Dandrieu [CD・DVD]
8件中 1件 - 8件
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| 商品 | 説明 | 価格 |
|---|---|---|
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【輸入盤CD】【新品】Dandrieu/Robin/Delaforge / Offertoires & Sonates 2【K2021/9/10発売】
あめりかん・ぱい | 2021/9/10 発売輸入盤レーベル：CHATEAU VERSAILLES収録曲： | 3,590円 |
 【中古】【輸入品・未使用】ジャン=フランソワ・ダンドリュー (1682~1738) : 作品集 (Jean-Francois Dandrieu : Pieces D'orgue - Noels / Andre Isoir | Pieces De Claveci ムジカ＆フェリーチェ楽天市場店 | 【中古】【輸入品・未使用】ジャン=フランソワ・ダンドリュー (1682~1738) : 作品集 (Jean-Francois Dandrieu : Pieces D'orgue - Noels / Andre Isoir | Pieces De Clavecin / Olivier Baumont) (2CD) [輸入盤]【メーカー名】Temperaments【メーカー型番】【ブランド名】【商品説明】ジャン=フランソワ・ダンドリュー (1682~1738) : 作品集 (Jean-Francois Dandrieu : Pieces D'orgue - Noels / Andre Isoir | Pieces De Clavecin / Olivier Baumont) (2CD) [輸入盤]当店では初期不良に限り、商品到着から7日間は返品を 受付けております。こちらは海外販売用に買取り致しました未使用品です。買取り致しました為、中古扱いとしております。他モールとの併売品の為、完売の際はご連絡致しますのでご了承下さい。速やかにご返金させて頂きます。ご注文からお届けまで1、ご注文⇒ご注文は24時間受け付けております。2、注文確認⇒ご注文後、当店から注文確認メールを送信します。3、配送⇒当店海外倉庫から取り寄せの場合は10〜30日程度でのお届けとなります。国内到着後、発送の際に通知にてご連絡致します。国内倉庫からの場合は3〜7日でのお届けとなります。 ※離島、北海道、九州、沖縄は遅れる場合がございます。予めご了承下さい。お電話でのお問合せは少人数で運営の為受け付けておりませんので、メールにてお問合せお願い致します。営業時間 月〜金 10:00〜17:00お客様都合によるご注文後のキャンセル・返品はお受けしておりませんのでご了承下さい。 | 16,200円 |
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【輸入盤CD】【新品】Dandrieu/Robin / Magnificat 1【K2019/11/8発売】
あめりかん・ぱい | 2019/11/8 発売輸入盤レーベル：CHATEAU VERSAILLES収録曲： | 3,590円 |
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【輸入盤CD】【新品】Bortkeiwicz/Couperin/Dandrieu / Dionysus Nymphs & Satyrs【K2023/6/9発売】
あめりかん・ぱい | 2023/6/9 発売輸入盤レーベル： DIVINE ART収録曲： | 4,890円 |
 【中古】仏CD Pappas Iakovos Dandrieu: Clavecin Livre Vol.1 4880142 Ogam /00110 レコードシティ 楽天市場店 | ・アーティスト Pappas Iakovos ・タイトル Dandrieu: Clavecin Livre Vol.1 ・レーベル Ogam 4880142 ・フォーマット CD ・コンディション(盤) 非常に良い(EX) ・コンディション(ジャケット) ・コンディション(帯) オビなし ・特記事項 【盤汚れ】 サンプル画像です。実際の商品の画像ではありません 商品写真はバーコード/カタログ番号に対応したサンプル画像ですので、お送りする商品の画像ではありません。帯やライナーなどの付属品は、特記事項に記載されている場合のみ含まれます。プロモやカラーレコードなどの仕様についても、該当する場合のみ特記事項に記載しています。 【ご購入前に必ずご確認ください】 ・本店サイト(www.recordcity.jp)とは価格、送料が違います ・本店サイト、その他支店のオーダーとは同梱発送できません ・別倉庫から発送しているため、店頭受け渡しは対応しておりません ・一部商品は他の通販サイトでも販売しているため、ご注文のタイミングによっては商品のご用意ができない場合がございます。 ・土日祝日はお休みです 金曜・祝前日9時以降のご連絡またはご入金は、返答または発送が週明け・祝日明けに順次対応となります。 ・ご購入後のキャンセル不可 ご購入後のキャンセルはいかなる理由においてもお受けできません。ご了承の上、ご購入くださいませ。 ・日本郵便(ゆうパック/ゆうメール)によるお届けになります。 ・中古品であることをご理解ください 当ストアではお客様よりお譲りいただいた中古商品を主に販売しております。中古品であることをご理解の上ご購入ください。また、一部商品はRecordCityオンラインストアで試聴可能です。 ・返品について お客様のご都合による返品は一切承っておりません。 表記の内容と実際の商品に相違がある場合、また針飛び等で返品・返金をご希望される場合は、商品の到着後1週間以内にご連絡ください。商品の返送をこちらで確認後、キャンセル・返金を行います。 コンディションVG以下の商品は返品できません。プレイに影響のない表面のこすれ傷、プレス起因のノイズ盤は返品の対象外です。 【コンディション表記】 ・ほぼ新品(M-)(Like New) 完全な新品。未使用。当店ではほぼ使用しません ・非常に良い(EX)(Excellent) 中古盤として美品な状態。わずかな経年を感じるものの傷みを感じさせない、当店基準で最高の状態 ・良い(VG+)(Very Good Plus) 丁寧に扱われた中古品で、軽い使用感がみられる。 ・可(VG)(Acceptable) 使い込まれた中古品で、「良い」よりもさらに使用感がみられる。 ・悪い(VG-)(Bad) 状態が悪いアイテム。使用の保障はなく、再生不可、針飛び、目立つノイズがあるかもしれない。状態によるクレーム不可。返品不可。 ・非常に悪い(G)(Very Bad) 「悪い」よりさらに状態が悪いアイテム。使用の保障はなく、再生不可、針飛び、目立つノイズがあるかもしれない。状態によるクレーム不可。返品不可。 ・ジャンク(Fair)(Junk/Fair) 割れている、反っている、水ダメージがある、カビ、ジャケットが分離している、ひどい書き込み、ひどい擦れなど最低の状態。使用の保障はなく、再生不可、針飛び、目立つノイズがあるかもしれない。状態によるクレーム不可。返品不可。 ・ジャンク(Poor)(Junk/Poor) 割れている、反っている、水ダメージがある、カビ、ジャケットが分離している、ひどい書き込み、ひどい擦れなど最低の状態。使用の保障はなく、再生不可、針飛び、目立つノイズがあるかもしれない。状態によるクレーム不可。返品不可。 | 4,118円 |
 【輸入盤CD】【新品】Dandrieu/Belder / Trois Livres De Pieces De Clavecin【K2023/5/26発売】 あめりかん・ぱい | こちらの商品はネコポスでお届けできません。発売日: 2023/5/26輸入盤USレーベル: Brilliant Classics収録曲:コメント:Jean-Francois Dandrieu was born in August or September 1682 on rue Saint-Louis, Ile de la Cite, Paris. He was the eldest of at least four children and showed such musical precocity that it is reported he played the harpsichord for Louis XIV and his court at the age of five. It can be assumed that his reputation led to great demand for his services as a performer, since he travelled outside Paris as a musician on several occasions. He was not the first musical Dandrieu: his uncle, Pierre, trained as a priest and organist in Angers. It is possible that it was he who organised Jean-Francois's studies with the harpsichordist and composer Jean-Baptiste Moreau, a fellow Angevin and near contemporary. The musical environment in which Dandrieu was raised was a period of considerable change. Paris saw the rise of a modish cultural elite with an increasing desire for new music, whether instrumental or vocal, and this was fed by several publications such as Mercure Galant (1678-1714), which reported not only on concerts and new music but also provided a modicum of artistic gossip to inform it's readers which artists were currently in vogue. It has been mentioned that Dandrieu was renowned from an early age as a prodigy. While we know little else about his activities as a performer, the decision to publish his early compositions must have been based on the level of notoriety he had achieved. According to the catalogue of the Bibliotheque nationale de France, the first book of harpsichord pieces was published in 1705, but there are no records of his legally required lettres de privilege being submitted to the Paris Guild of Booksellers for that year. Indeed, though records for November 1700-January 1704 are now lost, it is assumed the books were issued at some point between these dates, which would make him the youngest-known composer to have released a book of music. While Dandrieu's early harpsichord pieces were written in the shadow of 17th-century composers, the three books published between 1724 and 1735 demonstrate a radically new direction for the composer. Such a shift can be attributed to changing tastes: harpsichord music as early as the last decade of the previous century shows a gradual distancing from many techniques that were primarily associated with the lute. Dandrieu, like most musicians, probably spent much of his earlier life as a teacher and would have been well aware of the abilities and tastes of those for whom the suites were written. They retain a naive simplicity that is often lacking elsewhere. Nothing is too complicated: ornamentation is straightforward, textures tend towards two-part writing, and figuration always falls comfortably under the hand. The Premier livre finishes with what Dandrieu refers to as 'a suite in it's own right' of ten tableaux: Les Characteres de la Guerre. It demonstrates Dandrieu's propensity to revise earlier and possibly popular works to suit new media. The tableaux follow a tradition among composers for depicting battle scenes. The tradition continued in France until late into the 18th century with Claude-Benigne Balbastre's 1792 appeal to the revolutionaries in Marche des Marseillois.Jean-Francois Dandrieu was born in August or September 1682 on rue Saint-Louis, Ile de la Cite, Paris. He was the eldest of at least four children and showed such musical precocity that it is reported he played the harpsichord for Louis XIV and his court at the age of five. It can be assumed that his reputation led to great demand for his services as a performer, since he travelled outside Paris as a musician on several occasions. He was not the first musical Dandrieu: his uncle, Pierre, trained as a priest and organist in Angers. It is possible that it was he who organised Jean-Francois's studies with the harpsichordist and composer Jean-Baptiste Moreau, a fellow Angevin and near contemporary. The musical environment in which Dandrieu was raised was a period of considerable change. Paris saw the rise of a modish cultural elite with an increasing desire for new music, whether instrumental or vocal, and this was fed by several publications such as Mercure Galant (1678-1714), which reported not only on concerts and new music but also provided a modicum of artistic gossip to inform it's readers which artists were currently in vogue. It has been mentioned that Dandrieu was renowned from an early age as a prodigy. While we know little else about his activities as a performer, the decision to publish his early compositions must have been based on the level of notoriety he had achieved. According to the catalogue of the Bibliotheque nationale de France, the first book of harpsichord pieces was published in 1705, but there are no records of his legally required lettres de privilege being submitted to the Paris Guild of Booksellers for that year. Indeed, though records for November 1700-January 1704 are now lost, it is assumed the books were issued at some point between these dates, which would make him the youngest-known composer to have released a book of music. While Dandrieu's early harpsichord pieces were written in the shadow of 17th-century composers, the three books published between 1724 and 1735 demonstrate a radically new direction for the composer. Such a shift can be attributed to changing tastes: harpsichord music as early as the last decade of the previous century shows a gradual distancing from many techniques that were primarily associated with the lute. Dandrieu, like most musicians, probably spent much of his earlier life as a teacher and would have been well aware of the abilities and tastes of those for whom the suites were written. They retain a naive simplicity that is often lacking elsewhere. Nothing is too complicated: ornamentation is straightforward, textures tend towards two-part writing, and figuration always falls comfortably under the hand. The Premier livre finishes with what Dandrieu refers to as 'a suite in it's own right' of ten tableaux: Les Characteres de la Guerre. It demonstrates Dandrieu's propensity to revise earlier and possibly popular works to suit new media. The tableaux follow a tradition among composers for depicting battle scenes. The tradition continued in France until late into the 18th century with Claude-Benigne Balbastre's 1792 appeal to the revolutionaries in Marche des Marseillois. | 3,590円 |
 【中古】 Mozart / Dandrieu / Bach / A Bouquet Of 18th Century's Music: Ensemble Baroque De Paris 【CD】 HMV＆BOOKS online 1号店 | 状態可状態詳細帯なし中古商品のご購入について※中古商品の状態、仕様、内容等に関するお問い合わせはお受けできません※中古商品にはサイト上に記載がある場合でも、封入/外付け特典は付属いたしません＞＞その他注意事項（必ずご確認ください）出荷目安の詳細はこちら | 550円 |
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【輸入盤CD】【新品】Dandrieu/Isoir/Baumont / Pieces D'Orgue & Clavecin
あめりかん・ぱい | 2013/2/12 発売輸入盤レーベル：TEMPERAMENTS収録曲： | 8,490円 |