film Film [ART ＆ ENTERTAINMENT]
5793件中 1件 - 30件
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| 商品 | 説明 | 価格 |
|---|---|---|
 An Introduction to Film Analysis Technique and Meaning in Narrative Film【電子書籍】[ Professor Michael Ryan ] 楽天Kobo電子書籍ストア | ＜p＞＜em＞An Introduction to Film Analysis＜/em＞ is designed to introduce students to filmmaking techniques while also providing an invaluable guide to film interpretation. It takes readers step by step through:＜/p＞ ＜p＞-the basic technical terms＜br /＞ -shot-by-shot analyses of film sequences＜br /＞ -set design, composition, editing, camera work, post-production, art direction and more＜br /＞ -each chapter provides clear examples and full colour images from classic as well as contemporary films＜/p＞ ＜p＞Ryan and Lenos's updated edition introduces students to the different kinds of lenses and their effects, the multiple possibilities of lighting, and the way post-production modifies images through such processes as saturation and desaturation. Students will learn to ask why the camera is placed where it is, why an edit occurs where it does, or why the set is designed in a certain way.＜/p＞ ＜p＞The second section of the book focuses on ＜strong＞critical analysis＜/strong＞, introducing students to the various approaches to film, from psychology to history, with new analysis on postcolonial, transnational and Affect Theory.＜/p＞ ＜p＞＜strong＞New to this edition＜/strong＞ is a third section featuring several in-depth analyses of films to put into practice what comes before: ＜em＞The Birds＜/em＞, ＜em＞The Shining＜/em＞, ＜em＞Vagabond＜/em＞, ＜em＞In the Mood for Love＜/em＞, ＜em＞Before the Devil Knows You're Dead＜/em＞.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 1,047円 |
 The Baseball Film A Cultural and Transmedia History【電子書籍】[ Aaron Baker ] 楽天Kobo電子書籍ストア | ＜p＞Baseball has long been viewed as the Great American Pastime, so it is no surprise that the sport has inspired many Hollywood films and television series. But how do these works depict the game, its players, fans, and place in American society?＜/p＞ ＜p＞This study offers an extensive look at nearly one hundred years of baseball-themed movies, documentaries, and TV shows. Film and sports scholar Aaron Baker examines works like ＜em＞A League of their Own＜/em＞ (1992) and ＜em＞Sugar＜/em＞ (2008), which dramatize the underrepresented contributions of female and immigrant players, alongside classic baseball movies like ＜em＞The Natural＜/em＞ that are full of nostalgia for a time when native-born white men could use the game to achieve the American dream. He further explores how biopics have both mythologized and demystified such legendary figures as Ty Cobb, Babe Ruth, Lou Gehrig, Jackie Robinson and Fernando Valenzuela.＜/p＞ ＜p＞＜em＞The Baseball Film＜/em＞ charts the variety of ways that Hollywood presents the game as integral to American life, whether showing little league as a site of parent-child bonding or depicting fans’ lifelong love affairs with their home teams. Covering everything from ＜em＞Bull Durham＜/em＞ (1988) to ＜em＞The Bad News Bears＜/em＞ (1976), this book offers an essential look at one of the most cinematic of all sports.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 3,708円 |
 Fat on Film Gender, Race and Body Size in Contemporary Hollywood Cinema【電子書籍】[ Ms Barbara Plotz ] 楽天Kobo電子書籍ストア | ＜p＞Over the last two decades, fatness has become the focus of ubiquitous negative rhetoric, in the USA and beyond, presented under the cover of the medicalized ''war against the obesity epidemic''. In ＜em＞Fat on Film＜/em＞, Barbara Plotz provides a critical analysis of the cinematic representation of fatness during this timeframe, specifically in contemporary Hollywood cinema, with an emphasis on the intersection of gender, race and fatness. The analysis is based on around 50 films released since 2000 and includes examples such as ＜em＞Transformers＜/em＞ (2007), ＜em＞Precious＜/em＞ (2009), ＜em＞Kung Fu Panda＜/em＞ (2008), ＜em＞Paul Blart＜/em＞ (2009)and ＜em＞Pitch Perfect＜/em＞ (2012).Plotz maps the common cinematic tropes of fatness and also shows how commonplace notions of fatness that are part of the current ''obesity epidemic'' discourse are reflected in these tropes. In this original study, Plotz brings critical attention to the politics of fat representation, a topic that has so far received little attention within film and cinema studies.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 5,701円 |
 Celluloid Ceiling Women Film Directors Breaking Through【電子書籍】 楽天Kobo電子書籍ストア | ＜p＞An extensive overview of female film directors worldwide, showing how they are breaking through the 'Celluloid Ceiling', and succeeding in a still very male-dominated industry. The book contains exclusive interviews with women film directors, explores the impact of digital technology, and reaches some surprising conclusions.＜/p＞ ＜p＞Now that Kathryn Bigelow has made history as the first woman to win an Oscar for directing, we ask whether this is a new era for women filmmakers. This unique international overview highlights emerging women directors and groundbreaking pioneers, and provides a one-stop guide to the leading film directors of the 21st century, and the people who inspired them.＜/p＞ ＜p＞From the blockbusters of the Hollywood studios to emerging voices from Saudi Arabia, Pakistan and Laos, we learn of women making films in traditionally male-dominated areas such as action, fantasy and horror. There are contributions from countries with film industries in every state from nascent to mature, and this book demonstrates how economic and technological change is creating new opportunities for women film directors everywhere.＜/p＞ ＜p＞***** "BEST BOOK ON WOMEN DIRECTORS DUE TO ITS GLOBAL OVERVIEW" - Diane, Amazon＜/p＞ ＜p＞***** "Gabrielle Kelly and Cheryl Robson have crafted a watershed work. CELLULOID CEILING is essential reading for anyone who wants to know how women directors are helping reshape filmmaking." - D.A. Morris, Amazon＜/p＞ ＜p＞***** "This book is an essential resource for anyone tracking the inspiring work being done by women film directors from around the world." - UCF Film＜/p＞ ＜p＞"The level of public consciousness about the barriers faced by female filmmakers is higher than it has ever been. Despite this, the discussion more often than not centres around North America and to a lesser extent, Europe, Australia and New Zealand (and I am guilty as charged). This is perfectly understandable, but clearly women do make films outside of these countries, and it can be illuminating to consider how their experiences reflect or differ from those with which we are more familiar.＜/p＞ ＜p＞To this end, the arrival of a new book, "The Celluloid Ceiling," could not be more timely. Edited by Gabrielle Kelly and Cheryl Robson, it takes a purposefully global overview of the status quo and in doing so provides some fascinating stories and insights, reminding us of what is lost when we limit the discussion to Anglophone directors."＜/p＞ ＜p＞- Matthew Hammett Knott, ＜em＞indiewire＜/em＞＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 550円 |
 Death in Venice A Queer Film Classic【電子書籍】[ Will Aitken ] 楽天Kobo電子書籍ストア | ＜p＞A Queer Film Classic on Luchino Visconti's lyrical and controversial 1971 film based on Thomas Mann's novel about a middle-aged man (played by Dirk Bogarde) vacationing in Venice who becomes obsessed with a youth staying at the same hotel as a wave of cholera descends upon the city. The book analyzes its cultural impact and provides a vivid portrait of the director, an ardent Communist and grand provocateur.＜/p＞ ＜p＞Will Aitken's novels include ＜em＞Realia＜/em＞ and ＜em＞Terre Haute＜/em＞. Arsenal's Queer Film Classics series cover some of the most important and influential films about and by LGBTQ people.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 1,983円 |
 Gladiator II: The Art and Making of the Ridley Scott Film【電子書籍】[ John Walsh ] 楽天Kobo電子書籍ストア | ＜p＞＜strong＞The official behind-the-scenes companion to Sir Ridley Scott’s highly anticipated sequel to ＜em＞Gladiator＜/em＞＜/strong＞＜/p＞ ＜p＞This definitive volume takes readers deep into the extraordinary production of ＜em＞Gladiator II＜/em＞.＜/p＞ ＜p＞Exploring the revolutionary special effects and breathtaking artistry that went into re-creating the grandeur of ancient Rome on a truly epic scale, ＜em＞Gladiator II: The Art and Making of the Ridley Scott Film＜/em＞ features storyboards, unit photography, concept art, character and costume sketches, and an array of props and ephemera, offering a comprehensive look at the creative process behind one of the most eagerly awaited sequels of our time.＜/p＞ ＜p＞With a foreword by Sir Ridley Scott and exclusive interviews with the castーincluding Paul Mescal, Denzel Washington, Pedro Pascal, Connie Nielsen, and moreーas well as insights from production designers, armorers, and the visual effects team, the book grants an insider’s look at this cinematic epic and is an essential companion to the film.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 4,125円 |
 America on Film Representing Race, Class, Gender, and Sexuality at the Movies【電子書籍】[ Harry M. Benshoff ] 楽天Kobo電子書籍ストア | ＜p＞＜strong＞A comprehensive and insightful examination of the representation of diverse viewpoints and perspectives in American cinema throughout the 20th and 21st centuries＜/strong＞＜/p＞ ＜p＞＜em＞America on Film: Representing Race, Class, Gender and Sexuality at the Movies,＜/em＞ now in its third edition, is an authoritative and lively examination of diversity issues within American cinema. Celebrated authors and academics Harry M. Benshoff and Sean Griffin provide readers with a comprehensive discussion and overview of the industrial, socio-cultural, and aesthetic factors that contribute to cinematic representations of race, class, gender, sexuality, and ability.＜/p＞ ＜p＞The book incorporates several different theoretical perspectives, including film genre, auteurism, cultural studies, Orientalism, the "male gaze," feminism, and queer theory. The authors examine each selected subject via representative films, figures, and movements. Each chapter also includes an in-depth analysis of a single film to illuminate and inform its discussion of the chosen topic.＜/p＞ ＜p＞＜em＞America on Film＜/em＞ fearlessly approaches and tackles several controversial areas of representation in film, including the portrayal of both masculinity and femininity in film and African- and Asian-Americans in film. It devotes the entirety of Part V to an analysis of the depiction of sex and sexuality in American film, with a particular emphasis on the portrayal of homosexuality. Topics covered include:＜/p＞ ＜ul＞ ＜li＞The structure and history of American filmmaking, including a discussion of the evolution of the business of Hollywood cinema＜/li＞ ＜li＞African Americans and American film, with a discussion of ＜em＞BlacKkKlansman＜/em＞ informing its examination of broader issues＜/li＞ ＜li＞Asian, Latin/x, and Native Americans on film＜/li＞ ＜li＞Classical Hollywood cinema and class, with an in-depth examination of ＜em＞The Florida Project＜/em＞＜/li＞ ＜li＞Women in classical Hollywood filmmaking, including a discussion of the 1955 film, ＜em＞All that Heaven Allows＜/em＞＜/li＞ ＜/ul＞ ＜p＞Perfect for undergraduate and graduate students in film, media, and diversity-related courses, the book also belongs on the shelves of anyone interested in diversity issues in the context of American studies, communications, history, or gender studies. Lastly, it's ideal for use within corporate diversity training curricula and human relations training within the entertainment industry.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 6,500円 |
 Documentary Film A Very Short Introduction【電子書籍】[ Patricia Aufderheide ] 楽天Kobo電子書籍ストア | ＜p＞Documentary film can encompass anything from Robert Flaherty's pioneering ethnography ＜em＞Nanook of the North＜/em＞ to Michael Moore's anti-Iraq War polemic ＜em＞Fahrenheit 9/11＜/em＞, from Dziga Vertov's artful Soviet propaganda piece ＜em＞Man with a Movie Camera＜/em＞ to Luc Jacquet's heart-tugging wildlife epic ＜em＞March of the Penguins＜/em＞. In this concise, crisply written guide, Patricia Aufderheide takes readers along the diverse paths of documentary history and charts the lively, often fierce debates among filmmakers and scholars about the best ways to represent reality and to tell the truths worth telling. Beginning with an overview of the central issues of documentary filmmaking--its definitions and purposes, its forms and founders--Aufderheide focuses on several of its key subgenres, including public affairs films, government propaganda (particularly the works produced during World War II), historical documentaries, and nature films. Her thematic approach allows readers to enter the subject matter through the kinds of films that first attracted them to documentaries, and it permits her to make connections between eras, as well as revealing the ongoing nature of documentary's core controversies involving objectivity, advocacy, and bias. Interwoven throughout are discussions of the ethical and practical considerations that arise with every aspect of documentary production. A particularly useful feature of the book is an appended list of "100 great documentaries" that anyone with a serious interest in the genre should see. Drawing on the author's four decades of experience as a film scholar and critic, this book is the perfect introduction not just for teachers and students but also for all thoughtful filmgoers and for those who aspire to make documentaries themselves. ＜strong＞About the Series:＜/strong＞ Combining authority with wit, accessibility, and style, ＜strong＞Very Short Introductions＜/strong＞ offer an introduction to some of life's most interesting topics. Written by experts for the newcomer, they demonstrate the finest contemporary thinking about the central problems and issues in hundreds of key topics, from philosophy to Freud, quantum theory to Islam.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 1,126円 |
 Voicing the Cinema Film Music and the Integrated Soundtrack【電子書籍】[ Julie Brown ] 楽天Kobo電子書籍ストア | ＜p＞Theorists of the soundtrack have helped us understand how the voice and music in the cinema impact a spectator's experience. James Buhler and Hannah Lewis edit in-depth essays from many of film music's most influential scholars in order to explore fascinating issues around vococentrism, the voice in cinema, and music’s role in the integrated soundtrack.＜/p＞ ＜p＞The collection is divided into four sections. The first explores historical approaches to technology in the silent film, French cinema during the transition era, the films of the so-called New Hollywood, and the post-production sound business. The second investigates the practice of the singing voice in diverse repertories such as Bergman's films, Eighties teen films, and girls' voices in ＜em＞Brave＜/em＞ and ＜em＞Frozen＜/em＞. The third considers the auteuristic voice of the soundtrack in works by Kurosawa, Weir, and others. A last section on narrative and vococentrism moves from ＜em＞The Martian＜/em＞ and horror film to the importance of background music and the state of the soundtrack at the end of vococentrism.＜/p＞ ＜p＞Contributors: Julie Brown, James Buhler, Marcia Citron, Eric Dienstfrey, Erik Heine, Julie Hubbert, Hannah Lewis, Brooke McCorkle, Cari McDonnell, David Neumeyer, Nathan Platte, Katie Quanz, Jeff Smith, Janet Staiger, and Robynn Stilwell＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 2,647円 |
 Marxist Film Theory and Fight Club【電子書籍】[ Anna Kornbluh ] 楽天Kobo電子書籍ストア | ＜p＞Anna Kornbluh provides an overview of Marxist approaches to film, with particular attention to three central concepts in Marxist theory in general that have special bearing on film: “the mode of production,” “ideology,” and “mediation.” In explaining how these concepts operate and how they have been used and misused in film studies, the volume employs a case study to exemplify the practice of Marxist film theory.＜/p＞ ＜p＞＜em＞Fight Club＜/em＞ is an exceptionally useful text with which to explore these three concepts because it so vividly and pedagogically engages with economic relations, ideological distortion, and opportunities for transformation. At the same time, it is a very typical film in terms of the conditions of its production, its marketing, and its popularity. Adapted from a novel by Chuck Palahniuk, the film is a contemporary classic that has lent itself to significant re-interpretation with every shift in the political economic landscape since its debut.＜/p＞ ＜p＞＜em＞Marxist Film Theory and Fight Club＜/em＞ models a detailed cinematic interpretation that students can practice with other films, and furnishes a set of ideas about cinema and society that can be carried into other kinds of study, giving students tools for analyzing culture broadly defined.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 2,521円 |
 Cinemagritte Ren? Magritte Within the Frame of Film History, Theory, and Practice【電子書籍】[ Lucy Fischer ] 楽天Kobo電子書籍ストア | ＜p＞＜strong＞Examines the fascinating ties between Surrealist artist Ren? Magritte and the cinema.＜/strong＞＜/p＞ ＜p＞＜em＞Cinemagritte: Ren? Magritte within the Frame of Film History, Theory, and Practice＜/em＞ investigates the dynamic relationship between the Surrealist modernist artist Ren? Magritte (1898?1967) and the cinemaーa topic largely ignored in the annals of film and art criticism. Magritte once said that he used cinema as "a trampoline for the imagination," but here author Lucy Fischer reverses that process by using Magritte's work as a stimulus for an imaginative examination of film.＜/p＞ ＜p＞While Fischer considers direct influences of film on Magritte and Magritte on film, she concentrates primarily on "resonances" of Magritte's work in international cinemaーboth fiction and documentary, mainstream and experimental. These resonances exist for several reasons. First, Magritte was a lover of cinema and created works as homages to the medium, such as ＜em＞Blue Cinema＜/em＞ (1925), which immortalized his childhood movie theater. Second, Magritte's style, though dependent on bizarre juxtapositions, was characterized by surface realismーwhich ties it to the nature of the photographic and cinematic image. Third, Magritte shares with film a focus on certain significant concepts: the frame, voyeurism, illusionism, the relation between word and image, the face, montage, variable scale, and flexible point of view. Additionally, the volume explores art documentaries concerning Magritte as well as the artist's whimsical amateur "home movies," made with his wife, Georgette, friends, and Belgian Surrealist associates. The monograph is richly illustrated with images of Magritte's oeuvre as well as film stills from such diverse works as ＜em＞The Eternal Sunshine of the Spotless Mind, Eyes Without a Face, American Splendor, The Blood of a Poet, Zorns Lemma, The Island of Dr. Moreau, The Draughtsman's Contract,＜/em＞ and many more.＜/p＞ ＜p＞＜em＞Cinemagritte＜/em＞ brings a novel and creative approach to the work of Magritte and both film and art criticism. Students, scholars, and fans of art history and film will enjoy this thoughtful marriage of the two.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 3,895円 |
 Accent in North American Film and Television A Sociophonetic Analysis【電子書籍】[ Charles Boberg ] 楽天Kobo電子書籍ストア | ＜p＞Drawing on data from well-known actors in popular films and TV shows, this reference guide surveys the representation of accent in North American film and TV over eight decades. It analyzes the speech of 180 film and television performances from the 1930s to today, looking at how that speech has changed; how it reflects the regional backgrounds, gender, and ethnic ancestry of the actors; and how phonetic variation and change in the 'real world' have been both portrayed in, and possibly influenced by, film and television speech. It also clearly explains the technical concepts necessary for understanding the phonetic analysis of accents. Providing new insights into the role of language in the expression of North American cultural identity, this is essential reading for researchers and advanced students in linguistics, film, television and media studies, and North American studies, as well as the larger community interested in film and television.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 3,979円 |
 Film Music in the Sound Era A Research and Information Guide, Volume 2: People, Cultures, and Contexts【電子書籍】[ Jonathan Rhodes Lee ] 楽天Kobo電子書籍ストア | ＜p＞＜em＞Film Music in the Sound Era: A Research and Information Guide＜/em＞ offers a comprehensive bibliography of scholarship on music in sound film (1927?2017). Thematically organized sections cover historical studies, studies of musicians and filmmakers, genre studies, theory and aesthetics, and other key aspects of film music studies. Broad coverage of works from around the globe, paired with robust indexes and thorough cross-referencing, make this research guide an invaluable tool for all scholars and students investigating the intersection of music and film.＜/p＞ ＜p＞This guide is published in two volumes:＜/p＞ ＜ul＞ ＜li＞＜/li＞ ＜li＞＜/li＞ ＜li＞Volume 1: Histories, Theories, and Genres covers overviews, historical surveys, theory and criticism, studies of film genres, and case studies of individual films.＜/li＞ ＜li＞＜/li＞ ＜li＞＜/li＞ ＜li＞Volume 2: People, Cultures, and Contexts covers individual people, social and cultural studies, studies of musical genre, pedagogy, and the Industry.＜/li＞ ＜/ul＞ ＜p＞A complete index is included in each volume.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 10,280円 |
 Mise-en-sc?ne Film Style and Interpretation【電子書籍】[ John Gibbs ] 楽天Kobo電子書籍ストア | ＜p＞Mise-en-sc?ne: Film Style and Interpretation explores and elucidates constructions of this fundamental concept in thinking about film. In uncovering the history of mise-en-sc?ne within film criticism, and through the detailed exploration of scenes from films as Imitation of Life and Lone Star, John Gibbs makes the case for the importance of a sensitive understanding of film style, and provides an introduction to the skills of close reading. This book thus celebrates film-making as well as film criticism that is alive to the creative possibilities of visual style.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 2,129円 |
 Roald Dahl's Matilda - The Musical Music from the Netflix Film【電子書籍】[ Tim Minchin ] 楽天Kobo電子書籍ストア | ＜p＞(Piano/Vocal/Guitar Songbook). A brand new take on the Tony and Olivier award-winning musical, Netflix's film adaptation of Roald Dahl's Matilda The Musical tells the story of an extraordinary girl with a vivid imagination, who dares to take a stand to change her story with miraculous results. This exclusive folio presents 12 songs from the hit movie soundtrack, including "Still Holding My Hand," written exclusively for the film. The official songbook contains selections from the soundtrack arranged for voice and piano with chord symbols.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 2,647円 |
 Scoring the Score The Role of the Orchestrator in the Contemporary Film Industry【電子書籍】[ Ian Sapiro ] 楽天Kobo電子書籍ストア | ＜p＞＜em＞Scoring the Score＜/em＞ is the first scholarly examination of the orchestrator’s role in the contemporary film industry. Orchestrators are crucial to the production of a film’s score, yet they have not received significant consideration in film-music research. This book sheds light on this often-overlooked yet vital profession. It considers the key processes of orchestrating and arranging and how they relate, musical and filmic training, the wide-ranging responsibilities of the orchestrator on a film-scoring project, issues related to working practices, the impact of technology, and the differences between the UK and US production processes as they affect orchestrators.＜/p＞ ＜p＞Drawing on interviews with American and British orchestrators and composers, ＜em＞Scoring the Score＜/em＞ aims to expose this often hidden profession through a rigorous examination of the creative process and working practices, and analysis of the skills, training and background common to orchestrators. It will appeal to scholars, students, and practitioners of film music.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 11,109円 |
 電影即剪接：拍電影的教科書！教父剪接師告訴?：電影敘事、影像後製、音效設計的金獎級專業奧祕 The Conversations: Walter Murch and the Art of Editing Film【電子書籍】[ 麥可．翁達傑 ] 楽天Kobo電子書籍ストア | ＜p＞＜strong＞「影像本身是不?的，真正掌控電影是在剪接時。」＜/strong＞＜/p＞ ＜p＞＜strong＞──華特?莫屈＜/strong＞＜/p＞ ＜p＞＜strong＞大師開課！拍電影的教科書＜/strong＞＜/p＞ ＜p＞＜strong＞電影導演、剪接師、音效設計、故事編劇必看！＜/strong＞＜/p＞ ＜p＞剪接心法、電影製作、鏡頭運用、配樂混音、小?改編＜/p＞ ＜p＞《英倫情人》原著作者 VS.《教父》剪接?音效鬼才＜/p＞ ＜p＞金獎級的對談火花，激發大師級的故事力＜/p＞ ＜p＞【＜strong＞本書特色】＜/strong＞＜/p＞ ＜p＞?實例?明！經典電影當教科書，從人物、場景、聲音、時間感……細部剖析。＜/p＞ ＜p＞?珍貴手稿！一窺科波拉、威爾斯的劇本筆記、備忘?，跟著名導思考影像運作。＜/p＞ ＜p＞?學！華特?莫屈《英倫情人》剪接筆記大公開，教?如何建立資料庫。＜/p＞ ＜p＞?看！圖文對照深入?明，提供經典鏡頭、工作現場、幕後影像，展現電影製作的細節。＜/p＞ ＜p＞?談！從剪接角度，教?看?影像的敘事與邏輯；從音效角度，告訴?情緒導引重要性。＜/p＞ ＜p＞＜strong＞本書榮獲──＜/strong＞＜/p＞ ＜p＞＜strong＞【美國剪接師協會特別獎】＜/strong＞＜/p＞ ＜p＞＜strong＞【日本最具權威 《電影旬報》年度十大電影書】＜/strong＞＜/p＞ ＜p＞專業剪接師大讚：這是我看過最好的剪接教科書＜/p＞ ＜p＞＜strong＞奧斯?獎剪接教父傾?相授──＜/strong＞＜/p＞ ＜p＞CASE by CASE 細部拆解經典電影的製作與思考！＜/p＞ ＜p＞《現代?示?》、《英倫情人》、《教父》、《對話》、《茱莉亞》、《星際大戰》＜/p＞ ＜p＞《天才雷普利》《布拉格的春天》、《第六感生死戀》……等。＜/p＞ ＜p＞＜strong＞剪接師之眼！一句話?中拍電影的神髓──＜/strong＞＜/p＞ ＜p＞＜strong＞關於電影導演：＜/strong＞＜/p＞ ＜p＞?電影製作有兩種方法：一種是希區考克式，?一種是法蘭西斯?科波拉式。前者已經在創造者的腦子裡完成；後者則在過程中成長壯大，不停地集聚新生力量。＜/p＞ ＜p＞?只要相愛的人們在電影高潮時是在一起的，電影就會被看成是大團圓，?怕這時有一千架敵機正向他們迫近。＜/p＞ ＜p＞＜strong＞關於剪接師：＜/strong＞＜/p＞ ＜p＞?剪接師的任務就是操作觀?注意力的焦點。在剪接點上，考慮的是觀?眼睛看著?裡、往什麼地方移動，以及移動的快慢。＜/p＞ ＜p＞?就算畫面是精心設計的，也要彷彿是被偶然看見一樣。＜/p＞ ＜p＞＜strong＞關於音效混音：＜/strong＞＜/p＞ ＜p＞?電影音樂是作為抒發情緒的功用，而非製造情緒。＜/p＞ ＜p＞?當對話變得稀少，會促使觀?更專注在影片裡的聲音上，並將之視為語言。＜/p＞ ＜p＞＜strong＞關於電影編劇：＜/strong＞＜/p＞ ＜p＞?想要用寫作來改變某人的想法是徒勞的，?只會證實讀者他們自己的想法。＜/p＞ ＜p＞?一部電影如果讓?感覺不錯，它一定是表達出?個人?心的某種祕密。＜/p＞ ＜p＞＜strong＞【剪接，完整了一部電影！】＜/strong＞＜/p＞ ＜p＞本書透過一部電影最核心的創作者之一，華特?莫屈這位教父級剪接師的獨特視角，來探討電影創作過程的藝術特性，同時也更具體的探討處理影片中的種種問題，例如：如何避免系列情節的瓶頸；如何在影片開始的第幾分鐘做一點小小改變，以挽救第53分鐘的一場戲；如何透過増強靜默感來加強戲劇張力；甚至是如何掩蓋一個大漏洞大缺失……因為某場關鍵情節根本沒有拍攝。＜/p＞ ＜p＞主談人莫屈在書中，透過作者翁達傑的提問與互動，解?並示範了大量實用而獨特的理論，他分享了如何透過對於故事的微妙觀察、人物的一個角度與眼神、所屬的空間環境、聲音的運用……整合出一部動人的電影。＜/p＞ ＜p＞＜strong＞剪接的存在，不只是單獨一場戲的處理，而是對於整體結構的深刻理解。＜/strong＞＜/p＞ ＜p＞作者／譯者簡介＜/p＞ ＜p＞**作者簡介ー**＜strong＞麥可?翁達傑（Michael Ondaatje）＜/strong＞＜/p＞ ＜p＞加拿大著名詩人、作家，1943年生於斯里蘭?，11?隨母親到英國，19?移居加拿大，畢業於多倫多大學。他的作品兼具文學的語言美感和電影的視覺衝?力，透過詩性直覺和敘事節奏的交揉變化，展現獨特的個人風格。目前為止，共出版六部長篇小?，十多部詩集，以及其他非?構作品。其中，《英倫情人》＜em＞（The English Patient＜/em＞）榮獲布克獎，並改編為同名電影，由安東尼?明格拉（Anthony Minghella）執導，華特?莫屈（Walter Murch）剪接。＜/p＞ ＜p＞＜strong＞主談人簡介ー華特?莫屈（Walter Murch）＜/strong＞＜/p＞ ＜p＞新好?塢運動中最為知名的剪接師與音效設計師之一，是少數同時活躍於影像與音效的工作者，為英美電影界公認的剪接領域權威，在好?塢甚至有人稱他為「剪接教父」，同時也是柯波拉創立美洲西洋鏡電影公司的早期重要人物，曾多次獲得英國電影學院、美國電影學院大獎。＜/p＞ ＜p＞華特?莫屈曾剪接與參與音效工作的作品有：《對話》《現代?示?》、《教父2》、《教父3》、《布拉格的春天》、《天才雷普利》、《冷山》、《鍋蓋頭》，並以《英倫情人》同時獲得奧斯?最佳剪接獎、最佳音效獎。＜/p＞ ＜p＞同時也曾參與修復、重剪奧森．威爾斯（Orson Welles）的《?劫佳人》。＜/p＞ ＜p＞**譯者簡介ー**＜strong＞夏?＜/strong＞＜/p＞ ＜p＞畢業於北京大學，從事過廣告創意、國際文化交流等多項工作，自加拿大艾米利??爾藝術大學（Emily Carr University）電影系畢業後，作品多次參加國際電影節並獲大獎。2007年應邀在中國中央美術學院電影系任職至今。譯有《剪接的法則》。＜/p＞ ＜p＞目次＜/p＞ ＜p＞＜strong＞致中文世界的讀者＜/strong＞＜/p＞ ＜p＞＜strong＞引言ー剪接師之眼，看電影創作的過程與藝術性＜/strong＞＜/p＞ ＜p＞＜strong＞對話一?舊金山──＜/strong＞重剪《現代?示?》深入探討電影製作＜/p＞ ＜p＞01 謙卑的聲音景觀＜/p＞ ＜p＞02 高中生機密＜/p＞ ＜p＞●【對談之外】「像我一樣古怪的人」ー喬治?盧?斯＜/p＞ ＜p＞03 影響＜/p＞ ＜p＞04 導演與剪接師＜/p＞ ＜p＞05 ?一隻眼閉一隻眼＜/p＞ ＜p＞06「第一次」只有一次＜/p＞ ＜p＞07 黒暗時代＜/p＞ ＜p＞●【對談之外】「莫屈拒?替人頭朝下的畫面做電影混音！」ー法蘭西斯?科波拉＜/p＞ ＜p＞08 現代?示?的今與昔＜/p＞ ＜p＞09 燃燒的賽路珞＜/p＞ ＜p＞10 馬龍?白蘭度＜/p＞ ＜p＞11 韋勒的凝視＜/p＞ ＜p＞●【對談之外】演員與剪接ー華特?莫屈＜/p＞ ＜p＞12 新増的場景＜/p＞ ＜p＞13 法國人的幽靈＜/p＞ ＜p＞14《現代?示?重生版》＜/p＞ ＜p＞＜strong＞對話二?洛杉磯──＜/strong＞科學、聲音、小?對電影製作的關鍵影響＜/p＞ ＜p＞01 車輪誕生的恰當時機＜/p＞ ＜p＞02 殺人音樂＜/p＞ ＜p＞03 五種類型的模?兩可問題＜/p＞ ＜p＞04 兩則流言＜/p＞ ＜p＞05 魔鬼的發明＜/p＞ ＜p＞06 看看他們是怎麼?的＜/p＞ ＜p＞07 音效中的意涵＜/p＞ ＜p＞08 小?與電影的豐富性＜/p＞ ＜p＞09 約伯式的悲劇時刻＜/p＞ ＜p＞10 WIDEO＜/p＞ ＜p＞11 活的「非電影」方式＜/p＞ ＜p＞＜strong＞對話三?紐約──＜/strong＞關於剪接《對話》和《?劫佳人》的剖析＜/p＞ ＜p＞01 《對話》的剪接＜/p＞ ＜p＞02 隱身的搭?＜/p＞ ＜p＞03 小調鍵盤＜/p＞ ＜p＞04 手掌下面藏了什麼＜/p＞ ＜p＞05 在真實的夜?拍「夜景」＜/p＞ ＜p＞06 不對勁的回聲＜/p＞ ＜p＞07 最有表現力的角度＜/p＞ ＜p＞●【對談之外】「彷彿是奧森正在傳真筆記給我們」ー里克?施米徳林＜/p＞ ＜p＞＜strong＞對話四?舊金山──＜/strong＞偶然性與藝術創作＜/p＞ ＜p＞01 影響＜/p＞ ＜p＞02 負二十個問題＜/p＞ ＜p＞03 強制空間期＜/p＞ ＜p＞04 電影製作的兩種路徑＜/p＞ ＜p＞05 他為什麼更喜歡那樣＜/p＞ ＜p＞06 家庭生活＜/p＞ ＜p＞07 事物之間的意外?撞＜/p＞ ＜p＞08 鵝卵石、蟋蟀和?手＜/p＞ ＜p＞09 藍色之死＜/p＞ ＜p＞10 一種誤讀＜/p＞ ＜p＞11 發散或匯聚＜/p＞ ＜p＞12 消失的兄弟＜/p＞ ＜p＞13 序幕＜/p＞ ＜p＞04 油彩鉛筆和即時剪接＜/p＞ ＜p＞●【對談之外】「等待挑釁」ー安東尼?明格拉＜/p＞ ＜p＞＜strong＞對話終章?多倫多──＜/strong＞導演、作家與其他身分＜/p＞ ＜p＞01 因不安而受賜福＜/p＞ ＜p＞02《天魔?險》的劇本寫作＜/p＞ ＜p＞03 表面之下＜/p＞ ＜p＞04 里爾克的精彩詩句＜/p＞ ＜p＞05 夢境＜/p＞ ＜p＞＜strong＞華特?莫屈作品年表＜/strong＞＜/p＞ ＜p＞＜strong＞致謝＜/strong＞＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 1,997円 |
 killing for culture From Edison to ISIS: A New History of Death on Film【電子書籍】[ David Kerekes ] 楽天Kobo電子書籍ストア | Unlike images of sex, which were clandestine and screened only in private, images of death were made public from the onset of cinema. The father of the modern age, Thomas Edison, fed the appetite for this material with staged executions on film. Little over a century later the executions are real and the world is aghast at brutalities freely available online at the click of a button. Some of these films are created by lone individuals using shaky camera phones: Luka Magnotta, for instance, and the teenagers known as the Dnipropetrovsk maniacs. Others are shot on high definition equipment and professionally edited by organized groups, such as the militant extremists ISIS. KILLING FOR CULTURE explores these images of death and violence, and the human obsession with looking ??” and not looking ??” at them. Beginning with the mythology of the so-called ???snuff??? film and its evolution through popular culture, this book traces death and the artifice of death in the ???mondo??? documentaries that emerged in the 1960s, and later the faux snuff pornography that found an audience through Necrobabes and similar websites. However, it is when videos depicting the murders of Daniel Pearl and Nick Berg surfaced in the 2000s that an era of genuine atrocity commenced, one that has irrevocably changed the way in which we function as a society.画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 2,912円 |
 Time, Existential Presence and the Cinematic Image Ethics and Emergence to Being in Film【電子書籍】[ Sam B. Girgus ] 楽天Kobo電子書籍ストア | 画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 3,971円 |
 Screening Transcendence Film under Austrofascism and the Hollywood Hope, 1933-1938【電子書籍】[ Robert Dassanowsky ] 楽天Kobo電子書籍ストア | ＜p＞During the 1930s, Austrian film production companies developed a process to navigate the competing demands of audiences in Nazi Germany and those found in broader Western markets. In ＜em＞Screening Transcendence＜/em＞, film historian Robert Dassanowsky explores how Austrian filmmakers during the Austrofascist period (1933?1938) developed two overlapping industries: "Aryanized" films for distribution in Germany, its largest market, and "Emigrantenfilm," which employed ?migr? and Jewish talent that appealed to international audiences.＜/p＞ ＜p＞Through detailed archival research in both Vienna and the United States, Dassanowsky reveals what was culturally, socially, and politically at stake in these two simultaneous and overlapping film industries. Influenced by French auteurism, admired by Italian cinephiles, and ardently remade by Hollywood, these period Austrian films demonstrate a distinctive regional style mixed with transnational influences.＜/p＞ ＜p＞Combining brilliant close readings of individual films with thoroughly informed historical and cultural observations, Dassanowsky presents the story of a nation and an industry mired in politics, power, and intrigue on the brink of Nazi occupation.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 1,408円 |
 Fingerpicking Film Score Music 15 Famous Pieces Arranged for Solo Guitar in Standard Notation & Tablature【電子書籍】[ Hal Leonard Corp. ] 楽天Kobo電子書籍ストア | ＜p＞(Guitar Solo). 15 famous pieces from blockbuster movies like Braveheart, Harry Potter, The Pink Panther, Pirates of the Caribbean, Star Wars and more, arranged for solo guitar in standard notation and tablature. Each solo is written for intermediate level guitarists, combining melody and harmony in one superb fingerpicking arrangement.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 1,841円 |
 The Ghostly and the Ghosted in Literature and Film Spectral Identities【電子書籍】 楽天Kobo電子書籍ストア | ＜p＞The Ghostly and the Ghosted in Literature and Film: Spectral Identities is a collection of essays expanding the concepts of “ghost” and “haunting” beyond literary tools used to add supernatural flavor to include questions of identity, visibility, memory and trauma, and history. Using a wide scope of texts from varying time periods and cultures, including fiction and film, this collection explores the phenomenon of social ghosts. What does it mean, for example, to be invisible, to be a ghost, particularly when that ghost is representative of a person or group living on the margins of society? Why do specific types of ghosts tend to haunt certain cultures and/or places? What is it about a people’s history that invites these types of hauntings? The essays in this book, like pieces of a puzzle, approach the larger questions from diverse individual perspectives, but, taken together, they offer a richly detailed composite discussion of what it means to be haunted.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 6,500円 |
 Moving Pictures: How They Are Made and Worked Enriched edition. Unveiling the Secrets of Cinematic Mastery: A Journey into Film Production and Visual Storytelling【電子書籍】[ Frederick Arthur Ambrose Talbot ] 楽天Kobo電子書籍ストア | ＜p＞In "Moving Pictures: How They Are Made and Worked," Frederick Arthur Ambrose Talbot provides an insightful exploration of the early mechanics and artistry behind filmmaking. Written during a period of rapid technological advancement in cinema, the book combines accessible language with meticulous detail, reflecting both the scientific principles of motion and the emergent narrative techniques of the silent film era. Talbot delves into the complexities of cinematography, editing, and projection, illustrating the intricate processes involved in bringing moving images to life, thereby laying a foundation for readers to appreciate the artistic and technical synergy of filmmaking at the time. Frederick Arthur Ambrose Talbot, a noted British inventor and writer, was deeply passionate about both technology and the performing arts. His background in engineering and his close ties to the evolving film industry provided him with a unique perspective, allowing him to demystify the filmmaking process for a wider audience. Talbot's innovative spirit and dedication to educating the public about the art and science of cinema are evident in this work, making it a significant contribution to film literature. This book is a must-read for anyone interested in the history of cinema or the revival of visual storytelling. With its detailed explanations and historical context, Talbot's work serves not only as an informative guide to the technical aspects of filmmaking but also as an inspiring introduction to the captivating world of moving images. In this enriched edition, we have carefully created added value for your reading experience: - Handーpicked Memorable Quotes shine a spotlight on moments of literary brilliance. - Interactive footnotes clarify unusual references, historical allusions, and archaic phrases for an effortless, more informed read.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 300円 |
 Screens of Blood A Critical Approach to Film and Television Violence【電子書籍】[ Gregory Desilet ] 楽天Kobo電子書籍ストア | ＜p＞Civilization seems to move ever more toward the power of words over weapons. But many people, especially Americans, still believe wrongs in life can be righted with a fist or a gun or a bomb. Cultural mythology lags reality and continues to send the message of regeneration through violence. But the transition to a healthier mythology is already underway and can be seen in the strength of an alternative trend in depictions of violence in storytelling.＜/p＞ ＜p＞This book examines this trend by comparing examples drawn from film and television with the traditional popular dramatic approach--reflecting and promoting a culture of violence. This comparison shows that attitudes toward conflict in drama are a key indicator of a shift in awareness of violence in society. The book concludes with an account of increasing challenges confronting the individual in today's world and the necessity for individual producers and consumers to take greater responsibility for their choices--which shape culture through omnipresent and profoundly influential screen technology.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 3,447円 |
 FILM-KONZEPTE 50 - Wim Wenders【電子書籍】 楽天Kobo電子書籍ストア | ＜p＞Wim Wenders darf als der international angesehenste und bei weitem wichtigste Gegenwartsregisseur Deutschlands bezeichnet werden ? und gewiss auch als einer der produktivsten. Sein ?uvre umfasst bereits ?ber 50 Spiel- und Dokumentarfilme, unter ihnen zahlreiche Klassiker wie ALICE IN DEN ST?DTEN (1974), DER STAND DER DINGE (1982), PARIS, TEXAS (1984) und DER HIMMEL ?BER BERLIN (1987). ?ber ein dichtes Netz von formal-?sthetischen, inhaltlichen, thematischen und motivischen Aspekten miteinander verbunden, weisen sie den Regisseur als musterg?ltigen auteur aus, der seit Jahrzehnten bereits ein Grenzg?ngertum betreibt, das vor allen Dingen durch zwei Fluchtlinien gekennzeichnet ist: die intermediale einerseits und die internationale andererseits. Beide werden im vorliegenden Heft verfolgt, wobei auch der sp?te, von der bisherigen Forschung zu Unrecht vernachl?ssigte Wenders gew?rdigt wird.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 3,000円 |
 Sports on Film【電子書籍】[ Johnny D. Boggs ] 楽天Kobo電子書籍ストア | ＜p＞＜strong＞＜em＞Sports on Film＜/em＞ takes readers behind the scenes of how movies get made and puts them in the stands for some of the key moments in sports in America.＜/strong＞＜/p＞ ＜p＞＜em＞Sports on Film＜/em＞ documents key events in American sports history through the films that depict them, starting with the integration of major-league baseball when Jackie Robinson signed with the Brooklyn Dodgers. Other significant events and personalities examined include the college basketball point-shaving incident of the 1950s; journalist George Plimpton's attempt to go through the Detroit Lions' NFL training camp in the early 1960s; the originations and popularity of rodeo; the brief run of women's professional baseball during World War II; the underdog racehorse Seabiscuit during the Great Depression; the rise of African American boxer Muhammad Ali; the unique 1970s "Battle of the Sexes" tennis event between Bobby Riggs and Billie Jean King; and Ford Motor Company's run in the 1960s to take motorsports to Europe's premier event in Le Mans, France.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 3,369円 |
 WALT DISNEY FILM ARCHIVES,THE(H) [ 40TH ANNIVERSARY EDITION ] 楽天ブックス | 40TH ANNIVERSARY EDITION TASCHEN (GERMANY).2020 English ドイツ ISBN：9783836580861 洋書 Art & Entertainment（芸術＆エンターテインメント） Art | 5,940円 |
 Strangers on a Train A Queer Film Classic【電子書籍】[ Jonathan Goldberg ] 楽天Kobo電子書籍ストア | ＜p＞Alfred Hitchcock's 1951 thriller based on the novel of the same name by Patricia Highsmith (author of ＜em＞The Talented Mr. Ripley＜/em＞) is about two men who meet on a train: one is a man of high social standing who wishes to divorce his unfaithful wife; the other is an enigmatic bachelor with an overbearing father. Together they enter into a murder plot that binds them to one another, with fatal consequences.＜/p＞ ＜p＞This Queer Film Classic delves into the homoerotic energy of the film, especially between the two male characters (played by Farley Granger and Robert Walker). It builds on the question of the sexuality the film puts on view, not to ask whether either character is gay so much as to explore the queer relations between sexuality and murder and the strong antisocial impulses those relations represent. The book also includes a look at the making of the film and the critical controversies over Hitchcock's representations of male homosexuality.＜/p＞ ＜p＞QUEER FILM CLASSICS is a critically acclaimed film book series that launched in 2009. It features twenty-one of the most important and influential films about and/or by LGBTQ people, made in eight different countries between 1950 and 2005, and written by leading LGBTQ film scholars and critics.＜/p＞ ＜p＞＜strong＞Jonathan Goldberg＜/strong＞ is a professor at Emory University, where he directs the Studies in Sexualities program. He is the author of many books and editor of Eve Kosofsky Sedgwick's posthumous 2012 book ＜em＞The Weather in Proust＜/em＞.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 1,983円 |
 ?徳斯談電影情感創作＆影像邏輯【經典版】 Wim Wenders on film: Emotion Pictures & Die Logik der Bilder【電子書籍】[ 文??徳斯 ] 楽天Kobo電子書籍ストア | ＜p＞＜strong＞?徳斯談電影全集，三部曲之第一、二部＜/strong＞＜/p＞ ＜p＞＜strong＞第一手觀點＜/strong＞＜/p＞ ＜p＞＜strong＞從影評人到導演，見證?徳斯成為徳國新浪潮導演的第一個20年＜/strong＞＜/p＞ ＜p＞＜strong＞徳文翻譯?全新繁體中文版＜/strong＞＜/p＞ ＜p＞＜strong＞?探索徳國電影大師的讀影＆創作心法！?＜/strong＞＜/p＞ ＜p＞＜strong＞暢談──為何拍電影、故事會撒?＜/strong＞＜/p＞ ＜p＞拍攝《夏日記遊》、《守門員的焦慮》、《紅字》、《愛麗絲漫遊城市》＜/p＞ ＜p＞《?路》、《公路之王》、《美國朋友》、《水上迴光》、《神探漢密特》、《事物的?態》、《巴黎，徳州》、《尋找小津》、《慾望之翼》……經典創作的過程＆思考＜/p＞ ＜p＞**?****經典問卷《**＜strong＞666＜/strong＞ ＜strong＞號房》＜strong＞＜strong＞──＜/strong＞＜/strong＞如何訪問高達、史匹柏、法斯賓達、荷索、安東尼奧尼等14位名導，看電影未來＜/strong＞＜/p＞ ＜p＞「電影創作不是要把人們的注意力從這個世界引開，而是要把這個世界指給人們看。」＜/p＞ ＜p＞──?徳斯＜/p＞ ＜p＞＜strong＞【電影大師，如何反思影像及創作？】＜/strong＞＜/p＞ ＜p＞譯自徳文的?徳斯電影寫作全集，依時間集結，分為三部曲「情感創作」、「影像邏輯」及「觀看的行為」，依時序收?他於報章雜誌上的電影書寫、演講稿和訪談紀?。＜/p＞ ＜p＞＜strong＞本書為第一部「情感創作」和第二部「影像邏輯」的集結＜/strong＞，?徳斯1970拍攝首部劇情長片之前，就開始撰寫文章，首部曲收?他從1968年至完成《巴黎，徳州》的1984年間，於各種場合寫的文章和電影評論。二部曲則收?了他作為電影人第一個二十年，帶領讀者見證他的創作?程，影像和小?是如何融合的？音樂如何?動他的第一部短片？並詳述他在這段期間完成的逾十四部電影的創作?程與思考。＜/p＞ ＜p＞＜strong＞【首部曲：****情感創作＜/strong＞──夢想的?動】＜/p＞ ＜p＞本書收??徳斯在1968年至1984年，十六年間寫的文章和電影評論。?示了他＜strong＞如何透過觀看電影，聆聽音樂，來對電影媒體反思＜/strong＞。他的思想如何密不可分地陪伴並塑造他的電影作品。?徳斯不遺餘力地書寫電影──出於對徳國電影評論和電影文化現?的憤怒；真誠表達對那些糟透了，或是與之相反，堪稱學習典範電影作品的關注與驚愕。＜/p＞ ＜p＞?徳斯從未以新聞的立場來評論電影。＜strong＞他更著墨於電影感知的瞬間，即「電影夢想」，並將其與電影史，以及?據了整整一世代人的當前經驗聯?起來＜/strong＞：不論是最新的高達電影或是滾石樂團最近的唱片；爺爺時代的老電影之於徳國新浪潮的首次嘗試；不論是《逍遙騎士》或《狂沙十萬里》等經典片，亞佛烈徳．希區考克、勞勃．阿特曼、法蘭索瓦．楚浮的作品，亦或是搖滾電影等。在對佛列茲?朗的悼詞中，?徳斯反思了被摧毀的徳國電影傳統；在與約阿希姆．費斯特的「希特勒電影」辯論中，他遵循了意識形態、電影語言和電影敘事之間的連結；?一篇文章則闡述了＜strong＞?徳斯的「美國夢」和「公路電影」的思想。＜/strong＞＜/p＞ ＜p＞這些文章都有一個共同點，目的在於展現電影對於我們的意義：電影與生活有多密切關聯；電影比起過去的戲劇、音樂或視覺藝術，成為對我們這個時代更準確且更全面的文獻；電影可以透過疏離人們的?望和恐懼，對我們造成傷害，相反地也能開拓我們的生活並?示自由，為我們帶來益處──電影遠遠不只是製作電影的?業。＜/p＞ ＜p＞＜strong＞【二部曲：****影像邏輯＜/strong＞──電影的實踐】＜/p＞ ＜p＞二部曲收?了＜strong＞?徳斯作為電影人的第一個二十年＜/strong＞：從早期的音樂電影，徳國的公路電影**《公路之王》＜strong＞，到美國電影夢＜/strong＞《巴黎，徳州》＜strong＞和＜/strong＞《慾望之翼》＜strong＞；展現?徳斯身為一個導演與朋友和同仁之間的對話：＜strong＞與荷索和法斯賓達、安東尼奧尼和高達等當代電影大師，討論了電影是否還有未來以及前景為何＜/strong＞；多篇電影回憶?，其中＜/strong＞談論了拍片?由，開拍時的經濟條件，拍攝的冒險過程和剪接台上編輯工作的酸甜苦辣**。＜/p＞ ＜p＞讀者更可見證他從《夏日記遊》到《巴黎，徳州》、《慾望之翼》的完整創作過程：影像（體驗、夢境、想像）和故事（神話、小?、混合訊息）如何融合在一起，電影創意又是如何發想的。本書文字為讀者呈現出一幅關於電影美學的廣泛草圖，這一切來自於攝影機後的實踐，與其在影像及其邏輯之間不斷思辨的成果。＜/p＞ ＜p＞【＜strong＞那一夜，我想起?徳斯的話】＜/strong＞＜/p＞ ＜p＞?電影中最大的冒險就是生活本身。＜/p＞ ＜p＞?在一部電影中不惜一切代價講一個故事是沒有意義的。＜/p＞ ＜p＞?小津教我，就算沒有「故事」也可以講述一場電影。＜/p＞ ＜p＞?電影的可能性，在於「忠實呈現事物原貌」，藉此得以「拯救事物的存在」。＜/p＞ ＜p＞?千萬不要試圖講一個故事後再去尋找角色，?必須先擁有角色，再與他們一起尋找故事。＜/p＞ ＜p＞?我拍的許多電影其實都是根據旅行路線，而不是劇本。＜/p＞ ＜p＞?到達任何地方並不重要。重要的是，在旅途中有正確的「態度」。保持在路途中，不是為了去「?裡」，而是「行進」。＜/p＞ ＜p＞【＜strong＞各界讚譽＆推薦】＜/strong＞＜/p＞ ＜p＞「?徳斯是電影界的異議分子。他不斷指出電影的困境，但同時也為電影指出新的出路，並開?一些新的空間和經驗：新的故事。」──《時代週報》（Die Zeit）＜/p＞ ＜p＞「?徳斯電影作品的出色之處就在於它們呈現出覺醒者的激動，以及人們對所見之種種的驚訝和好奇。」──《南徳日報》（S?ddeutsche Zeitung）＜/p＞ ＜p＞「?徳斯是魔法師！」──《明鏡週刊》（Der Spiegel）＜/p＞ ＜p＞＜strong＞沈可尚／導演＜/strong＞＜/p＞ ＜p＞若要看待一位作者電影的世界觀，本書非讀不可！＜/p＞ ＜p＞＜strong＞林木材／台灣國際紀?片影展策展人＜/strong＞＜/p＞ ＜p＞以電影探尋事物的本質，必必必必看！＜/p＞ ＜p＞＜strong＞張榮吉／導演＜/strong＞＜/p＞ ＜p＞觀看過程彷彿是回到導演的起點，回到電影的最初。＜/p＞ ＜p＞＜strong＞陳駿霖／導演＜/strong＞＜/p＞ ＜p＞?徳斯是過去四、五十來最偉大的導演和藝術家之一，這套書驚人地帶領我們進入他的創作?程。＜/p＞ ＜p＞＜strong＞瞿友寧＜/strong＞**／**＜strong＞導演＜/strong＞＜/p＞ ＜p＞?徳斯教會我其實可以披著翅膀看這世界，而距離的衡量是多餘的。＜/p＞ ＜p＞＜strong＞饒紫娟／台北市電影委員會總監＜/strong＞＜/p＞ ＜p＞曾經凌晨排隊買票只為了看《巴黎，徳州》，後來更因為《一頁台北》陪他走過台北一些巷弄，那些我們覺得不起眼、他卻覺得異常有趣的地方。他把世界的實景透過電影攝成「真實的?像」，這本書不但是所有編導製片應該要讀的，喜愛文學的讀者們更可以在其中找到個人的理想之境。＜/p＞ ＜p＞【＜strong＞影壇13人，好評推薦】＜/strong＞＜/p＞ ＜p＞王志欽／影評人＜/p＞ ＜p＞王派彰／策展人＜/p＞ ＜p＞沈可尚／導演＜/p＞ ＜p＞林木材／台灣國際紀?片影展策展人＜/p＞ ＜p＞徐明瀚／電影與藝術評論人＜/p＞ ＜p＞張榮吉／導演＜/p＞ ＜p＞陳駿霖／導演＜/p＞ ＜p＞?以曦／影評人＜/p＞ ＜p＞?嘉俊／黒糖導演＜/p＞ ＜p＞聞天祥／金馬獎執委會執行長＜/p＞ ＜p＞楊元鈴／?徳斯【在路上】影展策展人＜/p＞ ＜p＞瞿友寧／導演＜/p＞ ＜p＞饒紫娟／台北市電影委員會總監＜/p＞ ＜p＞作者／譯者簡介＜/p＞ ＜p＞＜strong＞作者＜/strong＞＜/p＞ ＜p＞＜strong＞?徳斯 Wim Wenders＜/strong＞＜/p＞ ＜p＞1945年8月14日出生於徳國杜塞道夫。＜/p＞ ＜p＞1964至65年於弗?堡大學研讀醫學與哲學，隨後中斷學業。由於一心想成為畫家，而於1966年前往巴黎，隨後他的藝術興趣轉向電影方面，但當時未能如願通過巴黎高等電影學院（Institut des Hautes Etudes Cinematographiques）的入學考試。隔年，他返回徳國報考慕尼黒電影?電視學院（Hochschule f?r Film und Fernsehen）並獲得?取，在學期間已開始為《南徳日報》（S?ddeutsche Zeitung）和《電影評論》（Filmkritik）雜誌撰寫影評，前後長達四年。＜/p＞ ＜p＞1971年，他和參與「徳國新電影運動」的導演共同成立作者電影公司（Filmverlag der Autoren），1975年獨自成立公路電影製作公司（Road Movies Filmproduktion），1984年獲選為柏林藝術學院會員，1989年榮獲巴黎索邦大學榮譽博士學位，1991年獲頒穆瑙電影獎（Friedrich Wilhelm Murnau Filmpreis），自1996年起，擔任歐洲電影學院（European Film Academy）院長至今。＜/p＞ ＜p＞影片在國際影展間?有斬獲，《美國朋友》（1977）曾獲徳國電影獎最佳影片與最佳導演、《事物的?態》（1982）曾獲威尼斯影展金獅獎，《巴黎，徳州》（1984）画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 1,894円 |
 Film Studies The Basics【電子書籍】[ Amy Villarejo ] 楽天Kobo電子書籍ストア | ＜p＞A comprehensive overview of how to study film, this updated third edition provides concise and provocative summaries for approaching the language of film analysis, ways of thinking about film history, and approaches and methods for studying cinema, from national cinemas to genre to stardom and beyond.＜/p＞ ＜p＞The new edition tracks the changes in film production and exhibition by situating the study of film within contemporary digital media cultures and structures, such as social media and streaming platforms. Without forsaking its emphasis on the study of ＜em＞film＜/em＞, the third edition updates its examples and provides fresh insight into today’s image culture.＜/p＞ ＜p＞Film Studies: The Basics provides beginning students in film studies, as well as lifelong film buffs, with the tools to pursue film analysis, film history, and further inquiries into the medium.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 5,139円 |