Fantasias 輸入盤CD [CD・DVD]
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CD (56) (Fantasias 輸入盤CD)
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56件中 1件 - 30件
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| 商品 | 説明 | 価格 |
|---|---|---|
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【輸入盤CD】Telemann/Dornenburg / Fantasias For Viola Da Gamba【K2021/10/15発売】
あめりかん・ぱい | 発売日: 2021/10/15輸入盤USレーベル: Centaur収録曲:コメント:Musicians have long known about the existence of Telemann's Fantasias for viola da gamba, but until very recently no surviving copies had ever been located. Fortunately a single print edition was identified by two musicologists in the Lower Saxony State Archive in Germany. In 2016 these important pieces were at last presented to the world in a modern edition which includes a complete facsimile of the original print. John Dornenburg has made numerous recordings for Centaur Records. After many years based in San Francisco, he is now based in the U.K.Musicians have long known about the existence of Telemann's Fantasias for viola da gamba, but until very recently no surviving copies had ever been located. Fortunately a single print edition was identified by two musicologists in the Lower Saxony State Archive in Germany. In 2016 these important pieces were at last presented to the world in a modern edition which includes a complete facsimile of the original print. John Dornenburg has made numerous recordings for Centaur Records. After many years based in San Francisco, he is now based in the U.K. | 2,790円 |
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【輸入盤CD】Genevieve Lacey / Soliloquy: Telemann Solo Fantasias 【K2018/11/9発売】
あめりかん・ぱい | 発売日: 2018/11/9輸入盤AUレーベル: ABC Music Oz収録曲:コメント: | 5,090円 |
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【輸入盤CD】Froberger/Colin Tilney / Froberger 1649: Suites Fantasias Lamente
あめりかん・ぱい | 2013/11/19 発売輸入盤レーベル：MUSIC & ARTS PROGRAM収録曲： | 2,990円 |
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【輸入盤CD】Telemann / Melodious Canons & Fantasias 【K2018/2/16発売】
あめりかん・ぱい | 2018/2/16 発売輸入盤レーベル：RESONUS CLASSICS収録曲： | 2,990円 |
 【輸入盤CD】Brahms/Piet Kuijken / Sonata Intermezzi & Fantasias あめりかん・ぱい | 2015/11/13 発売輸入盤レーベル：PASSACAILLE収録曲： | 3,290円 |
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【輸入盤CD】Telemann/Bowes / 12 Fantasias For Solo Violin【K2021/10/22発売】
あめりかん・ぱい | 2021/10/22 発売輸入盤レーベル： NAVONA収録曲： | 2,690円 |
 【輸入盤CD】Telemann/F. Biondi / 12 Fantasias For Solo Violin 【K2016/9/30発売】 あめりかん・ぱい | 2016/9/30 発売輸入盤レーベル：GLOSSA収録曲： | 3,290円 |
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【輸入盤CD】Podda/Antonaz/Di Giorgi/Francini/Macri / Operatic Fantasias For Harp & Piano
あめりかん・ぱい | 2015/1/13 発売輸入盤レーベル：TACTUS RECORDS収録曲： | 2,990円 |
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【輸入盤CD】Brahms/Dichter / Handel Variations Waltzes & Fantasias
あめりかん・ぱい | 2011/9/13 発売輸入盤収録曲： | 2,090円 |
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【輸入盤CD】Marais/Cavatina Duo / Folias & Fantasias【K2020/7/17発売】
あめりかん・ぱい | 2020/7/17 発売輸入盤レーベル： BRIDGE収録曲： | 2,990円 |
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【輸入盤CD】Maria De Martini / Fantasias On Fantasias: After 12 Fantaisies Sans 【K2019/4/12発売】
あめりかん・ぱい | 2019/4/12 発売輸入盤レーベル：IMPORTS収録曲： | 3,940円 |
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【輸入盤CD】Telemann/Junnonen / Twelve Fantasias For Solo Flute【K2023/6/2発売】
あめりかん・ぱい | 2023/6/2 発売輸入盤レーベル： RESONUS CLASSICS収録曲： | 2,990円 |
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【輸入盤CD】Sweelinck/Egarr / Fantasias/Toccatas & Var【K2019/11/8発売】
あめりかん・ぱい | 2019/11/8 発売輸入盤レーベル：LINN RECORDS収録曲： | 3,290円 |
 【輸入盤CD】J.S. Bach/Romaniuk/Shibata / Sonatas Fantasias【K2022/1/28発売】 あめりかん・ぱい | 2022/1/28 発売輸入盤レーベル： FUGA LIBERA LABEL収録曲： | 3,290円 |
 【輸入盤CD】C.P.E. Bach/Cecchetti / Sense & Sensibility: Sonatas Fantasias & Rondo あめりかん・ぱい | C.P.E.バッハ リッカルド・チェッケッティ2015/4/14 発売輸入盤レーベル：CHALLENGE収録曲：A delightful and thoughtful selection of works from C.P.E. Bach's famous Collections for Connoisseurs and Amateurs! C.P.E. Bach's keyboard music is always eventful, unpredictable, and thought-provoking. On this disc, Riccardo Cecchetti - a member of the Voces Intimae trio, often called "the best piano trio in the world" - plays a wonderful fortepiano by anonymous, built in 1785, restored, and part of the well-known Edwin Beunk Collection. | 3,290円 |
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【輸入盤CD】Telemann/Magub / Violin Fantasias
あめりかん・ぱい | 2013/3/5 発売輸入盤レーベル：CRD 収録曲： | 2,790円 |
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【輸入盤CD】Telemann/Andrea Mogavero / Telemann: 12 Fantasias For Flute Without Bass【K2022/1/28発売】
あめりかん・ぱい | 2022/1/28 発売輸入盤レーベル： DA VINCI収録曲： | 3,890円 |
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【輸入盤CD】Axelrod/Ensemble Nouvelle Epoque / Six Brandenburg Fantasias(輸入盤CD)
あめりかん・ぱい | 2013/10/29 発売輸入盤レーベル：INNOVA RECORDS収録曲： | 2,690円 |
 【輸入盤CD】Telemann/Thomas Pietsch / Telemann: 12 Fantasias For Violin Without Bass 【K2017/11/10発売】 あめりかん・ぱい | 2017/11/10 発売輸入盤レーベル：IMPORTS収録曲： | 3,940円 |
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【輸入盤CD】Reger/Balazs Szano / 7 Chorale Fantasias (SACD)
あめりかん・ぱい | 2016/2/26 発売輸入盤レーベル：MDG収録曲：SUPER-AUDIO CD | 3,690円 |
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【輸入盤CD】Mertz / Fantasias For Solo Guitar 【K2019/4/5発売】
あめりかん・ぱい | 発売日: 2019/4/5輸入盤USレーベル: Brilliant Classics収録曲:コメント:Caspar Johann Mertz was born in Bratislava in 1809 at a time when the guitar was a celebrated instrument throughout the Habsburg Empire. By the time he became a musician himself, however, the guitar boom was over. The Russian nobleman Nicolai Petrovich Makarov (1800-1890) I wrote in his memoirs: 'Is the guitar lost forever?, I wondered. Can anything be done to spur them on to new musical meaning? Are no further technical improvements possible? Are the talented composers gone forever?' And in an attempt to prevent his prophecy from coming to fulfillment, he founded a guitar competition in Brussels in 1856, which was duly won by Mertz, a few months before his death, playing the Concertino which was his last composition. The impact of Makarov's competition remained low, and only in recent years has Mertz's name become more widely known, not least thanks to the evocative tone-poems which make up the 11-plus volumes of Bardenklange Op.13. Released in 2014, the Brilliant Classics album by Graziano Salvoni was the most complete recording yet of Bardenklange and enthusiastically received in the international guitar press. Giuseppe Chiaramonte has now produced an essential complement to it in terms of appreciating the music of a forgotten Romantic. He opens with the set of Three Pieces Op.65 which includes his best-known work, the Fantasie Hongroise. He continues with the less-familiar, soulful strains of the Pianto dell'Amante and similarly reflective works which anticipate with the guitar the kind of inward, contemplative writing for the piano with which Liszt much later became associated: La Rimembranza, Pensee Fugitive and Harmonie du soir all deserve much wider attention, not least for their rapt melodic beauty. Chiaramonte concludes this invaluable album with one of the operatic fantasias with which guitarist performer/composers earned their way around Europe in the 19th century: this one on Mozart's Don Giovanni.Caspar Johann Mertz was born in Bratislava in 1809 at a time when the guitar was a celebrated instrument throughout the Habsburg Empire. By the time he became a musician himself, however, the guitar boom was over. The Russian nobleman Nicolai Petrovich Makarov (1800-1890) I wrote in his memoirs: 'Is the guitar lost forever?, I wondered. Can anything be done to spur them on to new musical meaning? Are no further technical improvements possible? Are the talented composers gone forever?' And in an attempt to prevent his prophecy from coming to fulfillment, he founded a guitar competition in Brussels in 1856, which was duly won by Mertz, a few months before his death, playing the Concertino which was his last composition. The impact of Makarov's competition remained low, and only in recent years has Mertz's name become more widely known, not least thanks to the evocative tone-poems which make up the 11-plus volumes of Bardenklange Op.13. Released in 2014, the Brilliant Classics album by Graziano Salvoni was the most complete recording yet of Bardenklange and enthusiastically received in the international guitar press. Giuseppe Chiaramonte has now produced an essential complement to it in terms of appreciating the music of a forgotten Romantic. He opens with the set of Three Pieces Op.65 which includes his best-known work, the Fantasie Hongroise. He continues with the less-familiar, soulful strains of the Pianto dell'Amante and similarly reflective works which anticipate with the guitar the kind of inward, contemplative writing for the piano with which Liszt much later became associated: La Rimembranza, Pensee Fugitive and Harmonie du soir all deserve much wider attention, not least for their rapt melodic beauty. Chiaramonte concludes this invaluable album with one of the operatic fantasias with which guitarist performer/composers earned their way around Europe in the 19th century: this one on Mozart's Don Giovanni. | 2,390円 |
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【輸入盤CD】Byrd/Wilson / Complete Fantasias
あめりかん・ぱい | 2011/10/25 発売輸入盤収録曲： | 1,990円 |
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【輸入盤CD】Bach/Schornsheim / Rondos & Fantasias
あめりかん・ぱい | 2014/10/14 発売輸入盤レーベル：CAPRICCIO収録曲： | 2,990円 |
 【輸入盤CD】Reger/Goode / Max Reger: Fantasias & Fugues 【K2017/1/6発売】 あめりかん・ぱい | 2017/1/6 発売輸入盤レーベル：SIGNUM UK収録曲： | 4,290円 |
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【輸入盤CD】Telemann/Garrison / 12 Fantasias For Solo Flute【K2021/6/4発売】
あめりかん・ぱい | 発売日: 2021/6/4輸入盤USレーベル: Centaur収録曲:コメント:Telemann's twelve Fantasias, TWV 40:2-13 hold endless fascination, not only for flutists, but for a variety of instrumentalists. These works represent a unique, thorough, and systematic exploration of writing for unaccompanied flute. Leonard Garrison brings these great works fully to life. Leonard Garrison is University Distinuished Professor of Flute and Associate Director of the Lionel Hampton School of Music at the University of Idaho, flutist in The Northwest Wind Quintet and The Scott/Garrison Duo, and Principal Flutist of the Walla Walla Symphony. A recipient of an Idaho Commission on the Arts Fellowship, a President's Mid-Career Award at the University of Idaho, and 2016 prizes as Instrumental Soloist and in Chamber Music from The American Prize, he is faculty at Blue Lake Fine Arts Camp in Michigan. He has recorded eleven critically acclaimed albums for Albany Records, Capstone Records, and Centaur Records and been a soloist on National Public Radio's Performance Today, winner of the 2003 Byron Hester Competition, concerto soloist on both flute and piccolo, and a frequent performer at National Flute Association conventions.Telemann's twelve Fantasias, TWV 40:2-13 hold endless fascination, not only for flutists, but for a variety of instrumentalists. These works represent a unique, thorough, and systematic exploration of writing for unaccompanied flute. Leonard Garrison brings these great works fully to life. Leonard Garrison is University Distinuished Professor of Flute and Associate Director of the Lionel Hampton School of Music at the University of Idaho, flutist in The Northwest Wind Quintet and The Scott/Garrison Duo, and Principal Flutist of the Walla Walla Symphony. A recipient of an Idaho Commission on the Arts Fellowship, a President's Mid-Career Award at the University of Idaho, and 2016 prizes as Instrumental Soloist and in Chamber Music from The American Prize, he is faculty at Blue Lake Fine Arts Camp in Michigan. He has recorded eleven critically acclaimed albums for Albany Records, Capstone Records, and Centaur Records and been a soloist on National Public Radio's Performance Today, winner of the 2003 Byron Hester Competition, concerto soloist on both flute and piccolo, and a frequent performer at National Flute Association conventions. | 2,790円 |
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【輸入盤CD】Froberger/Charlston / Complete Fantasias & Canzonas【K2020/5/8発売】
あめりかん・ぱい | 2020/5/8 発売輸入盤レーベル：DIVINE ART収録曲： | 3,090円 |
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【輸入盤CD】J.S. Bach/Schluter / Fantasias & Duets 【K2019/5/17発売】
あめりかん・ぱい | 2019/5/17 発売輸入盤レーベル：PROFIL - G HAENSSLER収録曲： | 3,290円 |
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【輸入盤CD】Telemann/FedotoVA / Telemann: Twelve Fantasias For Flute Without Bass 【K2016/10/14発売】
あめりかん・ぱい | 2016/10/14 発売輸入盤レーベル：GRAMOLA 収録曲： | 3,290円 |
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【輸入盤CD】Telemann/Federico Guglielmo / 12 Fantasias For Violin Solo
あめりかん・ぱい | 発売日: 2015/6/30輸入盤レーベル: Brilliant Classics収録曲: 1.1 Fantasia No. 1 in B-Flat Major, TWV 40:14: I. Largo1.2 Fantasia No. 1 in B-Flat Major, TWV 40:14: II. Allegro1.3 Fantasia No. 1 in B-Flat Major, TWV 40:14: III. Grave1.4 Fantasia No. 1 in B-Flat Major, TWV 40:14: IV. Si Replica L'allegro1.5 Fantasia No. 2 in G Major, TWV 40:15: I. Largo1.6 Fantasia No. 2 in G Major, TWV 40:15: II. Allegro1.7 Fantasia No. 2 in G Major, TWV 40:15: III. Allegro1.8 Fantasia No. 3 in F minor, TWV 40:16: I. Adagio1.9 Fantasia No. 3 in F minor, TWV 40:16: II. Presto1.10 Fantasia No. 3 in F minor, TWV 40:16: III. Grave - Vivace1.11 Fantasia No. 4 in D Major, TWV 40:17: I. Vivace1.12 Fantasia No. 4 in D Major, TWV 40:17: II. Grave1.13 Fantasia No. 4 in D Major, TWV 40:17: III. Allegro1.14 Fantasia No. 5 in a Major, TWV 40:18: I. Allegro - Presto1.15 Fantasia No. 5 in a Major, TWV 40:18: II. Andante1.16 Fantasia No. 5 in a Major, TWV 40:18: III. Allegro1.17 Fantasia No. 6 in E minor, TWV 40:19: I. Grave1.18 Fantasia No. 6 in E minor, TWV 40:19: II. Presto1.19 Fantasia No. 6 in E minor, TWV 40:19: III. Siciliana1.20 Fantasia No. 6 in E minor, TWV 40:19: IV. Allegro1.21 Fantasia No. 7 in E-Flat Major, TWV 40:20: I. Dolce1.22 Fantasia No. 7 in E-Flat Major, TWV 40:20: II. Allegro1.23 Fantasia No. 7 in E-Flat Major, TWV 40:20: III. Largo1.24 Fantasia No. 7 in E-Flat Major, TWV 40:20: IV. Presto1.25 Fantasia No. 8 in E Major, TWV 40:21: I. Piacevolmente1.26 Fantasia No. 8 in E Major, TWV 40:21: II. Spirituoso1.27 Fantasia No. 8 in E Major, TWV 40:21: III. Allegro1.28 Fantasia No. 9 in B minor, TWV 40:22: I. Siciliana1.29 Fantasia No. 9 in B minor, TWV 40:22: II. Vivace1.30 Fantasia No. 9 in B minor, TWV 40:22: III. Allegro1.31 Fantasia No. 10 in D Major, TWV 40:23: I. Presto1.32 Fantasia No. 10 in D Major, TWV 40:23: II. Largo1.33 Fantasia No. 10 in D Major, TWV 40:23: III. Allegro1.34 Fantasia No. 11 in F Major, TWV 40:24: I. Un Poco Vivace1.35 Fantasia No. 11 in F Major, TWV 40:24: II. Soave1.36 Fantasia No. 11 in F Major, TWV 40:24: III. Da Capo. Un Poco Vivace1.37 Fantasia No. 11 in F Major, TWV 40:24: IV. Allegro1.38 Fantasia No. 12 in a Minor, TWV 40:25: I. Moderato1.39 Fantasia No. 12 in a Minor, TWV 40:25: II. Vivace1.40 Fantasia No. 12 in a Minor, TWV 40:25: III. Prestoコメント:The 12 Fantasias for violin solo by Georg Philipp Telemann are masterpieces in their genre, and should be as famous as the Sonatas and Partitas by his contemporary Johann Sebastian Bach. Not only are these works a testimony of Telemann's great melodic gift, but the violin writing is idiomatic and demanding, using advanced violin techniques (Telemann was a self-taught violinist himself). The sonatas contain several movements, and are a synthesis between the melodious Italian School style of Corelli, and the polyphonic German style (several sonatas end with a fugue). Few violinists have better credentials for performing this music than Italian maestro Federico Guglielmo, leader of the early music ensemble "L'Arte dell'Arco" and celebrated violinist himself, with an impressive discography to his name. For Brilliant Classics he recorded the complete Op. 1-10 by Vivaldi, to great international acclaim.The 12 Fantasias for violin solo by Georg Philipp Telemann are masterpieces in their genre, and should be as famous as the Sonatas and Partitas by his contemporary Johann Sebastian Bach. Not only are these works a testimony of Telemann's great melodic gift, but the violin writing is idiomatic and demanding, using advanced violin techniques (Telemann was a self-taught violinist himself). The sonatas contain several movements, and are a synthesis between the melodious Italian School style of Corelli, and the polyphonic German style (several sonatas end with a fugue). Few violinists have better credentials for performing this music than Italian maestro Federico Guglielmo, leader of the early music ensemble "L'Arte dell'Arco" and celebrated violinist himself, with an impressive discography to his name. For Brilliant Classics he recorded the complete Op. 1-10 by Vivaldi, to great international acclaim. | 2,390円 |
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【輸入盤CD】C.P.E. Bach/J.S. Bach/Hakkinen / Fantasias【K2023/5/26発売】
あめりかん・ぱい | 発売日: 2023/5/26輸入盤USレーベル: Brilliant Classics収録曲:コメント:Carl Philipp Emanuel Bach was widely known for his passionate, incomparable improvisations on the clavichord, most characteristically in the form of free fantasia. His compositions were unique in style, full of contrasts, and universally admired by several generations; the Vienna Classicists, even Beethoven and Schubert, considered him their musical father. Declamatory, improvisatory style is of course the epitaph of all 18th-century music - exemplified in Johann Sebastian Bach's Chromatic Fantasia BWV903, with it's central recitative and broken chords audaciously passing through distant harmonies. Johann Nikolaus Forkel, author of the first Bach biography and part of C.P.E. Bach's literary circles, transmitted a refined version in his manuscript (P 212) and subsequent edition that may derive from a revised original version once in possession of the Bach sons. C.P.E. Bach's Fantasia in C minor (published in 1753) bears distinct similarities to his father's Fantasia chromatica, and it has been suggested that it may in fact have been a tombeau to the elder Bach. The deep personal nature and connection between the two works is explicit. For Carl Philipp Emanuel Bach and the 'Bachists', the most expressive and intimate compositions were reserved for the clavichord. It was in the clavichord that one might 'find the soundboard of your heart.... Have no regrets when alone under the moonlight you improvise, or refresh your soul on a summer night, or when you celebrate a spring evening; ah! Then pine not for the strident harpsichord. See, your clavichord breathes as gently as your heart.' (Ch.F.D. Schubart: Musikalische Rhapsodien III, 1786) Charles Burney, who visited C.P.E. Bach in Hamburg in 1772, described the composer improvising at his legendary clavichord, built by Gottfried Silbermann: 'He grew so animated and possessed that he not only played but looked like one inspired. His eyes were fixed, his lower lip fell, and drops of effervescence distilled from his countenance.' The original 18th-century instruments heard on this recording - from Regensburg, Stockholm and Vienna - demonstrate possibilities the like of which would have been known to Carl Philipp Emanuel Bach in Berlin and Hamburg and ultimately derive from the Saxon school of G. Silbermann.Carl Philipp Emanuel Bach was widely known for his passionate, incomparable improvisations on the clavichord, most characteristically in the form of free fantasia. His compositions were unique in style, full of contrasts, and universally admired by several generations; the Vienna Classicists, even Beethoven and Schubert, considered him their musical father. Declamatory, improvisatory style is of course the epitaph of all 18th-century music - exemplified in Johann Sebastian Bach's Chromatic Fantasia BWV903, with it's central recitative and broken chords audaciously passing through distant harmonies. Johann Nikolaus Forkel, author of the first Bach biography and part of C.P.E. Bach's literary circles, transmitted a refined version in his manuscript (P 212) and subsequent edition that may derive from a revised original version once in possession of the Bach sons. C.P.E. Bach's Fantasia in C minor (published in 1753) bears distinct similarities to his father's Fantasia chromatica, and it has been suggested that it may in fact have been a tombeau to the elder Bach. The deep personal nature and connection between the two works is explicit. For Carl Philipp Emanuel Bach and the 'Bachists', the most expressive and intimate compositions were reserved for the clavichord. It was in the clavichord that one might 'find the soundboard of your heart.... Have no regrets when alone under the moonlight you improvise, or refresh your soul on a summer night, or when you celebrate a spring evening; ah! Then pine not for the strident harpsichord. See, your clavichord breathes as gently as your heart.' (Ch.F.D. Schubart: Musikalische Rhapsodien III, 1786) Charles Burney, who visited C.P.E. Bach in Hamburg in 1772, described the composer improvising at his legendary clavichord, built by Gottfried Silbermann: 'He grew so animated and possessed that he not only played but looked like one inspired. His eyes were fixed, his lower lip fell, and drops of effervescence distilled from his countenance.' The original 18th-century instruments heard on this recording - from Regensburg, Stockholm and Vienna - demonstrate possibilities the like of which would have been known to Carl Philipp Emanuel Bach in Berlin and Hamburg and ultimately derive from the Saxon school of G. Silbermann. | 2,390円 |