Venice.The Venetian composer Giovanni Legrenzi (1626-1690) wrote a total of eight cantatas and canzonettas for bass voice with a continuo accompaniment, all but one presented here in new, historically informed recordings by a distinguished Italian ensemble specializing in Italian chamber music of the Baroque. His cantatas are longer than those of other Venetian composers of the period, with richer counterpoint between the vocal part and the continuo and freer movement between recitative and aria. Just as the recitatives are often rich in pathos, so the arias reveal great variety of form in both the vocal and the continuo part. While the continuo part is sometimes spare and at other times more elaborated, it supports the vocal line with naturalistic illustration of the text. Legrenzi often conjures up comical situations for the bass voice: for instance, in the canzonetta Son canuto e d'un bambin, where the words revolve around the idea that there are slaves of love even in old age; or in the cantata Dal calore agitato, where the subject is the erotic dreams of a poor Arcadian shepherd. The three trio sonatas on this recording are among Legrenzi's best instrumental compositions. They come from the six printed collections of instrumental sonatas, and are all a violino (played in this version on the cornett, which was common practice in the 17th century) and viola da brazzo). Within conventional formal structures, Legrenzi invests these works with a remarkably advanced sense of melody. The impression is Legrenzi was most at home working with a small ensemble, rather than with the larger groups of instrumentalists that had become common in 17th-century Venice. | 2,390円 |
 輸入盤 RENATO CRISCUOLO / GRECO ： MUSIC FOR BASS VIOLIN [CD] ぐるぐる王国DS 楽天市場店 | GRECO ： MUSIC FOR BASS VIOLIN詳しい納期他、ご注文時はお支払・送料・返品のページをご確認ください発売日2021/3/10RENATO CRISCUOLO / GRECO ： MUSIC FOR BASS VIOLINレナート・クリスクオロ / グレコ：バスバイオリン曲集 ジャンル クラシックその他 関連キーワード レナート・クリスクオロRENATO CRISCUOLO収録内容収録曲シンフォニア第1番〜第5番、第10番、第14番、第19番〜第21番、第26番、第28番シンフォニア第3番（ヴァイオリンとバスバイオリンのための編曲版）演奏レナート・クリスクオロ（バスヴァイオリン）ムジカ・ペルドゥータ 種別 CD 【輸入盤】 JAN 5028421961002登録日2021/06/11 | 1,172円 |
 輸入盤 RENATO CRISCUOLO / GRECO ： MUSIC FOR BASS VIOLIN [CD] ぐるぐる王国FS 楽天市場店 | GRECO ： MUSIC FOR BASS VIOLIN詳しい納期他、ご注文時はお支払・送料・返品のページをご確認ください発売日2021/3/10RENATO CRISCUOLO / GRECO ： MUSIC FOR BASS VIOLINレナート・クリスクオロ / グレコ：バスバイオリン曲集 ジャンル クラシックその他 関連キーワード レナート・クリスクオロRENATO CRISCUOLO収録内容収録曲シンフォニア第1番〜第5番、第10番、第14番、第19番〜第21番、第26番、第28番シンフォニア第3番（ヴァイオリンとバスバイオリンのための編曲版）演奏レナート・クリスクオロ（バスヴァイオリン）ムジカ・ペルドゥータ 種別 CD 【輸入盤】 JAN 5028421961002登録日2021/06/11 | 1,656円 |
 輸入盤 RENATO CRISCUOLO / GRECO ： MUSIC FOR BASS VIOLIN [CD] ぐるぐる王国 楽天市場店 | GRECO ： MUSIC FOR BASS VIOLINCD発売日2021/3/10詳しい納期他、ご注文時はご利用案内・返品のページをご確認くださいジャンルクラシックその他 アーティストレナート・クリスクオロRENATO CRISCUOLO収録時間組枚数商品説明RENATO CRISCUOLO / GRECO ： MUSIC FOR BASS VIOLINレナート・クリスクオロ / グレコ：バスバイオリン曲集収録内容収録曲シンフォニア第1番〜第5番、第10番、第14番、第19番〜第21番、第26番、第28番シンフォニア第3番（ヴァイオリンとバスバイオリンのための編曲版）演奏レナート・クリスクオロ（バスヴァイオリン）ムジカ・ペルドゥータ関連キーワードレナート・クリスクオロ RENATO CRISCUOLO 商品スペック 種別 CD 【輸入盤】 JAN 5028421961002登録日2021/06/11 | 1,557円 |
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【輸入盤CD】Greco/Musica Perduta/Criscuolo / Music For Bass Violin【K2021/2/12発売】
あめりかん・ぱい | 発売日: 2021/2/12輸入盤USレーベル: Brilliant Classics収録曲:コメント:The early-music cellist Renato Criscuolo and his Musica Perduta ensemble have specialized in reviving vocal and chamber music by Italy-based composers from the 17th and 18th centuries, producing well-received albums of Francesco Maria Zuccari (94306), Nicola Porpora (95279), Pergolesi (94763), Handel (94426) and others. Their latest album revives the name and the music of Rocco Greco, a cellist-composer who can be considered the founder of the distinguished Neapolitan cello tradition that later produced more renowned names such as Lanzetti and Caporale. Few personal details are known of Greco's life. He lived in Naples during the second half of the 17th century, dying there at some point before 1718. As an instrumentalist recorded as working in the Viceroy of Naples' private chapel, he was known for his virtuosity on the bass violin, a forerunner of the cello and tuned one tone below it. The bow was held underhand, like a viola da gamba. Greco produced a collection of 28 'Sinfonias' - sonatas, we would now call them - for two viols, demanding a virtuoso technique in the quick movements and the opportunity for elaborate ornamentation in the slow movements. Criscuolo intersperses 13 of these sinfonias with brief and untitled movements and with instrumental contrafacta of a pair of motets by Greco. To perform and record this music for the first time in the modern era, he and his colleague Andrea Lattarulo have used modern copies of bass violins, playing at Neapolitan pitch and joined in some of the sinfonias by a light continuo accompaniment or theorbo, harpsichord and/or chamber organ.The early-music cellist Renato Criscuolo and his Musica Perduta ensemble have specialized in reviving vocal and chamber music by Italy-based composers from the 17th and 18th centuries, producing well-received albums of Francesco Maria Zuccari (94306), Nicola Porpora (95279), Pergolesi (94763), Handel (94426) and others. Their latest album revives the name and the music of Rocco Greco, a cellist-composer who can be considered the founder of the distinguished Neapolitan cello tradition that later produced more renowned names such as Lanzetti and Caporale. Few personal details are known of Greco's life. He lived in Naples during the second half of the 17th century, dying there at some point before 1718. As an instrumentalist recorded as working in the Viceroy of Naples' private chapel, he was known for his virtuosity on the bass violin, a forerunner of the cello and tuned one tone below it. The bow was held underhand, like a viola da gamba. Greco produced a collection of 28 'Sinfonias' - sonatas, we would now call them - for two viols, demanding a virtuoso technique in the quick movements and the opportunity for elaborate ornamentation in the slow movements. Criscuolo intersperses 13 of these sinfonias with brief and untitled movements and with instrumental contrafacta of a pair of motets by Greco. To perform and record this music for the first time in the modern era, he and his colleague Andrea Lattarulo have used modern copies of bass violins, playing at Neapolitan pitch and joined in some of the sinfonias by a light continuo accompaniment or theorbo, harpsichord and/or chamber organ. | 2,390円 |
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【輸入盤CD】Caporale/Criscuolo/Tozzi / Cello Sonatas【2019/7/5発売】
あめりかん・ぱい | 発売日: 2019/7/5輸入盤USレーベル: Brilliant Classics収録曲:コメント:On the 260th anniversary of the composer's death, this release celebrates Handel's vocal works and particularly his writing for the cello. The set also sheds light on the lesser-known Andrea Caporale, one of the greatest cellists of the Baroque era and also a composer himself. In the 1730s, Handel and Caporale both lived and worked in London. While Caporale held celebrity status as the capital's most sought-after cellist, Handel rubbed shoulders with the elite and composed for the royal court. This album takes a closer look at the time when they crossed paths. Caporale and Handel both moved in London's musical circles and so it's not surprising that they often worked together. A few years after his arrival in London, Caporale became part of Handel's Opera Orchestra; he was the star name on the bill at fundraising concerts and performed in new works such as Deidamia and Alexander's Feast, the latter containing two arias with obbligato cello which Handel had written specifically for him. Handel brought overall vision to the music and Caporale brought expert knowledge of his instrument. Their partnership came at an important turning point in the history of the cello: Prince Frederick of Wales had recently developed a keen interest in playing it, and this propelled the instrument, once regarded as inferior to the viol, into mainstream culture. The opening track comes from Handel's opera Parnasso in Festa and in keeping with the trend, the movement features a decorative cello solo. The following tracks showcase Caporale's creative output. The sonatas are characteristic of the late Baroque and various melody lines weave an intricate tapestry, through different keys and moods, before drawing to a unified close. Handel's vocal works display similar traits and the set alternates between the two composers, revealing their similarities and how they appropriated musical trends of the era. Whereas most players of the era were prized for their virtuosity and technical prowess, Caporale was famous for his emotional playing.On the 260th anniversary of the composer's death, this release celebrates Handel's vocal works and particularly his writing for the cello. The set also sheds light on the lesser-known Andrea Caporale, one of the greatest cellists of the Baroque era and also a composer himself. In the 1730s, Handel and Caporale both lived and worked in London. While Caporale held celebrity status as the capital's most sought-after cellist, Handel rubbed shoulders with the elite and composed for the royal court. This album takes a closer look at the time when they crossed paths. Caporale and Handel both moved in London's musical circles and so it's not surprising that they often worked together. A few years after his arrival in London, Caporale became part of Handel's Opera Orchestra; he was the star name on the bill at fundraising concerts and performed in new works such as Deidamia and Alexander's Feast, the latter containing two arias with obbligato cello which Handel had written specifically for him. Handel brought overall vision to the music and Caporale brought expert knowledge of his instrument. Their partnership came at an important turning point in the history of the cello: Prince Frederick of Wales had recently developed a keen interest in playing it, and this propelled the instrument, once regarded as inferior to the viol, into mainstream culture. The opening track comes from Handel's opera Parnasso in Festa and in keeping with the trend, the movement features a decorative cello solo. The following tracks showcase Caporale's creative output. The sonatas are characteristic of the late Baroque and various melody lines weave an intricate tapestry, through different keys and moods, before drawing to a unified close. Handel's vocal works display similar traits and the set alternates between the two composers, revealing their similarities and how they appropriated musical trends of the era. Whereas most players of the era were prized for their virtuosity and technical prowess, Caporale was famous for his emotional playing. | 2,390円 |
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【輸入盤CD】Handel/Varriale/Criscuolo / Italian Cantatas
あめりかん・ぱい | 発売日: 2013/1/29輸入盤レーベル: Brilliant Classics収録曲: 1.1 Mira Lilla Gentile1.2 Non Dar Piu Pena O Cara1.3 Ferma Deh Ferma O Bella1.4 Consolati Mio Core1.5 Sogno O Son Desto1.6 Benche Infida Tu Mi Fuggi1.7 Sinfonia - Mvsica Perdvta1.8 Tra Le Fiamme Tu Scherzi Per Gioco1.9 Dedalo Gia Le Fortunate Penne1.10 Pien Di Nuovo E Bel Diletto1.11 Si SI, Purtroppo E Vero1.12 Impenni L'ali Chi Puo Volare1.13 L'uomo Che Nacque Per Salire Al Cielo1.14 Tra Le Fiamme Tu Scherzi Per Gioco (Reprise)1.15 Mira Lilla Gentile1.16 Non Dar Piu Pena O Cara1.17 Ferma Deh Ferma O Bella1.18 Consolati Mio Core1.19 Sogno O Son Desto1.20 Benche Infida Tu Mi Fuggi1.21 Tra Le Fiamme Tu Scherzi Per Gioco1.22 Dedalo Gia Le Fortunate Penne1.23 Pien Di Nuovo E Bel Diletto1.24 Si SI, Purtroppo E Vero1.25 Voli Nell'aria Chi Puo Volare1.26 L'uomo Che Nacque Per Salire Al Cielo1.27 Tra Le Fiamme Tu Scherzi Per Gioco (Reprise)コメント:The disc brings together two different versions of Handel's two lesser-known cantatas, and includes the first ever recording of the two versions of Mira Lilla gentile. Largely neglected until now, these latter works tell the story of a young man's unrequited love for Lilla, and while the earlier version contains a soprano solo alternating with a violin, the later version sees this instrument replaced by a cello. The second pair of cantatas comprises the anonymous La caduta di Icaro and Handel's Tra le fiamme HWV170 - both of which use the same libretto by Cardinal Benedetto Pamphili. Here the CD switches from heartbreak to counsel against pride; with the text declaiming the legend of Icarus and Daedalus, Tra le fiamme is particularly striking for it's rich assortment of instruments. The World Premiere of Handel's Cantata "Mira Lilla gentile", recorded 2010-2012, Rome. World premiere recording of Mira Lilla gentile. Soprano Valentina Varriale is an upcoming star in the Early Music scene, she sings in opera productions of Jordi Savall and Ottavio Dantone, and has recently performed in the Festivals of Salzburg, Edinburgh and Dresden.The disc brings together two different versions of Handel's two lesser-known cantatas, and includes the first ever recording of the two versions of Mira Lilla gentile. Largely neglected until now, these latter works tell the story of a young man's unrequited love for Lilla, and while the earlier version contains a soprano solo alternating with a violin, the later version sees this instrument replaced by a cello. The second pair of cantatas comprises the anonymous La caduta di Icaro and Handel's Tra le fiamme HWV170 - both of which use the same libretto by Cardinal Benedetto Pamphili. Here the CD switches from heartbreak to counsel against pride; with the text declaiming the legend of Icarus and Daedalus, Tra le fiamme is particularly striking for it's rich assortment of instruments. The World Premiere of Handel's Cantata "Mira Lilla gentile", recorded 2010-2012, Rome. World premiere recording of Mira Lilla gentile. Soprano Valentina Varriale is an upcoming star in the Early Music scene, she sings in opera productions of Jordi Savall and Ottavio Dantone, and has recently performed in the Festivals of Salzburg, Edinburgh and Dresden. | 2,390円 |