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Ezra Pound in the Present Essays on Pound's Contemporaneity【電子書籍】
楽天Kobo電子書籍ストア
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<p>Was Ezra Pound the first theorist of world literature? Or did he inaugurate a form of comparative literature that could save the discipline from its untimely demise? Would he have welcomed the 2008 financial crisis? What might he say about America's economic dependence on China? Would he have been appalled at the rise of the “digital humanities,” or found it amenable to his own quasi-social scientific views about the role of literature in society? What, if anything, would he find to value in today's economic and aesthetic discourses? <em>Ezra Pound in the Present</em> collects new essays by prominent scholars of modernist poetics to engage the relevance of Pound's work for our times, testing whether his literature was, as he hoped it would be, “news that stays news.”</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。
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5,418円
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The Contemporaneity of Modernism Literature, Media, Culture【電子書籍】
楽天Kobo電子書籍ストア
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<p>At a juncture in which art and culture are saturated with the forces of commodification, this book argues that problems, forms, and positions that defined modernism are crucially relevant to the condition of contemporary art and culture. The volume is attuned to the central concerns of recent scholarship on modernism and contemporary culture: the problems of aesthetic autonomy and the specific role of art in preserving a critical standpoint for cultural production; the relationship between politics and the category of the aesthetic; the problems of temporality and contemporaneity; literary transnationalism; and the questions of medium and medium specificity. Ranging across art forms, mediums, disciplines, and geographical locations, essays address the foundational questions that fuse modernism and the contemporary moment: What is art? What is the relation between art and the economy? How do art and technology interpenetrate and transform each other? What is modernism’s logic of time and contemporaneity, and how might it speak to the problem of thinking genuine novelty, or the possibility of an alternative to the current stage of neo-liberal capitalism? What is modernism, and what is its history? The book is thus committed to revising our understanding of what modernism was in its earlier instantiations, and in accounting for the current moment, addressing the problems raised by modernism's afterlives and reverberations in the 20th and 21st centuries. The volume includes essays that consider literature, sociology, philosophy, visual art, music, architecture, digital culture, television, and other artistic media. It synthesizes the most recent thinking on modernism and contemporary culture and presents a compelling case for what happens to literature, art, and culture in the wake of the exhaustion of postmodernism. This book will be of interest to those studying literature, visual art, media studies, architecture, literary theory, modernism, and twentieth-century and contemporary culture more generally.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。
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11,440円
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Sardinia from the Middle Ages to Contemporaneity A case study of a Mediterranean island identity profile【電子書籍】[ Flocel Sabat? ]
楽天Kobo電子書籍ストア
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<p>The book offers a historical and methodological update of founding historical themes and moments, and a methodological review more than ever necessary of current interpretations of the History of Sardinia between the Early Middle Ages and the Modernity from an identitarian point of view. And that by means of a greater interaction between History, History of Art, Geography, Archaeology and Architecture.</p> <p>Sardinia has been taken as a case study due to its island nature, with boundaries clearly determined by Geography and, moreover, by its extremely conservative nature. The authors’ aim is to provide scholars with new data and new reading keys to interpret Sardinian History and its Cultural Heritage. Both strongly conditioned by the permanence of Sardinia in Roman and Byzantine orbit, <em>lato sensu</em>, for more than a millennium (3rd c. b.C - 11th c. a.C) and by two other important elements: only about 80 years of a virtually irrelevant Vandalic domain and no Muslim lasting settlements throughout the High Middle Ages, not so far decisively confirmed by Archaeology.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。
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14,229円
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Towards a Critique of Architecture’s Contemporaneity 4 Essays【電子書籍】[ Gevork Hartoonian ]
楽天Kobo電子書籍ストア
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<p>Pursuing historical analogies between nineteenth-century theories and the current practices captivated by digital reproducibility, this book offers a critical take on architecture’s contemporaneity through four essays: tectonics, materiality, cladding, and labor.</p> <p>Fundamental to this proposition is the historicity of Gottfried Semper’s theorization of architecture amidst the outpouring of new materials and construction techniques during the 1850s. Starting with Semper’s differentiation between theatricalization and the tectonic of theatricality, this book examines thematic essential to architecture’s self-representation. Even though the title of this book recalls the Semperian Four Elements of Architecture, its argument encapsulates a unique historico-theoretical project probing the tectonic of theatricality beyond Semper. The invisible tie between technique and labor is the cord running through the four subjects covered in this book. In exploring these subjects from the theoretical standpoint of Marxian dialectics, this book’s contribution is focused on, but not limited to, the topicality of labor today when its relationship with capital has been further obscured by the prevailing digitalization of commodity exchange value, starting roughly in the 1990s. Each essay examines Semper’s theorization of architecture in contradistinction to the ways in which technology’s mediation has dominated architecture’s representation.</p> <p>Burrowing through the invisible tie between technique and work, asymptomatic of architecture’s predicament in global capitalism, <em>Towards a Critique of Architecture’s Contemporaneity</em> advances the scope of architectural criticism beyond the exhausted formalism and architecture’s turn to philosophy circa the 1980s and the present tendencies for presentism. It will therefore be of interest to researchers and students of architectural history and theory.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。
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4,807円
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Antinomies of Art and Culture Modernity, Postmodernity, Contemporaneity【電子書籍】[ Antonio Negri ]
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<p>In this landmark collection, world-renowned theorists, artists, critics, and curators explore new ways of conceiving the present and understanding art and culture in relation to it. They revisit from fresh perspectives key issues regarding modernity and postmodernity, including the relationship between art and broader social and political currents, as well as important questions about temporality and change. They also reflect on whether or not broad categories and terms such as modernity, postmodernity, globalization, and decolonization are still relevant or useful. Including twenty essays and seventy-seven images, <em>Antinomies of Art and Culture</em> is a wide-ranging yet incisive inquiry into how to understand, describe, and represent what it is to live in the contemporary moment.</p> <p>In the volume’s introduction the theorist Terry Smith argues that predictions that postmodernity would emerge as a global successor to modernity have not materialized as anticipated. Smith suggests that the various situations of decolonized Africa, post-Soviet Europe, contemporary China, the conflicted Middle East, and an uncertain United States might be better characterized in terms of their “contemporaneity,” a concept which captures the frictions of the present while denying the inevitability of all currently competing universalisms. Essays range from Antonio Negri’s analysis of contemporaneity in light of the concept of multitude to Okwui Enwezor’s argument that the entire world is now in a postcolonial constellation, and from Rosalind Krauss’s defense of artistic modernism to Jonathan Hay’s characterization of contemporary developments in terms of doubled and even para-modernities. The volume’s centerpiece is a sequence of photographs from Zoe Leonard’s <em>Analogue</em> project. Depicting used clothing, both as it is bundled for shipment in Brooklyn and as it is displayed for sale on the streets of Uganda, the sequence is part of a striking visual record of new cultural forms and economies emerging as others are left behind.</p> <p><em>Contributors</em>: Monica Amor, Nancy Condee, Okwui Enwezor, Boris Groys, Jonathan Hay, Wu Hung, Geeta Kapur, Rosalind Krauss, Bruno Latour, Zoe Leonard, Lev Manovich, James Meyer, Gao Minglu, Helen Molesworth, Antonio Negri, Sylvester Okwunodu Ogbechie, Nikos Papastergiadis, Colin Richards, Suely Rolnik, Terry Smith, McKenzie Wark</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。
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5,300円
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Visual Culture Wars at the Borders of Contemporary China Art, Design, Film, New Media and the Prospects of “Post-West” Contemporaneity【電子書籍】
楽天Kobo電子書籍ストア
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<p>This edited collection brings together essays that share in a critical attention to visual culture as a means of representing, contributing to and/or intervening with discursive struggles and territorial conflicts currently taking place at and across the outward-facing and internal borders of the People’s Republic of China. Elucidated by the essays collected here for the first time is a constellation of what might be described as visual culture wars comprising resistances on numerous fronts not only to the growing power and expansiveness of the Chinese state but also the residues of a once pervasively suppressive Western colonialism/imperialism. The present volume addresses visual culture related to struggles and conflicts at the borders of Hong Kong, the South China Sea and Taiwan as well within the PRC with regard the so-called “Great Firewall of China” and differences in discursive outlook between China and the West on the significances of art, technology, gender and sexuality. In doing so, it provides a vital index of twenty-first century China’s diversely conflicted status as a contemporary nation-state and arguably nascent empire.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。
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18,231円
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Futures of the Contemporary: Contemporaneity, Untimeliness, and Artistic Research FUTURES OF THE CONTEMP (Orpheus Institute) [ Paulo de Assis ]
楽天ブックス
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FUTURES OF THE CONTEMP Orpheus Institute Paulo de Assis Michael Schwab LEUVEN UNIV PR2019 Paperback English ISBN:9789462701830 洋書 Art & Entertainment(芸術&エンターテインメント) Art
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9,152円
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