film Film in [ART ＆ ENTERTAINMENT]
3985件中 1件 - 30件
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| 商品 | 説明 | 価格 |
|---|---|---|
 An Introduction to Film Analysis Technique and Meaning in Narrative Film【電子書籍】[ Professor Michael Ryan ] 楽天Kobo電子書籍ストア | ＜p＞＜em＞An Introduction to Film Analysis＜/em＞ is designed to introduce students to filmmaking techniques while also providing an invaluable guide to film interpretation. It takes readers step by step through:＜/p＞ ＜p＞-the basic technical terms＜br /＞ -shot-by-shot analyses of film sequences＜br /＞ -set design, composition, editing, camera work, post-production, art direction and more＜br /＞ -each chapter provides clear examples and full colour images from classic as well as contemporary films＜/p＞ ＜p＞Ryan and Lenos's updated edition introduces students to the different kinds of lenses and their effects, the multiple possibilities of lighting, and the way post-production modifies images through such processes as saturation and desaturation. Students will learn to ask why the camera is placed where it is, why an edit occurs where it does, or why the set is designed in a certain way.＜/p＞ ＜p＞The second section of the book focuses on ＜strong＞critical analysis＜/strong＞, introducing students to the various approaches to film, from psychology to history, with new analysis on postcolonial, transnational and Affect Theory.＜/p＞ ＜p＞＜strong＞New to this edition＜/strong＞ is a third section featuring several in-depth analyses of films to put into practice what comes before: ＜em＞The Birds＜/em＞, ＜em＞The Shining＜/em＞, ＜em＞Vagabond＜/em＞, ＜em＞In the Mood for Love＜/em＞, ＜em＞Before the Devil Knows You're Dead＜/em＞.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 1,047円 |
 Fat on Film Gender, Race and Body Size in Contemporary Hollywood Cinema【電子書籍】[ Ms Barbara Plotz ] 楽天Kobo電子書籍ストア | ＜p＞Over the last two decades, fatness has become the focus of ubiquitous negative rhetoric, in the USA and beyond, presented under the cover of the medicalized ''war against the obesity epidemic''. In ＜em＞Fat on Film＜/em＞, Barbara Plotz provides a critical analysis of the cinematic representation of fatness during this timeframe, specifically in contemporary Hollywood cinema, with an emphasis on the intersection of gender, race and fatness. The analysis is based on around 50 films released since 2000 and includes examples such as ＜em＞Transformers＜/em＞ (2007), ＜em＞Precious＜/em＞ (2009), ＜em＞Kung Fu Panda＜/em＞ (2008), ＜em＞Paul Blart＜/em＞ (2009)and ＜em＞Pitch Perfect＜/em＞ (2012).Plotz maps the common cinematic tropes of fatness and also shows how commonplace notions of fatness that are part of the current ''obesity epidemic'' discourse are reflected in these tropes. In this original study, Plotz brings critical attention to the politics of fat representation, a topic that has so far received little attention within film and cinema studies.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 5,701円 |
 Death in Venice A Queer Film Classic【電子書籍】[ Will Aitken ] 楽天Kobo電子書籍ストア | ＜p＞A Queer Film Classic on Luchino Visconti's lyrical and controversial 1971 film based on Thomas Mann's novel about a middle-aged man (played by Dirk Bogarde) vacationing in Venice who becomes obsessed with a youth staying at the same hotel as a wave of cholera descends upon the city. The book analyzes its cultural impact and provides a vivid portrait of the director, an ardent Communist and grand provocateur.＜/p＞ ＜p＞Will Aitken's novels include ＜em＞Realia＜/em＞ and ＜em＞Terre Haute＜/em＞. Arsenal's Queer Film Classics series cover some of the most important and influential films about and by LGBTQ people.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 1,983円 |
 Accent in North American Film and Television A Sociophonetic Analysis【電子書籍】[ Charles Boberg ] 楽天Kobo電子書籍ストア | ＜p＞Drawing on data from well-known actors in popular films and TV shows, this reference guide surveys the representation of accent in North American film and TV over eight decades. It analyzes the speech of 180 film and television performances from the 1930s to today, looking at how that speech has changed; how it reflects the regional backgrounds, gender, and ethnic ancestry of the actors; and how phonetic variation and change in the 'real world' have been both portrayed in, and possibly influenced by, film and television speech. It also clearly explains the technical concepts necessary for understanding the phonetic analysis of accents. Providing new insights into the role of language in the expression of North American cultural identity, this is essential reading for researchers and advanced students in linguistics, film, television and media studies, and North American studies, as well as the larger community interested in film and television.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 3,979円 |
 Film Music in the Sound Era A Research and Information Guide, Volume 2: People, Cultures, and Contexts【電子書籍】[ Jonathan Rhodes Lee ] 楽天Kobo電子書籍ストア | ＜p＞＜em＞Film Music in the Sound Era: A Research and Information Guide＜/em＞ offers a comprehensive bibliography of scholarship on music in sound film (1927?2017). Thematically organized sections cover historical studies, studies of musicians and filmmakers, genre studies, theory and aesthetics, and other key aspects of film music studies. Broad coverage of works from around the globe, paired with robust indexes and thorough cross-referencing, make this research guide an invaluable tool for all scholars and students investigating the intersection of music and film.＜/p＞ ＜p＞This guide is published in two volumes:＜/p＞ ＜ul＞ ＜li＞＜/li＞ ＜li＞＜/li＞ ＜li＞Volume 1: Histories, Theories, and Genres covers overviews, historical surveys, theory and criticism, studies of film genres, and case studies of individual films.＜/li＞ ＜li＞＜/li＞ ＜li＞＜/li＞ ＜li＞Volume 2: People, Cultures, and Contexts covers individual people, social and cultural studies, studies of musical genre, pedagogy, and the Industry.＜/li＞ ＜/ul＞ ＜p＞A complete index is included in each volume.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 10,280円 |
 Time, Existential Presence and the Cinematic Image Ethics and Emergence to Being in Film【電子書籍】[ Sam B. Girgus ] 楽天Kobo電子書籍ストア | 画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 3,971円 |
 The Ghostly and the Ghosted in Literature and Film Spectral Identities【電子書籍】 楽天Kobo電子書籍ストア | ＜p＞The Ghostly and the Ghosted in Literature and Film: Spectral Identities is a collection of essays expanding the concepts of “ghost” and “haunting” beyond literary tools used to add supernatural flavor to include questions of identity, visibility, memory and trauma, and history. Using a wide scope of texts from varying time periods and cultures, including fiction and film, this collection explores the phenomenon of social ghosts. What does it mean, for example, to be invisible, to be a ghost, particularly when that ghost is representative of a person or group living on the margins of society? Why do specific types of ghosts tend to haunt certain cultures and/or places? What is it about a people’s history that invites these types of hauntings? The essays in this book, like pieces of a puzzle, approach the larger questions from diverse individual perspectives, but, taken together, they offer a richly detailed composite discussion of what it means to be haunted.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 6,500円 |
 Scoring the Score The Role of the Orchestrator in the Contemporary Film Industry【電子書籍】[ Ian Sapiro ] 楽天Kobo電子書籍ストア | ＜p＞＜em＞Scoring the Score＜/em＞ is the first scholarly examination of the orchestrator’s role in the contemporary film industry. Orchestrators are crucial to the production of a film’s score, yet they have not received significant consideration in film-music research. This book sheds light on this often-overlooked yet vital profession. It considers the key processes of orchestrating and arranging and how they relate, musical and filmic training, the wide-ranging responsibilities of the orchestrator on a film-scoring project, issues related to working practices, the impact of technology, and the differences between the UK and US production processes as they affect orchestrators.＜/p＞ ＜p＞Drawing on interviews with American and British orchestrators and composers, ＜em＞Scoring the Score＜/em＞ aims to expose this often hidden profession through a rigorous examination of the creative process and working practices, and analysis of the skills, training and background common to orchestrators. It will appeal to scholars, students, and practitioners of film music.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 11,109円 |
 War, Politics and Superheroes: Ethics and Propaganda in Comics and Film Ethics and Propaganda in Comics and Film【電子書籍】[ Marc DiPaolo ] 楽天Kobo電子書籍ストア | ＜p＞Superhero adventure comics have a long history of commenting upon American public opinion and government policy, and the surge in the popularity of comics since the events of September 11, 2001, ensures their continued relevance. This critical text examines the seventy-year history of comic book superheroes on film and in comic books and their reflections of the politics of their time. Superheroes addressed include Batman, Wonder Woman, Spider-Man, Superman, the Fantastic Four and the X-Men, and topics covered include American wars, conflicts, and public policy. Instructors considering this book for use in a course may ＜a href="www.mcfarlandpub.com/?page_id=106"＞request an examination copy here＜/a＞.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 2,652円 |
 The Fantastic in Holocaust Literature and Film Critical Perspectives【電子書籍】 楽天Kobo電子書籍ストア | ＜p＞When reality becomes fantastic, what literary effects will render it credible or comprehensible? To respond meaningfully to the surreality of the Holocaust, writers must produce works of moral and emotional complexity. One way they have achieved this is through elements of fantasy.＜/p＞ ＜p＞Covering a range of theoretical perspectives, this collection of essays explores the use of fantastic story-telling in Holocaust literature and film. Writers such as Jane Yolen and Art Spiegelman are discussed, as well as the sci-fi television series ＜em＞V＜/em＞ (1983), Stephen King's novella ＜em＞Apt Pupil＜/em＞ (1982), Guillermo del Toro's ＜em＞Pan's Labyrinth＜/em＞ (2006) and Martin Scorsese's dark thriller ＜em＞Shutter Island＜/em＞ (2010).＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 2,652円 |
 Fingerpicking Film Score Music 15 Famous Pieces Arranged for Solo Guitar in Standard Notation & Tablature【電子書籍】[ Hal Leonard Corp. ] 楽天Kobo電子書籍ストア | ＜p＞(Guitar Solo). 15 famous pieces from blockbuster movies like Braveheart, Harry Potter, The Pink Panther, Pirates of the Caribbean, Star Wars and more, arranged for solo guitar in standard notation and tablature. Each solo is written for intermediate level guitarists, combining melody and harmony in one superb fingerpicking arrangement.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 1,841円 |
 Illusive Utopia Theater, Film, and Everyday Performance in North Korea【電子書籍】[ Suk-Young Kim ] 楽天Kobo電子書籍ストア | ＜p＞"North Korea is not just a security or human rights problem (although it is those things) but a real society. This book gets us closer to understanding North Korea beyond the usual headlines, and does so in a richly detailed, well-researched, and theoretically contextualized way."＜br /＞ ---Charles K. Armstrong, Director, Center for Korean Research, Columbia University＜/p＞ ＜p＞"One of this book's strengths is how it deals at the same time with historical, geographical, political, artistic, and cultural materials. Film and theatre are not the only arts Kim studies---she also offers an excellent analysis of paintings, fashion, and what she calls 'everyday performance.' Her analysis is brilliant, her insights amazing, and her discoveries and conclusions always illuminating."＜br /＞ ---Patrice Pavis, University of Kent, Canterbury＜/p＞ ＜p＞No nation stages massive parades and collective performances on the scale of North Korea. Even amid a series of intense political/economic crises and international conflicts, the financially troubled country continues to invest massive amounts of resources to sponsor unflinching displays of patriotism, glorifying its leaders and revolutionary history through state rituals that can involve hundreds of thousands of performers. Author Suk-Young Kim explores how sixty years of state-sponsored propaganda performances---including public spectacles, theater, film, and other visual media such as posters---shape everyday practice such as education, the mobilization of labor, the gendering of social interactions, the organization of national space, tourism, and transnational human rights. Equal parts fascinating and disturbing, ＜em＞Illusive Utopia＜/em＞ shows how the country's visual culture and performing arts set the course for the illusionary formation of a distinctive national identity and state legitimacy, illuminating deep-rooted cultural explanations as to why socialism has survived in North Korea despite the fall of the Berlin Wall, the collapse of the Soviet Union, and China's continuing march toward economic prosperity. With over fifty striking color illustrations, ＜em＞Illusive Utopia＜/em＞ captures the spectacular illusion within a country where the arts are not only a means of entertainment but also a forceful institution used to regulate, educate, and mobilize the population.＜/p＞ ＜p＞Suk-Young Kim is Associate Professor in the Department of Theater and Dance at the University of California, Santa Barbara, and coauthor with Kim Yong of ＜em＞Long Road Home: A Testimony of a North Korean Camp Survivor＜/em＞.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 8,616円 |
 Fredric Jameson and Film Theory Marxism, Allegory, and Geopolitics in World Cinema【電子書籍】[ Dudley Andrew ] 楽天Kobo電子書籍ストア | ＜p＞＜em＞Frederic Jameson and Film Theory＜/em＞ is the first collection of its kind, it assesses and critically responds to Fredric Jameson’s remarkable contribution to film theory. The essays assembled explore key Jamesonian conceptsーsuch as totality, national allegory, geopolitics, globalization, representation, and pasticheーand his historical schema of realism, modernism, and postmodernism, considering, in both cases, how these can be applied, revised, expanded and challenged within film studies. Featuring essays by leading and emerging voices in the field, the volume probes the contours and complexities of neoliberal capitalism across the globe and explores world cinema's situation within these forces by deploying and adapting Jamesonian concepts, and placing them in dialogue with other theoretical paradigms. The result is an innovative and rigorously analytical effort that offers a range of Marxist-inspired approaches towards cinemas from Asia, Latin America, Europe, and North America in the spirit of Jameson's famous rallying cry: 'always historicize!'.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 3,973円 |
 Seeing Through Music Gender and Modernism in Classic Hollywood Film Scores【電子書籍】[ Peter Franklin ] 楽天Kobo電子書籍ストア | ＜p＞Hollywood film music is often mocked as a disreputably 'applied' branch of the art of composition that lacks both the seriousness and the quality of the classical or late-romantic concert and operatic music from which it derives. Its composers in the 1930s and '40s were themselves often scornful of it and aspired to produce more 'serious' works that would enhance their artistic reputation. In fact the criticism of film music as slavishly descriptive or manipulatively over-emotional has a history that is older than film - it had even been directed at the relatively popular operatic and concert music written by some of the ?migr? Hollywood composers themselves before they had left Europe. There, as subsequently in America, such criticism was promoted by the developing project of Modernism, whose often high-minded opposition to mass culture used polarizing language that drew, intentionally or not, upon that of gender difference. Regressive, late-romantic music, the old argument ran, was -- as women were believed to be -- emotional, irrational, and lacking in logic. This book seeks to level the critical playing field between film music and "serious music," reflecting upon gender-related ideas about music and modernism as much as about film. Peter Franklin broaches the possibility of a history of twentieth-century music that would include, rather than marginalize, film music -- and, indeed, the scores of a number of the major Hollywood movies discussed here, like ＜em＞The Bride of Frankenstein, King Kong, Rebecca, Gone With The Wind, Citizen Kane＜/em＞ and ＜em＞Psycho＜/em＞. In doing so, he brings more detailed music-historical knowledge to bear upon cinema music, often discussed as a unique and special product of film, and also offers conclusions about the problematic aspects of musical modernism and some arguably liberating aspects of "late-romanticism."＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 4,791円 |
 Haunted Europe Continental Connections in English-Language Gothic Writing, Film and New Media【電子書籍】 楽天Kobo電子書籍ストア | ＜p＞＜em＞Haunted Europe＜/em＞ offers the first comprehensive account of the British and Irish fascination with a Gothic vision of continental Europe, tracing its effect on British intellectual life from the birth of the Gothic novel, to the eve of Brexit, and the symbolic recalibration of the UK’s relationship to mainland Europe.＜/p＞ ＜p＞By focusing on the development of the relationship between Britain and Ireland and continental Europe over more than two-hundred years, this collection marks an important departure from standard literary critical narratives, which have tended to focus on a narrow time-period and have missed continuities and discontinuities in our ongoing relationship with the mainland.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 10,280円 |
 Sounds of the Future Essays on Music in Science Fiction Film【電子書籍】 楽天Kobo電子書籍ストア | ＜p＞Covering titles ranging from ＜em＞Rocketship X-M＜/em＞ (1950) to ＜em＞Wall-E＜/em＞ (2008), these insightful essays measure the relationship between music and science fiction film from a variety of academic perspectives. Thematic sections survey specific compositions utilized in science fiction movies; Broadway's relationship with the genre; science fiction elements in popular songs; the conveyance of subjectivity and identity through music; and such individual composers as Richard Strauss (＜em＞2001: A Space Odyssey＜/em＞) and Bernard Herrmann (＜em＞The Day the Earth Stood Still＜/em＞).＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 2,652円 |
 Double Visions, Double Fictions The Doppelg?nger in Japanese Film and Literature【電子書籍】[ Baryon Tensor Posadas ] 楽天Kobo電子書籍ストア | ＜p＞＜strong＞A fresh take on the doppleg?nger and its place in Japanese film and literatureーpast and present＜/strong＞＜/p＞ ＜p＞Since its earliest known use in German Romanticism in the late 1700s, the word ＜em＞Doppelg?nger＜/em＞ (double-walker) can be found throughout a vast array of literature, culture, and media. This motif of doubling can also be seen traversing historical and cultural boundaries. ＜em＞Double Visions, Double Fictions＜/em＞ analyzes the myriad manifestations of the doppelg?nger in Japanese literary and cinematic texts at two historical junctures: the interwar period of the 1920s and 1930s and the present day.＜/p＞ ＜p＞According to author Baryon Tensor Posadas, the doppelg?nger marks the intersection of the historical impact of psychoanalytic theory, the genre of detective fiction in Japan, early Japanese cinema, and the cultural production of Japanese colonialism. He examines the doppelg?nger’s appearance in the works of Edogawa Rampo, Tanizaki Jun’ichiro, and Akutagawa Ryunosuke, as well as the films of Tsukamoto Shin’ya and Kurosawa Kiyoshi, not only as a recurrent motif but also as a critical practice of concepts. Following these explorations, Posadas asks: What were the social, political, and material conditions that mobilized the desire for the doppelg?nger? And how does the doppleg?nger capture social transformations taking place at these historical moments?＜/p＞ ＜p＞＜em＞Double Visions, Double Fictions＜/em＞ ultimately reveals how the doppelg?nger motif provides a fascinating new backdrop for understanding the enmeshment of past and present.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 3,582円 |
 The End Of Cinema As We Know It American Film in the Nineties【電子書籍】 楽天Kobo電子書籍ストア | ＜p＞＜strong＞Thirty-four essays that take a serious look at the state of modern cinema＜/strong＞＜/p＞ ＜p＞Almost half a century ago, Jean-Luc Godard famously remarked, "I await the end of cinema with optimism." Lots of us have been waiting forand wondering aboutthis prophecy ever since. The way films are made and exhibited has changed significantly. Films, some of which are not exactly "films" anymore, can now be projected in a wide variety of wayson screens in revamped high tech theaters, on big, high-resolution TVs, on little screens in minivans and laptops. But with all this new gear, all these new ways of viewing films, are we necessarily getting different, better movies?＜/p＞ ＜p＞The thirty-four brief essays in ＜strong＞The End of Cinema as We Know It＜/strong＞ attend a variety of topics, from film censorship and preservation to the changing structure and status of independent cinemafrom the continued importance of celebrity and stardom to the sudden importance of alternative video. While many of the contributors explore in detail the pictures that captured the attention of the nineties film audience, such as ＜em＞Jurassic Park＜/em＞, ＜em＞Eyes Wide Shut＜/em＞, ＜em＞South Park: Bigger, Longer and Uncut＜/em＞, ＜em＞The Wedding Banquet＜/em＞, ＜em＞The Matrix＜/em＞, ＜em＞Independence Day＜/em＞, ＜em＞Gods and Monsters＜/em＞, ＜em＞The Nutty Professor＜/em＞, and ＜em＞Kids＜/em＞, several essays consider works that fall outside the category of film as it is conventionally definedthe home "movie" of Pamela Anderson and Tommy Lee's honeymoon and the amateur video of the LAPD beating of Rodney King.＜/p＞ ＜p＞Examining key films and filmmakers, the corporate players and industry trends, film styles and audio-visual technologies, the contributors to this volume spell out the end of cinema in terms of irony, cynicism and exhaustion, religious fundamentalism and fanaticism, and the decline of what we once used to call film culture.＜/p＞ ＜p＞Contributors include: Paul Arthur, Wheeler Winston Dixon, Thomas Doherty, Thomas Elsaesser, Krin Gabbard, Henry Giroux, Heather Hendershot, Jan-Christopher Hook, Alexandra Juhasz, Charles Keil, Chuck Klienhans, Jon Lewis, Eric S. Mallin, Laura U. Marks, Kathleen McHugh, Pat Mellencamp, Jerry Mosher, Hamid Naficy, Chon Noriega, Dana Polan, Murray Pomerance, Hillary Radner, Ralph E. Rodriguez, R.L. Rutsky, James Schamus, Christopher Sharrett, David Shumway, Robert Sklar, Murray Smith, Marita Sturken, Imre Szeman, Frank P. Tomasulo, Maureen Turim, Justin Wyatt, and Elizabeth Young.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 4,510円 |
 Gestures of Seeing in Film, Video and Drawing【電子書籍】 楽天Kobo電子書籍ストア | ＜p＞The first book of its kind, ＜em＞Gestures of Seeing in Film, Video and Drawing＜/em＞ engages broadly with the often too neglected yet significant questions of gesture in visual culture. In our turbulent mediasphere where images ? as lenses bearing on their own circumstances ? are constantly mobilized to enact symbolic forms of warfare and where they get entangled in all kinds of cultural conflicts and controversies, a turn to the gestural life of images seems to promise a particularly pertinent avenue of intellectual inquiry. The complex gestures of the artwork remain an under-explored theoretical topos in contemporary visual culture studies. In visual art, the gestural appears to be that which intervenes between form and content, materiality and meaning. But as a conceptual force it also impinges upon the very process of seeing itself. As a critical and heuristic trope, the gestural galvanizes many of the most pertinent areas of inquiry in contemporary debates and scholarship in visual culture and related disciplines: ethics (images and their values and affects), aesthetics (from visual essentialism to transesthetics and synesthesia), ecology (iconoclastic gestures and spaces of conflict), and epistemology (questions of the archive, memory and documentation). Offering fresh perspectives on many of these areas, ＜em＞Gestures of Seeing in Film, Video and Drawing＜/em＞ will be intensely awaited by readers from and across several disciplines, such as anthropology, linguistics, performance, theater, film and visual studies.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 10,943円 |
 Gladiator II: The Art and Making of the Ridley Scott Film【電子書籍】[ John Walsh ] 楽天Kobo電子書籍ストア | ＜p＞＜strong＞The official behind-the-scenes companion to Sir Ridley Scott’s highly anticipated sequel to ＜em＞Gladiator＜/em＞＜/strong＞＜/p＞ ＜p＞This definitive volume takes readers deep into the extraordinary production of ＜em＞Gladiator II＜/em＞.＜/p＞ ＜p＞Exploring the revolutionary special effects and breathtaking artistry that went into re-creating the grandeur of ancient Rome on a truly epic scale, ＜em＞Gladiator II: The Art and Making of the Ridley Scott Film＜/em＞ features storyboards, unit photography, concept art, character and costume sketches, and an array of props and ephemera, offering a comprehensive look at the creative process behind one of the most eagerly awaited sequels of our time.＜/p＞ ＜p＞With a foreword by Sir Ridley Scott and exclusive interviews with the castーincluding Paul Mescal, Denzel Washington, Pedro Pascal, Connie Nielsen, and moreーas well as insights from production designers, armorers, and the visual effects team, the book grants an insider’s look at this cinematic epic and is an essential companion to the film.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 4,125円 |
 America on Film Representing Race, Class, Gender, and Sexuality at the Movies【電子書籍】[ Harry M. Benshoff ] 楽天Kobo電子書籍ストア | ＜p＞＜strong＞A comprehensive and insightful examination of the representation of diverse viewpoints and perspectives in American cinema throughout the 20th and 21st centuries＜/strong＞＜/p＞ ＜p＞＜em＞America on Film: Representing Race, Class, Gender and Sexuality at the Movies,＜/em＞ now in its third edition, is an authoritative and lively examination of diversity issues within American cinema. Celebrated authors and academics Harry M. Benshoff and Sean Griffin provide readers with a comprehensive discussion and overview of the industrial, socio-cultural, and aesthetic factors that contribute to cinematic representations of race, class, gender, sexuality, and ability.＜/p＞ ＜p＞The book incorporates several different theoretical perspectives, including film genre, auteurism, cultural studies, Orientalism, the "male gaze," feminism, and queer theory. The authors examine each selected subject via representative films, figures, and movements. Each chapter also includes an in-depth analysis of a single film to illuminate and inform its discussion of the chosen topic.＜/p＞ ＜p＞＜em＞America on Film＜/em＞ fearlessly approaches and tackles several controversial areas of representation in film, including the portrayal of both masculinity and femininity in film and African- and Asian-Americans in film. It devotes the entirety of Part V to an analysis of the depiction of sex and sexuality in American film, with a particular emphasis on the portrayal of homosexuality. Topics covered include:＜/p＞ ＜ul＞ ＜li＞The structure and history of American filmmaking, including a discussion of the evolution of the business of Hollywood cinema＜/li＞ ＜li＞African Americans and American film, with a discussion of ＜em＞BlacKkKlansman＜/em＞ informing its examination of broader issues＜/li＞ ＜li＞Asian, Latin/x, and Native Americans on film＜/li＞ ＜li＞Classical Hollywood cinema and class, with an in-depth examination of ＜em＞The Florida Project＜/em＞＜/li＞ ＜li＞Women in classical Hollywood filmmaking, including a discussion of the 1955 film, ＜em＞All that Heaven Allows＜/em＞＜/li＞ ＜/ul＞ ＜p＞Perfect for undergraduate and graduate students in film, media, and diversity-related courses, the book also belongs on the shelves of anyone interested in diversity issues in the context of American studies, communications, history, or gender studies. Lastly, it's ideal for use within corporate diversity training curricula and human relations training within the entertainment industry.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 6,500円 |
 Celluloid Ceiling Women Film Directors Breaking Through【電子書籍】 楽天Kobo電子書籍ストア | ＜p＞An extensive overview of female film directors worldwide, showing how they are breaking through the 'Celluloid Ceiling', and succeeding in a still very male-dominated industry. The book contains exclusive interviews with women film directors, explores the impact of digital technology, and reaches some surprising conclusions.＜/p＞ ＜p＞Now that Kathryn Bigelow has made history as the first woman to win an Oscar for directing, we ask whether this is a new era for women filmmakers. This unique international overview highlights emerging women directors and groundbreaking pioneers, and provides a one-stop guide to the leading film directors of the 21st century, and the people who inspired them.＜/p＞ ＜p＞From the blockbusters of the Hollywood studios to emerging voices from Saudi Arabia, Pakistan and Laos, we learn of women making films in traditionally male-dominated areas such as action, fantasy and horror. There are contributions from countries with film industries in every state from nascent to mature, and this book demonstrates how economic and technological change is creating new opportunities for women film directors everywhere.＜/p＞ ＜p＞***** "BEST BOOK ON WOMEN DIRECTORS DUE TO ITS GLOBAL OVERVIEW" - Diane, Amazon＜/p＞ ＜p＞***** "Gabrielle Kelly and Cheryl Robson have crafted a watershed work. CELLULOID CEILING is essential reading for anyone who wants to know how women directors are helping reshape filmmaking." - D.A. Morris, Amazon＜/p＞ ＜p＞***** "This book is an essential resource for anyone tracking the inspiring work being done by women film directors from around the world." - UCF Film＜/p＞ ＜p＞"The level of public consciousness about the barriers faced by female filmmakers is higher than it has ever been. Despite this, the discussion more often than not centres around North America and to a lesser extent, Europe, Australia and New Zealand (and I am guilty as charged). This is perfectly understandable, but clearly women do make films outside of these countries, and it can be illuminating to consider how their experiences reflect or differ from those with which we are more familiar.＜/p＞ ＜p＞To this end, the arrival of a new book, "The Celluloid Ceiling," could not be more timely. Edited by Gabrielle Kelly and Cheryl Robson, it takes a purposefully global overview of the status quo and in doing so provides some fascinating stories and insights, reminding us of what is lost when we limit the discussion to Anglophone directors."＜/p＞ ＜p＞- Matthew Hammett Knott, ＜em＞indiewire＜/em＞＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 550円 |
 Documentary Film A Very Short Introduction【電子書籍】[ Patricia Aufderheide ] 楽天Kobo電子書籍ストア | ＜p＞Documentary film can encompass anything from Robert Flaherty's pioneering ethnography ＜em＞Nanook of the North＜/em＞ to Michael Moore's anti-Iraq War polemic ＜em＞Fahrenheit 9/11＜/em＞, from Dziga Vertov's artful Soviet propaganda piece ＜em＞Man with a Movie Camera＜/em＞ to Luc Jacquet's heart-tugging wildlife epic ＜em＞March of the Penguins＜/em＞. In this concise, crisply written guide, Patricia Aufderheide takes readers along the diverse paths of documentary history and charts the lively, often fierce debates among filmmakers and scholars about the best ways to represent reality and to tell the truths worth telling. Beginning with an overview of the central issues of documentary filmmaking--its definitions and purposes, its forms and founders--Aufderheide focuses on several of its key subgenres, including public affairs films, government propaganda (particularly the works produced during World War II), historical documentaries, and nature films. Her thematic approach allows readers to enter the subject matter through the kinds of films that first attracted them to documentaries, and it permits her to make connections between eras, as well as revealing the ongoing nature of documentary's core controversies involving objectivity, advocacy, and bias. Interwoven throughout are discussions of the ethical and practical considerations that arise with every aspect of documentary production. A particularly useful feature of the book is an appended list of "100 great documentaries" that anyone with a serious interest in the genre should see. Drawing on the author's four decades of experience as a film scholar and critic, this book is the perfect introduction not just for teachers and students but also for all thoughtful filmgoers and for those who aspire to make documentaries themselves. ＜strong＞About the Series:＜/strong＞ Combining authority with wit, accessibility, and style, ＜strong＞Very Short Introductions＜/strong＞ offer an introduction to some of life's most interesting topics. Written by experts for the newcomer, they demonstrate the finest contemporary thinking about the central problems and issues in hundreds of key topics, from philosophy to Freud, quantum theory to Islam.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 1,126円 |
 Voicing the Cinema Film Music and the Integrated Soundtrack【電子書籍】[ Julie Brown ] 楽天Kobo電子書籍ストア | ＜p＞Theorists of the soundtrack have helped us understand how the voice and music in the cinema impact a spectator's experience. James Buhler and Hannah Lewis edit in-depth essays from many of film music's most influential scholars in order to explore fascinating issues around vococentrism, the voice in cinema, and music’s role in the integrated soundtrack.＜/p＞ ＜p＞The collection is divided into four sections. The first explores historical approaches to technology in the silent film, French cinema during the transition era, the films of the so-called New Hollywood, and the post-production sound business. The second investigates the practice of the singing voice in diverse repertories such as Bergman's films, Eighties teen films, and girls' voices in ＜em＞Brave＜/em＞ and ＜em＞Frozen＜/em＞. The third considers the auteuristic voice of the soundtrack in works by Kurosawa, Weir, and others. A last section on narrative and vococentrism moves from ＜em＞The Martian＜/em＞ and horror film to the importance of background music and the state of the soundtrack at the end of vococentrism.＜/p＞ ＜p＞Contributors: Julie Brown, James Buhler, Marcia Citron, Eric Dienstfrey, Erik Heine, Julie Hubbert, Hannah Lewis, Brooke McCorkle, Cari McDonnell, David Neumeyer, Nathan Platte, Katie Quanz, Jeff Smith, Janet Staiger, and Robynn Stilwell＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 2,647円 |
 Cinemagritte Ren? Magritte Within the Frame of Film History, Theory, and Practice【電子書籍】[ Lucy Fischer ] 楽天Kobo電子書籍ストア | ＜p＞＜strong＞Examines the fascinating ties between Surrealist artist Ren? Magritte and the cinema.＜/strong＞＜/p＞ ＜p＞＜em＞Cinemagritte: Ren? Magritte within the Frame of Film History, Theory, and Practice＜/em＞ investigates the dynamic relationship between the Surrealist modernist artist Ren? Magritte (1898?1967) and the cinemaーa topic largely ignored in the annals of film and art criticism. Magritte once said that he used cinema as "a trampoline for the imagination," but here author Lucy Fischer reverses that process by using Magritte's work as a stimulus for an imaginative examination of film.＜/p＞ ＜p＞While Fischer considers direct influences of film on Magritte and Magritte on film, she concentrates primarily on "resonances" of Magritte's work in international cinemaーboth fiction and documentary, mainstream and experimental. These resonances exist for several reasons. First, Magritte was a lover of cinema and created works as homages to the medium, such as ＜em＞Blue Cinema＜/em＞ (1925), which immortalized his childhood movie theater. Second, Magritte's style, though dependent on bizarre juxtapositions, was characterized by surface realismーwhich ties it to the nature of the photographic and cinematic image. Third, Magritte shares with film a focus on certain significant concepts: the frame, voyeurism, illusionism, the relation between word and image, the face, montage, variable scale, and flexible point of view. Additionally, the volume explores art documentaries concerning Magritte as well as the artist's whimsical amateur "home movies," made with his wife, Georgette, friends, and Belgian Surrealist associates. The monograph is richly illustrated with images of Magritte's oeuvre as well as film stills from such diverse works as ＜em＞The Eternal Sunshine of the Spotless Mind, Eyes Without a Face, American Splendor, The Blood of a Poet, Zorns Lemma, The Island of Dr. Moreau, The Draughtsman's Contract,＜/em＞ and many more.＜/p＞ ＜p＞＜em＞Cinemagritte＜/em＞ brings a novel and creative approach to the work of Magritte and both film and art criticism. Students, scholars, and fans of art history and film will enjoy this thoughtful marriage of the two.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 3,895円 |
 Screening Transcendence Film under Austrofascism and the Hollywood Hope, 1933-1938【電子書籍】[ Robert Dassanowsky ] 楽天Kobo電子書籍ストア | ＜p＞During the 1930s, Austrian film production companies developed a process to navigate the competing demands of audiences in Nazi Germany and those found in broader Western markets. In ＜em＞Screening Transcendence＜/em＞, film historian Robert Dassanowsky explores how Austrian filmmakers during the Austrofascist period (1933?1938) developed two overlapping industries: "Aryanized" films for distribution in Germany, its largest market, and "Emigrantenfilm," which employed ?migr? and Jewish talent that appealed to international audiences.＜/p＞ ＜p＞Through detailed archival research in both Vienna and the United States, Dassanowsky reveals what was culturally, socially, and politically at stake in these two simultaneous and overlapping film industries. Influenced by French auteurism, admired by Italian cinephiles, and ardently remade by Hollywood, these period Austrian films demonstrate a distinctive regional style mixed with transnational influences.＜/p＞ ＜p＞Combining brilliant close readings of individual films with thoroughly informed historical and cultural observations, Dassanowsky presents the story of a nation and an industry mired in politics, power, and intrigue on the brink of Nazi occupation.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 1,408円 |
 Mise-en-sc?ne Film Style and Interpretation【電子書籍】[ John Gibbs ] 楽天Kobo電子書籍ストア | ＜p＞Mise-en-sc?ne: Film Style and Interpretation explores and elucidates constructions of this fundamental concept in thinking about film. In uncovering the history of mise-en-sc?ne within film criticism, and through the detailed exploration of scenes from films as Imitation of Life and Lone Star, John Gibbs makes the case for the importance of a sensitive understanding of film style, and provides an introduction to the skills of close reading. This book thus celebrates film-making as well as film criticism that is alive to the creative possibilities of visual style.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 2,129円 |
 Moving Pictures: How They Are Made and Worked Enriched edition. Unveiling the Secrets of Cinematic Mastery: A Journey into Film Production and Visual Storytelling【電子書籍】[ Frederick Arthur Ambrose Talbot ] 楽天Kobo電子書籍ストア | ＜p＞In "Moving Pictures: How They Are Made and Worked," Frederick Arthur Ambrose Talbot provides an insightful exploration of the early mechanics and artistry behind filmmaking. Written during a period of rapid technological advancement in cinema, the book combines accessible language with meticulous detail, reflecting both the scientific principles of motion and the emergent narrative techniques of the silent film era. Talbot delves into the complexities of cinematography, editing, and projection, illustrating the intricate processes involved in bringing moving images to life, thereby laying a foundation for readers to appreciate the artistic and technical synergy of filmmaking at the time. Frederick Arthur Ambrose Talbot, a noted British inventor and writer, was deeply passionate about both technology and the performing arts. His background in engineering and his close ties to the evolving film industry provided him with a unique perspective, allowing him to demystify the filmmaking process for a wider audience. Talbot's innovative spirit and dedication to educating the public about the art and science of cinema are evident in this work, making it a significant contribution to film literature. This book is a must-read for anyone interested in the history of cinema or the revival of visual storytelling. With its detailed explanations and historical context, Talbot's work serves not only as an informative guide to the technical aspects of filmmaking but also as an inspiring introduction to the captivating world of moving images. In this enriched edition, we have carefully created added value for your reading experience: - Handーpicked Memorable Quotes shine a spotlight on moments of literary brilliance. - Interactive footnotes clarify unusual references, historical allusions, and archaic phrases for an effortless, more informed read.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 300円 |
 Roald Dahl's Matilda - The Musical Music from the Netflix Film【電子書籍】[ Tim Minchin ] 楽天Kobo電子書籍ストア | ＜p＞(Piano/Vocal/Guitar Songbook). A brand new take on the Tony and Olivier award-winning musical, Netflix's film adaptation of Roald Dahl's Matilda The Musical tells the story of an extraordinary girl with a vivid imagination, who dares to take a stand to change her story with miraculous results. This exclusive folio presents 12 songs from the hit movie soundtrack, including "Still Holding My Hand," written exclusively for the film. The official songbook contains selections from the soundtrack arranged for voice and piano with chord symbols.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 2,647円 |
 電影即剪接：拍電影的教科書！教父剪接師告訴?：電影敘事、影像後製、音效設計的金獎級專業奧祕 The Conversations: Walter Murch and the Art of Editing Film【電子書籍】[ 麥可．翁達傑 ] 楽天Kobo電子書籍ストア | ＜p＞＜strong＞「影像本身是不?的，真正掌控電影是在剪接時。」＜/strong＞＜/p＞ ＜p＞＜strong＞──華特?莫屈＜/strong＞＜/p＞ ＜p＞＜strong＞大師開課！拍電影的教科書＜/strong＞＜/p＞ ＜p＞＜strong＞電影導演、剪接師、音效設計、故事編劇必看！＜/strong＞＜/p＞ ＜p＞剪接心法、電影製作、鏡頭運用、配樂混音、小?改編＜/p＞ ＜p＞《英倫情人》原著作者 VS.《教父》剪接?音效鬼才＜/p＞ ＜p＞金獎級的對談火花，激發大師級的故事力＜/p＞ ＜p＞【＜strong＞本書特色】＜/strong＞＜/p＞ ＜p＞?實例?明！經典電影當教科書，從人物、場景、聲音、時間感……細部剖析。＜/p＞ ＜p＞?珍貴手稿！一窺科波拉、威爾斯的劇本筆記、備忘?，跟著名導思考影像運作。＜/p＞ ＜p＞?學！華特?莫屈《英倫情人》剪接筆記大公開，教?如何建立資料庫。＜/p＞ ＜p＞?看！圖文對照深入?明，提供經典鏡頭、工作現場、幕後影像，展現電影製作的細節。＜/p＞ ＜p＞?談！從剪接角度，教?看?影像的敘事與邏輯；從音效角度，告訴?情緒導引重要性。＜/p＞ ＜p＞＜strong＞本書榮獲──＜/strong＞＜/p＞ ＜p＞＜strong＞【美國剪接師協會特別獎】＜/strong＞＜/p＞ ＜p＞＜strong＞【日本最具權威 《電影旬報》年度十大電影書】＜/strong＞＜/p＞ ＜p＞專業剪接師大讚：這是我看過最好的剪接教科書＜/p＞ ＜p＞＜strong＞奧斯?獎剪接教父傾?相授──＜/strong＞＜/p＞ ＜p＞CASE by CASE 細部拆解經典電影的製作與思考！＜/p＞ ＜p＞《現代?示?》、《英倫情人》、《教父》、《對話》、《茱莉亞》、《星際大戰》＜/p＞ ＜p＞《天才雷普利》《布拉格的春天》、《第六感生死戀》……等。＜/p＞ ＜p＞＜strong＞剪接師之眼！一句話?中拍電影的神髓──＜/strong＞＜/p＞ ＜p＞＜strong＞關於電影導演：＜/strong＞＜/p＞ ＜p＞?電影製作有兩種方法：一種是希區考克式，?一種是法蘭西斯?科波拉式。前者已經在創造者的腦子裡完成；後者則在過程中成長壯大，不停地集聚新生力量。＜/p＞ ＜p＞?只要相愛的人們在電影高潮時是在一起的，電影就會被看成是大團圓，?怕這時有一千架敵機正向他們迫近。＜/p＞ ＜p＞＜strong＞關於剪接師：＜/strong＞＜/p＞ ＜p＞?剪接師的任務就是操作觀?注意力的焦點。在剪接點上，考慮的是觀?眼睛看著?裡、往什麼地方移動，以及移動的快慢。＜/p＞ ＜p＞?就算畫面是精心設計的，也要彷彿是被偶然看見一樣。＜/p＞ ＜p＞＜strong＞關於音效混音：＜/strong＞＜/p＞ ＜p＞?電影音樂是作為抒發情緒的功用，而非製造情緒。＜/p＞ ＜p＞?當對話變得稀少，會促使觀?更專注在影片裡的聲音上，並將之視為語言。＜/p＞ ＜p＞＜strong＞關於電影編劇：＜/strong＞＜/p＞ ＜p＞?想要用寫作來改變某人的想法是徒勞的，?只會證實讀者他們自己的想法。＜/p＞ ＜p＞?一部電影如果讓?感覺不錯，它一定是表達出?個人?心的某種祕密。＜/p＞ ＜p＞＜strong＞【剪接，完整了一部電影！】＜/strong＞＜/p＞ ＜p＞本書透過一部電影最核心的創作者之一，華特?莫屈這位教父級剪接師的獨特視角，來探討電影創作過程的藝術特性，同時也更具體的探討處理影片中的種種問題，例如：如何避免系列情節的瓶頸；如何在影片開始的第幾分鐘做一點小小改變，以挽救第53分鐘的一場戲；如何透過増強靜默感來加強戲劇張力；甚至是如何掩蓋一個大漏洞大缺失……因為某場關鍵情節根本沒有拍攝。＜/p＞ ＜p＞主談人莫屈在書中，透過作者翁達傑的提問與互動，解?並示範了大量實用而獨特的理論，他分享了如何透過對於故事的微妙觀察、人物的一個角度與眼神、所屬的空間環境、聲音的運用……整合出一部動人的電影。＜/p＞ ＜p＞＜strong＞剪接的存在，不只是單獨一場戲的處理，而是對於整體結構的深刻理解。＜/strong＞＜/p＞ ＜p＞作者／譯者簡介＜/p＞ ＜p＞**作者簡介ー**＜strong＞麥可?翁達傑（Michael Ondaatje）＜/strong＞＜/p＞ ＜p＞加拿大著名詩人、作家，1943年生於斯里蘭?，11?隨母親到英國，19?移居加拿大，畢業於多倫多大學。他的作品兼具文學的語言美感和電影的視覺衝?力，透過詩性直覺和敘事節奏的交揉變化，展現獨特的個人風格。目前為止，共出版六部長篇小?，十多部詩集，以及其他非?構作品。其中，《英倫情人》＜em＞（The English Patient＜/em＞）榮獲布克獎，並改編為同名電影，由安東尼?明格拉（Anthony Minghella）執導，華特?莫屈（Walter Murch）剪接。＜/p＞ ＜p＞＜strong＞主談人簡介ー華特?莫屈（Walter Murch）＜/strong＞＜/p＞ ＜p＞新好?塢運動中最為知名的剪接師與音效設計師之一，是少數同時活躍於影像與音效的工作者，為英美電影界公認的剪接領域權威，在好?塢甚至有人稱他為「剪接教父」，同時也是柯波拉創立美洲西洋鏡電影公司的早期重要人物，曾多次獲得英國電影學院、美國電影學院大獎。＜/p＞ ＜p＞華特?莫屈曾剪接與參與音效工作的作品有：《對話》《現代?示?》、《教父2》、《教父3》、《布拉格的春天》、《天才雷普利》、《冷山》、《鍋蓋頭》，並以《英倫情人》同時獲得奧斯?最佳剪接獎、最佳音效獎。＜/p＞ ＜p＞同時也曾參與修復、重剪奧森．威爾斯（Orson Welles）的《?劫佳人》。＜/p＞ ＜p＞**譯者簡介ー**＜strong＞夏?＜/strong＞＜/p＞ ＜p＞畢業於北京大學，從事過廣告創意、國際文化交流等多項工作，自加拿大艾米利??爾藝術大學（Emily Carr University）電影系畢業後，作品多次參加國際電影節並獲大獎。2007年應邀在中國中央美術學院電影系任職至今。譯有《剪接的法則》。＜/p＞ ＜p＞目次＜/p＞ ＜p＞＜strong＞致中文世界的讀者＜/strong＞＜/p＞ ＜p＞＜strong＞引言ー剪接師之眼，看電影創作的過程與藝術性＜/strong＞＜/p＞ ＜p＞＜strong＞對話一?舊金山──＜/strong＞重剪《現代?示?》深入探討電影製作＜/p＞ ＜p＞01 謙卑的聲音景觀＜/p＞ ＜p＞02 高中生機密＜/p＞ ＜p＞●【對談之外】「像我一樣古怪的人」ー喬治?盧?斯＜/p＞ ＜p＞03 影響＜/p＞ ＜p＞04 導演與剪接師＜/p＞ ＜p＞05 ?一隻眼閉一隻眼＜/p＞ ＜p＞06「第一次」只有一次＜/p＞ ＜p＞07 黒暗時代＜/p＞ ＜p＞●【對談之外】「莫屈拒?替人頭朝下的畫面做電影混音！」ー法蘭西斯?科波拉＜/p＞ ＜p＞08 現代?示?的今與昔＜/p＞ ＜p＞09 燃燒的賽路珞＜/p＞ ＜p＞10 馬龍?白蘭度＜/p＞ ＜p＞11 韋勒的凝視＜/p＞ ＜p＞●【對談之外】演員與剪接ー華特?莫屈＜/p＞ ＜p＞12 新増的場景＜/p＞ ＜p＞13 法國人的幽靈＜/p＞ ＜p＞14《現代?示?重生版》＜/p＞ ＜p＞＜strong＞對話二?洛杉磯──＜/strong＞科學、聲音、小?對電影製作的關鍵影響＜/p＞ ＜p＞01 車輪誕生的恰當時機＜/p＞ ＜p＞02 殺人音樂＜/p＞ ＜p＞03 五種類型的模?兩可問題＜/p＞ ＜p＞04 兩則流言＜/p＞ ＜p＞05 魔鬼的發明＜/p＞ ＜p＞06 看看他們是怎麼?的＜/p＞ ＜p＞07 音效中的意涵＜/p＞ ＜p＞08 小?與電影的豐富性＜/p＞ ＜p＞09 約伯式的悲劇時刻＜/p＞ ＜p＞10 WIDEO＜/p＞ ＜p＞11 活的「非電影」方式＜/p＞ ＜p＞＜strong＞對話三?紐約──＜/strong＞關於剪接《對話》和《?劫佳人》的剖析＜/p＞ ＜p＞01 《對話》的剪接＜/p＞ ＜p＞02 隱身的搭?＜/p＞ ＜p＞03 小調鍵盤＜/p＞ ＜p＞04 手掌下面藏了什麼＜/p＞ ＜p＞05 在真實的夜?拍「夜景」＜/p＞ ＜p＞06 不對勁的回聲＜/p＞ ＜p＞07 最有表現力的角度＜/p＞ ＜p＞●【對談之外】「彷彿是奧森正在傳真筆記給我們」ー里克?施米徳林＜/p＞ ＜p＞＜strong＞對話四?舊金山──＜/strong＞偶然性與藝術創作＜/p＞ ＜p＞01 影響＜/p＞ ＜p＞02 負二十個問題＜/p＞ ＜p＞03 強制空間期＜/p＞ ＜p＞04 電影製作的兩種路徑＜/p＞ ＜p＞05 他為什麼更喜歡那樣＜/p＞ ＜p＞06 家庭生活＜/p＞ ＜p＞07 事物之間的意外?撞＜/p＞ ＜p＞08 鵝卵石、蟋蟀和?手＜/p＞ ＜p＞09 藍色之死＜/p＞ ＜p＞10 一種誤讀＜/p＞ ＜p＞11 發散或匯聚＜/p＞ ＜p＞12 消失的兄弟＜/p＞ ＜p＞13 序幕＜/p＞ ＜p＞04 油彩鉛筆和即時剪接＜/p＞ ＜p＞●【對談之外】「等待挑釁」ー安東尼?明格拉＜/p＞ ＜p＞＜strong＞對話終章?多倫多──＜/strong＞導演、作家與其他身分＜/p＞ ＜p＞01 因不安而受賜福＜/p＞ ＜p＞02《天魔?險》的劇本寫作＜/p＞ ＜p＞03 表面之下＜/p＞ ＜p＞04 里爾克的精彩詩句＜/p＞ ＜p＞05 夢境＜/p＞ ＜p＞＜strong＞華特?莫屈作品年表＜/strong＞＜/p＞ ＜p＞＜strong＞致謝＜/strong＞＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 1,997円 |