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Screening Stephen King Adaptation and the Horror Genre in Film and Television【電子書籍】[ Simon Brown ]
楽天Kobo電子書籍ストア
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<p>**“Gathers together the unruly mess of King adaptations . . . And places it within the sociocultural and industrial context of four decades of horror.” ー**<strong>Philip L. Simpson, author of <em>Psycho Paths</em></strong></p> <p>Starting from the premise that Stephen King has transcended ideas of authorship to become his own literary, cinematic, and televisual brand, <em>Screening Stephen King</em> explores the impact and legacy of over forty years of King film and television adaptations.</p> <p>Simon Brown first examines the reasons for King’s literary success and then, starting with Brian De Palma’s <em>Carrie</em>, explores how King’s themes and style have been adapted for the big and small screens. He looks at mainstream multiplex horror adaptations from <em>Cujo</em> to <em>Cell</em>, low-budget DVD horror films such as <em>The Mangler</em> and <em>Children of the Corn</em> franchises, non-horror films, including <em>Stand by Me</em> and <em>The Shawshank Redemption</em>, and TV works from <em>Salem’s Lot</em> to <em>Under the Dome</em>. Through this discussion, Brown identifies what a Stephen King film or series is or has been, how these works have influenced film and TV horror, and what these influences reveal about the shifting preoccupations and industrial contexts of the post-1960s horror genre in film and TV.</p> <p><strong>“Well-written . . .</strong> <strong>It really is the most exhaustive analysis of Stephen King on the screen that has ever been written.” ー<em>Cinepunx</em></strong></p> <p><strong>“This book is not only essential as a study of Stephen King and his works adapted to the big and small screen; it is also an exemplary study of the evolution of the horror genre in its ebb and flow from literary adaptation to gore-laden saturation and beyond since the mid-1970s.” ーSorcha N? Fhlainn, author of <em>Postmodern Vampires</em></strong></p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。
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1,760円
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Nordic Noir The Pocket Essential Guide to Scandinavian Crime Fiction, Film and TV【電子書籍】[ Barry Forshaw ]
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<p>Nordic Noir: The Pocket Essential Guide to Scandinavian Crime Fiction, Film and TV by Britain's leading expert on crime fiction, Barry Forshaw, is a compact and authoritative guide to the phenomenally popular genre. The information-packed study examines and celebrates books, films and TV adaptations, from Sj?wall & Wahl??'s highly influential <em>Martin Beck</em> series through Henning Mankell's <em>Wallander</em> (subject of three separate TV series) to Stieg Larsson's groundbreaking <em>The Girl with the Dragon Tattoo</em>, cult TV hits such as the Danish <em>The Bridge</em> and the political thriller <em>Borgen</em>, up to the massively successful books and films of the current king of the field, Norway's Jo Nesbo.</p> <p><em>Nordic Noir</em> anatomises the nigh-obsessive appeal of the subject and highlights every key book, film and TV show. For both the beginner and the aficionado, this is a hugely informative, highly accessible guide (and shopping list) for an essential crime genre.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。
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1,360円
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White Terror The Horror Film from Obama to Trump【電子書籍】[ Russell Meeuf ]
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<p><strong>What kinds of terror lurk beneath the surface of White respectability? Many of the</strong> <strong>top-grossing US horror films between 2008 and 2016 relied heavily on themes of White, patriarchal fear and fragility: outsiders disrupting the sanctity of the almost always White family, evil forces or transgressive ideas transforming loved ones, and children dying when White women eschew traditional maternal roles.</strong></p> <p>Horror film has a long history of radical, political commentary, and Russell Meeuf reveals how racial resentments represented specifically in horror films produced during the Obama era gave rise to the Trump presidency and the Make America Great Again movement. Featuring films such as <em>The Conjuring</em> and <em>Don't Breathe</em>, <em>White Terror</em> explores how motifs of home invasion, exorcism, possession, and hauntings mirror cultural debates around White masculinity, class, religion, socioeconomics, and more.</p> <p>In the vein of Jordan Peele, <em>White Terror</em> exposes how White mainstream fear affects the horror film industry, which in turn cashes in on that fear and draws voters to candidates like Trump.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。
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3,100円
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The Virtual Life of Film【電子書籍】[ D. N. Rodowick ]
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<p>As almost (or, truly, virtually) every aspect of making and viewing movies is replaced by digital technologies, even the notion of “watching a film” is fast becoming an anachronism. With the likely disappearance of celluloid film stock as a medium, and the emergence of new media competing for an audience, what will happen to cinemaーand to cinema studies? In the first of two books exploring this question, D. N. Rodowick considers the fate of film and its role in the aesthetics and culture of moviemaking and viewing in the twenty-first century.</p> <p>Here Rodowick proposes and examines three different critical responses to the disappearance of film in relation to other time-based media, and to the study of contemporary visual culture. Film, he suggests, occupies a special place in the genealogy of the arts of the virtual: while film disappears, cinema persistsーat least in the narrative forms imagined by Hollywood since 1915. Rodowick also observes that most so-called “new media” are fashioned upon a cinematic metaphor. His book helps us see how digital technologies are serving, like television and video before them, to perpetuate the cinematic as the mature audiovisual culture of the twentieth centuryーand, at the same time, how they are preparing the emergence of a new audiovisual culture whose broad outlines we are only just beginning to distinguish.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。
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5,041円
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Silent Renoir Philosophy and the Interpretation of Early Film【電子書籍】[ Colin Davis ]
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<p>Jean Renoir (1894-1979) is widely regarded as one of the most distinguished directors in the history of world cinema. In the 1930s he directed a string of films which stretched the formal, intellectual, political and aesthetic boundaries of the art form, including works such as <em>Le Crime de Monsieur Lange</em>, <em>La Grande Illusion</em>, <em>La B?te humaine</em> and <em>La R?gle du jeu</em>. However, the great director’s early work from the 1920s remains almost completely unknown, even to film specialists. If it is discussed at all, it is often seen to be of interest only insofar as it anticipates themes and techniques perfected in the later masterpieces. Renoir’s films of the 1920s were sometimes unfinished, commercially unsuccessful, or unreleased at the time of their production. This book argues that to regard them merely as prefigurations of later achievements entails a failure to view them on their own terms, as searching, unsettled experiments in the meaning and potentialof film art.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。
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7,900円
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The Blunt Affair Official secrecy and treason in literature, television and film, 1980?89【電子書籍】[ Jonathan Bolton ]
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<p>The case of the Cambridge spies has long captured the public’s attention, but perhaps never more so than in the wake of Anthony Blunt’s exposure as the fourth man in November 1979. With the Cold War intensifying, patriotism running high during the Falklands War and the AIDS crisis leading to widespread homophobia, these notorious traitors were more relevant than ever. This book explores how they were depicted in literature, television and film throughout the 1980s. Examining works by an array of distinguished writers, including Dennis Potter, Alan Bennett, Tom Stoppard and John le Carr?, it sheds new light on the affair, asking why such privileged young men chose to betray their country, whether loyalty to one’s friends is more important than patriotism and whether we can really trust the intelligence services.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。
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15,919円
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Film Noir and Los Angeles Urban History and the Dark Imaginary【電子書籍】[ Sean W. Maher ]
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<p>This book combines film studies with urban theory in a spatial exploration of twentieth century Los Angeles. Configured through the dark lens of noir, the author examines an alternate urban history of Los Angeles forged by the fictional modes of detective fiction, film noir and neo noir.</p> <p>Dark portrayals of the city are analyzed in Raymond Chandler’s crime fiction through to key films like <em>Double Indemnity</em> (1944) and <em>The End of Violence</em> (1997). By employing these fictional elements as the basis for historicising the city’s unrivalled urban form, the analysis demonstrates an innovative approach to urban historiography.</p> <p>Revealing some of the earliest tendencies of postmodern expression in Hollywood cinema, this book will be of great relevance to students and researchers working in the fields of film, literature, cultural and urban studies. It will also be of interest to scholars researching histories of Los Angeles and the American noir imagination.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。
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9,948円
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Kosher Movies A Film Critic Discovers Life Lessons at the Cinema【電子書籍】[ Rabbi Herbert J. Cohen ]
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<p>Film critic Herbert Cohen views films as potential life lessons, and defines a "kosher movie" as one that has something valuable to say about the human condition. In this survey spanning many genres, Cohen presents films as tools for self-discovery and for navigating challenges of life. What do romantic comedies really say about love? What can <em>Cast Away</em> teach us about the value of time? What parenting lessons can we learn from <em>Dead Poets Society</em>? Exploring 120 stand-out movies from the past 30 years, Cohen shares inspiring personal anecdotes about self-growth, relationships, parenting, aging, dealing with adversity, and more.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。
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1,178円
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Visions of a New Land: Soviet Film from the Revolution to the Second World War【電子書籍】[ Emma Widdis ]
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<DIV><DIV>In 1917 the Bolsheviks proclaimed a world remade. The task of the new regime, and of the media that served it, was to reshape the old world in revolutionary form, to transform the vast, "ungraspable" space of the Russian Empire into the mapped territory of the Soviet Union. This book shows how Soviet cinema encouraged popular support for state initiatives in the years between the revolution and the Second World War, helping to create a new Russian identity and territory-an "imaginary geography" of Sovietness.<br><BR>Drawing on a vast range of little-known texts, Emma Widdis offers a unique cultural history of the early Soviet period. In particular, she shows how films projected the new Soviet map onto the great shared screen of the popular imagination.<BR></DIV></DIV>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。
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7,048円
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The Routledge Companion to Philosophy and Film【電子書籍】
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<p><em>The Routledge Companion to Philosophy and Film</em> is the first comprehensive volume to explore the main themes, topics, thinkers and issues in philosophy and film. The <em>Companion</em> features sixty specially commissioned chapters from international scholars and is divided into four clear parts:</p> <p>? issues and concepts<br /> ? authors and trends<br /> ? genres<br /> ? film as philosophy.</p> <p>Part one is a comprehensive section examining key concepts, including chapters on acting, censorship, character, depiction, ethics, genre, interpretation, narrative, reception and spectatorship and style. Part two covers authors and scholars of film and significant theories Part three examines genres such as documentary, experimental cinema, horror, comedy and tragedy. Part four includes chapters on key directors such as Tarkovsky, Bergman and Terrence Malick and on particular films including <em>Memento</em>.</p> <p>Each chapter includes a section of annotated further reading and is cross-referenced to related entries.</p> <p><em>The Routledge Companion to Philosophy and Film</em> is essential reading for anyone interested in philosophy of film, aesthetics and film and cinema studies.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。
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13,430円
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Mapping the English left through film Twenty five uneasy pieces【電子書籍】[ Ian Parker ]
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<p>Ian Parker's Mapping the English Left through Film: Twenty Five Uneasy Pieces is a block-buster of a book, mercilessly unpicking the cinematic narratives that infuse twenty-five organisations. Key elements of plot and production are used to tell the story of purges and splits and cult-favourites in this innovative history of Trotskyist groups in England. This is the place where revolutionary Marxism goes to the movies.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。
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846円
|

The Evolution of the Action Film Villain in the Early 1990s【電子書籍】[ Aaron Stewart ]
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<p>In <em>The Evolution of the Action Film Villain in the Early 1990s</em>, Aaron Stewart takes readers on an in-depth journey through one of cinema's most thrilling and transformative eras. The early 1990s marked a revolutionary shift in how villains were portrayed in action filmsーno longer just evil masterminds or simple criminals, these antagonists became complex, multifaceted characters that challenged the status quo and captured the cultural anxieties of the time.</p> <p>This book dissects how villains during this period evolved from traditional, power-hungry figures into diverse forces of chaos, social critique, and existential dread. With keen analysis and rich historical context, Stewart explores iconic villains like the shape-shifting T-1000 from <em>Terminator 2: Judgment Day</em>, the anarchistic Joker from <em>The Dark Knight</em>, and the morally complex characters of <em>Heat</em> and <em>The Matrix</em>. Each chapter dives into the psychology and societal implications behind these characters, examining how they reflect the growing fears of technological domination, the erosion of individual freedoms, and the uncertainty of global change.</p> <p>Whether you're a cinephile, a scholar, or simply someone who loves the high-octane action and thought-provoking storytelling of the 1990s, <em>The Evolution of the Action Film Villain in the Early 1990s</em> offers a fresh and engaging perspective on the cultural forces that shaped modern blockbuster filmmaking. This is not just a look at movie villainsーit's a look at how the villains of the 1990s influenced and mirrored the very world we live in today.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。
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450円
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German Film. Volume 6: 1950-1959 From the Archives of the Deutsche Kinemathek【電子書籍】[ Rainer Rother ]
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<p>This e-book is part of a twelve-volume series documenting the history of German film from its beginnings in 1895 to the present day using the collection holdings of the Deutsche Kinemathek. Each volume in ePUB format focuses on a decade and offers a concise overview of the cinematic masterpieces and milestones of that era, highlights famous films and films to be rediscovered, and pays tribute to the cinema, its audience and the creative minds behind the diversity of German film. The complete work, which comprises over 2,700 objects from all areas of the collection and spans 130 years, is also available as a printed book and as a PDF in German and English. The DEUTSCHE KINEMATHEK is one of the world's leading institutions for the collection, preservation, and presentation of audio-visual heritage. Hundreds of thousands of objects are permanently preserved in its archives and are available for research into film and television history. In addition to scripts, photos, posters, costumes and designs, the collection also includes film equipment. The Kinemathek curates film series and exhibitions and restores and digitizes films. Its diverse activities, including installations, publications, educational formats, and conferences, encourage visitors to discover the world of moving images.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。
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1,300円
|

洋書 Paperback, The Mysterious Miss Empress: Hollywood's Forgotten Film Vampire
Glomarket
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*** We ship internationally, so do not use a package forwarding service. We cannot ship to a package forwarding company address because of the Japanese customs regulation. If it is shipped and customs office does not let the package go, we do not make a refund. 【注意事項】 *** 特に注意してください。 *** ・個人ではない法人・団体名義での購入はできません。この場合税関で滅却されてもお客様負担になりますので御了承願います。 ・お名前にカタカナが入っている場合法人である可能性が高いため当店システムから自動保留します。カタカナで記載が必要な場合はカタカナ変わりローマ字で記載してください。 ・お名前またはご住所が法人・団体名義(XX株式会社等)、商店名などを含めている場合、または電話番号が個人のものではない場合、税関から法人名義でみなされますのでご注意ください。 ・転送サービス会社への発送もできません。この場合税関で滅却されてもお客様負担になりますので御了承願います。 *** ・注文後品切れや価格変動でキャンセルされる場合がございますので予めご了承願います。 ・当店でご購入された商品は、原則として、「個人輸入」としての取り扱いになり、すべてニュージャージからお客様のもとへ直送されます。 ・ご注文後、30営業日以内(通常2~3週間)に配送手続きをいたします。配送作業完了後、2週間程度でのお届けとなります。 ・まれに商品入荷状況や国際情勢、運送、通関事情により、お届けが2ヶ月までかかる場合がありますのでお急ぎの場合は注文をお控えください。 ・個人輸入される商品は、すべてご注文者自身の「個人使用・個人消費」が前提となりますので、ご注文された商品を第三者へ譲渡・転売することは法律で禁止されております。 ・関税・消費税が課税される場合があります。詳細はこちらをご確認下さい。PC販売説明文
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3,080円
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The Film Mechanic Screenwriting Workbook【電子書籍】[ Deri Tyton ]
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<p>Are you stuck on somewhere in the middle of a screenplay and can't seem to understand why? Are you wondering how to write an engaging, successful screenplay? Are you ready to attract investors, producers, directors, and actors to your screenplay? Screenwriter Deri Tyton designed this workbook as a fresh, entertaining and fundamental approach for those who are beginning or on an intermediate level of screenwriting. The worksheets placed in the workbook are there not only to help develop the story but to inspire and empower the screenwriter through the entire process of screenwriting.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。
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1,657円
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Egyptian Cinema and the 2011 Revolution Film Production and Representing Dissent【電子書籍】[ Ahmed Ghazal ]
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<p>Egypt's film industry is the largest in the Middle East, with an output that spreads across the region and the world. In the run-up to and throughout the 2011 Revolution, a complex relationship formed between the industry and the people's uprising. Both a form of political expression and a documentation of historical events, 'revolutionary' film techniques have contributed to the cultural memory of 2011. At the same time, these films and their makers have been the target of increasing state control and intervention.</p> <p>Ahmed Ghazal, drawing upon his own background in film-making, looks at the way in which Egyptian film has shaped, and been shaped by, the events leading up to and beyond Egypt's 2011 revolution. Drawing on interviews with protagonists in the industry, analysis of films, and archival research, he analyses the critical issues affecting the political economy of the industry. He also explores the technological developments of independent productions and the cinematic themes of dictatorship, poverty, corruption and police brutality that have accompanied the people's calls for freedom - and the counterrevolution that has tried to suppress them.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。
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5,448円
|

The Columbia Companion to American History on Film How the Movies Have Portrayed the American Past【電子書籍】
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<p>American history has always been an irresistible source of inspiration for filmmakers, and today, for good or ill, most Americans'sense of the past likely comes more from Hollywood than from the works of historians. In important films such as <em>The Birth of a Nation</em> (1915), <em>Roots</em> (1977), <em>Apocalypse Now</em> (1979), and <em>Saving Private Ryan</em> (1998), how much is entertainment and how much is rooted in historical fact? In <em>The Columbia Companion to American History on Film,</em> more than seventy scholars consider the gap between history and Hollywood. They examine how filmmakers have presented and interpreted the most important events, topics, eras, and figures in the American past, often comparing the film versions of events with the interpretations of the best historians who have explored the topic.</p> <p>Divided into eight broad categoriesーEras; Wars and Other Major Events; Notable People; Groups; Institutions and Movements; Places; Themes and Topics; and Myths and Heroesーthe volume features extensive cross-references, a filmography (of discussed and relevant films), notes, and a bibliography of selected historical works on each subject. <em>The Columbia Companion to American History on Film</em> is also an important resource for teachers, with extensive information for research or for course development appropriate for both high school and college students.</p> <p>Though each essay reflects the unique body of film and print works covering the subject at hand, every essay addresses several fundamental questions:</p> <p> What are the key films on this topic?</p> <p> What sources did the filmmaker use, and how did the film deviate (or remain true to) its sources?</p> <p> How have film interpretations of a particular historical topic changed, and what sorts of factorsーtechnological, social, political, historiographicalーhave affected their evolution?</p> <p> Have filmmakers altered the historical record with a view to enhancing drama or to enhance the "truth" of their putative message?</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。
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7,047円
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Lady in the Dark Iris Barry and the Art of Film【電子書籍】[ Robert Sitton ]
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<p>Iris Barry (1895?1969) was a pivotal modern figure and one of the first intellectuals to treat film as an art form, appreciating its far-reaching, transformative power. Although she had the bearing of an aristocrat, she was the self-educated daughter of a brass founder and a palm-reader from the Isle of Man. An aspiring poet, Barry attracted the attention of Ezra Pound and joined a demimonde of Bloomsbury figures, including Ford Maddox Ford, T. S. Eliot, Arthur Waley, Edith Sitwell, and William Butler Yeats. She fell in love with Pound's eccentric fellow Vorticist, Wyndham Lewis, and had two children by him.</p> <p>In London, Barry pursued a career as a novelist, biographer, and critic of motion pictures. In America, she joined the modernist Askew Salon, where she met Alfred Barr, director of the new Museum of Modern Art. There she founded the museum's film department and became its first curator, assuring film's critical legitimacy. She convinced powerful Hollywood figures to submit their work for exhibition, creating a new respect for film and prompting the founding of the International Federation of Film Archives.</p> <p>Barry continued to augment MoMA's film library until World War II, when she joined the Office of Strategic Services to develop pro-American films with Orson Welles, Walt Disney, John Huston, and Frank Capra. Yet despite her patriotic efforts, Barry's "foreignness" and association with such filmmakers as Luis Bu?uel made her the target of an anticommunist witch hunt. She eventually left for France and died in obscurity. Drawing on letters, memorabilia, and other documentary sources, Robert Sitton reconstructs Barry's phenomenal life and work while recasting the political involvement of artistic institutions in the twentieth century.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。
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703円
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Looking for the Other Feminism, Film and the Imperial Gaze【電子書籍】[ E. Ann Kaplan ]
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<p>What happens when white people look at non-whites? What happens when the gaze is returned? <em><strong>Looking for the Other</strong></em> responds to criticisms leveled at white feminist film theory of the 1970s and 1980s for its neglect of issues to do with race. It focuses attention on the male gaze across cultures, as illustrated by women filmmakers of color whose films deal with travel.</p> <p>Looking relations are determined by history, tradition, myth; by national identity, power hierarchies, politics, economics, geographical and other environment. Travel implicitly involves looking at, and looking relations with, peoples different from oneself. Featured films include <em>Birth of a Nation, The Cat People, Home of the**Brave, Black Narcissus, Chocolat</em>, and <em>Warrior Marks</em>. Featured filmmakers include D.W.Griffith, Jacques Tourneur, Michael Powell, Julie Dash, Pratibha Parmar, Trinh T. Min-ha, and Claire Denis.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。
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8,787円
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(Re)Writing the Script of Your Life The TROONATNOOOR Guide to Writing for Film【電子書籍】[ Markus Heinrich Rehbach ]
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<p>The TROONATNOOR guide to writing for film, and general principles of experience engine design applicable to writing novels, creating video games, and even creating 'experience engines' such as the one your life is.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。
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350円
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The Reality Effect Film Culture and the Graphic Imperative【電子書籍】[ Joel Black ]
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<p>It used to be only movies were on film; now the whole world is. The most intimate and most banal moments of our lives are constantly recorded for public consumption. In <em>The Reality Effect,</em> Joel Black argues that the desire to make visible every aspect of our lives is an impulse derived from cinema- one that has made life both more graphic and less "real." He approaches film as a documentary medium that has obscured-if not obliterated- the line between reality and fiction. To illustrate this effect, Black traces the uncanny interplay between movies and real-life events through a series of comparative analyses-from <em>Lolita</em> and the murder of JonBen?t Ramsey to <em>Wag the Dog</em> and the Clinton scandal to <em>Crash</em> and Princess Diana's violent death.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。
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5,305円
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Bad Film Histories Ethnography and the Early Archive【電子書籍】[ Katherine Groo ]
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<p><strong>A daring, deep investigation into ethnographic cinema that challenges standard ways of writing film history and breaks important new ground in understanding archives</strong></p> <p><em>Bad Film Histories</em> is a vital work that unsettles the authority of the archive. Katherine Groo daringly takes readers to the margins of the film record, addressing the undertheorization of film history and offering a rigorous corrective. Taking ethnographic cinema as a crucial case study, Groo challenges standard ways of thinking and writing about film history and questions widespread assumptions about what film artifacts are and what makes them meaningful. Rather than filling holes, Groo endeavors to understand the imprecisions and absences that define film history and its archives.</p> <p><em>Bad Film Histories</em> draws on numerous works of ethnographic cinema, from Edward S. Curtis’s I<em>n the Land of the Head Hunters</em>, to a Citro?n-sponsored “croisi?re” across Africa, to the extensive archives of the Maison Lumi?re and the Mus?e Albert-Kahn, to dozens of expedition films from the 1910s and 1920s. The project is deeply grounded in poststructural approaches to history, and throughout Groo draws on these frameworks to offer innovative and accessible readings that explain ethnographic cinema’s destabilizing energies.</p> <p>As Groo describes, ethnographic works are mostly untitled, unauthored, seemingly infinite in number, and largely unrestored even in their digital afterlives. Her examination of ethnographic cinema provides necessary new thought for both film scholars and those who are thrilled by cinema’s boundless possibilities. In so doing, she boldly reexamines what early ethnographic cinema is and how these films produce meaning, challenging the foundations of film history and prevailing approaches to the archive.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。
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3,715円
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Twice the First Quirino Cristiani and the Animated Feature Film【電子書籍】[ Giannalberto Bendazzi ]
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<p>Giannalberto Bendazzi brings to light some of the lost relics of animation history with his new book, <strong>Twice the First: Quirino Cristiani and the Animated Feature Film.</strong> Unlike other works, however, Bendazzi focuses on the growth of animation in non-western countries. This book particularly emphasizes the contributions of Quirino Cristiani and how his work influenced other animators. Bendazzi provides in-depth coverage about Cristiani’s life, both professionally and personally. <strong>Twice the First</strong> takes the reader on an exciting journey through the historical development of animation through the eyes of Quirino Cristiani.</p> <p><strong>Key Features</strong></p> <p>A look back at the modest beginnings of feature film animation.</p> <p>An exciting account of some facts never before revealed in the history and development of animated film</p> <p>Among the fascinating information the reader can learn from this book, is that not all the action in cinematography took place in North America and Western Europe</p> <p>This book provides an important service in documenting the early period of animation and filling in the gaps in the history of the development of animation.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。
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5,305円
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Forgeries of Memory and Meaning Blacks and the Regimes of Race in American Theater and Film before World War II【電子書籍】[ Cedric J. Robinson ]
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<p>Cedric J. Robinson offers a new understanding of race in America through his analysis of theater and film of the early twentieth century. He argues that economic, political, and cultural forces present in the eras of silent film and the early “talkies” firmly entrenched limited representations of African Americans.</p> <p>Robinson grounds his study in contexts that illuminate the parallel growth of racial beliefs and capitalism, beginning with Shakespearean England and the development of international trade. He demonstrates how the needs of American commerce determined the construction of successive racial regimes that were publicized in the theater and in motion pictures, particularly through plantation and jungle films. In addition to providing new depth and complexity to the history of black representation, Robinson examines black resistance to these practices. Whereas D. W. Griffith appropriated black minstrelsy and romanticized a national myth of origins, Robinson argues that Oscar Micheaux transcended uplift films to create explicitly political critiques of the American national myth. Robinson’s analysis marks a new way of approaching the intellectual, political, and media racism present in the beginnings of American narrative cinema.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。
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3,946円
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Between Film, Video, and the Digital Hybrid Moving Images in the Post-Media Age【電子書籍】[ Jihoon Kim ]
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<p>Encompassing experimental film and video, essay film, gallery-based installation art, and digital art, Jihoon Kim establishes the concept of hybrid moving images as an array of impure images shaped by the encounters and negotiations between different media, while also using it to explore various theoretical issues, such as stillness and movement, indexicality, abstraction, materiality, afterlives of the celluloid cinema, archive, memory, apparatus, and the concept of medium as such.</p> <p>Grounding its study in interdisciplinary framework of film studies, media studies, and contemporary art criticism, <em>Between Film, Video, and the Digital</em> offers a fresh insight on the post-media conditions of film and video under the pervasive influences of digital technologies, as well as on the crucial roles of media hybridity in the creative processes of giving birth to the emerging forms of the moving image. Incorporating in-depth readings of recent works by more than thirty artists and filmmakers, including Jim Campbell, Bill Viola, Sam Taylor-Johnson, David Claerbout, Fiona Tan, Takeshi Murata, Jennifer West, Ken Jacobs, Christoph Girardet and Matthias M?ller, Hito Steyerl, Lynne Sachs, Harun Farocki, Doug Aitken, Douglas Gordon, Stan Douglas, Candice Breitz, among others, the book is the essential scholarly monograph for understanding how digital technologies simultaneously depend on and differ film previous time-based media, and how this juncture of similarities and differences signals a new regime of the art of the moving image.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。
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5,418円
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The Editor's Toolkit A Hands-On Guide to the Craft of Film and TV Editing【電子書籍】[ Chris Wadsworth ]
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<p><em>The Editor's Toolkit: A Hands-On Guide to the Craft of Film and TV Editing</em> is a tutorial-based introduction to the craft of editing. Today's process of media editing is fast and competitive, making this guide a necessity for anyone looking to break into the business. Here, Chris Wadsworth provides 52 media-based examples for you to put together, with the benefit of seeing what he did with those same exercises, giving you essential feedback to improve your technique and learn the tricks of the trade. Accessible and to-the-point, the primer is a must-read for anyone looking to learn both the art and technique of editing. This 4-color guide features:</p> <ul> <li></li> <li>Examples from the world of film and TV that show how even the greatest directors employ the same techniques in their productions that are mentioned in this guide</li> <li></li> <li>A look at CV’s and the right attitudes that will give you the best chance at breaking into the editing world</li> <li></li> <li>Intensive sections about the way music and sound editing can shape the entire production</li> <li></li> <li>A companion website featuring video and other media that you can edit on your own, each featuring examples of cuts and techniques discussed in the book as well as a discussion forum.</li> </ul>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。
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11,772円
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Film and Reform John Grierson and the Documentary Film Movement【電子書籍】[ Ian Aitken ]
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<p>Best known for his documentaries such as <em>Drifters</em>, <em>North Sea</em>, and <em>Housing Problems</em>, John Grierson was the most important figure in the British documentary film movement and one of the most influential of British film theorists.</p> <p>This major assessment of Grierson and the documentary film movement examines the intellectual and aesthetic influences on his work, focusing on the material he produced in the inter-war years and comparing the idealistic strain of Grierson’s social commentary with other social reformists such as the Next Five Years Group and writers like Orwell and Priestley. Underlining the link between film and reform, the book clarifies the meaning and significance of Grierson’s ideas and the historical role of the documentary film movement. Originally published in 1990.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。
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11,109円
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Korea’s Occupied Cinemas, 1893-1948 The Untold History of the Film Industry【電子書籍】[ Brian Yecies ]
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<p><em>Korea’s Occupied Cinemas, 1893-1948</em> compares and contrasts the development of cinema in Korea during the Japanese occupation (1910-1945) and US Army Military (1945-1948) periods within the larger context of cinemas in occupied territories. It differs from previous studies by drawing links between the arrival in Korea of modern technology and ideas, and the cultural, political and social environment, as it follows the development of exhibition, film policy, and filmmaking from 1893 to 1948. During this time, Korean filmmakers seized every opportunity to learn production techniques and practice their skills, contributing to the growth of a national cinema despite the conditions produced by their occupation by colonial and military powers. At the same time, Korea served as an important territory for the global expansion of the American and Japanese film industries, and, after the late 1930s, Koreans functioned as key figures in the co-production of propaganda films that were designed to glorify loyalty to the Japanese Empire. For these reasons, and as a result of the tensions created by divided loyalties, the history of cinema in Korea is a far more dynamic story than simply that of a national cinema struggling to develop its own narrative content and aesthetics under colonial conditions.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。
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11,109円
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The Feminist Film Philosophy Reader【電子書籍】
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<p>From Virginia Woolf to bell hooks, women have written, thought about and worked with film, images, and the visual in philosophical ways since the inception of cinema, and yet their names are generally missing from the discipline of film philosophy. This anthology brings together, for the first time, a collection of writings by women philosophers, writers and thinkers on philosophical aspects of film and visual culture. The collection of texts in this book demonstrates a century of women writing about the visual, considering aesthetics, politics, and challenging dominant ideologies. All can inspire us to think anew about film and visual cultures.</p> <p><em>Feminist Film Philosophy</em> re-frames the body of work available to film philosophers in schools, universities, and cinema audiences, and stages a long-overdue intervention in the field, thereby enabling the development of the discipline in important and vital ways.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。
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5,068円
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Imag(in)ing Jesus in the Universal or Particular Cross-Cultural Bible Film Reception of The Lumo Project: The Gospel of Mark and Son of Man【電子書籍】[ Dr Victoria Olaide Omotoso ]
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<p><strong>This volume is a critical exploration of cross-cultural Bible film reception presented through an analysis of the responses of UK and South African audiences to <em>The Lumo Project: The Gospel of Mark</em> (2014) and <em>Son of Man</em> (2006).</strong> Victoria Olaide Omotoso places emphasis on audience reception and highlighting the non-Western experience of biblical films by examining the responses of audiences from different cultural contexts to identical media, with a cross-cultural audience discourse facilitated by cultural dynamics: fidelity to the (biblical) text, ethnicity, music, and gender. By examining historic and cinematic debates, audience responses and filmmaker responses, Omotoso explores the ethnicity of Jesus, theological contexts and implications, and the presentation of Jesus in an androcentric world.</p> <p>Omotoso adopts the concepts of universality and particularity as frameworks to determine the ways through which the filmmakers attempt to identify their cinematic visions and locations. She defines universality as a phenomenon through which the filmmaker seeks to place the narrative within a trans-cultural frame for a global audience; in contrast, her definition of particularity is envisioning a unitary and specific cultural context for the narrative. By exploring fidelity to the text, the ethnic identity of Jesus, musical contexts, masculinity and female agency, the universal and particular are shown as complex, contested, and shifting concepts within the process of cross-cultural audience reception, which frequently destabilizes the intentions of the filmmakers.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。
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15,223円
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