film Film the [ART ＆ ENTERTAINMENT]
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| 商品 | 説明 | 価格 |
|---|---|---|
 Gladiator II: The Art and Making of the Ridley Scott Film【電子書籍】[ John Walsh ] 楽天Kobo電子書籍ストア | ＜p＞＜strong＞The official behind-the-scenes companion to Sir Ridley Scott’s highly anticipated sequel to ＜em＞Gladiator＜/em＞＜/strong＞＜/p＞ ＜p＞This definitive volume takes readers deep into the extraordinary production of ＜em＞Gladiator II＜/em＞.＜/p＞ ＜p＞Exploring the revolutionary special effects and breathtaking artistry that went into re-creating the grandeur of ancient Rome on a truly epic scale, ＜em＞Gladiator II: The Art and Making of the Ridley Scott Film＜/em＞ features storyboards, unit photography, concept art, character and costume sketches, and an array of props and ephemera, offering a comprehensive look at the creative process behind one of the most eagerly awaited sequels of our time.＜/p＞ ＜p＞With a foreword by Sir Ridley Scott and exclusive interviews with the castーincluding Paul Mescal, Denzel Washington, Pedro Pascal, Connie Nielsen, and moreーas well as insights from production designers, armorers, and the visual effects team, the book grants an insider’s look at this cinematic epic and is an essential companion to the film.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 4,125円 |
 America on Film Representing Race, Class, Gender, and Sexuality at the Movies【電子書籍】[ Harry M. Benshoff ] 楽天Kobo電子書籍ストア | ＜p＞＜strong＞A comprehensive and insightful examination of the representation of diverse viewpoints and perspectives in American cinema throughout the 20th and 21st centuries＜/strong＞＜/p＞ ＜p＞＜em＞America on Film: Representing Race, Class, Gender and Sexuality at the Movies,＜/em＞ now in its third edition, is an authoritative and lively examination of diversity issues within American cinema. Celebrated authors and academics Harry M. Benshoff and Sean Griffin provide readers with a comprehensive discussion and overview of the industrial, socio-cultural, and aesthetic factors that contribute to cinematic representations of race, class, gender, sexuality, and ability.＜/p＞ ＜p＞The book incorporates several different theoretical perspectives, including film genre, auteurism, cultural studies, Orientalism, the "male gaze," feminism, and queer theory. The authors examine each selected subject via representative films, figures, and movements. Each chapter also includes an in-depth analysis of a single film to illuminate and inform its discussion of the chosen topic.＜/p＞ ＜p＞＜em＞America on Film＜/em＞ fearlessly approaches and tackles several controversial areas of representation in film, including the portrayal of both masculinity and femininity in film and African- and Asian-Americans in film. It devotes the entirety of Part V to an analysis of the depiction of sex and sexuality in American film, with a particular emphasis on the portrayal of homosexuality. Topics covered include:＜/p＞ ＜ul＞ ＜li＞The structure and history of American filmmaking, including a discussion of the evolution of the business of Hollywood cinema＜/li＞ ＜li＞African Americans and American film, with a discussion of ＜em＞BlacKkKlansman＜/em＞ informing its examination of broader issues＜/li＞ ＜li＞Asian, Latin/x, and Native Americans on film＜/li＞ ＜li＞Classical Hollywood cinema and class, with an in-depth examination of ＜em＞The Florida Project＜/em＞＜/li＞ ＜li＞Women in classical Hollywood filmmaking, including a discussion of the 1955 film, ＜em＞All that Heaven Allows＜/em＞＜/li＞ ＜/ul＞ ＜p＞Perfect for undergraduate and graduate students in film, media, and diversity-related courses, the book also belongs on the shelves of anyone interested in diversity issues in the context of American studies, communications, history, or gender studies. Lastly, it's ideal for use within corporate diversity training curricula and human relations training within the entertainment industry.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 6,500円 |
 The Baseball Film A Cultural and Transmedia History【電子書籍】[ Aaron Baker ] 楽天Kobo電子書籍ストア | ＜p＞Baseball has long been viewed as the Great American Pastime, so it is no surprise that the sport has inspired many Hollywood films and television series. But how do these works depict the game, its players, fans, and place in American society?＜/p＞ ＜p＞This study offers an extensive look at nearly one hundred years of baseball-themed movies, documentaries, and TV shows. Film and sports scholar Aaron Baker examines works like ＜em＞A League of their Own＜/em＞ (1992) and ＜em＞Sugar＜/em＞ (2008), which dramatize the underrepresented contributions of female and immigrant players, alongside classic baseball movies like ＜em＞The Natural＜/em＞ that are full of nostalgia for a time when native-born white men could use the game to achieve the American dream. He further explores how biopics have both mythologized and demystified such legendary figures as Ty Cobb, Babe Ruth, Lou Gehrig, Jackie Robinson and Fernando Valenzuela.＜/p＞ ＜p＞＜em＞The Baseball Film＜/em＞ charts the variety of ways that Hollywood presents the game as integral to American life, whether showing little league as a site of parent-child bonding or depicting fans’ lifelong love affairs with their home teams. Covering everything from ＜em＞Bull Durham＜/em＞ (1988) to ＜em＞The Bad News Bears＜/em＞ (1976), this book offers an essential look at one of the most cinematic of all sports.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 3,708円 |
 Voicing the Cinema Film Music and the Integrated Soundtrack【電子書籍】[ Julie Brown ] 楽天Kobo電子書籍ストア | ＜p＞Theorists of the soundtrack have helped us understand how the voice and music in the cinema impact a spectator's experience. James Buhler and Hannah Lewis edit in-depth essays from many of film music's most influential scholars in order to explore fascinating issues around vococentrism, the voice in cinema, and music’s role in the integrated soundtrack.＜/p＞ ＜p＞The collection is divided into four sections. The first explores historical approaches to technology in the silent film, French cinema during the transition era, the films of the so-called New Hollywood, and the post-production sound business. The second investigates the practice of the singing voice in diverse repertories such as Bergman's films, Eighties teen films, and girls' voices in ＜em＞Brave＜/em＞ and ＜em＞Frozen＜/em＞. The third considers the auteuristic voice of the soundtrack in works by Kurosawa, Weir, and others. A last section on narrative and vococentrism moves from ＜em＞The Martian＜/em＞ and horror film to the importance of background music and the state of the soundtrack at the end of vococentrism.＜/p＞ ＜p＞Contributors: Julie Brown, James Buhler, Marcia Citron, Eric Dienstfrey, Erik Heine, Julie Hubbert, Hannah Lewis, Brooke McCorkle, Cari McDonnell, David Neumeyer, Nathan Platte, Katie Quanz, Jeff Smith, Janet Staiger, and Robynn Stilwell＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 2,647円 |
 Time, Existential Presence and the Cinematic Image Ethics and Emergence to Being in Film【電子書籍】[ Sam B. Girgus ] 楽天Kobo電子書籍ストア | 画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 3,971円 |
 Cinemagritte Ren? Magritte Within the Frame of Film History, Theory, and Practice【電子書籍】[ Lucy Fischer ] 楽天Kobo電子書籍ストア | ＜p＞＜strong＞Examines the fascinating ties between Surrealist artist Ren? Magritte and the cinema.＜/strong＞＜/p＞ ＜p＞＜em＞Cinemagritte: Ren? Magritte within the Frame of Film History, Theory, and Practice＜/em＞ investigates the dynamic relationship between the Surrealist modernist artist Ren? Magritte (1898?1967) and the cinemaーa topic largely ignored in the annals of film and art criticism. Magritte once said that he used cinema as "a trampoline for the imagination," but here author Lucy Fischer reverses that process by using Magritte's work as a stimulus for an imaginative examination of film.＜/p＞ ＜p＞While Fischer considers direct influences of film on Magritte and Magritte on film, she concentrates primarily on "resonances" of Magritte's work in international cinemaーboth fiction and documentary, mainstream and experimental. These resonances exist for several reasons. First, Magritte was a lover of cinema and created works as homages to the medium, such as ＜em＞Blue Cinema＜/em＞ (1925), which immortalized his childhood movie theater. Second, Magritte's style, though dependent on bizarre juxtapositions, was characterized by surface realismーwhich ties it to the nature of the photographic and cinematic image. Third, Magritte shares with film a focus on certain significant concepts: the frame, voyeurism, illusionism, the relation between word and image, the face, montage, variable scale, and flexible point of view. Additionally, the volume explores art documentaries concerning Magritte as well as the artist's whimsical amateur "home movies," made with his wife, Georgette, friends, and Belgian Surrealist associates. The monograph is richly illustrated with images of Magritte's oeuvre as well as film stills from such diverse works as ＜em＞The Eternal Sunshine of the Spotless Mind, Eyes Without a Face, American Splendor, The Blood of a Poet, Zorns Lemma, The Island of Dr. Moreau, The Draughtsman's Contract,＜/em＞ and many more.＜/p＞ ＜p＞＜em＞Cinemagritte＜/em＞ brings a novel and creative approach to the work of Magritte and both film and art criticism. Students, scholars, and fans of art history and film will enjoy this thoughtful marriage of the two.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 3,895円 |
 Film Music in the Sound Era A Research and Information Guide, Volume 2: People, Cultures, and Contexts【電子書籍】[ Jonathan Rhodes Lee ] 楽天Kobo電子書籍ストア | ＜p＞＜em＞Film Music in the Sound Era: A Research and Information Guide＜/em＞ offers a comprehensive bibliography of scholarship on music in sound film (1927?2017). Thematically organized sections cover historical studies, studies of musicians and filmmakers, genre studies, theory and aesthetics, and other key aspects of film music studies. Broad coverage of works from around the globe, paired with robust indexes and thorough cross-referencing, make this research guide an invaluable tool for all scholars and students investigating the intersection of music and film.＜/p＞ ＜p＞This guide is published in two volumes:＜/p＞ ＜ul＞ ＜li＞＜/li＞ ＜li＞＜/li＞ ＜li＞Volume 1: Histories, Theories, and Genres covers overviews, historical surveys, theory and criticism, studies of film genres, and case studies of individual films.＜/li＞ ＜li＞＜/li＞ ＜li＞＜/li＞ ＜li＞Volume 2: People, Cultures, and Contexts covers individual people, social and cultural studies, studies of musical genre, pedagogy, and the Industry.＜/li＞ ＜/ul＞ ＜p＞A complete index is included in each volume.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 10,280円 |
 Moving Pictures: How They Are Made and Worked Enriched edition. Unveiling the Secrets of Cinematic Mastery: A Journey into Film Production and Visual Storytelling【電子書籍】[ Frederick Arthur Ambrose Talbot ] 楽天Kobo電子書籍ストア | ＜p＞In "Moving Pictures: How They Are Made and Worked," Frederick Arthur Ambrose Talbot provides an insightful exploration of the early mechanics and artistry behind filmmaking. Written during a period of rapid technological advancement in cinema, the book combines accessible language with meticulous detail, reflecting both the scientific principles of motion and the emergent narrative techniques of the silent film era. Talbot delves into the complexities of cinematography, editing, and projection, illustrating the intricate processes involved in bringing moving images to life, thereby laying a foundation for readers to appreciate the artistic and technical synergy of filmmaking at the time. Frederick Arthur Ambrose Talbot, a noted British inventor and writer, was deeply passionate about both technology and the performing arts. His background in engineering and his close ties to the evolving film industry provided him with a unique perspective, allowing him to demystify the filmmaking process for a wider audience. Talbot's innovative spirit and dedication to educating the public about the art and science of cinema are evident in this work, making it a significant contribution to film literature. This book is a must-read for anyone interested in the history of cinema or the revival of visual storytelling. With its detailed explanations and historical context, Talbot's work serves not only as an informative guide to the technical aspects of filmmaking but also as an inspiring introduction to the captivating world of moving images. In this enriched edition, we have carefully created added value for your reading experience: - Handーpicked Memorable Quotes shine a spotlight on moments of literary brilliance. - Interactive footnotes clarify unusual references, historical allusions, and archaic phrases for an effortless, more informed read.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 300円 |
 Screening Transcendence Film under Austrofascism and the Hollywood Hope, 1933-1938【電子書籍】[ Robert Dassanowsky ] 楽天Kobo電子書籍ストア | ＜p＞During the 1930s, Austrian film production companies developed a process to navigate the competing demands of audiences in Nazi Germany and those found in broader Western markets. In ＜em＞Screening Transcendence＜/em＞, film historian Robert Dassanowsky explores how Austrian filmmakers during the Austrofascist period (1933?1938) developed two overlapping industries: "Aryanized" films for distribution in Germany, its largest market, and "Emigrantenfilm," which employed ?migr? and Jewish talent that appealed to international audiences.＜/p＞ ＜p＞Through detailed archival research in both Vienna and the United States, Dassanowsky reveals what was culturally, socially, and politically at stake in these two simultaneous and overlapping film industries. Influenced by French auteurism, admired by Italian cinephiles, and ardently remade by Hollywood, these period Austrian films demonstrate a distinctive regional style mixed with transnational influences.＜/p＞ ＜p＞Combining brilliant close readings of individual films with thoroughly informed historical and cultural observations, Dassanowsky presents the story of a nation and an industry mired in politics, power, and intrigue on the brink of Nazi occupation.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 1,408円 |
 Film Studies The Basics【電子書籍】[ Amy Villarejo ] 楽天Kobo電子書籍ストア | ＜p＞A comprehensive overview of how to study film, this updated third edition provides concise and provocative summaries for approaching the language of film analysis, ways of thinking about film history, and approaches and methods for studying cinema, from national cinemas to genre to stardom and beyond.＜/p＞ ＜p＞The new edition tracks the changes in film production and exhibition by situating the study of film within contemporary digital media cultures and structures, such as social media and streaming platforms. Without forsaking its emphasis on the study of ＜em＞film＜/em＞, the third edition updates its examples and provides fresh insight into today’s image culture.＜/p＞ ＜p＞Film Studies: The Basics provides beginning students in film studies, as well as lifelong film buffs, with the tools to pursue film analysis, film history, and further inquiries into the medium.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 5,139円 |
 The Ghostly and the Ghosted in Literature and Film Spectral Identities【電子書籍】 楽天Kobo電子書籍ストア | ＜p＞The Ghostly and the Ghosted in Literature and Film: Spectral Identities is a collection of essays expanding the concepts of “ghost” and “haunting” beyond literary tools used to add supernatural flavor to include questions of identity, visibility, memory and trauma, and history. Using a wide scope of texts from varying time periods and cultures, including fiction and film, this collection explores the phenomenon of social ghosts. What does it mean, for example, to be invisible, to be a ghost, particularly when that ghost is representative of a person or group living on the margins of society? Why do specific types of ghosts tend to haunt certain cultures and/or places? What is it about a people’s history that invites these types of hauntings? The essays in this book, like pieces of a puzzle, approach the larger questions from diverse individual perspectives, but, taken together, they offer a richly detailed composite discussion of what it means to be haunted.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 6,500円 |
 Roald Dahl's Matilda - The Musical Music from the Netflix Film【電子書籍】[ Tim Minchin ] 楽天Kobo電子書籍ストア | ＜p＞(Piano/Vocal/Guitar Songbook). A brand new take on the Tony and Olivier award-winning musical, Netflix's film adaptation of Roald Dahl's Matilda The Musical tells the story of an extraordinary girl with a vivid imagination, who dares to take a stand to change her story with miraculous results. This exclusive folio presents 12 songs from the hit movie soundtrack, including "Still Holding My Hand," written exclusively for the film. The official songbook contains selections from the soundtrack arranged for voice and piano with chord symbols.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 2,647円 |
 Scoring the Score The Role of the Orchestrator in the Contemporary Film Industry【電子書籍】[ Ian Sapiro ] 楽天Kobo電子書籍ストア | ＜p＞＜em＞Scoring the Score＜/em＞ is the first scholarly examination of the orchestrator’s role in the contemporary film industry. Orchestrators are crucial to the production of a film’s score, yet they have not received significant consideration in film-music research. This book sheds light on this often-overlooked yet vital profession. It considers the key processes of orchestrating and arranging and how they relate, musical and filmic training, the wide-ranging responsibilities of the orchestrator on a film-scoring project, issues related to working practices, the impact of technology, and the differences between the UK and US production processes as they affect orchestrators.＜/p＞ ＜p＞Drawing on interviews with American and British orchestrators and composers, ＜em＞Scoring the Score＜/em＞ aims to expose this often hidden profession through a rigorous examination of the creative process and working practices, and analysis of the skills, training and background common to orchestrators. It will appeal to scholars, students, and practitioners of film music.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 11,109円 |
 電影即剪接：拍電影的教科書！教父剪接師告訴?：電影敘事、影像後製、音效設計的金獎級專業奧祕 The Conversations: Walter Murch and the Art of Editing Film【電子書籍】[ 麥可．翁達傑 ] 楽天Kobo電子書籍ストア | ＜p＞＜strong＞「影像本身是不?的，真正掌控電影是在剪接時。」＜/strong＞＜/p＞ ＜p＞＜strong＞──華特?莫屈＜/strong＞＜/p＞ ＜p＞＜strong＞大師開課！拍電影的教科書＜/strong＞＜/p＞ ＜p＞＜strong＞電影導演、剪接師、音效設計、故事編劇必看！＜/strong＞＜/p＞ ＜p＞剪接心法、電影製作、鏡頭運用、配樂混音、小?改編＜/p＞ ＜p＞《英倫情人》原著作者 VS.《教父》剪接?音效鬼才＜/p＞ ＜p＞金獎級的對談火花，激發大師級的故事力＜/p＞ ＜p＞【＜strong＞本書特色】＜/strong＞＜/p＞ ＜p＞?實例?明！經典電影當教科書，從人物、場景、聲音、時間感……細部剖析。＜/p＞ ＜p＞?珍貴手稿！一窺科波拉、威爾斯的劇本筆記、備忘?，跟著名導思考影像運作。＜/p＞ ＜p＞?學！華特?莫屈《英倫情人》剪接筆記大公開，教?如何建立資料庫。＜/p＞ ＜p＞?看！圖文對照深入?明，提供經典鏡頭、工作現場、幕後影像，展現電影製作的細節。＜/p＞ ＜p＞?談！從剪接角度，教?看?影像的敘事與邏輯；從音效角度，告訴?情緒導引重要性。＜/p＞ ＜p＞＜strong＞本書榮獲──＜/strong＞＜/p＞ ＜p＞＜strong＞【美國剪接師協會特別獎】＜/strong＞＜/p＞ ＜p＞＜strong＞【日本最具權威 《電影旬報》年度十大電影書】＜/strong＞＜/p＞ ＜p＞專業剪接師大讚：這是我看過最好的剪接教科書＜/p＞ ＜p＞＜strong＞奧斯?獎剪接教父傾?相授──＜/strong＞＜/p＞ ＜p＞CASE by CASE 細部拆解經典電影的製作與思考！＜/p＞ ＜p＞《現代?示?》、《英倫情人》、《教父》、《對話》、《茱莉亞》、《星際大戰》＜/p＞ ＜p＞《天才雷普利》《布拉格的春天》、《第六感生死戀》……等。＜/p＞ ＜p＞＜strong＞剪接師之眼！一句話?中拍電影的神髓──＜/strong＞＜/p＞ ＜p＞＜strong＞關於電影導演：＜/strong＞＜/p＞ ＜p＞?電影製作有兩種方法：一種是希區考克式，?一種是法蘭西斯?科波拉式。前者已經在創造者的腦子裡完成；後者則在過程中成長壯大，不停地集聚新生力量。＜/p＞ ＜p＞?只要相愛的人們在電影高潮時是在一起的，電影就會被看成是大團圓，?怕這時有一千架敵機正向他們迫近。＜/p＞ ＜p＞＜strong＞關於剪接師：＜/strong＞＜/p＞ ＜p＞?剪接師的任務就是操作觀?注意力的焦點。在剪接點上，考慮的是觀?眼睛看著?裡、往什麼地方移動，以及移動的快慢。＜/p＞ ＜p＞?就算畫面是精心設計的，也要彷彿是被偶然看見一樣。＜/p＞ ＜p＞＜strong＞關於音效混音：＜/strong＞＜/p＞ ＜p＞?電影音樂是作為抒發情緒的功用，而非製造情緒。＜/p＞ ＜p＞?當對話變得稀少，會促使觀?更專注在影片裡的聲音上，並將之視為語言。＜/p＞ ＜p＞＜strong＞關於電影編劇：＜/strong＞＜/p＞ ＜p＞?想要用寫作來改變某人的想法是徒勞的，?只會證實讀者他們自己的想法。＜/p＞ ＜p＞?一部電影如果讓?感覺不錯，它一定是表達出?個人?心的某種祕密。＜/p＞ ＜p＞＜strong＞【剪接，完整了一部電影！】＜/strong＞＜/p＞ ＜p＞本書透過一部電影最核心的創作者之一，華特?莫屈這位教父級剪接師的獨特視角，來探討電影創作過程的藝術特性，同時也更具體的探討處理影片中的種種問題，例如：如何避免系列情節的瓶頸；如何在影片開始的第幾分鐘做一點小小改變，以挽救第53分鐘的一場戲；如何透過増強靜默感來加強戲劇張力；甚至是如何掩蓋一個大漏洞大缺失……因為某場關鍵情節根本沒有拍攝。＜/p＞ ＜p＞主談人莫屈在書中，透過作者翁達傑的提問與互動，解?並示範了大量實用而獨特的理論，他分享了如何透過對於故事的微妙觀察、人物的一個角度與眼神、所屬的空間環境、聲音的運用……整合出一部動人的電影。＜/p＞ ＜p＞＜strong＞剪接的存在，不只是單獨一場戲的處理，而是對於整體結構的深刻理解。＜/strong＞＜/p＞ ＜p＞作者／譯者簡介＜/p＞ ＜p＞**作者簡介ー**＜strong＞麥可?翁達傑（Michael Ondaatje）＜/strong＞＜/p＞ ＜p＞加拿大著名詩人、作家，1943年生於斯里蘭?，11?隨母親到英國，19?移居加拿大，畢業於多倫多大學。他的作品兼具文學的語言美感和電影的視覺衝?力，透過詩性直覺和敘事節奏的交揉變化，展現獨特的個人風格。目前為止，共出版六部長篇小?，十多部詩集，以及其他非?構作品。其中，《英倫情人》＜em＞（The English Patient＜/em＞）榮獲布克獎，並改編為同名電影，由安東尼?明格拉（Anthony Minghella）執導，華特?莫屈（Walter Murch）剪接。＜/p＞ ＜p＞＜strong＞主談人簡介ー華特?莫屈（Walter Murch）＜/strong＞＜/p＞ ＜p＞新好?塢運動中最為知名的剪接師與音效設計師之一，是少數同時活躍於影像與音效的工作者，為英美電影界公認的剪接領域權威，在好?塢甚至有人稱他為「剪接教父」，同時也是柯波拉創立美洲西洋鏡電影公司的早期重要人物，曾多次獲得英國電影學院、美國電影學院大獎。＜/p＞ ＜p＞華特?莫屈曾剪接與參與音效工作的作品有：《對話》《現代?示?》、《教父2》、《教父3》、《布拉格的春天》、《天才雷普利》、《冷山》、《鍋蓋頭》，並以《英倫情人》同時獲得奧斯?最佳剪接獎、最佳音效獎。＜/p＞ ＜p＞同時也曾參與修復、重剪奧森．威爾斯（Orson Welles）的《?劫佳人》。＜/p＞ ＜p＞**譯者簡介ー**＜strong＞夏?＜/strong＞＜/p＞ ＜p＞畢業於北京大學，從事過廣告創意、國際文化交流等多項工作，自加拿大艾米利??爾藝術大學（Emily Carr University）電影系畢業後，作品多次參加國際電影節並獲大獎。2007年應邀在中國中央美術學院電影系任職至今。譯有《剪接的法則》。＜/p＞ ＜p＞目次＜/p＞ ＜p＞＜strong＞致中文世界的讀者＜/strong＞＜/p＞ ＜p＞＜strong＞引言ー剪接師之眼，看電影創作的過程與藝術性＜/strong＞＜/p＞ ＜p＞＜strong＞對話一?舊金山──＜/strong＞重剪《現代?示?》深入探討電影製作＜/p＞ ＜p＞01 謙卑的聲音景觀＜/p＞ ＜p＞02 高中生機密＜/p＞ ＜p＞●【對談之外】「像我一樣古怪的人」ー喬治?盧?斯＜/p＞ ＜p＞03 影響＜/p＞ ＜p＞04 導演與剪接師＜/p＞ ＜p＞05 ?一隻眼閉一隻眼＜/p＞ ＜p＞06「第一次」只有一次＜/p＞ ＜p＞07 黒暗時代＜/p＞ ＜p＞●【對談之外】「莫屈拒?替人頭朝下的畫面做電影混音！」ー法蘭西斯?科波拉＜/p＞ ＜p＞08 現代?示?的今與昔＜/p＞ ＜p＞09 燃燒的賽路珞＜/p＞ ＜p＞10 馬龍?白蘭度＜/p＞ ＜p＞11 韋勒的凝視＜/p＞ ＜p＞●【對談之外】演員與剪接ー華特?莫屈＜/p＞ ＜p＞12 新増的場景＜/p＞ ＜p＞13 法國人的幽靈＜/p＞ ＜p＞14《現代?示?重生版》＜/p＞ ＜p＞＜strong＞對話二?洛杉磯──＜/strong＞科學、聲音、小?對電影製作的關鍵影響＜/p＞ ＜p＞01 車輪誕生的恰當時機＜/p＞ ＜p＞02 殺人音樂＜/p＞ ＜p＞03 五種類型的模?兩可問題＜/p＞ ＜p＞04 兩則流言＜/p＞ ＜p＞05 魔鬼的發明＜/p＞ ＜p＞06 看看他們是怎麼?的＜/p＞ ＜p＞07 音效中的意涵＜/p＞ ＜p＞08 小?與電影的豐富性＜/p＞ ＜p＞09 約伯式的悲劇時刻＜/p＞ ＜p＞10 WIDEO＜/p＞ ＜p＞11 活的「非電影」方式＜/p＞ ＜p＞＜strong＞對話三?紐約──＜/strong＞關於剪接《對話》和《?劫佳人》的剖析＜/p＞ ＜p＞01 《對話》的剪接＜/p＞ ＜p＞02 隱身的搭?＜/p＞ ＜p＞03 小調鍵盤＜/p＞ ＜p＞04 手掌下面藏了什麼＜/p＞ ＜p＞05 在真實的夜?拍「夜景」＜/p＞ ＜p＞06 不對勁的回聲＜/p＞ ＜p＞07 最有表現力的角度＜/p＞ ＜p＞●【對談之外】「彷彿是奧森正在傳真筆記給我們」ー里克?施米徳林＜/p＞ ＜p＞＜strong＞對話四?舊金山──＜/strong＞偶然性與藝術創作＜/p＞ ＜p＞01 影響＜/p＞ ＜p＞02 負二十個問題＜/p＞ ＜p＞03 強制空間期＜/p＞ ＜p＞04 電影製作的兩種路徑＜/p＞ ＜p＞05 他為什麼更喜歡那樣＜/p＞ ＜p＞06 家庭生活＜/p＞ ＜p＞07 事物之間的意外?撞＜/p＞ ＜p＞08 鵝卵石、蟋蟀和?手＜/p＞ ＜p＞09 藍色之死＜/p＞ ＜p＞10 一種誤讀＜/p＞ ＜p＞11 發散或匯聚＜/p＞ ＜p＞12 消失的兄弟＜/p＞ ＜p＞13 序幕＜/p＞ ＜p＞04 油彩鉛筆和即時剪接＜/p＞ ＜p＞●【對談之外】「等待挑釁」ー安東尼?明格拉＜/p＞ ＜p＞＜strong＞對話終章?多倫多──＜/strong＞導演、作家與其他身分＜/p＞ ＜p＞01 因不安而受賜福＜/p＞ ＜p＞02《天魔?險》的劇本寫作＜/p＞ ＜p＞03 表面之下＜/p＞ ＜p＞04 里爾克的精彩詩句＜/p＞ ＜p＞05 夢境＜/p＞ ＜p＞＜strong＞華特?莫屈作品年表＜/strong＞＜/p＞ ＜p＞＜strong＞致謝＜/strong＞＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 1,997円 |
 The Art of the Batman: The Official Behind-The-Scenes Companion to the Film ART OF THE BATMAN [ James Field ] 楽天ブックス | ART OF THE BATMAN James Field Matt Reeves ABRAMS2022 Hardcover English ISBN：9781419762109 洋書 Art & Entertainment（芸術＆エンターテインメント） Performing Arts | 9,900円 |
 WALT DISNEY FILM ARCHIVES,THE(H) [ 40TH ANNIVERSARY EDITION ] 楽天ブックス | 40TH ANNIVERSARY EDITION TASCHEN (GERMANY).2020 English ドイツ ISBN：9783836580861 洋書 Art & Entertainment（芸術＆エンターテインメント） Art | 5,940円 |
 Walls Have Feelings Architecture, Film and the City【電子書籍】[ Katherine Shonfield ] 楽天Kobo電子書籍ストア | ＜p＞For the first time, this book brings the insights, methodologies and visions of film to the practice of architecture.＜br /＞ ＜em＞Walls Have Feelings＜/em＞ poses unanswered questions from our immediate past, crucial for the future of the city: what was the cultural mindset leading to the triumph of Brutalism? What is the urban and domestic impact of large scale office building? Are there alternatives to the planners' city of object? and, Why does your flat leak?＜br /＞ This book uniquely brings to bear questions of urgent cultural relevance on critical design decisions. As such, it is of as much importance to architects, planners and students of design, as to students of cultural history, geography and all enthusiasts of cities and of film.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 17,410円 |
 Rachel Portman - Beyond the Screen / Film Works on Piano RACHEL PORTMAN - BEYOND THE SC [ Rachel Portman ] 楽天ブックス | RACHEL PORTMAN ー BEYOND THE SC Rachel Portman CHESTER MUSIC2023 Paperback English ISBN：9781705196991 洋書 Art & Entertainment（芸術＆エンターテインメント） Music | 4,950円 |
 Local Hollywood Global Film Production and the Gold Coast【電子書籍】 楽天Kobo電子書籍ストア | ＜p＞The pioneering story of Australia's own Hollywood. Hollywood films and television programs are watched by a global audience. While many of these productions are still made in southern California, the last twenty years have seen new production centers emerge in the US, Canada and other locations worldwide. Global Hollywood has been made possible by this growing number of Local Hollywoods: locations equipped with the requisite facilities, resources and labor, as well as the political will and tax incentives, to attract and retain high-budget, Hollywood-standard projects. This new book gives an unprecedented insight into how the Gold Coast became the first outpost of Hollywood in Australia. When a combination of forces drove Hollywood studios and producers to work outside California, the Gold Coast's unique blend of government tax support, innovative entrepreneurs and diverse natural settings made it a perfect choice to host Hollywood productions. ＜em＞Local Hollywood＜/em＞ makes an essential contribution to the field of film and media studies, as well as giving film buffs a behind-the-scenes tour of the film industry.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 2,656円 |
 The Fantastic in Holocaust Literature and Film Critical Perspectives【電子書籍】 楽天Kobo電子書籍ストア | ＜p＞When reality becomes fantastic, what literary effects will render it credible or comprehensible? To respond meaningfully to the surreality of the Holocaust, writers must produce works of moral and emotional complexity. One way they have achieved this is through elements of fantasy.＜/p＞ ＜p＞Covering a range of theoretical perspectives, this collection of essays explores the use of fantastic story-telling in Holocaust literature and film. Writers such as Jane Yolen and Art Spiegelman are discussed, as well as the sci-fi television series ＜em＞V＜/em＞ (1983), Stephen King's novella ＜em＞Apt Pupil＜/em＞ (1982), Guillermo del Toro's ＜em＞Pan's Labyrinth＜/em＞ (2006) and Martin Scorsese's dark thriller ＜em＞Shutter Island＜/em＞ (2010).＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 2,652円 |
 Casablanca - The Theater Play (Based on the Original Film): Adapted by David Serero【電子書籍】[ David Serero ] 楽天Kobo電子書籍ストア | ＜p＞Casablanca is a 1942 American romantic drama film directed by Michael Curtiz. The film stars Humphrey Bogart, Ingrid Bergman, and Paul Henreid. Set during World War II, it focuses on an American expatriate who must choose between his love for a woman and helping her and her husband, a Czech resistance leader, escape from the Vichy-controlled city of Casablanca to continue his fight against the Germans.＜/p＞ ＜p＞Exceeding expectations, Casablanca went on to win the Academy Award for Best Picture, became iconic and it consistently ranks near the top of lists of the greatest films in history.＜/p＞ ＜p＞David Serero adapted this film as a theater play.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 1,450円 |
 The John Williams Piano Anthology 40+ Solo Piano Arrangements of Iconic Film Scores Orchestral Movie JOHN WILLIAMS PIANO ANTHOLOGY [ John Williams ] 楽天ブックス | JOHN WILLIAMS PIANO ANTHOLOGY John Williams HAL LEONARD PUB CO2017 Paperback English ISBN：9781495073373 洋書 Art & Entertainment（芸術＆エンターテインメント） Music | 5,346円 |
 Film Noir Style The Killer 1940s【電子書籍】[ Kimberly Truhler ] 楽天Kobo電子書籍ストア | ＜p＞Film Noir Style: The Killer 1940s looks at the fashions of the femmes fatales who were so good at being bad, and the suits and trench coats of definitive noir actors such as Humphrey Bogart and Alan Ladd. Film and fashion historian Kimberly Truhler explores twenty definitive film noir titles from 1941 to 1950 and traces the evolution of popular fashion in the decade of the '40s, the impact of World War II on home-front fashion, and the influence of the film noir genre on popular fashion then and now. Meet not only the fabulous women of noir, including Betty Grable, Veronica Lake, Gene Tierney, Lauren Bacall, Barbara Stanwyck, Ava Gardner, and many others, but also the costume designers that created and recreated these famous stars as killersーand worseーthrough the clothes they wore.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 2,336円 |
 Visionary Film The American Avant-Garde, 1943-2000【電子書籍】[ P. Adams Sitney ] 楽天Kobo電子書籍ストア | ＜p＞Critics hailed previous editions of ＜em＞Visionary Film＜/em＞ as the most complete work written on the exciting, often puzzling, and always controversial genre of American avant-garde film. This book has remained the standard text on American avant-garde film since the publication of its first edition in 1974. Now P. Adams Sitney has once again revised and updated this classic work, restoring a chapter on the films of Gregory J. Markopoulos and bringing his discussion of the principal genres and major filmmakers up to the year 2000.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 6,060円 |
 圖解分鏡 Storyboarding Essentials: How to Translate Your Story to the Screen for Film: TV: and Other Media【電子書籍】[ 大衛．哈蘭．盧梭 ] 楽天Kobo電子書籍ストア | ＜p＞影視製作必讀聖經！＜br /＞ 第一本徹底解?好?塢分鏡實務關鍵＜/p＞ ＜p＞分鏡，就是把故事化為一格一格的連續影像。了解鏡頭的效果，運用鏡頭切換帶出人物、動作、物件、環境，像導演一樣把故事?得精彩生動。在影視業現場，分鏡表則是劇組團隊的聖經，?日必讀。透過視覺化的分鏡表將複雜又瑣碎的工作化零為整，預先模擬複雜動作的處理手法，有效率地完成?天的拍攝進度。＜/p＞ ＜p＞本書由兩位在好?塢發展多年、致力研究及教學分鏡畫法的導演和動畫師，圖解各式鏡頭的特色和代表的鏡頭語言，搭配豐富有趣的分鏡圖例，一??示範以「畫面」鋪陳故事的要領。不僅能運用在影視廣告、動畫、互動設計、遊戲開發等領域，也是相關?本創作到後期剪接各階段的?建技法。＜/p＞ ＜p＞打開本書，?將學會＜br /＞ 『 抓住觀?目光的分鏡祕訣 』＜/p＞ ＜p＞招式 1 ：利用連戲引發心理期待＜br /＞ ● 30 度和180 度法則的視覺契約＜br /＞ ● 攝影機維持在景框軸的某一側＜br /＞ ●「凸破慣例」和「彌補失誤」＜/p＞ ＜p＞招式 2：活用鏡頭升高戲劇張力＜br /＞ ● 過肩鏡頭→親密深情＜br /＞ ● 矮?架鏡頭→速度和力量＜br /＞ ● 蟲視鏡頭→關鍵時刻、英雄出場＜/p＞ ＜p＞招式 3：採用身?其境的拍法＜br /＞ ● 3 種動態＋ 3 種靜態的攝影機運動＜br /＞ ● 攝影師一看就?的2 種箭頭指示＜br /＞ ● 好用的外景前製?手「動態照片」＜/p＞ ＜p＞還有更多『畫分鏡』不可不知的鏡頭語言、好?塢影人訪談、自我測驗單元。＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 2,360円 |
 Sounds of the Future Essays on Music in Science Fiction Film【電子書籍】 楽天Kobo電子書籍ストア | ＜p＞Covering titles ranging from ＜em＞Rocketship X-M＜/em＞ (1950) to ＜em＞Wall-E＜/em＞ (2008), these insightful essays measure the relationship between music and science fiction film from a variety of academic perspectives. Thematic sections survey specific compositions utilized in science fiction movies; Broadway's relationship with the genre; science fiction elements in popular songs; the conveyance of subjectivity and identity through music; and such individual composers as Richard Strauss (＜em＞2001: A Space Odyssey＜/em＞) and Bernard Herrmann (＜em＞The Day the Earth Stood Still＜/em＞).＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 2,652円 |
 Body Genre Anatomy of the Horror Film【電子書籍】[ David Scott Diffrient ] 楽天Kobo電子書籍ストア | ＜p＞In this groundbreaking work, author David Scott Diffrient explores largely understudied facets of cinematic horror, from the various odors permeating classic and contemporary films to the wetness, sliminess, and stickiness of these productions, which, he argues, practically scream out for a tactile mode of ＜em＞textural＜/em＞ analysis as much as they call for more traditional forms of ＜em＞textual＜/em＞ analysis. Dating back to Carol Clover’s and Linda Williams’s pioneering work on horror cinema, film scholars have long conceptualized this once-disreputable category of cultural production as a “body genre.” However, despite the growing recognition that horror serves important biological and social functions in our lives, scholars have only scratched the surface of this genre with regard to its affective, corporeal, and sensorial appeals.＜/p＞ ＜p＞Diffrient anatomizes horror films in much the same way that a mad scientist might handle the body, separating and recombining constitutive parts into a new analytical whole. Further, he challenges the tendency of scholars to privilege human over nonhuman beings and calls into question ableist assumptions about the centrality to horror films of sight and sound to the near exclusion of other forms of sense experience. In addition to examining the role that animalsーliving or dead, real or fakeーplay in human-centered fictions, this volume asks what it means for audiences to consume motion pictures in which actors, stunt performers, and other creative personnel have put their own bodies and lives at risk for our amusement. Historically grounded and theoretically expansive, ＜em＞Body Genre: Anatomy of the Horror Film＜/em＞ moves the study of cinematic horror into previously unchartered waters and breathes life into a subject that, not coincidentally, is intimately connected to breathing as our most cherished dividing line between life and death.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 3,980円 |
 ?徳斯談電影觀看的行為【經典版】 Wim Wenders on film: The Act of Seeing【電子書籍】[ 文??徳斯 ] 楽天Kobo電子書籍ストア | ＜p＞＜strong＞?徳斯談電影全集，三部曲之第三部＜/strong＞＜/p＞ ＜p＞＜strong＞徳文翻譯?全新繁體中文版＜/strong＞＜/p＞ ＜p＞＜strong＞第一手觀點＜/strong＞＜/p＞ ＜p＞＜strong＞?徳斯****名列當代電影大師之後的回顧＆反思＜/strong＞＜/p＞ ＜p＞＜strong＞榮獲坎城、威尼斯、柏林影展大獎導演＜/strong＞＜/p＞ ＜p＞＜strong＞完成《巴黎?徳州》、《慾望之翼》等代表作之後＜/strong＞＜/p＞ ＜p＞＜strong＞?徳斯以更高視野思考＜/strong＞＜/p＞ ＜p＞＜strong＞對談＜/strong＞──拍片?程、創作?蒙、人生的轉變、導演榜樣、＜/p＞ ＜p＞童年記憶、演員表演、男性情誼、影像技術、城市文化、＜/p＞ ＜p＞電影未來、徳國意識、身?認同、影像觀點＜/p＞ ＜p＞＜strong＞《直到世界末日》、《城市時裝速記》、《慾望之翼》、《巴黎徳州》創作始末＜/strong＞＜/p＞ ＜p＞＜strong＞?徳斯＜/strong＞ ＜strong＞VS＜/strong＞ ＜strong＞高達對話全記?＜/strong＞＜/p＞ ＜p＞「影像比故事更有能力趨近真實，或甚至更有能力趨近?言！」──?徳斯＜/p＞ ＜p＞**【**＜strong＞?徳斯的回顧＆反思】＜/strong＞＜/p＞ ＜p＞台灣首度譯自徳文的?徳斯電影寫作全集三部曲，本書收?了第三部，是?徳斯1988年至1992年期間發表的文章、演講稿和訪談紀?。1988年的他，已陸續完成代表之作，包括1984年《巴黎，徳州》、1987年《慾望之翼》等片，他開始以更高視野反思電影，回顧自身?程，外界訪談也更深入探索他身為徳國導演的身分認同、對城市文化的思索與影像觀。＜/p＞ ＜p＞＜strong＞【三部曲：觀看的行為＜/strong＞──影像的反思】＜/p＞ ＜p＞本書中，我們看著?徳斯如何利用接受記者和電影界人士專訪的機會，確立自身立場，並釐清自已與他人、城市和環境的關係，帶領我們看到他如何更深刻地思考自身及他的電影作品。他並詳細地談論自己在撰寫電影?本時的工作情況、新的影視技術（例如?影技術和高畫質電視等）的可能性與危險性，以及對於自己既是徳國人和歐洲人，同時也是世界公民的自我認知。＜/p＞ ＜p＞＜strong＞【＜strong＞＜strong＞與高達喇迪賽，與柯波拉針鋒相對＜/strong＞＜/strong＞，暢談為何走上電影之路】＜/strong＞＜/p＞ ＜p＞多次的對談和受訪中，?徳斯反覆回顧，談童年、談父親、談搖滾樂、談導演生涯的兩次轉捩點，提及年少的他，一直想成為畫家，大學時雙主修醫學和哲學，?上電影之路只因暖氣不足，去電影資料館取暖看電影而開?。一路上，與其他大師的交流與互動，更是機鋒處處，他與高達，都為「拍片資金」苦惱。?徳斯總為拍片期間資金可能付諸流水擔驚受怕；高達則是有多少花多少，闡述自己如何在資金窘迫的情況下拍《斷了氣》。赴好?塢拍《神探漢密特》時史無前例的磨合與挑戰，與製作人柯波拉之間的拉踞，親身見證在好?塢一千本?本，只有一百本有機會放在製作人?上，最後只有十本進入前製，但最終只有一本會被拍成電影的殘酷事實。＜/p＞ ＜p＞**【**＜strong＞影像比故事更有能力趨近真實？或?言？】＜/strong＞＜/p＞ ＜p＞?徳斯在書中無意間勾勒出來的東西，正是他本身對於察覺的微型理論。他曾表示，「和思考不同的是，人類的觀看並不包含他們對於事物的意見……觀看是一種無意見的行為，在觀看裡，人們可以找到本身對於他人、物件和世界的那種無意見的態度。換言之，人們透過觀看而面對了人事物，也透過觀看而與人事物出現連結，並察覺人事物的存在。對觀看來?，（察覺）的確是個不錯的、甚至比本身更為美妙的詞彙，因為它的字首wahr在徳文裡，就是「真實」的意思。……影像比故事更有能力趨近真實。」＜/p＞ ＜p＞?徳斯在《觀看的行為》這本文集裡，試圖以自己和其他導演的電影作品為例，探索人類視覺的察覺過程。不過，就像他強烈重視影像的力量一樣，他也同時意識到，自己所使用的電影媒介的不可靠。因為，影像不僅有能力趨近真實，或許還更有能力趨近?言！＜/p＞ ＜p＞【＜strong＞各界讚譽＆推薦】＜/strong＞＜/p＞ ＜p＞「?徳斯是電影界的異議分子。他不斷指出電影的困境，但同時也為電影指出新的出路，並開?一些新的空間和經驗：新的故事。」──《時代週報》（Die Zeit）＜/p＞ ＜p＞「?徳斯電影作品的出色之處就在於它們呈現出覺醒者的激動，以及人們對所見之種種的驚訝和好奇。」──《南徳日報》（S?ddeutsche Zeitung）＜/p＞ ＜p＞「?徳斯是魔法師！」──《明鏡週刊》（Der Spiegel）＜/p＞ ＜p＞＜strong＞沈可尚／導演＜/strong＞＜/p＞ ＜p＞若要看待一位作者電影的世界觀，本書非讀不可！＜/p＞ ＜p＞＜strong＞林木材／台灣國際紀?片影展策展人＜/strong＞＜/p＞ ＜p＞以電影探尋事物的本質，必必必必看！＜/p＞ ＜p＞＜strong＞張榮吉／導演＜/strong＞＜/p＞ ＜p＞觀看過程彷彿是回到導演的起點，回到電影的最初。＜/p＞ ＜p＞＜strong＞陳駿霖／導演＜/strong＞＜/p＞ ＜p＞?徳斯是過去四、五十來最偉大的導演和藝術家之一，這套書驚人地帶領我們進入他的創作?程。＜/p＞ ＜p＞＜strong＞瞿友寧＜/strong＞**／**＜strong＞導演＜/strong＞＜/p＞ ＜p＞?徳斯教會我其實可以披著翅膀看這世界，而距離的衡量是多餘的。＜/p＞ ＜p＞＜strong＞饒紫娟／台北市電影委員會總監＜/strong＞＜/p＞ ＜p＞曾經凌晨排隊買票只為了看《巴黎，徳州》，後來更因為《一頁台北》陪他走過台北一些巷弄，那些我們覺得不起眼、他卻覺得異常有趣的地方。他把世界的實景透過電影攝成「真實的?像」，這本書不但是所有編導製片應該要讀的，喜愛文學的讀者們更可以在其中找到個人的理想之境。＜/p＞ ＜p＞【＜strong＞影壇13人，好評推薦】＜/strong＞＜/p＞ ＜p＞王志欽／影評人＜/p＞ ＜p＞王派彰／策展人＜/p＞ ＜p＞沈可尚／導演＜/p＞ ＜p＞林木材／台灣國際紀?片影展策展人＜/p＞ ＜p＞徐明瀚／電影與藝術評論人＜/p＞ ＜p＞張榮吉／導演＜/p＞ ＜p＞陳駿霖／導演＜/p＞ ＜p＞?以曦／影評人＜/p＞ ＜p＞?嘉俊／黒糖導演＜/p＞ ＜p＞聞天祥／金馬獎執委會執行長＜/p＞ ＜p＞楊元鈴／?徳斯【在路上】影展策展人＜/p＞ ＜p＞瞿友寧／導演＜/p＞ ＜p＞饒紫娟／台北市電影委員會總監＜/p＞ ＜p＞作者／譯者簡介＜/p＞ ＜p＞＜strong＞作者＜/strong＞＜/p＞ ＜p＞＜strong＞?徳斯 Wim Wenders＜/strong＞＜/p＞ ＜p＞1945年8月14日出生於徳國杜塞道夫。＜/p＞ ＜p＞1964至65年於弗?堡大學研讀醫學與哲學，隨後中斷學業。由於一心想成為畫家，而於1966年前往巴黎，隨後他的藝術興趣轉向電影方面，但當時未能如願通過巴黎高等電影學院（Institut des Hautes Etudes Cinematographiques）的入學考試。隔年，他返回徳國報考慕尼黒電影?電視學院（Hochschule f?r Film und Fernsehen）並獲得?取，在學期間已開始為《南徳日報》（S?ddeutsche Zeitung）和《電影評論》（Filmkritik）雜誌撰寫影評，前後長達四年。＜/p＞ ＜p＞1971年，他和參與「徳國新電影運動」的導演共同成立作者電影公司（Filmverlag der Autoren），1975年獨自成立公路電影製作公司（Road Movies Filmproduktion），1984年獲選為柏林藝術學院會員，1989年榮獲巴黎索邦大學榮譽博士學位，1991年獲頒穆瑙電影獎（Friedrich Wilhelm Murnau Filmpreis），自1996年起，擔任歐洲電影學院（European Film Academy）院長至今。＜/p＞ ＜p＞影片在國際影展間?有斬獲，《美國朋友》（1977）曾獲徳國電影獎最佳影片與最佳導演、《事物的?態》（1982）曾獲威尼斯影展金獅獎，《巴黎，徳州》（1984）曾獲坎城影展金棕櫚獎，《慾望之翼》（1987）曾獲坎城影展最佳導演獎，並於2015年榮獲柏林影展榮譽金熊獎。＜/p＞ ＜p＞?徳斯向來被視為「作者型導演」（auteur director），喜歡搖滾樂，包括滾石、清水、奇想樂團以及吉他手哈維?曼徳（Harvey Mandel）的音樂，喜愛小津安二郎的電影及塔可夫斯基的《飛向太空》、《潛行者》，除了電影創作外，他更是一位多?的作家和攝影家。＜/p＞ ＜p＞＜strong＞譯者＜/strong＞＜/p＞ ＜p＞＜strong＞莊仲黎＜/strong＞＜/p＞ ＜p＞1969年生，女，徳國漢堡大學民族學碩士、博士候選人，擅長徳文經典著作之譯介，譯筆簡明流暢、清晰易讀，譯有《機械複製時代的藝術作品：班雅明精選集》、《徳國文化關鍵詞》、《榮格論自我與無意識》、《榮格論心理類型》等書。＜/p＞ ＜p＞目次＜/p＞ ＜p＞＜strong＞1＜/strong＞＜/p＞ ＜p＞《直到世界末日》＜/p＞ ＜p＞時光之旅＜/p＞ ＜p＞觀看的行為＜/p＞ ＜p＞＜strong＞2＜/strong＞＜/p＞ ＜p＞感動的覺察＜/p＞ ＜p＞影像的真實性＜/p＞ ＜p＞不講求真實性的影像革命＜/p＞ ＜p＞高畫質影像＜/p＞ ＜p＞＜strong＞3＜/strong＞＜/p＞ ＜p＞《城市時裝速記》＜/p＞ ＜p＞城市的景觀＜/p＞ ＜p＞找到一座讓我自己住下來的城市……＜/p＞ ＜p＞＜strong＞4＜/strong＞＜/p＞ ＜p＞他全心全意從事繪畫創作＜/p＞ ＜p＞冬日画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 1,894円 |
 The Back to the Future Quiz Book The Film Quiz Books【電子書籍】[ Paul Andrews ] 楽天Kobo電子書籍ストア | ＜p＞Are you a fan of the film Back To The Future Do you think you know all there is to know about the film. Containing questions about the plot, characters and actors, as well as facts about the making of the film. This fun quiz book will test you, your family and friends knowledge of this great film.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 421円 |
 Women of Blaxploitation How the Black Action Film Heroine Changed American Popular Culture【電子書籍】[ Yvonne D. Sims ] 楽天Kobo電子書籍ストア | ＜p＞With the Civil Rights movement of the sixties fresh in their perspective, movie producers of the early 1970s began to make films aimed toward the underserved African American audience. Over the next five years or so, a number of cheaply made, so-called blaxploitation movies featured African American actresses in roles which broke traditional molds. Typically long on flash and violence but lacking in character depth and development, this genre nonetheless did a great deal toward redefining the perception of African American actresses, breaking traditional African American female stereotypes and laying the groundwork for later feminine action heroines.＜/p＞ ＜p＞This critical study examines the ways in which the blaxploitation heroines of the early 1970s reshaped the presentation of African American actresses on screen and, to a certain degree, the perception of African American females in general. It discusses the social, political and cultural context in which blaxploitation films emerged. The work focuses on four African American actresses--Pam Grier, Tamara Dobson, Teresa Graves and Jeanne Belle--providing critical and audience response to their films as well as insight into the perspectives of the actresses themselves. The eventual demise of the blaxploitation genre due to formulaic plots and lack of character development is also discussed. Finally, the work addresses the mainstreaming of the action heroine in general and a recent resurgence of interest in black action movies. Relevant film stills and a selected filmography including cast list and plot synopsis are also included.＜/p＞ ＜p＞Instructors considering this book for use in a course may request an examination copy here.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 2,652円 |