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The Aesthetics of Desire and Surprise Phenomenology and Speculation【電子書籍】[ Jadranka Skorin-Kapov ]

楽天Kobo電子書籍ストア
<p><em>The Aesthetics of Desire and Surprise: Phenomenology and Speculation</em> covers issues central to contemporary continental philosophy (desire, expectations, excess, rupture, transcendence, immanence, surprise). The proposed term <em>desire||surprise</em> captures the phenomenological-speculative character of the pair <em>not yet</em> and <em>no longer</em>. Non-obvious parallels between different thinkers are drawn, and the argumentation is organized around philosophical figures relevant in the sequence <em>desire ? excess ?pause (rupture, break) ? recuperation (surprise)</em>. The works of Levinas, ?i?ek, Bataille, Blanchot, Foucault, and Ricoeur are interpreted and positioned according to the proposed template of desire - excess - pause. The consideration of limit experiences involves authors fascinated by transgression, and the question of whether excess is immanent or transcendent. This discussion considers works by Nietzsche, Deleuze, ?i?ek, and Foucault. The analysis of surprise and the beginning of recovery after the pause considers works by Fink, Merleau-Ponty, Nancy, Lyotard, Dufrenne, Bachelard, and Seel. The provocative argument elaborated in this work is that <em>surprise starts with indifference.</em> Furthermore, the argument is that surprise begins where the concept reaches its ending, hence that the limit of speculative thinking at its ending is the limit of aesthetics at its beginning. The work of Hegel, Schelling and Jaspers are discussed in order to argue for the beginning of aesthetics there where knowledge ends.</p> <p>Philosophical thematic is contextualized via sections on artists such as Duchamp and Mondrian, and on some films, provoking interest of aestheticians working in art history and cultural studies departments.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 6,402円

Darren Aronofsky’s Films and the Fragility of Hope【電子書籍】[ Dr. Jadranka Skorin-Kapov ]

楽天Kobo電子書籍ストア
<p><em>Darren Aronofsky's Films and the Fragility of Hope</em> offers the first sustained analysis of the current oeuvre of the film director, screenwriter, and producer Darren Aronofsky. Including <em>Pi</em> (1998), <em>Requiem for a Dream</em> (2000), <em>The Fountain</em> (2006), <em>The Wrestler</em> (2008), <em>Black Swan</em> (2010), and <em>Noah</em> (2014), Aronofsky's filmography is discussed with respect to his style and the themes of his films, making astute connections with the work of other directors, other movies and works of art, and connecting his films with other disciplines such as math, philosophy, psychology, and art history.</p> <p>Jadranka Skorin-Kapov deploys her background in philosophy and math to analyze an American filmmaker with an individual voice, working on both independent productions and big-budget Hollywood films. Aronofsky is revealed to be a philosopher's director, considering the themes of life and death, addiction and obsession, sacrifice, and the fragility of hope. Skorin-Kapov discusses his ability to visually present challenging intersections between art and philosophy. Concluding with a transcript of a conversation between the author and Aronofsky himself, <em>Darren Aronofsky's Films and the Fragility of Hope</em> is a much-needed study on this American auteur.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 5,279円