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商品	説明	価格
Collected Poems with translations from Jacques Pr?vert【電子書籍】[ A. S. J. Tessimond ] 楽天Kobo電子書籍ストア	＜p＞A.S.J. Tessimond (1902-1962) was one of the most individual, versatile and approachable voices in 20th century poetry. Influenced at first by the Imagists, his poetry is remarkable for its lucidity and formal exactness and for its witty, humane depiction of life in the modern city. Out of step with his contemporaries - both Pound and Eliot as well as Auden and his followers - Tessimond was always a marginalised figure, publishing only three collections in his lifetime, one in each decade from 1934 to 1958. Yet his work has been popular enough to be included in numerous anthologies and has been a perennial favourite with listeners of radio programmes such as Poetry Please. This edition is a reissue of the posthumous Collected Poems edited by his friend the writer Hubert Nicholson, who characterised his poems as 'beautiful, shapely, well wrought and elegant, whether in public of private mode', penetrating the heart of both London and England: 'His hallmark, his unique contribution to the body poetic, is to be found in those poems encapsulating urban types'and the institutions that shape and demarcate their lives, the popular press and radio, films, money, advertising, houses, tube stations, the implacable streets... He wrote a good deal about love, its hopes and etasies and its frustrations and sadness.' As Nicholson has pointed out, Tessimond wrote many poems in the first person, 'but they are not in the least egotistical. They are imaginative projections of himself into types, places, generalised Man, even God or Fate.' He was 'entirely a man of the city', his 'landscape' pieces depicting Hyde Park Corner, Chelsea Embankment, a Paris cafe and even an overcrowded bus in Jamaica. 'He loved the life around him and was a meditative as well as an observant man. He reflected, and reflected on, the passing show, kindly, honestly, and with wit and wisdom.' Tessimond has been described as an eccentric, a night-lifer, loner and flaneur. He loved women, was always falling in love, but never married. He suffered from frequent bouts of depression, alleviated neither by a succession of psychiatrists nor by electric shock therapy. The fact that he was plagued by self-doubt and was fiercely critical of his own work must have contributed to his work being too little published and too much neglected, despite being championed by an extraordinary variety of admirers, from Michael Roberts, John Lehmann and Ceri Richards to Bernard Levin, Maggie Smith, Bill Deedes and Trevor McDonald. Maggie Smith read his poem 'Heaven' at the funeral of Bernard Levin, for whom Tessimond was 'a quiet voice, which makes it easy to miss the resonances, but they are there, and although I doubt if he will achieve a widespread fame, I am sure that any future anthology of twentieth-century English verse that does not include a sample of his work will be less complete, less representative and less valuable than it might have been.' In an obituary for The Times, Tessimond's friend, the critic George Rostrevor Hamilton, said he was 'modest about his poetry, and sometimes thought it too small to be worthwhile. But over and above a dry wit and fancy, he had an exquisite feeling for words, meticulous but, like himself, without affectation. In his own way he was unrivalled.'＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	1,208円
History of the Swiss Watch Industry From Jacques David to Nicolas Hayek- Third edition【電子書籍】[ Pierre-Yves Donz? ] 楽天Kobo電子書籍ストア	＜p＞This book tackles the history of the Swiss watch industry in a global perspective: it gives particular attention to rival nations such as the United Kingdom, the USA and Japan. The author demonstrates how Swiss watchmakers succeeded in facing various challenges: the industrialization of production at the end of the 19th century, the delocalization of production in the interwar years and globalization since the 1960’s. These challenges helped Switzerland to maintain and strengthen its position as a leader on the world market. This study shows how innovation and new technologies, the industrial policy of the Swiss authorities, the industrial district organization and the relations with trade unions explain the worldwide success of the Swiss watch industry.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	7,026円
A travessia da estrutura em Jacques Lacan【電子書籍】[ L?a Silveira ] 楽天Kobo電子書籍ストア	＜p＞Jacques Lacan abre infinitos campos, deixando a cargo de suas leitoras e leitores um trabalho inesgot?vel. Muitos se perdem nessas largas florestas de refer?ncias e circulam desorientados pelos sinuosos labirintos de suas articula??es. Esse definitivamente n?o ? o caso de L?a Silveira em A travessia da estrutura em Jacques Lacan. A autora segura o irreverente psicanalista com r?deas curtas. Esmi??a a obra partindo da no??o lacaniana de sujeito com bisturi em m?os e lentes de aumento nos olhos. Perfura a carne em torno de cada caro?o notado at? dissolver os n?s que os cristalizam. Em torno do sujeito h? toda uma estrutura que o determina e, ao mesmo tempo, n?o ? capaz de soterrar sua singularidade. Ali?s, o que ? singular s? pode existir em fun??o do conjunto de determina??es estruturais que comp?em as camadas sociais e pol?ticas, mas paradoxalmente resiste a tal ordena??o. Eis o impasse capcioso que a autora ousa enfrentar, expondo aos leitores as v?rias implica??es de tal enredamento. Se algu?m busca uma obra capaz de explicitar problemas colocados pelo psicanalista franc?s, sem reduzi-los a f?rmulas f?ceis, tem em m?os um precioso material de estudo. N?o encontrar? um caminho sem pedras, mas ter?, sem sombra de d?vida, um mapa detalhado e muito bem desenhado para seguir. Alessandra Affortunati Martins Psicanalista e pesquisadora da C?tedra Edward Sa?d (Unifesp)＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	2,800円
Correspond?ncia com Jacques Rivi?re【電子書籍】[ Antonin Artaud ] 楽天Kobo電子書籍ストア	＜p＞Cartas continuar?o a ser um fabuloso instrumento de subjetiva??o, uma forma direta de falar de si, de se revelar sem recalques, de se contrapor ao destinat?rio, de encontrar uma forma que favore?a o di?logo e possibilite a compreens?o entre personalidades diversas, sempre antag?nicas e complementares. As correspond?ncias de Sigmund Freud e Carl Gustav Jung, de Gilles Deleuze e Michel Foucault, de Claude L?vi-Strauss e Roman Jakobson, de Elizabeth Bishop e Alice Methfessel, de Susan Sontag e Annie Leibovitz s?o alguns exemplos paradigm?ticos, dentre tantos outros, que aclaram e desvendam os nexos ps?quicos, existenciais, confessionais de uma rela??o dial?gica. ? exatamente isso que ocorre nessa troca de cartas entre Antonin Artaud (1896-1948) e Jacques Rivi?re (1886-1925). Ela come?a em primeiro de maio de 1923 e termina em oito de junho de 1924, distribu?da em tr?s plots intercambi?veis. Mais assertivo e questionador, composto de tr?s cartas, o primeiro abrange os meses de maio e junho; o segundo, tamb?m com tr?s cartas, datadas de 1924, pode ser considerado uma ontologia da cria??o e inclui o lancinante poema Grito; finalmente, o terceiro, com cinco cartas, abrange os meses de maio e junho de 1924 e espelha dilemas, sofrimentos, ambival?ncias, aspira??es e resili?ncias da alma humana. Estamos diante das bases bioantropol?gicas do sapiens demens: um espa?o de reconcilia??o entre dois pensadores ? ent?o esbo?ado.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	1,100円
Applied Grammatology Post(e)-Pedagogy from Jacques Derrida to Joseph Beuys【電子書籍】[ Gregory L. Ulmer ] 楽天Kobo電子書籍ストア	＜p＞Originally published in 1984. In ＜em＞Applied Grammatology＜/em＞, Gregory Ulmer provides an extraordinary introduction to the third, "applied" phase of grammatology, the "science of writing," outlined by Jacques Derrida in Of Grammatology. Ulmer looks to the later experimental works of Derrida (beginning with Glas and continuing through Truth in Painting and The Post Card). In these, he discovers a critical methodology radically different from the deconstruction for which Derrida is known. At the same time, he finds the source of a new pedagogy for all the humanities, one based on grammatology and appropriate to the era of audiovisual communications in which we live.＜br /＞ Detractors of Derrida often accuse him of superficial wordplay and of using images and puns as nonfunctional subversions of academic conventions. Ulmer argues that there is, in fact, a fully developed use of homonyms in Derrida's style, which produces its own distinctive knowledge and insight. Derrida's experiments with images, moreoverーhis expansion of descriptions of everyday objects such as umbrellas, matchboxes, and post cards into cognitive modelsーserve to reveal a simplicity underlying intellectual discourse, which could be used to eliminate the gap separating the general public from specialists in cultural studies.＜br /＞ Comparing the stylistic innovations of Derrida with Jacques Lacan's use of puns and diagrams, with the German performance artist Joseph Beuys's demonstration of models, and with the "montage writing" of the films of Sergei Eisenstein, Ulmer explores the possibility of deriving a postmodernist pedagogy from Derrida's texts. The first study to suggest the full potential of the program available in Derrida's writings, Applied Grammatology is also the first outline of a Derridean alternative to deconstructionism. With its shift away from Derrida's philosophical studies to his experimental texts, Ulmer's book aims to inaugurate a new movement in the American adaptation of contemporary French theory.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	5,020円
Estilo e verdade em Jacques Lacan【電子書籍】[ Gilson Iannini ] 楽天Kobo電子書籍ストア	＜p＞"Se Freud trouxe outra coisa ao conhecimento do homem sen?o essa verdade de que existe o verdadeiro, n?o h? descoberta freudiana." ? sob esse prisma que Jacques Lacan (1901-1981) efetua sua releitura de Freud. A descoberta do inconsciente concerne n?o apenas ? hist?ria do desejo e da subjetividade, mas tamb?m ? natureza e aos contornos da verdade. Nas m?os de Lacan, a verdade funciona como uma esp?cie de conceito-limite entre a cl?nica e a filosofia. A verdade ? o ponto de partida de uma an?lise; mas, ao mesmo tempo, n?o ? poss?vel pens?-la sem recorrer a um intrincado campo de for?as conceitual em que se entrecruzam diversos discursos, como a filosofia, a l?gica, a lingu?stica, a literatura. Lacan atravessa esses campos sem pedir licen?a, com rapidez e desenvoltura tais que muitas vezes levantou suspeitas. Foi tachado de obscuro, impostor, por uns; de profeta, mestre, mago, por outros. O presente livro ? um estudo minucioso do problema da verdade em Lacan. A obra parte da coexist?ncia paradoxal de dois axiomas: "h? verdade" e "n?o h? verdade da verdade". No espa?o t?nue demarcado por esses limites, o autor examina a tese da discord?ncia entre saber e verdade, reconstr?i passo a passo todas as etapas da cr?tica ? metalinguagem, trata o problema das rela??es entre ci?ncia e psican?lise e, finalmente, analisa o estilo de Lacan como um esfor?o de formalizar, na escrita da psican?lise, os impasses de uma verdade que n?o se diz toda. Al?m disso, este livro pode ser lido como a hist?ria de uma experi?ncia de escrita que conduziu seu autor do interesse filos?fico pela psican?lise ao exerc?cio da cl?nica psicanal?tica.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	1,800円