2969件中 91件 - 120件  1 2 3 4 5 6 7 8 9

商品	説明	価格
Acting and its Refusal in Theatre and Film The Devil Makes Believe【電子書籍】[ Marian McCurdy ] 楽天Kobo電子書籍ストア	＜p＞Acting has traditionally been considered a form of pretending or falsehood, compared with the so-called reality or truth of everyday life. Yet in the postmodern era, a reversal has occurred ? real life is revealed as something acted and acting is where people have begun to search for truth. ＜em＞In Acting and its Refusal in Theatre and Film＜/em＞, Marian McCurdy considers the ethical desire of refusing to act ? which results from blurred boundaries of acting and living ? and examines how real life and performance are intertwined. Offering a number of in-depth case studies, the book contextualizes refusals of acting on stage and screen and engages in an analysis of fascist theatricality, sexual theatricality and the refusal of theatricality altogether.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。	13,083円
The Business of Film A Practical Introduction【電子書籍】[ Paula Landry ] 楽天Kobo電子書籍ストア	＜p＞This updated third edition introduces readers to the business of film at every stage of the filmmaking lifecycle, from planning and production to financing, marketing, and distribution. Celebrated authors Stephen R. Greenwald and Paula Landry offer a practical, hands-on guide to the business aspects of this evolving industry, exploring streaming, development, financing trends, regional/global/online distribution, shifting business models, exhibition, multi-platform delivery, marketing, VR/AR, virtual production, accounting, and more.＜/p＞ ＜p＞The book is illustrated throughout with sample financing scenarios and charts/graphics, and includes detailed case studies from projects of different budgets and markets. This new and expanded edition has been updated to reflect the new challenges facing the industry due to Covid-19 and how to navigate the new landscape of film financing and distribution. Other updates include coverage of new indie films and distributors, virtual production, the recent impact of global markets including the biggest streamers like Netflix, Apple and Amazon are how they are shaping the future of the business.＜/p＞ ＜p＞This is essential reading for students looking for foundational knowledge of the film industry and guidance on how to successfully adapt to constant changes in the entertainment business.＜/p＞ ＜p＞Extensive online support material accompanies the book including downloadable forms and templates, PowerPoint slides, quizzes and test banks, and other additional resources.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。	10,612円
Transnationalism and Imperialism Endurance of the Global Western Film【電子書籍】[ Herv? Mayer ] 楽天Kobo電子書籍ストア	＜p＞＜strong＞While Western films can be seen as a mode of American exceptionalism, they have also become a global genre. Around the world, Westerns exemplify colonial cinema, driven by the exploration of racial and gender hierarchies and the progress and violence shaped by imperialism.＜/strong＞＜/p＞ ＜p＞＜em＞Transnationalism and Imperialism: Endurance of the Global Western Film＜/em＞ traces the Western from the silent era to present day as the genre has circulated the world. Contributors examine the reception and production of American Westerns outside the US alongside the transnational aspects of American productions, and they consider the work of minority directors who use the genre to interrogate a visual history of oppression. By viewing Western films through a transnational lens and focusing on the reinterpretations, appropriations, and parallel developments of the genre outside the US, editors Herv? Mayer and David Roche contribute to a growing body of literature that debunks the pervasive correlation between the genre and American identity.＜/p＞ ＜p＞Perfect for media studies and political science, ＜em＞Transnationalism and Imperialism＜/em＞ reveals that Western films are more than cowboys; they are a critical intersection where issues of power and coloniality are negotiated.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。	5,638円
Following Norberg-Schulz An Architectural History through the Essay Film【電子書籍】[ Dr Anna Ulrikke Andersen ] 楽天Kobo電子書籍ストア	＜p＞This book examines the 'window' in the life and work of the seminal architectural thinker Christian Norberg-Schulz (1926 ? 2000). It draws new attention to his architectural designs and re-examines his acclaimed theoretical work on the phenomenology of architecture and place within the context of a biography of his life, linking him with other historical figures such as Helen Keller and Rainer Maria Rilke, and framing him within the modernist tradition of the latter.＜/p＞ ＜p＞Taking a novel, experimental approach, the book also explores the potential of the essay-film as an innovative new approach to producing architectural history. Bridging archival research and artistic exploration, its ten chapters, written by an architectural historian who is also a film-maker, are each accompanied by a short documentary film, hosted online and linked from within the chapter, which use the medium of film to creatively explore and delve deeper into little-known aspects of Norberg-Schulz's theory of genius loci and the phenomenology of architecture. The book questions what it means to 'follow' those who came before, exploring the positionality of the architectural historian/filmmaker.＜/p＞ ＜p＞Offering an insightful account of the life, work, and theory of a key thinker, ＜em＞Following Norberg-Schulz＜/em＞ is also essential reading for those interested in practice-led research methodologies, particularly in the practice of film-making and the essay film, providing a highly innovative example of scholarly research which bridges the text-film gap.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。	4,560円
Film Noir and the Possibilities of Hollywood【電子書籍】[ Nathaniel Deyo ] 楽天Kobo電子書籍ストア	＜p＞Built around close readings of 11 noir films, this book seeks to refresh our understanding of “film noir” by returning to the films themselves. Pushing against totalizing or generalizing approaches, which may have the unintended effect of flattening out significant distinctions and differences between individual approaches, ＜em＞Film Noir and the Possibilities of Hollywood＜/em＞ argues for the importance of staying attuned the varied and variegated formal, aesthetic and thematic strategies at work in individual films. By focusing on these strategies, the book invites readers to consider anew the enabling possibilities of Hollywood filmmaking in the studio era.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。	10,331円
The Man Who Got Carter Michael Klinger, Independent Production and the British Film Industry, 1960-1980【電子書籍】[ Dr Andrew Spicer ] 楽天Kobo電子書籍ストア	＜p＞Michael Klinger was the most successful indpendent producer in the British film industry over a 20 year period from 1960 to 1980, responsible for 32 films, including classics such as Repulsion (1965) and Get Carter (1971). Despite working with many famous figures- including actors Michael Caine, Peter Finch, Lee Marvin, Roger Moore, Mickey Rooney and Susannah York; directors Claude Chabrol,Mike Hodges and Roman Polanski and author Wilbur Smith- Klinger's contribution to British cinema has been almost largely ignored. This definitive book on Micheal Klinger, largely based on his previously unseen personal papers, examines his origins in Sixties Soho 'sexploitation' cinema and 'shockumentaries' through to major international productions including Gold (1974) and Shout at the Devil (1976). It reveals how Klinger deftly combined commercial product-the hugely popular 'Confessions' series (1974-78)- with artistic, experimental cinema that nurtured young talent, including Polanski and Hodges, Peter Colinson, Alastair Reid, Linda Hayden and Moshe Mizrahi, the Israeli director of Rachel's Man (1975).＜br /＞ Klinger's career is contextualised through a reassessment of the British film industry during a period of unprecedented change and volatility as well as highlighting the importance of his Jewishness. The Man Who Got Carter offers a detailed analysis of the essential but often misunderstood role played by the producer.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。	17,126円
Framing Pictures Film and the Visual Arts【電子書籍】[ Steven Jacobs ] 楽天Kobo電子書籍ストア	画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。	3,971円
The Concise Routledge Encyclopedia of the Documentary Film【電子書籍】 楽天Kobo電子書籍ストア	＜p＞＜em＞The Concise Routledge Encyclopedia of the Documentary Film＜/em＞ is a fully international reference work on the history of the documentary film from the Lumi?re brothers' ＜em＞Workers Leaving the Lumi?re Factory＜/em＞ (1885) to Michael Moore's ＜em＞Fahrenheit 911＜/em＞ (2004).＜/p＞ ＜p＞Previously published in three volumes, entries have been edited and updated for the new, concise edition and three new entries have been added on: India, China and Africa.＜/p＞ ＜p＞＜em＞The Concise Routledge Encyclopedia of the Documentary Film＜/em＞:＜/p＞ ＜ul＞ ＜li＞Discusses individual films and filmmakers including little-known filmmakers from countries such as India, Bosnia, China and others＜/li＞ ＜li＞Examines the documentary filmmaking traditions within nations and regions, or within historical periods in places such as Iran, Brazil, Portugal, and Japan＜/li＞ ＜li＞Explores themes, issues, and representations in documentary film including human rights, modernism, homosexuality, and World War I, as well as types of documentary film such as newsreels and educational films＜/li＞ ＜li＞Elaborates on production companies, organizations, festivals, and institutions such as the American Film Institute, Ceylon Tea Propaganda Board, Hot Docs (Toronto), and the World Union of Documentary＜/li＞ ＜li＞Describes styles, techniques, and technical issues such as animation, computer imaging, editing techniques, IMAX, music, and spoken commentary＜/li＞ ＜/ul＞ ＜p＞Bringing together all aspects of documentary film, this accessible concise edition provides an invaluable resource for both scholars and students. With film stills from key films, this resource provides the decisive entry point into the history of an art form.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。	10,943円
Hermeneutics of the Film World A Ric?urian Method for Film Interpretation【電子書籍】[ Alberto Baracco ] 楽天Kobo電子書籍ストア	＜p＞This book identifies a new methodological strategy for the interpretation of film philosophizing. Many recent works in film philosophy, adopting the approach identified with the term ＜em＞film as philosophy＜/em＞, have considered film as capable of doing philosophy. Focused on the basic relationship between film and filmgoer, the proposed method is founded on the concept of the film world. Combining Merleau-Ponty’s and Ric?ur’s philosophies, and reconsidering Goodman’s theory of worldmaking, the film world becomes the hermeneutic horizon from which film philosophical thought can emerge. The book shows how Ric?urian methodology has the potential to provide a valuable resource for film studies by inviting scholars to consider film interpretation in terms of film world hermeneutics.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。	12,154円
Writing for Film The Basics of Screenwriting【電子書籍】[ Darsie Bowden ] 楽天Kobo電子書籍ストア	＜p＞In this introduction to screenwriting, author Darsie Bowden provides sage, real-world advice and instruction on the process of writing film screenplays. This text will help budding screenwriters to structure their dramas, refine their characterizations, and craft their language, while also introducing them to the appropriate screenplay formats. It covers the complexities of writing for the screen and points out the contradictions to expect if readers pursue this work as a career. In addition to covering the elements of the dramatic film screenplay, Bowden discusses writing for such "alternative" markets as documentaries, independent films, experimental films, and other non-Hollywood options. Features of the text include:guidelines for working as a screenwriter;applications and exercises to enhance skills;suggested readings for further development; anda comprehensive list of resources for screenwriting.Successful writing for film lies in being able to heighten one's perceptive abilities about the world and to communicate those perceptions in a cinematic way. In this text, Bowden introduces readers to an approach to screenwriting that will help them see the world in a different way and write about it using different genres and media. This most valuable skill prepares readers for the range of possibilities they will encounter on the path to successful screenwriting.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。	11,109円
Inside the Pleasure Dome Fringe Film in Canada【電子書籍】[ Mike Hoolboom ] 楽天Kobo電子書籍ストア	＜p＞Everybody loves the movies. But a movie about the colour blue, or an isolated mountain range, or a man grown so thin the world floats through his perfect transparency? 'You know what would be really great - to make a two-hour movie about Taylor Mead's ass,' remarked Andy Warhol, the most notorious fringe filmer of them all. Welcome to the strange and wonderful universe of fringe cinema, where the only rules left unbroken are the ones that have been forgotten. Twenty-three interviews with Canada's finest underdogs lay it all down like a road, ready to take you through the vanishing point of personality.＜/p＞ ＜p＞This new edition includes a foreword by Atom Egoyan, and features never-before-heard raps from Ellie Epp, David Rimmer, Ann Marie Fleming, Anna Gronau, John Kneller, Rick Hancox and Kika Thorne, joining fellow fringers like Mike Snow, Carl Brown, Patricia Gruben, Penelope Buitenhuis, Fumiko Kiyooka, Wrik Mead, Annette Mangaard, Garin? Torossian, Richard Kerr and Mike Cartmell.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。	2,515円
The Quick, the Dead and the Revived The Many Lives of the Western Film【電子書籍】[ Joseph Maddrey ] 楽天Kobo電子書籍ストア	＜p＞For well more than a century, Western films have embodied the United States' most fundamental doctrine--expansionism--and depicted, in a uniquely American way, the archetypal battle between good and evil. Westerns also depict a country defined and re-defined by complex crises. World War II transformed the genre as well as the nation's identity. Since then, Hollywood filmmakers have been fighting America's ideological wars onscreen by translating modern-day politics into the timeless mythology of the Old West. This book surveys the most iconic and influential Westerns, examines Hollywood stars and their political stripes and reveals the familiar Western tropes--which became elements in popular action, science fiction and horror films. This then sets the stage for the Western revival of the 1990s and a period of reinvention in the 21st century.＜/p＞ ＜p＞Instructors considering this book for use in a course may request an examination copy here.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。	2,652円
The Apocalypse in Film Dystopias, Disasters, and Other Visions about the End of the World【電子書籍】 楽天Kobo電子書籍ストア	＜p＞We live in a world at risk. Dire predictions about our future or the demise of planet earth persist. Even fictional representations depict narratives of decay and the end of a commonly shared social reality. Along with recurring Hollywood blockbusters that imagine the end of the world, there has been a new wave of zombie features as well as independent films that offer various visions of the future.＜/p＞ ＜p＞The Apocalypse in Film: Dystopias, Disasters, and Other Visions about the End of the World offers an overview of Armageddon in film from the silent era to the present. This collection of essays discusses how such films reflect social anxietiesーones that are linked to economic, ecological, and cultural factors. Featuring a broad spectrum of international scholars specializing in different historical genres and methodologies, these essays look at a number of films, including the silent classic The Four Horsemen of the Apocalypse, the black comedy Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, the Mayan calendar disaster epic, 2012, and in particular, Lars Von Trier’s Melancholia, the focus of several essays.＜/p＞ ＜p＞As some filmmakers translate the anxiety about a changing global climate and geo-political relations into visions of the apocalypse, others articulate worries about the planet’s future by depicting chemical warfare, environmental disasters, or human made destruction. This book analyzes the emergence of apocalyptic and dystopic narratives and explores the political and social situations on which these films are based. Contributing to the dialogue on dystopic culture in war and peace, The Apocalypse in Film will be of interest to scholars in film and media studies, border studies, gender studies, sociology, and political science.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。	13,122円
The Best Film You've Never Seen 35 Directors Champion the Forgotten or Critically Savaged Movies They Love【電子書籍】[ Robert K. Elder ] 楽天Kobo電子書籍ストア	＜p＞Revealing a festival of guilty pleasures, almost-masterpieces, and undeniable classics in need of revival, 35 directors champion their favorite overlooked or critically savaged gems in this guide. The list includes unsung noir films ＜em＞The Chase＜/em＞ and ＜em＞Murder by Contract＜/em＞, famous flops ＜em＞Can't Stop the Music＜/em＞ and ＜em＞Joe Versus the Volcano＜/em＞, art films ＜em＞L'ange＜/em＞ and ＜em＞WR: Mysteries of the Organism＜/em＞, theatrical adaptations ＜em＞The Iceman Cometh＜/em＞ and ＜em＞The Homecoming＜/em＞, B-movies ＜em＞Killer Klowns from Outer Space＜/em＞ and ＜em＞The Honeymoon Killers＜/em＞, and even Oscar-winners ＜em＞Breaking Away＜/em＞ and ＜em＞Some Came Running＜/em＞. The filmmakers, including Guillermo del Toro, John Waters, John Woo, Edgar Wright, and Danny Boyle, defend their choices, wanting these films to be loved, admired, and swooned over, arguing the films deserve a larger audience and their place in movie history be reconsidered. Some were well-loved but are now faded or forgotten, others ran afoul of critics or were just buried after a dismal opening run, and still others never even got proper distribution. A few of these titles qualify as bona fide ＜em＞obscurata＜/em＞, but now most can be found on DVD or streaming from Netflix or Amazon. The filmmakers are the perfect hosts, setting the tone, managing expectations, and often being brutally honest about a film's shortcomings or the reasons why it was lost in the first place.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。	1,917円
The Spectral West Super-Nature and the Gothic in the Western Film【電子書籍】[ Keith McDonald ] 楽天Kobo電子書籍ストア	＜p＞This book considers the presence of the supernatural and Gothic elements of the Western on screen. These dark and sinister undertones often exist in Western narratives to draw attention to the ever-present issue of death and its haunting resonance which characters encounter. This book examines this through key historic moments in Western film and its contemporary incarnations. The book detects imposing correlations in themes and currents between the Gothic and the Western relating to existential crisis and a loss of faith in ideologies and institutions. These themes represent the tensions between the old and the new, the deranged insistence on civility and order in a chaotic landscape, disillusionment and the shattering of faith in the natural order, and even nature and order themselves. The Western, just like the Gothic tale, reminds us that new frontiers are mired in the past, and optimism and survival are hunted down and haunted by guilt-ridden past and passed anxieties and traumas＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。	4,934円
Hollywood's Last Golden Age Politics, Society, and the Seventies Film in America【電子書籍】[ Jonathan Kirshner ] 楽天Kobo電子書籍ストア	＜p＞＜strong＞Kirshner's commentary on these and other films is stimulating...Kirshner's book provides intriguing insights for anyone interested in the relation between film and wider culture.＜/strong＞ー＜em＞The Journal of American Culture＜/em＞＜/p＞ ＜p＞＜strong＞Between 1967 and 1976 a number of extraordinary factors converged to produce an uncommonly adventurous era in the history of American film＜/strong＞. The end of censorship, the decline of the studio system, economic changes in the industry, and demographic shifts among audiences, filmmakers, and critics created an unprecedented opportunity for a new type of Hollywood movie, one that Jonathan Kirshner identifies as the "seventies film." In ＜em＞＜strong＞Hollywood's Last Golden Age＜/strong＞＜/em＞, Kirshner shows the ways in which key films from this periodーincluding ＜em＞Chinatown＜/em＞, ＜em＞Five Easy Pieces＜/em＞, ＜em＞The Graduate＜/em＞, and ＜em＞Nashville＜/em＞, as well as underappreciated films such as ＜em＞The Friends of Eddie Coyle＜/em＞, ＜em＞Klute＜/em＞, and ＜em＞Night Moves＜/em＞ーwere important works of art in continuous dialogue with the political, social, personal, and philosophical issues of their times.＜/p＞ ＜p＞These "seventies films" reflected the era's social and political upheavals: the civil rights movement, the domestic consequences of the Vietnam war, the sexual revolution, women's liberation, the end of the long postwar economic boom, the Shakespearean saga of the Nixon Administration and Watergate. Hollywood films, in this brief, exceptional moment, embraced a new aesthetic and a new approach to storytelling, creating self-consciously gritty, character-driven explorations of moral and narrative ambiguity. Although the rise of the blockbuster in the second half of the 1970s largely ended Hollywood’s embrace of more challenging films, Kirshner argues that seventies filmmakers showed that it was possible to combine commercial entertainment with serious explorations of politics, society, and characters’ interior lives.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。	3,100円
The Wizarding World: Examining J.K. Rowling’s Cultural Phenomenon and Its Impact on Film【電子書籍】[ Gregory Hammond ] 楽天Kobo電子書籍ストア	＜p＞＜em＞The Wizarding World: Examining J.K. Rowling's Cultural Phenomenon and Its Impact on Film＜/em＞ by Gregory Hammond explores the profound influence of the ＜em＞Harry Potter＜/em＞ franchise on modern pop culture, literature, and cinema. This book delves into the journey of J.K. Rowling's creation, from its origins in the pages of a beloved book series to its worldwide expansion through films, theme parks, and other media. Through a deep analysis of the themes, characters, and societal relevance of the ＜em＞Harry Potter＜/em＞ universe, Hammond examines how the franchise has reshaped the fantasy genre, influenced global fan culture, and inspired social movements.＜/p＞ ＜p＞The book also explores the transformation of the books into blockbuster films, examining the challenges and triumphs of adapting such a rich and beloved world to the screen. It provides a detailed look at the technical and creative processes behind the films, including visual effects, cinematography, and the casting of iconic characters. ＜em＞The Wizarding World＜/em＞ highlights the complex interplay between the literary and cinematic elements of the series, offering insights into how the films helped cement the series' global impact and cultural legacy.＜/p＞ ＜p＞Through its in-depth exploration of the ＜em＞Harry Potter＜/em＞ phenomenon, this book also engages with broader themes such as the politics of resistance, social justice, and identity, examining how the stories of magical resistance resonate in the real world. It is a compelling examination of one of the most culturally significant franchises of our time and the lasting imprint it has left on global audiences, education, and entertainment.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。	450円
Out There: The Science Behind Sci-Fi Film and TV OUT THERE [ Ariel Waldman ] 楽天ブックス	OUT THERE Ariel Waldman Mae C. Jemison Phil Wheeler RUNNING PR BOOK PUBL2023 Hardcover English ISBN：9780762481668 洋書 Art & Entertainment（芸術＆エンターテインメント） Performing Arts	5,544円
洋書 Oxford University Press Paperback, Bollywood Sounds: The Cosmopolitan Mediations Of Hindi Film Song Glomarket	*** We ship internationally, so do not use a package forwarding service. We cannot ship to a package forwarding company address because of the Japanese customs regulation. If it is shipped and customs office does not let the package go, we do not make a refund. 【注意事項】 *** 特に注意してください。 *** ・個人ではない法人・団体名義での購入はできません。この場合税関で滅却されてもお客様負担になりますので御了承願います。 ・お名前にカタカナが入っている場合法人である可能性が高いため当店システムから自動保留します。カタカナで記載が必要な場合はカタカナ変わりローマ字で記載してください。 ・お名前またはご住所が法人・団体名義（XX株式会社等）、商店名などを含めている場合、または電話番号が個人のものではない場合、税関から法人名義でみなされますのでご注意ください。 ・転送サービス会社への発送もできません。この場合税関で滅却されてもお客様負担になりますので御了承願います。 *** ・注文後品切れや価格変動でキャンセルされる場合がございますので予めご了承願います。 ・当店でご購入された商品は、原則として、「個人輸入」としての取り扱いになり、すべてニュージャージからお客様のもとへ直送されます。 ・ご注文後、30営業日以内(通常2~3週間)に配送手続きをいたします。配送作業完了後、2週間程度でのお届けとなります。 ・まれに商品入荷状況や国際情勢、運送、通関事情により、お届けが2ヶ月までかかる場合がありますのでお急ぎの場合は注文をお控えください。 ・個人輸入される商品は、すべてご注文者自身の「個人使用・個人消費」が前提となりますので、ご注文された商品を第三者へ譲渡・転売することは法律で禁止されております。 ・関税・消費税が課税される場合があります。詳細はこちらをご確認下さい。PC販売説明文	7,095円
The British Trauma Film Psychoanalysis and Popular British Cinema in the Immediate Aftermath of the Second World War【電子書籍】[ Adam Plummer ] 楽天Kobo電子書籍ストア	＜p＞While the historical influence of psychoanalysis on Hollywood cinema has received considerable attention, the same cannot be said for its influence on British cinema. This book examines the central position that psychoanalysis occupies in British cinema in the years immediately following the Second World War.＜/p＞ ＜p＞Plummer uses a critical theory framework to understand the role that psychoanalysis plays in British culture at this time as an historical discourse, and in British cinema as a narrative, a cultural, and an ideological discourse. He defines these as arising within various areas of contemporary psychoanalytic thinking related to traumatic wartime experience, sexual difference, and the interplay between subjectivity and objectivity. He analyzes six British films of the period: ＜em＞The Halfway House＜/em＞, ＜em＞Dead of Night＜/em＞, ＜em＞The Seventh Veil＜/em＞, ＜em＞Madonna of the Seven Moons＜/em＞, ＜em＞They Made Me a Fugitive＜/em＞, and ＜em＞Mine Own Executioner＜/em＞ and demonstrates how psychoanalysis operates within them as a narrative and formal structuring mechanism. He argues that this engagement enables these films to begin to address the emotional fallout of the war by creating safe representational spaces where contemporary audiences could engage with their own traumatic experiences.＜/p＞ ＜p＞While ＜em＞The British Trauma Film＜/em＞ defines psychoanalysis as providing a language for British cinema at this time to confront the effects of wartime trauma, it finds that it also operates within a normalizing ideological system designed to reproduce dominant pre-war relations of political, social, and sexual power. However, in this group of films, this system is often countered by subversive discursive forces that seem to be immanent to the films themselves.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。	4,333円
洋書 Berklee Press Paperback, Complete Guide to Film Scoring: The Art and Business of Writing Music for Movies and TV Glomarket	*** We ship internationally, so do not use a package forwarding service. We cannot ship to a package forwarding company address because of the Japanese customs regulation. If it is shipped and customs office does not let the package go, we do not make a refund. 【注意事項】 *** 特に注意してください。 *** ・個人ではない法人・団体名義での購入はできません。この場合税関で滅却されてもお客様負担になりますので御了承願います。 ・お名前にカタカナが入っている場合法人である可能性が高いため当店システムから自動保留します。カタカナで記載が必要な場合はカタカナ変わりローマ字で記載してください。 ・お名前またはご住所が法人・団体名義（XX株式会社等）、商店名などを含めている場合、または電話番号が個人のものではない場合、税関から法人名義でみなされますのでご注意ください。 ・転送サービス会社への発送もできません。この場合税関で滅却されてもお客様負担になりますので御了承願います。 *** ・注文後品切れや価格変動でキャンセルされる場合がございますので予めご了承願います。 ・当店でご購入された商品は、原則として、「個人輸入」としての取り扱いになり、すべてニュージャージからお客様のもとへ直送されます。 ・ご注文後、30営業日以内(通常2~3週間)に配送手続きをいたします。配送作業完了後、2週間程度でのお届けとなります。 ・まれに商品入荷状況や国際情勢、運送、通関事情により、お届けが2ヶ月までかかる場合がありますのでお急ぎの場合は注文をお控えください。 ・個人輸入される商品は、すべてご注文者自身の「個人使用・個人消費」が前提となりますので、ご注文された商品を第三者へ譲渡・転売することは法律で禁止されております。 ・関税・消費税が課税される場合があります。詳細はこちらをご確認下さい。PC販売説明文	10,063円
Horror and the Horror Film【電子書籍】[ Bruce F. Kawin ] 楽天Kobo電子書籍ストア	＜p＞Horror films can be profound fables of human nature and important works of art, yet many people dismiss them out of hand. ‘Horror and the Horror Film’ conveys a mature appreciation for horror films along with a comprehensive view of their narrative strategies, their relations to reality and fantasy and their cinematic power. The volume covers the horror film and its subgenres ? such as the vampire movie ? from 1896 to the present. It covers the entire genre by considering every kind of monster in it, including the human.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。	4,510円
The Space of Sex The Porn Aesthetic in Contemporary Film and Television【電子書籍】[ Professor of English Shelton Waldrep ] 楽天Kobo電子書籍ストア	＜p＞As film and television become ever more focused on the pornographic gaze of the camera, the human body undergoes a metamorphosis, becoming both landscape and building, part of an architectonic design in which the erotics of the body spread beyond the body itself to influence the design of the film or televisual shot. The body becomes the mise-en-sc?ne of contemporary moving imagery. Opening ＜em＞The Space of Sex＜/em＞, Shelton Waldrep sets up some important tropes for the book: the movement between high and low art; the emphasis on the body, looking, and framing; the general intermedial and interdisciplinary methodology of the book as a whole.＜/p＞ ＜p＞＜em＞The Space of Sex＜/em＞'s second half focuses on how sex, gender, and sexuality are represented in several recent films, including Paul Schrader's ＜em＞The Canyons＜/em＞ (2013), Oliver Stone's ＜em＞Savages＜/em＞ (2012), Steven Soderbergh's ＜em＞Magic Mike＜/em＞ (2012), Lars Von Trier's ＜em＞Nymphomaniac＜/em＞ (2013), and Joseph Gordon-Levitt's ＜em＞Don Jon＜/em＞ (2013). Each of these mainstream or independent movies, and several more, are examined for the ways they have attempted to absorb pornography, if not the pornography industry specifically, into their plot. According to Waldrep, the utopian elements of seventies porn get reprocessed in a complex way in the twenty-first century as both a utopian impulse-the desire to have sex on the screen, to re-eroticize sex as something positive and lacking in shame-with a mixed feeling about pornography itself, with an industry that can be seen in a dystopian light. In other words, sex, in our contemporary world, still does not come without compromise.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。	4,454円
The Cultural Imaginary of Terrorism in Public Discourse, Literature, and Film Narrating Terror【電子書籍】[ Michael Frank ] 楽天Kobo電子書籍ストア	＜p＞This study investigates the overlaps between political discourse and literary and cinematic fiction, arguing that both are informed by, and contribute to, the cultural imaginary of terrorism. Whenever mass-mediated acts of terrorism occur, they tend to trigger a proliferation of threat scenarios not only in the realm of literature and film but also in the statements of policymakers, security experts, and journalists. In the process, the discursive boundary between the factual and the speculative can become difficult to discern. To elucidate this phenomenon, this book proposes that terror is a halfway house between the real and the imaginary. For what characterizes terrorism is less the single act of violence than it is the fact that this act is perceived to be the beginning, or part, of a potential series, and that further acts are expected to occur. As turn-of-the-century writers such as Stevenson and Conrad were the first to point out, this gives terror a fantastical dimension, a fact reinforced by the clandestine nature of both terrorist and counter-terrorist operations. Supported by contextual readings of selected texts and films from ＜em＞The＜/em＞ ＜em＞Dynamiter＜/em＞ and ＜em＞The Secret＜/em＞ ＜em＞Agent＜/em＞ through late-Victorian science fiction to post-9/11 novels and cinema, this study explores the complex interplay between actual incidents of political violence, the surrounding discourse, and fictional engagement with the issue to show how terrorism becomes an object of fantasy. Drawing on research from a variety of disciplines, ＜em＞The Cultural Imaginary of Terrorism＜/em＞ will be a valuable resource for those with interests in the areas of Literature and Film, Terrorism Studies, Peace and Conflict Studies, Trauma Studies, and Cultural Studies.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。	10,280円
The New Hollywood Historical Film 1967-78【電子書籍】[ Tom Symmons ] 楽天Kobo電子書籍ストア	＜p＞The New Hollywood of the late 1960s and 1970s is among the most exciting and influential periods in the history of film. This book explores how the new wave of historical films were profoundly shaped by the controversies and concerns of the present.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。	6,076円
The Major Film Theories An Introduction【電子書籍】[ J. Dudley Andrew ] 楽天Kobo電子書籍ストア	＜p＞Both a history of film theory and an introduction to the work of the most important writers in the field, Andrew's volume reveals the bases of thought of such major theorists as Munsterberg, Arnheim, Eisenstein, Balazs, Kracauer, Bazin, Mitry, and Metz.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。	1,972円
The Emotional Life of Postmodern Film Affect Theory's Other【電子書籍】[ Pansy Duncan ] 楽天Kobo電子書籍ストア	＜p＞＜em＞Emotion＜/em＞ and ＜em＞Postmodernism＜/em＞: is it possible to imagine an odder couple, stranger bedfellows, less bad company? ＜em＞The Emotional Life of Postmodern Film＜/em＞ brings this unlikely pair into sustained dialogue, arguing that the interdisciplinary body of scholarship currently emerging under the rubric of "affect theory" may be unexpectedly enriched by an encounter with the field that has become its critical other. Across a series of radical re-reappraisals of canonical postmodern texts, from Fredric Jameson's ＜em＞Postmodernism＜/em＞ to David Cronenberg's ＜em＞Crash＜/em＞, Duncan shows that the same postmodern archive that has proven resistant to strongly subject-based and object-oriented emotions, like anger and sadness, proves all too congenial to a series of idiosyncratic, borderline emotions, from knowingness, fascination and bewilderment to boredom and euphoria. The analysis of these emotions, in turn, promises to shake up scholarly consensus on two key counts. On the one hand, it will restructure our sense of the place and role of emotion in a critical enterprise that has long cast it as the stodgy, subjective sister of a supposedly more critically interesting and politically productive ＜em＞affect＜/em＞. On the other, it will transform our perception of postmodernism as a now-historical aesthetic and theoretical moment, teaching us to acknowledge more explicitly and to name more clearly the emotional life that energizes it.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。	10,943円
The Classical Hollywood Cinema Film Style and Mode of Production to 1960【電子書籍】[ David Bordwell ] 楽天Kobo電子書籍ストア	＜p＞'A dense, challenging and important book.' ＜strong＞Philip French＜/strong＞ ＜em＞Observer＜/em＞＜/p＞ ＜p＞'At the very least, this blockbuster is probably the best single volume history of Hollywood we're likely to get for a very long time.' ＜strong＞Paul Kerr＜/strong＞ ＜em＞City Limits＜/em＞＜/p＞ ＜p＞'Persuasively argued, the book is also packed with facts, figures and photographs.' ＜strong＞Nigel Andrews＜/strong＞ ＜em＞Financial Times＜/em＞＜/p＞ ＜p＞Acclaimed for their breakthrough approach, Bordwell, Staiger and Thompson analyze the basic conditions of American film-making as a historical institution and consider to what extent Hollywood film production constitutes a systematic enterprise, in both its style and its business operations.＜/p＞ ＜p＞Despite differences of director, genre or studio, most Hollywood films operate within a set of shared assumptions about how a film should look and sound. Such assumptions are neither natural nor inevitable; but because classical-style films have been the type most widely seen, they have come to be accepted as the 'norm' of film-making and viewing.＜/p＞ ＜p＞The authors show how these classical conventions were formulated and standardized, and how they responded to the arrival of sound, colour, widescreen ratios and stereophonic sound. They argue that each new technological development has served a function within an existing narrational system.＜/p＞ ＜p＞The authors also examine how the Hollywood cinema standardized the film-making process itself. They describe how, over the course of its history, Hollywood developed distinct modes of production in a constant search for maximum efficiency, predictability and novelty.＜/p＞ ＜p＞Set apart by its combination of theoretical analysis and empirical evidence, this book is the standard work on the classical Hollywood cinema style of film-making from the silent era to the 1960s. Now available in paperback, it is a 'must' for film students, lecturers and all those seriously interested in the development of the film industry.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。	10,280円
Bernard Herrmann's The Ghost and Mrs. Muir A Film Score Guide【電子書籍】[ David Cooper ] 楽天Kobo電子書籍ストア	＜p＞Regarded as one of the greatest film composers of all time, Bernard Herrmann was responsible for some of the most memorable music in film. His work with Alfred Hitchcock produced a slew of classics including ＜em＞Vertigo＜/em＞ (1958), ＜em＞North by Northwest＜/em＞ (1959), and ＜em＞Psycho＜/em＞ (1960). Several years before collaborating with Hitchcock, however, Herrmann composed the brilliant score for ＜em＞The Ghost and Mrs. Muir＜/em＞ (1947), which remained a personal favorite of the composer's. Herrmann's score reinforces the film's romantic theme, and much of the music has an appropriately elegiac quality. In mood, orchestration, and even to some extent thematic identity, it seems to prefigure his music for ＜em＞Vertigo＜/em＞.＜/p＞ ＜p＞In this latest addition to the ＜em＞Scarecrow Film Score Guide＜/em＞ series, author David Cooper examines Herrmann's career in general, as well as the specific elements that went into the creation of ＜em＞The Ghost and Mrs. Muir＜/em＞'s score. Cooper traces the development of Herrmann's craft as a film composer, especially through his radio work, where he made contact with many of the great artists of the age, most notably Orson Welles. This association was to give him a passport to Hollywood and led to the scoring of his first film, ＜em＞Citizen Kane＜/em＞. Herrmann's subsequent film scores of the 1940s included ＜em＞The Devil and Daniel Webster＜/em＞, ＜em＞The Magnificent Ambersons＜/em＞, and ＜em＞Jane Eyre＜/em＞.＜/p＞ ＜p＞In this guide, Cooper considers Herrmann's musical technique and offers a theorization of some of the ways in which music can be "meaningful" in film. He also explores non-musical contexts of the film, including the screenplay's relationship to the popular novel from which it was adapted, as well as the contribution of director Joseph L. Mankiewicz, the performances of Gene Tierney and Rex Harrison, and the editing of Dorothy Spencer. Cooper also provides a quantitative, evidence-based study of the score. In doing so, he discusses the extent to which Herrmann adopted screenwriter Philip Dunne's suggestions for music in＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。	5,657円
Film Genre for the Screenwriter【電子書籍】[ Jule Selbo ] 楽天Kobo電子書籍ストア	＜p＞Film Genre for the Screenwriter is a practical study of how classic film genre components can be used in the construction of a screenplay. Based on Jule Selbo’s popular course, this accessible guide includes an examination of the historical origins of specific film genres, how and why these genres are received and appreciated by film-going audiences, and how the student and professional screenwriter alike can use the knowledge of film genre components in the ideation and execution of a screenplay.＜/p＞ ＜p＞Explaining the defining elements, characteristics and tropes of genres from romantic comedy to slasher horror, and using examples from classic films like ＜em＞Casablanca＜/em＞ alongside recent blockbuster franchises like ＜em＞Harry Potter＜/em＞, Selbo offers a compelling and readable analysis of film genre in its written form. The book alsooffers case studies, talking points and exercises to make its content approachable and applicable to readers and writers across the creative field.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。	12,767円