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商品	説明	価格
The Virtual Life of Film【電子書籍】[ D. N. Rodowick ] 楽天Kobo電子書籍ストア	＜p＞As almost (or, truly, virtually) every aspect of making and viewing movies is replaced by digital technologies, even the notion of “watching a film” is fast becoming an anachronism. With the likely disappearance of celluloid film stock as a medium, and the emergence of new media competing for an audience, what will happen to cinemaーand to cinema studies? In the first of two books exploring this question, D. N. Rodowick considers the fate of film and its role in the aesthetics and culture of moviemaking and viewing in the twenty-first century.＜/p＞ ＜p＞Here Rodowick proposes and examines three different critical responses to the disappearance of film in relation to other time-based media, and to the study of contemporary visual culture. Film, he suggests, occupies a special place in the genealogy of the arts of the virtual: while film disappears, cinema persistsーat least in the narrative forms imagined by Hollywood since 1915. Rodowick also observes that most so-called “new media” are fashioned upon a cinematic metaphor. His book helps us see how digital technologies are serving, like television and video before them, to perpetuate the cinematic as the mature audiovisual culture of the twentieth centuryーand, at the same time, how they are preparing the emergence of a new audiovisual culture whose broad outlines we are only just beginning to distinguish.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。	5,041円
Silent Renoir Philosophy and the Interpretation of Early Film【電子書籍】[ Colin Davis ] 楽天Kobo電子書籍ストア	＜p＞Jean Renoir (1894-1979) is widely regarded as one of the most distinguished directors in the history of world cinema. In the 1930s he directed a string of films which stretched the formal, intellectual, political and aesthetic boundaries of the art form, including works such as ＜em＞Le Crime de Monsieur Lange＜/em＞, ＜em＞La Grande Illusion＜/em＞, ＜em＞La B?te humaine＜/em＞ and ＜em＞La R?gle du jeu＜/em＞. However, the great director’s early work from the 1920s remains almost completely unknown, even to film specialists. If it is discussed at all, it is often seen to be of interest only insofar as it anticipates themes and techniques perfected in the later masterpieces. Renoir’s films of the 1920s were sometimes unfinished, commercially unsuccessful, or unreleased at the time of their production. This book argues that to regard them merely as prefigurations of later achievements entails a failure to view them on their own terms, as searching, unsettled experiments in the meaning and potentialof film art.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。	7,900円
The Blunt Affair Official secrecy and treason in literature, television and film, 1980?89【電子書籍】[ Jonathan Bolton ] 楽天Kobo電子書籍ストア	＜p＞The case of the Cambridge spies has long captured the public’s attention, but perhaps never more so than in the wake of Anthony Blunt’s exposure as the fourth man in November 1979. With the Cold War intensifying, patriotism running high during the Falklands War and the AIDS crisis leading to widespread homophobia, these notorious traitors were more relevant than ever. This book explores how they were depicted in literature, television and film throughout the 1980s. Examining works by an array of distinguished writers, including Dennis Potter, Alan Bennett, Tom Stoppard and John le Carr?, it sheds new light on the affair, asking why such privileged young men chose to betray their country, whether loyalty to one’s friends is more important than patriotism and whether we can really trust the intelligence services.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。	15,919円
Film Noir and Los Angeles Urban History and the Dark Imaginary【電子書籍】[ Sean W. Maher ] 楽天Kobo電子書籍ストア	＜p＞This book combines film studies with urban theory in a spatial exploration of twentieth century Los Angeles. Configured through the dark lens of noir, the author examines an alternate urban history of Los Angeles forged by the fictional modes of detective fiction, film noir and neo noir.＜/p＞ ＜p＞Dark portrayals of the city are analyzed in Raymond Chandler’s crime fiction through to key films like ＜em＞Double Indemnity＜/em＞ (1944) and ＜em＞The End of Violence＜/em＞ (1997). By employing these fictional elements as the basis for historicising the city’s unrivalled urban form, the analysis demonstrates an innovative approach to urban historiography.＜/p＞ ＜p＞Revealing some of the earliest tendencies of postmodern expression in Hollywood cinema, this book will be of great relevance to students and researchers working in the fields of film, literature, cultural and urban studies. It will also be of interest to scholars researching histories of Los Angeles and the American noir imagination.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。	9,948円
Kosher Movies A Film Critic Discovers Life Lessons at the Cinema【電子書籍】[ Rabbi Herbert J. Cohen ] 楽天Kobo電子書籍ストア	＜p＞Film critic Herbert Cohen views films as potential life lessons, and defines a "kosher movie" as one that has something valuable to say about the human condition. In this survey spanning many genres, Cohen presents films as tools for self-discovery and for navigating challenges of life. What do romantic comedies really say about love? What can ＜em＞Cast Away＜/em＞ teach us about the value of time? What parenting lessons can we learn from ＜em＞Dead Poets Society＜/em＞? Exploring 120 stand-out movies from the past 30 years, Cohen shares inspiring personal anecdotes about self-growth, relationships, parenting, aging, dealing with adversity, and more.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。	1,178円
Visions of a New Land: Soviet Film from the Revolution to the Second World War【電子書籍】[ Emma Widdis ] 楽天Kobo電子書籍ストア	＜DIV＞＜DIV＞In 1917 the Bolsheviks proclaimed a world remade. The task of the new regime, and of the media that served it, was to reshape the old world in revolutionary form, to transform the vast, "ungraspable" space of the Russian Empire into the mapped territory of the Soviet Union. This book shows how Soviet cinema encouraged popular support for state initiatives in the years between the revolution and the Second World War, helping to create a new Russian identity and territory-an "imaginary geography" of Sovietness.＜br＞＜BR＞Drawing on a vast range of little-known texts, Emma Widdis offers a unique cultural history of the early Soviet period. In particular, she shows how films projected the new Soviet map onto the great shared screen of the popular imagination.＜BR＞＜/DIV＞＜/DIV＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。	7,048円
The Routledge Companion to Philosophy and Film【電子書籍】 楽天Kobo電子書籍ストア	＜p＞＜em＞The Routledge Companion to Philosophy and Film＜/em＞ is the first comprehensive volume to explore the main themes, topics, thinkers and issues in philosophy and film. The ＜em＞Companion＜/em＞ features sixty specially commissioned chapters from international scholars and is divided into four clear parts:＜/p＞ ＜p＞? issues and concepts＜br /＞ ? authors and trends＜br /＞ ? genres＜br /＞ ? film as philosophy.＜/p＞ ＜p＞Part one is a comprehensive section examining key concepts, including chapters on acting, censorship, character, depiction, ethics, genre, interpretation, narrative, reception and spectatorship and style. Part two covers authors and scholars of film and significant theories Part three examines genres such as documentary, experimental cinema, horror, comedy and tragedy. Part four includes chapters on key directors such as Tarkovsky, Bergman and Terrence Malick and on particular films including ＜em＞Memento＜/em＞.＜/p＞ ＜p＞Each chapter includes a section of annotated further reading and is cross-referenced to related entries.＜/p＞ ＜p＞＜em＞The Routledge Companion to Philosophy and Film＜/em＞ is essential reading for anyone interested in philosophy of film, aesthetics and film and cinema studies.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。	13,430円
Mapping the English left through film Twenty five uneasy pieces【電子書籍】[ Ian Parker ] 楽天Kobo電子書籍ストア	＜p＞Ian Parker's Mapping the English Left through Film: Twenty Five Uneasy Pieces is a block-buster of a book, mercilessly unpicking the cinematic narratives that infuse twenty-five organisations. Key elements of plot and production are used to tell the story of purges and splits and cult-favourites in this innovative history of Trotskyist groups in England. This is the place where revolutionary Marxism goes to the movies.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。	846円
The Evolution of the Action Film Villain in the Early 1990s【電子書籍】[ Aaron Stewart ] 楽天Kobo電子書籍ストア	＜p＞In ＜em＞The Evolution of the Action Film Villain in the Early 1990s＜/em＞, Aaron Stewart takes readers on an in-depth journey through one of cinema's most thrilling and transformative eras. The early 1990s marked a revolutionary shift in how villains were portrayed in action filmsーno longer just evil masterminds or simple criminals, these antagonists became complex, multifaceted characters that challenged the status quo and captured the cultural anxieties of the time.＜/p＞ ＜p＞This book dissects how villains during this period evolved from traditional, power-hungry figures into diverse forces of chaos, social critique, and existential dread. With keen analysis and rich historical context, Stewart explores iconic villains like the shape-shifting T-1000 from ＜em＞Terminator 2: Judgment Day＜/em＞, the anarchistic Joker from ＜em＞The Dark Knight＜/em＞, and the morally complex characters of ＜em＞Heat＜/em＞ and ＜em＞The Matrix＜/em＞. Each chapter dives into the psychology and societal implications behind these characters, examining how they reflect the growing fears of technological domination, the erosion of individual freedoms, and the uncertainty of global change.＜/p＞ ＜p＞Whether you're a cinephile, a scholar, or simply someone who loves the high-octane action and thought-provoking storytelling of the 1990s, ＜em＞The Evolution of the Action Film Villain in the Early 1990s＜/em＞ offers a fresh and engaging perspective on the cultural forces that shaped modern blockbuster filmmaking. This is not just a look at movie villainsーit's a look at how the villains of the 1990s influenced and mirrored the very world we live in today.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。	450円
German Film. Volume 6: 1950-1959 From the Archives of the Deutsche Kinemathek【電子書籍】[ Rainer Rother ] 楽天Kobo電子書籍ストア	＜p＞This e-book is part of a twelve-volume series documenting the history of German film from its beginnings in 1895 to the present day using the collection holdings of the Deutsche Kinemathek. Each volume in ePUB format focuses on a decade and offers a concise overview of the cinematic masterpieces and milestones of that era, highlights famous films and films to be rediscovered, and pays tribute to the cinema, its audience and the creative minds behind the diversity of German film. The complete work, which comprises over 2,700 objects from all areas of the collection and spans 130 years, is also available as a printed book and as a PDF in German and English. The DEUTSCHE KINEMATHEK is one of the world's leading institutions for the collection, preservation, and presentation of audio-visual heritage. Hundreds of thousands of objects are permanently preserved in its archives and are available for research into film and television history. In addition to scripts, photos, posters, costumes and designs, the collection also includes film equipment. The Kinemathek curates film series and exhibitions and restores and digitizes films. Its diverse activities, including installations, publications, educational formats, and conferences, encourage visitors to discover the world of moving images.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。	1,300円
洋書 Paperback, The Mysterious Miss Empress: Hollywood's Forgotten Film Vampire Glomarket	*** We ship internationally, so do not use a package forwarding service. We cannot ship to a package forwarding company address because of the Japanese customs regulation. If it is shipped and customs office does not let the package go, we do not make a refund. 【注意事項】 *** 特に注意してください。 *** ・個人ではない法人・団体名義での購入はできません。この場合税関で滅却されてもお客様負担になりますので御了承願います。 ・お名前にカタカナが入っている場合法人である可能性が高いため当店システムから自動保留します。カタカナで記載が必要な場合はカタカナ変わりローマ字で記載してください。 ・お名前またはご住所が法人・団体名義（XX株式会社等）、商店名などを含めている場合、または電話番号が個人のものではない場合、税関から法人名義でみなされますのでご注意ください。 ・転送サービス会社への発送もできません。この場合税関で滅却されてもお客様負担になりますので御了承願います。 *** ・注文後品切れや価格変動でキャンセルされる場合がございますので予めご了承願います。 ・当店でご購入された商品は、原則として、「個人輸入」としての取り扱いになり、すべてニュージャージからお客様のもとへ直送されます。 ・ご注文後、30営業日以内(通常2~3週間)に配送手続きをいたします。配送作業完了後、2週間程度でのお届けとなります。 ・まれに商品入荷状況や国際情勢、運送、通関事情により、お届けが2ヶ月までかかる場合がありますのでお急ぎの場合は注文をお控えください。 ・個人輸入される商品は、すべてご注文者自身の「個人使用・個人消費」が前提となりますので、ご注文された商品を第三者へ譲渡・転売することは法律で禁止されております。 ・関税・消費税が課税される場合があります。詳細はこちらをご確認下さい。PC販売説明文	3,080円
The Film Mechanic Screenwriting Workbook【電子書籍】[ Deri Tyton ] 楽天Kobo電子書籍ストア	＜p＞Are you stuck on somewhere in the middle of a screenplay and can't seem to understand why? Are you wondering how to write an engaging, successful screenplay? Are you ready to attract investors, producers, directors, and actors to your screenplay? Screenwriter Deri Tyton designed this workbook as a fresh, entertaining and fundamental approach for those who are beginning or on an intermediate level of screenwriting. The worksheets placed in the workbook are there not only to help develop the story but to inspire and empower the screenwriter through the entire process of screenwriting.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。	1,657円
Egyptian Cinema and the 2011 Revolution Film Production and Representing Dissent【電子書籍】[ Ahmed Ghazal ] 楽天Kobo電子書籍ストア	＜p＞Egypt's film industry is the largest in the Middle East, with an output that spreads across the region and the world. In the run-up to and throughout the 2011 Revolution, a complex relationship formed between the industry and the people's uprising. Both a form of political expression and a documentation of historical events, 'revolutionary' film techniques have contributed to the cultural memory of 2011. At the same time, these films and their makers have been the target of increasing state control and intervention.＜/p＞ ＜p＞Ahmed Ghazal, drawing upon his own background in film-making, looks at the way in which Egyptian film has shaped, and been shaped by, the events leading up to and beyond Egypt's 2011 revolution. Drawing on interviews with protagonists in the industry, analysis of films, and archival research, he analyses the critical issues affecting the political economy of the industry. He also explores the technological developments of independent productions and the cinematic themes of dictatorship, poverty, corruption and police brutality that have accompanied the people's calls for freedom - and the counterrevolution that has tried to suppress them.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。	5,448円
The Columbia Companion to American History on Film How the Movies Have Portrayed the American Past【電子書籍】 楽天Kobo電子書籍ストア	＜p＞American history has always been an irresistible source of inspiration for filmmakers, and today, for good or ill, most Americans'sense of the past likely comes more from Hollywood than from the works of historians. In important films such as ＜em＞The Birth of a Nation＜/em＞ (1915), ＜em＞Roots＜/em＞ (1977), ＜em＞Apocalypse Now＜/em＞ (1979), and ＜em＞Saving Private Ryan＜/em＞ (1998), how much is entertainment and how much is rooted in historical fact? In ＜em＞The Columbia Companion to American History on Film,＜/em＞ more than seventy scholars consider the gap between history and Hollywood. They examine how filmmakers have presented and interpreted the most important events, topics, eras, and figures in the American past, often comparing the film versions of events with the interpretations of the best historians who have explored the topic.＜/p＞ ＜p＞Divided into eight broad categoriesーEras; Wars and Other Major Events; Notable People; Groups; Institutions and Movements; Places; Themes and Topics; and Myths and Heroesーthe volume features extensive cross-references, a filmography (of discussed and relevant films), notes, and a bibliography of selected historical works on each subject. ＜em＞The Columbia Companion to American History on Film＜/em＞ is also an important resource for teachers, with extensive information for research or for course development appropriate for both high school and college students.＜/p＞ ＜p＞Though each essay reflects the unique body of film and print works covering the subject at hand, every essay addresses several fundamental questions:＜/p＞ ＜p＞ What are the key films on this topic?＜/p＞ ＜p＞ What sources did the filmmaker use, and how did the film deviate (or remain true to) its sources?＜/p＞ ＜p＞ How have film interpretations of a particular historical topic changed, and what sorts of factorsーtechnological, social, political, historiographicalーhave affected their evolution?＜/p＞ ＜p＞ Have filmmakers altered the historical record with a view to enhancing drama or to enhance the "truth" of their putative message?＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。	7,047円
Lady in the Dark Iris Barry and the Art of Film【電子書籍】[ Robert Sitton ] 楽天Kobo電子書籍ストア	＜p＞Iris Barry (1895?1969) was a pivotal modern figure and one of the first intellectuals to treat film as an art form, appreciating its far-reaching, transformative power. Although she had the bearing of an aristocrat, she was the self-educated daughter of a brass founder and a palm-reader from the Isle of Man. An aspiring poet, Barry attracted the attention of Ezra Pound and joined a demimonde of Bloomsbury figures, including Ford Maddox Ford, T. S. Eliot, Arthur Waley, Edith Sitwell, and William Butler Yeats. She fell in love with Pound's eccentric fellow Vorticist, Wyndham Lewis, and had two children by him.＜/p＞ ＜p＞In London, Barry pursued a career as a novelist, biographer, and critic of motion pictures. In America, she joined the modernist Askew Salon, where she met Alfred Barr, director of the new Museum of Modern Art. There she founded the museum's film department and became its first curator, assuring film's critical legitimacy. She convinced powerful Hollywood figures to submit their work for exhibition, creating a new respect for film and prompting the founding of the International Federation of Film Archives.＜/p＞ ＜p＞Barry continued to augment MoMA's film library until World War II, when she joined the Office of Strategic Services to develop pro-American films with Orson Welles, Walt Disney, John Huston, and Frank Capra. Yet despite her patriotic efforts, Barry's "foreignness" and association with such filmmakers as Luis Bu?uel made her the target of an anticommunist witch hunt. She eventually left for France and died in obscurity. Drawing on letters, memorabilia, and other documentary sources, Robert Sitton reconstructs Barry's phenomenal life and work while recasting the political involvement of artistic institutions in the twentieth century.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。	703円
Looking for the Other Feminism, Film and the Imperial Gaze【電子書籍】[ E. Ann Kaplan ] 楽天Kobo電子書籍ストア	＜p＞What happens when white people look at non-whites? What happens when the gaze is returned? ＜em＞＜strong＞Looking for the Other＜/strong＞＜/em＞ responds to criticisms leveled at white feminist film theory of the 1970s and 1980s for its neglect of issues to do with race. It focuses attention on the male gaze across cultures, as illustrated by women filmmakers of color whose films deal with travel.＜/p＞ ＜p＞Looking relations are determined by history, tradition, myth; by national identity, power hierarchies, politics, economics, geographical and other environment. Travel implicitly involves looking at, and looking relations with, peoples different from oneself. Featured films include ＜em＞Birth of a Nation, The Cat People, Home of the**Brave, Black Narcissus, Chocolat＜/em＞, and ＜em＞Warrior Marks＜/em＞. Featured filmmakers include D.W.Griffith, Jacques Tourneur, Michael Powell, Julie Dash, Pratibha Parmar, Trinh T. Min-ha, and Claire Denis.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。	8,787円
(Re)Writing the Script of Your Life The TROONATNOOOR Guide to Writing for Film【電子書籍】[ Markus Heinrich Rehbach ] 楽天Kobo電子書籍ストア	＜p＞The TROONATNOOR guide to writing for film, and general principles of experience engine design applicable to writing novels, creating video games, and even creating 'experience engines' such as the one your life is.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。	350円
The Reality Effect Film Culture and the Graphic Imperative【電子書籍】[ Joel Black ] 楽天Kobo電子書籍ストア	＜p＞It used to be only movies were on film; now the whole world is. The most intimate and most banal moments of our lives are constantly recorded for public consumption. In ＜em＞The Reality Effect,＜/em＞ Joel Black argues that the desire to make visible every aspect of our lives is an impulse derived from cinema- one that has made life both more graphic and less "real." He approaches film as a documentary medium that has obscured-if not obliterated- the line between reality and fiction. To illustrate this effect, Black traces the uncanny interplay between movies and real-life events through a series of comparative analyses-from ＜em＞Lolita＜/em＞ and the murder of JonBen?t Ramsey to ＜em＞Wag the Dog＜/em＞ and the Clinton scandal to ＜em＞Crash＜/em＞ and Princess Diana's violent death.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。	5,305円
Bad Film Histories Ethnography and the Early Archive【電子書籍】[ Katherine Groo ] 楽天Kobo電子書籍ストア	＜p＞＜strong＞A daring, deep investigation into ethnographic cinema that challenges standard ways of writing film history and breaks important new ground in understanding archives＜/strong＞＜/p＞ ＜p＞＜em＞Bad Film Histories＜/em＞ is a vital work that unsettles the authority of the archive. Katherine Groo daringly takes readers to the margins of the film record, addressing the undertheorization of film history and offering a rigorous corrective. Taking ethnographic cinema as a crucial case study, Groo challenges standard ways of thinking and writing about film history and questions widespread assumptions about what film artifacts are and what makes them meaningful. Rather than filling holes, Groo endeavors to understand the imprecisions and absences that define film history and its archives.＜/p＞ ＜p＞＜em＞Bad Film Histories＜/em＞ draws on numerous works of ethnographic cinema, from Edward S. Curtis’s I＜em＞n the Land of the Head Hunters＜/em＞, to a Citro?n-sponsored “croisi?re” across Africa, to the extensive archives of the Maison Lumi?re and the Mus?e Albert-Kahn, to dozens of expedition films from the 1910s and 1920s. The project is deeply grounded in poststructural approaches to history, and throughout Groo draws on these frameworks to offer innovative and accessible readings that explain ethnographic cinema’s destabilizing energies.＜/p＞ ＜p＞As Groo describes, ethnographic works are mostly untitled, unauthored, seemingly infinite in number, and largely unrestored even in their digital afterlives. Her examination of ethnographic cinema provides necessary new thought for both film scholars and those who are thrilled by cinema’s boundless possibilities. In so doing, she boldly reexamines what early ethnographic cinema is and how these films produce meaning, challenging the foundations of film history and prevailing approaches to the archive.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。	3,715円
Twice the First Quirino Cristiani and the Animated Feature Film【電子書籍】[ Giannalberto Bendazzi ] 楽天Kobo電子書籍ストア	＜p＞Giannalberto Bendazzi brings to light some of the lost relics of animation history with his new book, ＜strong＞Twice the First: Quirino Cristiani and the Animated Feature Film.＜/strong＞ Unlike other works, however, Bendazzi focuses on the growth of animation in non-western countries. This book particularly emphasizes the contributions of Quirino Cristiani and how his work influenced other animators. Bendazzi provides in-depth coverage about Cristiani’s life, both professionally and personally. ＜strong＞Twice the First＜/strong＞ takes the reader on an exciting journey through the historical development of animation through the eyes of Quirino Cristiani.＜/p＞ ＜p＞＜strong＞Key Features＜/strong＞＜/p＞ ＜p＞A look back at the modest beginnings of feature film animation.＜/p＞ ＜p＞An exciting account of some facts never before revealed in the history and development of animated film＜/p＞ ＜p＞Among the fascinating information the reader can learn from this book, is that not all the action in cinematography took place in North America and Western Europe＜/p＞ ＜p＞This book provides an important service in documenting the early period of animation and filling in the gaps in the history of the development of animation.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。	5,305円
Forgeries of Memory and Meaning Blacks and the Regimes of Race in American Theater and Film before World War II【電子書籍】[ Cedric J. Robinson ] 楽天Kobo電子書籍ストア	＜p＞Cedric J. Robinson offers a new understanding of race in America through his analysis of theater and film of the early twentieth century. He argues that economic, political, and cultural forces present in the eras of silent film and the early “talkies” firmly entrenched limited representations of African Americans.＜/p＞ ＜p＞Robinson grounds his study in contexts that illuminate the parallel growth of racial beliefs and capitalism, beginning with Shakespearean England and the development of international trade. He demonstrates how the needs of American commerce determined the construction of successive racial regimes that were publicized in the theater and in motion pictures, particularly through plantation and jungle films. In addition to providing new depth and complexity to the history of black representation, Robinson examines black resistance to these practices. Whereas D. W. Griffith appropriated black minstrelsy and romanticized a national myth of origins, Robinson argues that Oscar Micheaux transcended uplift films to create explicitly political critiques of the American national myth. Robinson’s analysis marks a new way of approaching the intellectual, political, and media racism present in the beginnings of American narrative cinema.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。	3,946円
Between Film, Video, and the Digital Hybrid Moving Images in the Post-Media Age【電子書籍】[ Jihoon Kim ] 楽天Kobo電子書籍ストア	＜p＞Encompassing experimental film and video, essay film, gallery-based installation art, and digital art, Jihoon Kim establishes the concept of hybrid moving images as an array of impure images shaped by the encounters and negotiations between different media, while also using it to explore various theoretical issues, such as stillness and movement, indexicality, abstraction, materiality, afterlives of the celluloid cinema, archive, memory, apparatus, and the concept of medium as such.＜/p＞ ＜p＞Grounding its study in interdisciplinary framework of film studies, media studies, and contemporary art criticism, ＜em＞Between Film, Video, and the Digital＜/em＞ offers a fresh insight on the post-media conditions of film and video under the pervasive influences of digital technologies, as well as on the crucial roles of media hybridity in the creative processes of giving birth to the emerging forms of the moving image. Incorporating in-depth readings of recent works by more than thirty artists and filmmakers, including Jim Campbell, Bill Viola, Sam Taylor-Johnson, David Claerbout, Fiona Tan, Takeshi Murata, Jennifer West, Ken Jacobs, Christoph Girardet and Matthias M?ller, Hito Steyerl, Lynne Sachs, Harun Farocki, Doug Aitken, Douglas Gordon, Stan Douglas, Candice Breitz, among others, the book is the essential scholarly monograph for understanding how digital technologies simultaneously depend on and differ film previous time-based media, and how this juncture of similarities and differences signals a new regime of the art of the moving image.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。	5,418円
The Editor's Toolkit A Hands-On Guide to the Craft of Film and TV Editing【電子書籍】[ Chris Wadsworth ] 楽天Kobo電子書籍ストア	＜p＞＜em＞The Editor's Toolkit: A Hands-On Guide to the Craft of Film and TV Editing＜/em＞ is a tutorial-based introduction to the craft of editing. Today's process of media editing is fast and competitive, making this guide a necessity for anyone looking to break into the business. Here, Chris Wadsworth provides 52 media-based examples for you to put together, with the benefit of seeing what he did with those same exercises, giving you essential feedback to improve your technique and learn the tricks of the trade. Accessible and to-the-point, the primer is a must-read for anyone looking to learn both the art and technique of editing. This 4-color guide features:＜/p＞ ＜ul＞ ＜li＞＜/li＞ ＜li＞Examples from the world of film and TV that show how even the greatest directors employ the same techniques in their productions that are mentioned in this guide＜/li＞ ＜li＞＜/li＞ ＜li＞A look at CV’s and the right attitudes that will give you the best chance at breaking into the editing world＜/li＞ ＜li＞＜/li＞ ＜li＞Intensive sections about the way music and sound editing can shape the entire production＜/li＞ ＜li＞＜/li＞ ＜li＞A companion website featuring video and other media that you can edit on your own, each featuring examples of cuts and techniques discussed in the book as well as a discussion forum.＜/li＞ ＜/ul＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。	11,772円
Film and Reform John Grierson and the Documentary Film Movement【電子書籍】[ Ian Aitken ] 楽天Kobo電子書籍ストア	＜p＞Best known for his documentaries such as ＜em＞Drifters＜/em＞, ＜em＞North Sea＜/em＞, and ＜em＞Housing Problems＜/em＞, John Grierson was the most important figure in the British documentary film movement and one of the most influential of British film theorists.＜/p＞ ＜p＞This major assessment of Grierson and the documentary film movement examines the intellectual and aesthetic influences on his work, focusing on the material he produced in the inter-war years and comparing the idealistic strain of Grierson’s social commentary with other social reformists such as the Next Five Years Group and writers like Orwell and Priestley. Underlining the link between film and reform, the book clarifies the meaning and significance of Grierson’s ideas and the historical role of the documentary film movement. Originally published in 1990.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。	11,109円
Korea’s Occupied Cinemas, 1893-1948 The Untold History of the Film Industry【電子書籍】[ Brian Yecies ] 楽天Kobo電子書籍ストア	＜p＞＜em＞Korea’s Occupied Cinemas, 1893-1948＜/em＞ compares and contrasts the development of cinema in Korea during the Japanese occupation (1910-1945) and US Army Military (1945-1948) periods within the larger context of cinemas in occupied territories. It differs from previous studies by drawing links between the arrival in Korea of modern technology and ideas, and the cultural, political and social environment, as it follows the development of exhibition, film policy, and filmmaking from 1893 to 1948. During this time, Korean filmmakers seized every opportunity to learn production techniques and practice their skills, contributing to the growth of a national cinema despite the conditions produced by their occupation by colonial and military powers. At the same time, Korea served as an important territory for the global expansion of the American and Japanese film industries, and, after the late 1930s, Koreans functioned as key figures in the co-production of propaganda films that were designed to glorify loyalty to the Japanese Empire. For these reasons, and as a result of the tensions created by divided loyalties, the history of cinema in Korea is a far more dynamic story than simply that of a national cinema struggling to develop its own narrative content and aesthetics under colonial conditions.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。	11,109円
Grand Prix 1966 The On-Set Photography Of Luis Delgado From The Landmark James Garner Film That Redefined Realism In Auto Racing Motion Pictures【電子書籍】[ Jim Bunte ] 楽天Kobo電子書籍ストア	＜p＞Luis Delgado was best friends and occasional stand-in for James Garner, beloved actor behind such classics as Maverick and The Rockford Files. When Garner was selected by John Frankenheimer as the actor to portray American Formula 1 racer Pete Aron in the 1966 MGM release Grand Prix, Luis accompanied Jim to Europe in June 1966 for principal photography at numerous actual Grand Prix races in Europe. Luis documented the shooting with his Leica using Kodachrome 35mm transparency film, capturing Garner, Formula 1 racers who participated in the film, the cast and crew, and much more. Garner and Delgado traveled to Spa-Francorchamps in Belgium, Clermont-Ferrand and Le Mans in France, Brands Hatch in England and Autodromo Nazionale Monza in Italy. This book contains an amazing, never-before-published account of Delgado and Garner's time filming Grand Prix, preserved by Delgado's son, Blake, and is a testament to the raw, real-life action behind the scenes of the first modern auto racing film in Hollywood history that would go on to win technical Oscars at the following year's Academy Awards.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。	4,227円
Planetary Cinema Film, Media and the Earth【電子書籍】[ Tiago Luca ] 楽天Kobo電子書籍ストア	＜p＞The story is now familiar. In the late 1960s humanity finally saw photographic evidence of the Earth in space for the first time. According to this narrative, the impact of such images in the consolidation of a planetary consciousness is yet to be matched. This book tells a different story. It argues that this narrative has failed to account for the vertiginous global imagination underpinning the media and film culture of the late nineteenth century and beyond. Panoramas, giant globes, world exhibitions, photography and stereography: all promoted and hinged on the idea of a world made whole and newly visible. When it emerged, cinema did not simply contribute to this effervescent globalism so much as become its most significant and enduring manifestation. ＜em＞Planetary Cinema＜/em＞ proposes that an exploration of that media culture can help us understand contemporary planetary imaginaries in times of environmental collapse. Engaging with a variety of media, genres and texts, the book sits at the intersection of film/media history and theory/ philosophy, and it claims that we need this combined approach and expansive textual focus in order to understand the way we see the world.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。	9,450円
The Politics of Dubbing Film Censorship and State Intervention in the Translation of Foreign Cinema in Fascist Italy【電子書籍】[ Jorge D?az Cintas ] 楽天Kobo電子書籍ストア	＜p＞During the late 1920s and the 1930s, the Italian government sought various commercial and politically oriented solutions to cope with the advent of new sound technologies in cinema. The translation of foreign-language films became a recurrent topic of ongoing debates surrounding the use of the Italian language, the rebirth of the national film industry and cinema’s mass popularity.＜br /＞ Through the analysis of state records and the film trade press, ＜em＞The Politics of Dubbing＜/em＞ explores the industrial, ideological and cultural factors that played a role in the government’s support for dubbing. The book outlines the evolution of film censorship regulation in Italy and its interplay with film translation practices, discusses the reactions of Mussolini’s administration to early Italian-language talkies produced abroad and documents the state’s role in initiating and encouraging Italians’ habit of watching dubbed films.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。	11,551円
The Evolution of the Western The American Frontier in Film and Television【電子書籍】[ Martin Kich ] 楽天Kobo電子書籍ストア	＜p＞＜strong＞Explore the enduring influence of the Western ? the quintessential American film genre ? and its essential role in US and world culture.＜/strong＞＜/p＞ ＜p＞Follow the entire history of the Western, from its roots in the pulp novels of the early 20th century, through the serials of the silent era and the mid-century classics of John Ford and John Wayne, to the recent award-winning revisionist works, like ＜em＞Unforgiven＜/em＞ and ＜em＞No Country for Old Men＜/em＞, that provide a more complex and nuanced take on history of the West. Perhaps more than any other pop culture genre, the Western allows us to view how Americans have seen themselves over the last 150 years.＜/p＞ ＜p＞Build a foundational understanding of the genre with 5 introductory essays, exploring the development of the Western Mythos in the traditional Western, the heyday of the traditional Western in the post-WWII period, revisionist Westerns and the counterculture, race and identify, and the Western outside of the USA. Close to 100 encyclopedia entries examine one or more movies or television programs and show how their creation and plots demonstrate the overall evolution of the genre. Easily compare films and TV programs ? from early genre favorites such as ＜em＞Gunsmoke＜/em＞ to more recent releases like ＜em＞Django Unchained＜/em＞ ? with essential facts boxes accompanying each entry, with information on the director, studio, key actors, and box office receipts.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。	12,038円
洋書 Columbia University Press Paperback, Plastic Reality: Special Effects, Technology, and the Emergence of 1970s Blockbuster Aesthetics (Film and Culture Series) Glomarket	*** We ship internationally, so do not use a package forwarding service. We cannot ship to a package forwarding company address because of the Japanese customs regulation. If it is shipped and customs office does not let the package go, we do not make a refund. 【注意事項】 *** 特に注意してください。 *** ・個人ではない法人・団体名義での購入はできません。この場合税関で滅却されてもお客様負担になりますので御了承願います。 ・お名前にカタカナが入っている場合法人である可能性が高いため当店システムから自動保留します。カタカナで記載が必要な場合はカタカナ変わりローマ字で記載してください。 ・お名前またはご住所が法人・団体名義（XX株式会社等）、商店名などを含めている場合、または電話番号が個人のものではない場合、税関から法人名義でみなされますのでご注意ください。 ・転送サービス会社への発送もできません。この場合税関で滅却されてもお客様負担になりますので御了承願います。 *** ・注文後品切れや価格変動でキャンセルされる場合がございますので予めご了承願います。 ・当店でご購入された商品は、原則として、「個人輸入」としての取り扱いになり、すべてニュージャージからお客様のもとへ直送されます。 ・ご注文後、30営業日以内(通常2~3週間)に配送手続きをいたします。配送作業完了後、2週間程度でのお届けとなります。 ・まれに商品入荷状況や国際情勢、運送、通関事情により、お届けが2ヶ月までかかる場合がありますのでお急ぎの場合は注文をお控えください。 ・個人輸入される商品は、すべてご注文者自身の「個人使用・個人消費」が前提となりますので、ご注文された商品を第三者へ譲渡・転売することは法律で禁止されております。 ・関税・消費税が課税される場合があります。詳細はこちらをご確認下さい。PC販売説明文	11,048円