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Kristin Lavransdatter. I. La ghirlanda【電子書籍】[ Sigrid Undset ]

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<p>Kristin ? la figlia di Lavrans, fattore stimato ed estremamente religioso, cui la protagonista ? molto legata. ? una bambina vivace, rispettosa della religione ma nel contempo animata da una forte volont?, insolita nella Norvegia medievale per una donna. La sua tenacia, tuttavia, non ? sufficiente quando la famiglia ne combina il matrimonio con un uomo che Kristin non ama. La decisione dei genitori sembra perentoria ma, dopo un tentativo di violenza da parte di un giovane del posto che macchia la reputazione di Kristin, malgrado la ragazza ne sia ovviamente la vittima, il matrimonio ? posticipato. La protagonista ottiene il permesso di trascorrere un periodo in convento e, per puro caso, si imbatte in Erlend, rampollo di un’importante famiglia, gi? scomunicato per aver avuto due figli da una donna sposata. Kristin ed Erlend intraprendono una relazione clandestina che la famiglia non pu? accettare, per paura di uno scandalo. Tra eventi inattesi e presagi malinconici, la serenit? sembra rimanere per la donna un desiderio irrealizzabile. A cent’anni dall’uscita in Norvegia, e dopo decenni di oblio in Italia, torna in una nuova traduzione il primo volume della trilogia che valse a Sigrid Undset il premio Nobel per la letteratura, uno dei capolavori della letteratura mondiale.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 1,650円

Michele Tosini and the Ghirlandaio Workshop in Cinquecento Florence MICHELE TOSINI & THE GHIRLANDA [ Heidi J. Hornik ]

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MICHELE TOSINI & THE GHIRLANDA Heidi J. Hornik SUSSEX ACADEMIC PR2021 Paperback English ISBN:9781845191863 洋書 Art & Entertainment(芸術&エンターテインメント) Art 19,448円

Pr?tica Administra??o de TI【電子書籍】[ Mario Ghirlanda ]

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<p>Mostra um hist?rico de vivencia em inform?tica ou tecnologia da informa??o na transi??o entre os mainframes e as redes de micros em meados dos anos 90.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 2,321円

L'era della ghirlanda Quando Parigi brucia nel cuore【電子書籍】[ Carlo Molinari ]

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<p>Parigi all’inizio degli Anni Duemila. Si pu? pensare d’improvvisare un’intera esistenza vivendo come artisti di strada? In una capitale europea dove la concorrenza ? anche spietata? Pascal, un giovane eccentrico e pieno d’iniziative originali vive proprio quest’intensa esperienza e, al tempo stesso, si trova a condividere anche una forte passione con Janet, anch’essa ragazza del tutto stravagante. Improvvisamente, il protagonista si vede a dover mettere in gioco tutta la sua vita dal mattino alla sera e invece di reagire con razionalit? e con spirito di riscatto, cade in uno stato di depressione, ansia, abbandono, smarrimento totale e tutto si trasforma in un disastro esistenziale. Veronique, una vicina di casa dai modi molti materni e sensuali, con vent’anni circa di differenza in pi? di lui, giocher? un ruolo molto importante in tutta la vicenda, complice un bigliettino verde. Tutto il racconto ? intessuto di descrizioni poetiche, di sorprese e di dialoghi molto intensi. Il finale ? decisamente a sorpresa e rompe molti schemi borghesi ai quali, forse, ci hanno abituati sin da piccoli.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 727円

Il ghirlandaio dell'Avvento【電子書籍】[ Viola Rainaldi ]

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<p>La storia ci ricorda l' importanza di mantenere viva la tradizione dei preparativi in vista del Natale e mette in primo piano il tema del rendersi disponibile per gli altri, cercando l' unicit? del momento insieme all' originalit? nel rendere omaggio alla festivit?.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 1,091円

Ghirlandaio: 96 Frescoes and Drawings【電子書籍】[ Maria Tsaneva ]

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<p>Domenico Ghirlandaio was one of the most popular Florentine artists of his time. He received his training in the workshop of Baldovinetti. Later, the work of Verrocchio in particular made an impression on him. Ghirlandaio's compositional representation was simultaneously imposing and respectable. His chiaroscuro, in the sense of realistic shading and three-dimensional images, was realistically superior, as were his perspectives, which he designed on a very elaborate scale by eye alone, without the use of sophisticated mathematics. A certain hardness of outline may show to his early training in metal work. Vasari states that Ghirlandaio was the first to abandon the use of ornamentation in his pictures, representing by genuine painting any objects supposed to be gilded. His drawings and sketches are considered particularly remarkable for their naturalistic vigor of outline. Ghirlandaio is commonly credited with having given some early art education to Michelangelo and Francesco Granacci.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 201円

Domenico Ghirlandaio Paintings and Drawings【電子書籍】[ Daniel Coenn ]

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<p>Domenico Ghirlandaio was one of the most popular Florentine artists of his time. He received his training in the workshop of Baldovinetti. Later, the work of Verrocchio in particular made an impression on him. Ghirlandaio's compositional representation was simultaneously imposing and respectable. His chiaroscuro, in the sense of realistic shading and three-dimensional images, was realistically superior, as were his perspectives, which he designed on a very elaborate scale by eye alone, without the use of sophisticated mathematics. A certain hardness of outline may show to his early training in metal work. Vasari states that Ghirlandaio was the first to abandon the use of ornamentation in his pictures, representing by genuine painting any objects supposed to be gilded. His drawings and sketches are considered particularly remarkable for their naturalistic vigor of outline. Ghirlandaio is commonly credited with having given some early art education to Michelangelo and Francesco Granacci.</p> <p>Domenico Ghirlandaio was one of the most popular Florentine artists of his time. He received his training in the workshop of Baldovinetti. Later, the work of Verrocchio in particular made an impression on him. Ghirlandaio's compositional representation was simultaneously imposing and respectable. His chiaroscuro, in the sense of realistic shading and three-dimensional images, was realistically superior, as were his perspectives, which he designed on a very elaborate scale by eye alone, without the use of sophisticated mathematics. A certain hardness of outline may show to his early training in metal work. Vasari states that Ghirlandaio was the first to abandon the use of ornamentation in his pictures, representing by genuine painting any objects supposed to be gilded. His drawings and sketches are considered particularly remarkable for their naturalistic vigor of outline. Ghirlandaio is commonly credited with having given some early art education to Michelangelo and Francesco Granacci.</p> <p>Domenico Ghirlandaio was one of the most popular Florentine artists of his time. He received his training in the workshop of Baldovinetti. Later, the work of Verrocchio in particular made an impression on him. Ghirlandaio's compositional representation was simultaneously imposing and respectable. His chiaroscuro, in the sense of realistic shading and three-dimensional images, was realistically superior, as were his perspectives, which he designed on a very elaborate scale by eye alone, without the use of sophisticated mathematics. A certain hardness of outline may show to his early training in metal work. Vasari states that Ghirlandaio was the first to abandon the use of ornamentation in his pictures, representing by genuine painting any objects supposed to be gilded. His drawings and sketches are considered particularly remarkable for their naturalistic vigor of outline. Ghirlandaio is commonly credited with having given some early art education to Michelangelo and Francesco Granacci.</p> <p>Domenico Ghirlandaio was one of the most popular Florentine artists of his time. He received his training in the workshop of Baldovinetti. Later, the work of Verrocchio in particular made an impression on him. Ghirlandaio's compositional representation was simultaneously imposing and respectable. His chiaroscuro, in the sense of realistic shading and three-dimensional images, was realistically superior, as were his perspectives, which he designed on a very elaborate scale by eye alone, without the use of sophisticated mathematics. A certain hardness of outline may show to his early training in metal work. Vasari states that Ghirlandaio was the first to abandon the use of ornamentation in his pictures, representing by genuine painting any objects supposed to be gilded. His drawings and sketches are considered particularly remarkable for their naturalistic vigor of outline. Ghirlandaio is commonly credited with having given some early art education to Michelangelo and Francesco Granacci.D</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 268円