film and [ART ＆ ENTERTAINMENT]
2788件中 1件 - 30件
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| 商品 | 説明 | 価格 |
|---|---|---|
 Digital Compositing for Film and Video Production Workflows and Techniques【電子書籍】[ Steve Wright ] 楽天Kobo電子書籍ストア | ＜p＞Written by senior compositor, technical director, and master trainer Steve Wright, this book condenses years of production experience into an easy-to-read and highly informative guide suitable for both working and aspiring visual effects artists.＜/p＞ ＜p＞This updated edition of ＜em＞Digital Compositing for Film and Video＜/em＞ addresses the problems and difficult choices that professional compositors face daily with an elegant blend of theory, practical production techniques, and workflows. It is written to be software-agnostic, so it applies to any brand of software. It features many step-by-step workflows, powerful new keying techniques, and updates on the latest tech in the visual effects industry with all-new content on artificial intelligence (AI) for visual effects (VFX), Universal Scene Description (USD), Virtual Production, and Cryptomattes.＜/p＞ ＜p＞A companion website offers images from the examples discussed in the book allowing readers to experiment with the material first-hand. This edition also adds Nuke workflows to the companion website for the first time.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 17,245円 |
 Sport, Film and National Culture【電子書籍】 楽天Kobo電子書籍ストア | ＜p＞Sport and film have historically been key components of national cultures and societies. This is the first collection dedicated to examining the intersection of these popular cultural forces within specific national contexts.＜/p＞ ＜p＞Covering films of all types, from Hollywood blockbusters to regional documentaries and newsreels, the book considers how filmic depictions of sport have configured and informed distinctive national cultures, societies and identities. Featuring case studies from 11 national contexts across 6 continents ? including North and South America, Europe, Africa, Asia and Oceania ? it reveals the common and contrasting approaches that have emerged within sport cinema in differing national contexts.＜/p＞ ＜p＞This is fascinating and important reading for all students and researchers working in film, media, cultural studies or sport, and for broader enthusiasts of both sport and film.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 9,948円 |
 Aesthetics and Film【電子書籍】[ Dr Katherine Thomson-Jones ] 楽天Kobo電子書籍ストア | ＜p＞＜em＞Aesthetics and Film＜/em＞ is a philosophical study of the art of film. Its motivation is the recent surge of interest among analytic philosophers in the philosophical implications of central issues in film theory and the application of general issues in aesthetics to the specific case of film.＜br /＞ Of particular interest are questions concerning the distinctive representational capacities of film art, particularly in relation to realism and narration, the influence of the literary paradigm in understanding film authorship and interpretation, and our imaginative and affective engagement with film.＜br /＞ For all of these questions, Katherine Thomson-Jones critically compares the most compelling answers, driving home key points with a wide range of film examples including Wiene's ＜em＞The Cabinet of Doctor Caligari＜/em＞, Eisenstein's ＜em＞October＜/em＞, Hitchcock's ＜em＞Rear Window＜/em＞, Kubrick's ＜em＞The Shining＜/em＞ and Sluizer's ＜em＞The Vanishing＜/em＞. Students and scholars of aesthetics and cinema will find this an illuminating, accessible and highly enjoyable investigation into the nature and power of a technologically evolving art form.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 4,814円 |
 Aesthetic evaluation and film【電子書籍】[ Andrew Klevan ] 楽天Kobo電子書籍ストア | ＜p＞This bookprovides an in-depth, holistic examination of evaluative aesthetics and criticism as they apply to film. Organised around the explanation of key concepts, it illuminates connections between the work of philosophers, theorists and critics, and demonstrates the evaluation of form through the close analysis of film sequences. The book advocates that aesthetic evaluation should be flexibly informed by a cluster of concerns including medium, convention, prominence, pattern and relation; and rather than privileging a particular theory or film style, it models a type of approach, attention, process and discourse. Suitable for students of film studies and philosophical aesthetics at both undergraduate and postgraduate levels, ＜em＞Aesthetic evaluation and film＜/em＞ also provides a framework for academics researching or teaching in the area. At the same time, the crisp and lucid style will make the book accessible to a wider readership.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 3,310円 |
 The Baseball Film A Cultural and Transmedia History【電子書籍】[ Aaron Baker ] 楽天Kobo電子書籍ストア | ＜p＞Baseball has long been viewed as the Great American Pastime, so it is no surprise that the sport has inspired many Hollywood films and television series. But how do these works depict the game, its players, fans, and place in American society?＜/p＞ ＜p＞This study offers an extensive look at nearly one hundred years of baseball-themed movies, documentaries, and TV shows. Film and sports scholar Aaron Baker examines works like ＜em＞A League of their Own＜/em＞ (1992) and ＜em＞Sugar＜/em＞ (2008), which dramatize the underrepresented contributions of female and immigrant players, alongside classic baseball movies like ＜em＞The Natural＜/em＞ that are full of nostalgia for a time when native-born white men could use the game to achieve the American dream. He further explores how biopics have both mythologized and demystified such legendary figures as Ty Cobb, Babe Ruth, Lou Gehrig, Jackie Robinson and Fernando Valenzuela.＜/p＞ ＜p＞＜em＞The Baseball Film＜/em＞ charts the variety of ways that Hollywood presents the game as integral to American life, whether showing little league as a site of parent-child bonding or depicting fans’ lifelong love affairs with their home teams. Covering everything from ＜em＞Bull Durham＜/em＞ (1988) to ＜em＞The Bad News Bears＜/em＞ (1976), this book offers an essential look at one of the most cinematic of all sports.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 3,708円 |
 Fat on Film Gender, Race and Body Size in Contemporary Hollywood Cinema【電子書籍】[ Ms Barbara Plotz ] 楽天Kobo電子書籍ストア | ＜p＞Over the last two decades, fatness has become the focus of ubiquitous negative rhetoric, in the USA and beyond, presented under the cover of the medicalized ''war against the obesity epidemic''. In ＜em＞Fat on Film＜/em＞, Barbara Plotz provides a critical analysis of the cinematic representation of fatness during this timeframe, specifically in contemporary Hollywood cinema, with an emphasis on the intersection of gender, race and fatness. The analysis is based on around 50 films released since 2000 and includes examples such as ＜em＞Transformers＜/em＞ (2007), ＜em＞Precious＜/em＞ (2009), ＜em＞Kung Fu Panda＜/em＞ (2008), ＜em＞Paul Blart＜/em＞ (2009)and ＜em＞Pitch Perfect＜/em＞ (2012).Plotz maps the common cinematic tropes of fatness and also shows how commonplace notions of fatness that are part of the current ''obesity epidemic'' discourse are reflected in these tropes. In this original study, Plotz brings critical attention to the politics of fat representation, a topic that has so far received little attention within film and cinema studies.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 5,701円 |
 Gladiator II: The Art and Making of the Ridley Scott Film【電子書籍】[ John Walsh ] 楽天Kobo電子書籍ストア | ＜p＞＜strong＞The official behind-the-scenes companion to Sir Ridley Scott’s highly anticipated sequel to ＜em＞Gladiator＜/em＞＜/strong＞＜/p＞ ＜p＞This definitive volume takes readers deep into the extraordinary production of ＜em＞Gladiator II＜/em＞.＜/p＞ ＜p＞Exploring the revolutionary special effects and breathtaking artistry that went into re-creating the grandeur of ancient Rome on a truly epic scale, ＜em＞Gladiator II: The Art and Making of the Ridley Scott Film＜/em＞ features storyboards, unit photography, concept art, character and costume sketches, and an array of props and ephemera, offering a comprehensive look at the creative process behind one of the most eagerly awaited sequels of our time.＜/p＞ ＜p＞With a foreword by Sir Ridley Scott and exclusive interviews with the castーincluding Paul Mescal, Denzel Washington, Pedro Pascal, Connie Nielsen, and moreーas well as insights from production designers, armorers, and the visual effects team, the book grants an insider’s look at this cinematic epic and is an essential companion to the film.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 4,125円 |
 America on Film Representing Race, Class, Gender, and Sexuality at the Movies【電子書籍】[ Harry M. Benshoff ] 楽天Kobo電子書籍ストア | ＜p＞＜strong＞A comprehensive and insightful examination of the representation of diverse viewpoints and perspectives in American cinema throughout the 20th and 21st centuries＜/strong＞＜/p＞ ＜p＞＜em＞America on Film: Representing Race, Class, Gender and Sexuality at the Movies,＜/em＞ now in its third edition, is an authoritative and lively examination of diversity issues within American cinema. Celebrated authors and academics Harry M. Benshoff and Sean Griffin provide readers with a comprehensive discussion and overview of the industrial, socio-cultural, and aesthetic factors that contribute to cinematic representations of race, class, gender, sexuality, and ability.＜/p＞ ＜p＞The book incorporates several different theoretical perspectives, including film genre, auteurism, cultural studies, Orientalism, the "male gaze," feminism, and queer theory. The authors examine each selected subject via representative films, figures, and movements. Each chapter also includes an in-depth analysis of a single film to illuminate and inform its discussion of the chosen topic.＜/p＞ ＜p＞＜em＞America on Film＜/em＞ fearlessly approaches and tackles several controversial areas of representation in film, including the portrayal of both masculinity and femininity in film and African- and Asian-Americans in film. It devotes the entirety of Part V to an analysis of the depiction of sex and sexuality in American film, with a particular emphasis on the portrayal of homosexuality. Topics covered include:＜/p＞ ＜ul＞ ＜li＞The structure and history of American filmmaking, including a discussion of the evolution of the business of Hollywood cinema＜/li＞ ＜li＞African Americans and American film, with a discussion of ＜em＞BlacKkKlansman＜/em＞ informing its examination of broader issues＜/li＞ ＜li＞Asian, Latin/x, and Native Americans on film＜/li＞ ＜li＞Classical Hollywood cinema and class, with an in-depth examination of ＜em＞The Florida Project＜/em＞＜/li＞ ＜li＞Women in classical Hollywood filmmaking, including a discussion of the 1955 film, ＜em＞All that Heaven Allows＜/em＞＜/li＞ ＜/ul＞ ＜p＞Perfect for undergraduate and graduate students in film, media, and diversity-related courses, the book also belongs on the shelves of anyone interested in diversity issues in the context of American studies, communications, history, or gender studies. Lastly, it's ideal for use within corporate diversity training curricula and human relations training within the entertainment industry.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 6,500円 |
 電影即剪接：拍電影的教科書！教父剪接師告訴?：電影敘事、影像後製、音效設計的金獎級專業奧祕 The Conversations: Walter Murch and the Art of Editing Film【電子書籍】[ 麥可．翁達傑 ] 楽天Kobo電子書籍ストア | ＜p＞＜strong＞「影像本身是不?的，真正掌控電影是在剪接時。」＜/strong＞＜/p＞ ＜p＞＜strong＞──華特?莫屈＜/strong＞＜/p＞ ＜p＞＜strong＞大師開課！拍電影的教科書＜/strong＞＜/p＞ ＜p＞＜strong＞電影導演、剪接師、音效設計、故事編劇必看！＜/strong＞＜/p＞ ＜p＞剪接心法、電影製作、鏡頭運用、配樂混音、小?改編＜/p＞ ＜p＞《英倫情人》原著作者 VS.《教父》剪接?音效鬼才＜/p＞ ＜p＞金獎級的對談火花，激發大師級的故事力＜/p＞ ＜p＞【＜strong＞本書特色】＜/strong＞＜/p＞ ＜p＞?實例?明！經典電影當教科書，從人物、場景、聲音、時間感……細部剖析。＜/p＞ ＜p＞?珍貴手稿！一窺科波拉、威爾斯的劇本筆記、備忘?，跟著名導思考影像運作。＜/p＞ ＜p＞?學！華特?莫屈《英倫情人》剪接筆記大公開，教?如何建立資料庫。＜/p＞ ＜p＞?看！圖文對照深入?明，提供經典鏡頭、工作現場、幕後影像，展現電影製作的細節。＜/p＞ ＜p＞?談！從剪接角度，教?看?影像的敘事與邏輯；從音效角度，告訴?情緒導引重要性。＜/p＞ ＜p＞＜strong＞本書榮獲──＜/strong＞＜/p＞ ＜p＞＜strong＞【美國剪接師協會特別獎】＜/strong＞＜/p＞ ＜p＞＜strong＞【日本最具權威 《電影旬報》年度十大電影書】＜/strong＞＜/p＞ ＜p＞專業剪接師大讚：這是我看過最好的剪接教科書＜/p＞ ＜p＞＜strong＞奧斯?獎剪接教父傾?相授──＜/strong＞＜/p＞ ＜p＞CASE by CASE 細部拆解經典電影的製作與思考！＜/p＞ ＜p＞《現代?示?》、《英倫情人》、《教父》、《對話》、《茱莉亞》、《星際大戰》＜/p＞ ＜p＞《天才雷普利》《布拉格的春天》、《第六感生死戀》……等。＜/p＞ ＜p＞＜strong＞剪接師之眼！一句話?中拍電影的神髓──＜/strong＞＜/p＞ ＜p＞＜strong＞關於電影導演：＜/strong＞＜/p＞ ＜p＞?電影製作有兩種方法：一種是希區考克式，?一種是法蘭西斯?科波拉式。前者已經在創造者的腦子裡完成；後者則在過程中成長壯大，不停地集聚新生力量。＜/p＞ ＜p＞?只要相愛的人們在電影高潮時是在一起的，電影就會被看成是大團圓，?怕這時有一千架敵機正向他們迫近。＜/p＞ ＜p＞＜strong＞關於剪接師：＜/strong＞＜/p＞ ＜p＞?剪接師的任務就是操作觀?注意力的焦點。在剪接點上，考慮的是觀?眼睛看著?裡、往什麼地方移動，以及移動的快慢。＜/p＞ ＜p＞?就算畫面是精心設計的，也要彷彿是被偶然看見一樣。＜/p＞ ＜p＞＜strong＞關於音效混音：＜/strong＞＜/p＞ ＜p＞?電影音樂是作為抒發情緒的功用，而非製造情緒。＜/p＞ ＜p＞?當對話變得稀少，會促使觀?更專注在影片裡的聲音上，並將之視為語言。＜/p＞ ＜p＞＜strong＞關於電影編劇：＜/strong＞＜/p＞ ＜p＞?想要用寫作來改變某人的想法是徒勞的，?只會證實讀者他們自己的想法。＜/p＞ ＜p＞?一部電影如果讓?感覺不錯，它一定是表達出?個人?心的某種祕密。＜/p＞ ＜p＞＜strong＞【剪接，完整了一部電影！】＜/strong＞＜/p＞ ＜p＞本書透過一部電影最核心的創作者之一，華特?莫屈這位教父級剪接師的獨特視角，來探討電影創作過程的藝術特性，同時也更具體的探討處理影片中的種種問題，例如：如何避免系列情節的瓶頸；如何在影片開始的第幾分鐘做一點小小改變，以挽救第53分鐘的一場戲；如何透過増強靜默感來加強戲劇張力；甚至是如何掩蓋一個大漏洞大缺失……因為某場關鍵情節根本沒有拍攝。＜/p＞ ＜p＞主談人莫屈在書中，透過作者翁達傑的提問與互動，解?並示範了大量實用而獨特的理論，他分享了如何透過對於故事的微妙觀察、人物的一個角度與眼神、所屬的空間環境、聲音的運用……整合出一部動人的電影。＜/p＞ ＜p＞＜strong＞剪接的存在，不只是單獨一場戲的處理，而是對於整體結構的深刻理解。＜/strong＞＜/p＞ ＜p＞作者／譯者簡介＜/p＞ ＜p＞**作者簡介ー**＜strong＞麥可?翁達傑（Michael Ondaatje）＜/strong＞＜/p＞ ＜p＞加拿大著名詩人、作家，1943年生於斯里蘭?，11?隨母親到英國，19?移居加拿大，畢業於多倫多大學。他的作品兼具文學的語言美感和電影的視覺衝?力，透過詩性直覺和敘事節奏的交揉變化，展現獨特的個人風格。目前為止，共出版六部長篇小?，十多部詩集，以及其他非?構作品。其中，《英倫情人》＜em＞（The English Patient＜/em＞）榮獲布克獎，並改編為同名電影，由安東尼?明格拉（Anthony Minghella）執導，華特?莫屈（Walter Murch）剪接。＜/p＞ ＜p＞＜strong＞主談人簡介ー華特?莫屈（Walter Murch）＜/strong＞＜/p＞ ＜p＞新好?塢運動中最為知名的剪接師與音效設計師之一，是少數同時活躍於影像與音效的工作者，為英美電影界公認的剪接領域權威，在好?塢甚至有人稱他為「剪接教父」，同時也是柯波拉創立美洲西洋鏡電影公司的早期重要人物，曾多次獲得英國電影學院、美國電影學院大獎。＜/p＞ ＜p＞華特?莫屈曾剪接與參與音效工作的作品有：《對話》《現代?示?》、《教父2》、《教父3》、《布拉格的春天》、《天才雷普利》、《冷山》、《鍋蓋頭》，並以《英倫情人》同時獲得奧斯?最佳剪接獎、最佳音效獎。＜/p＞ ＜p＞同時也曾參與修復、重剪奧森．威爾斯（Orson Welles）的《?劫佳人》。＜/p＞ ＜p＞**譯者簡介ー**＜strong＞夏?＜/strong＞＜/p＞ ＜p＞畢業於北京大學，從事過廣告創意、國際文化交流等多項工作，自加拿大艾米利??爾藝術大學（Emily Carr University）電影系畢業後，作品多次參加國際電影節並獲大獎。2007年應邀在中國中央美術學院電影系任職至今。譯有《剪接的法則》。＜/p＞ ＜p＞目次＜/p＞ ＜p＞＜strong＞致中文世界的讀者＜/strong＞＜/p＞ ＜p＞＜strong＞引言ー剪接師之眼，看電影創作的過程與藝術性＜/strong＞＜/p＞ ＜p＞＜strong＞對話一?舊金山──＜/strong＞重剪《現代?示?》深入探討電影製作＜/p＞ ＜p＞01 謙卑的聲音景觀＜/p＞ ＜p＞02 高中生機密＜/p＞ ＜p＞●【對談之外】「像我一樣古怪的人」ー喬治?盧?斯＜/p＞ ＜p＞03 影響＜/p＞ ＜p＞04 導演與剪接師＜/p＞ ＜p＞05 ?一隻眼閉一隻眼＜/p＞ ＜p＞06「第一次」只有一次＜/p＞ ＜p＞07 黒暗時代＜/p＞ ＜p＞●【對談之外】「莫屈拒?替人頭朝下的畫面做電影混音！」ー法蘭西斯?科波拉＜/p＞ ＜p＞08 現代?示?的今與昔＜/p＞ ＜p＞09 燃燒的賽路珞＜/p＞ ＜p＞10 馬龍?白蘭度＜/p＞ ＜p＞11 韋勒的凝視＜/p＞ ＜p＞●【對談之外】演員與剪接ー華特?莫屈＜/p＞ ＜p＞12 新増的場景＜/p＞ ＜p＞13 法國人的幽靈＜/p＞ ＜p＞14《現代?示?重生版》＜/p＞ ＜p＞＜strong＞對話二?洛杉磯──＜/strong＞科學、聲音、小?對電影製作的關鍵影響＜/p＞ ＜p＞01 車輪誕生的恰當時機＜/p＞ ＜p＞02 殺人音樂＜/p＞ ＜p＞03 五種類型的模?兩可問題＜/p＞ ＜p＞04 兩則流言＜/p＞ ＜p＞05 魔鬼的發明＜/p＞ ＜p＞06 看看他們是怎麼?的＜/p＞ ＜p＞07 音效中的意涵＜/p＞ ＜p＞08 小?與電影的豐富性＜/p＞ ＜p＞09 約伯式的悲劇時刻＜/p＞ ＜p＞10 WIDEO＜/p＞ ＜p＞11 活的「非電影」方式＜/p＞ ＜p＞＜strong＞對話三?紐約──＜/strong＞關於剪接《對話》和《?劫佳人》的剖析＜/p＞ ＜p＞01 《對話》的剪接＜/p＞ ＜p＞02 隱身的搭?＜/p＞ ＜p＞03 小調鍵盤＜/p＞ ＜p＞04 手掌下面藏了什麼＜/p＞ ＜p＞05 在真實的夜?拍「夜景」＜/p＞ ＜p＞06 不對勁的回聲＜/p＞ ＜p＞07 最有表現力的角度＜/p＞ ＜p＞●【對談之外】「彷彿是奧森正在傳真筆記給我們」ー里克?施米徳林＜/p＞ ＜p＞＜strong＞對話四?舊金山──＜/strong＞偶然性與藝術創作＜/p＞ ＜p＞01 影響＜/p＞ ＜p＞02 負二十個問題＜/p＞ ＜p＞03 強制空間期＜/p＞ ＜p＞04 電影製作的兩種路徑＜/p＞ ＜p＞05 他為什麼更喜歡那樣＜/p＞ ＜p＞06 家庭生活＜/p＞ ＜p＞07 事物之間的意外?撞＜/p＞ ＜p＞08 鵝卵石、蟋蟀和?手＜/p＞ ＜p＞09 藍色之死＜/p＞ ＜p＞10 一種誤讀＜/p＞ ＜p＞11 發散或匯聚＜/p＞ ＜p＞12 消失的兄弟＜/p＞ ＜p＞13 序幕＜/p＞ ＜p＞04 油彩鉛筆和即時剪接＜/p＞ ＜p＞●【對談之外】「等待挑釁」ー安東尼?明格拉＜/p＞ ＜p＞＜strong＞對話終章?多倫多──＜/strong＞導演、作家與其他身分＜/p＞ ＜p＞01 因不安而受賜福＜/p＞ ＜p＞02《天魔?險》的劇本寫作＜/p＞ ＜p＞03 表面之下＜/p＞ ＜p＞04 里爾克的精彩詩句＜/p＞ ＜p＞05 夢境＜/p＞ ＜p＞＜strong＞華特?莫屈作品年表＜/strong＞＜/p＞ ＜p＞＜strong＞致謝＜/strong＞＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 1,997円 |
 Marxist Film Theory and Fight Club【電子書籍】[ Anna Kornbluh ] 楽天Kobo電子書籍ストア | ＜p＞Anna Kornbluh provides an overview of Marxist approaches to film, with particular attention to three central concepts in Marxist theory in general that have special bearing on film: “the mode of production,” “ideology,” and “mediation.” In explaining how these concepts operate and how they have been used and misused in film studies, the volume employs a case study to exemplify the practice of Marxist film theory.＜/p＞ ＜p＞＜em＞Fight Club＜/em＞ is an exceptionally useful text with which to explore these three concepts because it so vividly and pedagogically engages with economic relations, ideological distortion, and opportunities for transformation. At the same time, it is a very typical film in terms of the conditions of its production, its marketing, and its popularity. Adapted from a novel by Chuck Palahniuk, the film is a contemporary classic that has lent itself to significant re-interpretation with every shift in the political economic landscape since its debut.＜/p＞ ＜p＞＜em＞Marxist Film Theory and Fight Club＜/em＞ models a detailed cinematic interpretation that students can practice with other films, and furnishes a set of ideas about cinema and society that can be carried into other kinds of study, giving students tools for analyzing culture broadly defined.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 2,521円 |
 Voicing the Cinema Film Music and the Integrated Soundtrack【電子書籍】[ Julie Brown ] 楽天Kobo電子書籍ストア | ＜p＞Theorists of the soundtrack have helped us understand how the voice and music in the cinema impact a spectator's experience. James Buhler and Hannah Lewis edit in-depth essays from many of film music's most influential scholars in order to explore fascinating issues around vococentrism, the voice in cinema, and music’s role in the integrated soundtrack.＜/p＞ ＜p＞The collection is divided into four sections. The first explores historical approaches to technology in the silent film, French cinema during the transition era, the films of the so-called New Hollywood, and the post-production sound business. The second investigates the practice of the singing voice in diverse repertories such as Bergman's films, Eighties teen films, and girls' voices in ＜em＞Brave＜/em＞ and ＜em＞Frozen＜/em＞. The third considers the auteuristic voice of the soundtrack in works by Kurosawa, Weir, and others. A last section on narrative and vococentrism moves from ＜em＞The Martian＜/em＞ and horror film to the importance of background music and the state of the soundtrack at the end of vococentrism.＜/p＞ ＜p＞Contributors: Julie Brown, James Buhler, Marcia Citron, Eric Dienstfrey, Erik Heine, Julie Hubbert, Hannah Lewis, Brooke McCorkle, Cari McDonnell, David Neumeyer, Nathan Platte, Katie Quanz, Jeff Smith, Janet Staiger, and Robynn Stilwell＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 2,647円 |
 Cinemagritte Ren? Magritte Within the Frame of Film History, Theory, and Practice【電子書籍】[ Lucy Fischer ] 楽天Kobo電子書籍ストア | ＜p＞＜strong＞Examines the fascinating ties between Surrealist artist Ren? Magritte and the cinema.＜/strong＞＜/p＞ ＜p＞＜em＞Cinemagritte: Ren? Magritte within the Frame of Film History, Theory, and Practice＜/em＞ investigates the dynamic relationship between the Surrealist modernist artist Ren? Magritte (1898?1967) and the cinemaーa topic largely ignored in the annals of film and art criticism. Magritte once said that he used cinema as "a trampoline for the imagination," but here author Lucy Fischer reverses that process by using Magritte's work as a stimulus for an imaginative examination of film.＜/p＞ ＜p＞While Fischer considers direct influences of film on Magritte and Magritte on film, she concentrates primarily on "resonances" of Magritte's work in international cinemaーboth fiction and documentary, mainstream and experimental. These resonances exist for several reasons. First, Magritte was a lover of cinema and created works as homages to the medium, such as ＜em＞Blue Cinema＜/em＞ (1925), which immortalized his childhood movie theater. Second, Magritte's style, though dependent on bizarre juxtapositions, was characterized by surface realismーwhich ties it to the nature of the photographic and cinematic image. Third, Magritte shares with film a focus on certain significant concepts: the frame, voyeurism, illusionism, the relation between word and image, the face, montage, variable scale, and flexible point of view. Additionally, the volume explores art documentaries concerning Magritte as well as the artist's whimsical amateur "home movies," made with his wife, Georgette, friends, and Belgian Surrealist associates. The monograph is richly illustrated with images of Magritte's oeuvre as well as film stills from such diverse works as ＜em＞The Eternal Sunshine of the Spotless Mind, Eyes Without a Face, American Splendor, The Blood of a Poet, Zorns Lemma, The Island of Dr. Moreau, The Draughtsman's Contract,＜/em＞ and many more.＜/p＞ ＜p＞＜em＞Cinemagritte＜/em＞ brings a novel and creative approach to the work of Magritte and both film and art criticism. Students, scholars, and fans of art history and film will enjoy this thoughtful marriage of the two.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 3,895円 |
 Accent in North American Film and Television A Sociophonetic Analysis【電子書籍】[ Charles Boberg ] 楽天Kobo電子書籍ストア | ＜p＞Drawing on data from well-known actors in popular films and TV shows, this reference guide surveys the representation of accent in North American film and TV over eight decades. It analyzes the speech of 180 film and television performances from the 1930s to today, looking at how that speech has changed; how it reflects the regional backgrounds, gender, and ethnic ancestry of the actors; and how phonetic variation and change in the 'real world' have been both portrayed in, and possibly influenced by, film and television speech. It also clearly explains the technical concepts necessary for understanding the phonetic analysis of accents. Providing new insights into the role of language in the expression of North American cultural identity, this is essential reading for researchers and advanced students in linguistics, film, television and media studies, and North American studies, as well as the larger community interested in film and television.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 3,979円 |
 Film Music in the Sound Era A Research and Information Guide, Volume 2: People, Cultures, and Contexts【電子書籍】[ Jonathan Rhodes Lee ] 楽天Kobo電子書籍ストア | ＜p＞＜em＞Film Music in the Sound Era: A Research and Information Guide＜/em＞ offers a comprehensive bibliography of scholarship on music in sound film (1927?2017). Thematically organized sections cover historical studies, studies of musicians and filmmakers, genre studies, theory and aesthetics, and other key aspects of film music studies. Broad coverage of works from around the globe, paired with robust indexes and thorough cross-referencing, make this research guide an invaluable tool for all scholars and students investigating the intersection of music and film.＜/p＞ ＜p＞This guide is published in two volumes:＜/p＞ ＜ul＞ ＜li＞＜/li＞ ＜li＞＜/li＞ ＜li＞Volume 1: Histories, Theories, and Genres covers overviews, historical surveys, theory and criticism, studies of film genres, and case studies of individual films.＜/li＞ ＜li＞＜/li＞ ＜li＞＜/li＞ ＜li＞Volume 2: People, Cultures, and Contexts covers individual people, social and cultural studies, studies of musical genre, pedagogy, and the Industry.＜/li＞ ＜/ul＞ ＜p＞A complete index is included in each volume.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 10,280円 |
 Mise-en-sc?ne Film Style and Interpretation【電子書籍】[ John Gibbs ] 楽天Kobo電子書籍ストア | ＜p＞Mise-en-sc?ne: Film Style and Interpretation explores and elucidates constructions of this fundamental concept in thinking about film. In uncovering the history of mise-en-sc?ne within film criticism, and through the detailed exploration of scenes from films as Imitation of Life and Lone Star, John Gibbs makes the case for the importance of a sensitive understanding of film style, and provides an introduction to the skills of close reading. This book thus celebrates film-making as well as film criticism that is alive to the creative possibilities of visual style.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 2,129円 |
 Local Hollywood Global Film Production and the Gold Coast【電子書籍】 楽天Kobo電子書籍ストア | ＜p＞The pioneering story of Australia's own Hollywood. Hollywood films and television programs are watched by a global audience. While many of these productions are still made in southern California, the last twenty years have seen new production centers emerge in the US, Canada and other locations worldwide. Global Hollywood has been made possible by this growing number of Local Hollywoods: locations equipped with the requisite facilities, resources and labor, as well as the political will and tax incentives, to attract and retain high-budget, Hollywood-standard projects. This new book gives an unprecedented insight into how the Gold Coast became the first outpost of Hollywood in Australia. When a combination of forces drove Hollywood studios and producers to work outside California, the Gold Coast's unique blend of government tax support, innovative entrepreneurs and diverse natural settings made it a perfect choice to host Hollywood productions. ＜em＞Local Hollywood＜/em＞ makes an essential contribution to the field of film and media studies, as well as giving film buffs a behind-the-scenes tour of the film industry.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 2,656円 |
 The Fantastic in Holocaust Literature and Film Critical Perspectives【電子書籍】 楽天Kobo電子書籍ストア | ＜p＞When reality becomes fantastic, what literary effects will render it credible or comprehensible? To respond meaningfully to the surreality of the Holocaust, writers must produce works of moral and emotional complexity. One way they have achieved this is through elements of fantasy.＜/p＞ ＜p＞Covering a range of theoretical perspectives, this collection of essays explores the use of fantastic story-telling in Holocaust literature and film. Writers such as Jane Yolen and Art Spiegelman are discussed, as well as the sci-fi television series ＜em＞V＜/em＞ (1983), Stephen King's novella ＜em＞Apt Pupil＜/em＞ (1982), Guillermo del Toro's ＜em＞Pan's Labyrinth＜/em＞ (2006) and Martin Scorsese's dark thriller ＜em＞Shutter Island＜/em＞ (2010).＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 2,652円 |
 Screening Transcendence Film under Austrofascism and the Hollywood Hope, 1933-1938【電子書籍】[ Robert Dassanowsky ] 楽天Kobo電子書籍ストア | ＜p＞During the 1930s, Austrian film production companies developed a process to navigate the competing demands of audiences in Nazi Germany and those found in broader Western markets. In ＜em＞Screening Transcendence＜/em＞, film historian Robert Dassanowsky explores how Austrian filmmakers during the Austrofascist period (1933?1938) developed two overlapping industries: "Aryanized" films for distribution in Germany, its largest market, and "Emigrantenfilm," which employed ?migr? and Jewish talent that appealed to international audiences.＜/p＞ ＜p＞Through detailed archival research in both Vienna and the United States, Dassanowsky reveals what was culturally, socially, and politically at stake in these two simultaneous and overlapping film industries. Influenced by French auteurism, admired by Italian cinephiles, and ardently remade by Hollywood, these period Austrian films demonstrate a distinctive regional style mixed with transnational influences.＜/p＞ ＜p＞Combining brilliant close readings of individual films with thoroughly informed historical and cultural observations, Dassanowsky presents the story of a nation and an industry mired in politics, power, and intrigue on the brink of Nazi occupation.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 1,408円 |
 Time, Existential Presence and the Cinematic Image Ethics and Emergence to Being in Film【電子書籍】[ Sam B. Girgus ] 楽天Kobo電子書籍ストア | 画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 3,971円 |
 The Ghostly and the Ghosted in Literature and Film Spectral Identities【電子書籍】 楽天Kobo電子書籍ストア | ＜p＞The Ghostly and the Ghosted in Literature and Film: Spectral Identities is a collection of essays expanding the concepts of “ghost” and “haunting” beyond literary tools used to add supernatural flavor to include questions of identity, visibility, memory and trauma, and history. Using a wide scope of texts from varying time periods and cultures, including fiction and film, this collection explores the phenomenon of social ghosts. What does it mean, for example, to be invisible, to be a ghost, particularly when that ghost is representative of a person or group living on the margins of society? Why do specific types of ghosts tend to haunt certain cultures and/or places? What is it about a people’s history that invites these types of hauntings? The essays in this book, like pieces of a puzzle, approach the larger questions from diverse individual perspectives, but, taken together, they offer a richly detailed composite discussion of what it means to be haunted.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 6,500円 |
 Experimental Film and Anthropology【電子書籍】 楽天Kobo電子書籍ストア | ＜p＞Experimental Film and Anthropology urges a new dialogue between two seemingly separate fields. The book explores the practical and theoretical challenges arising from experimental film for anthropology, and vice versa, through a number of contact zones: trance, emotions and the senses, materiality and time, non-narrative content and montage. Experimental film and cinema are understood in this book as broad, inclusive categories covering many technical formats and historical traditions, to investigate the potential for new common practices. An international range of renowned anthropologists, film scholars and experimental film-makers engage in vibrant discussion and offer important new insights for all students and scholars involved in producing their own films. This is indispensable reading for students and scholars in a range of disciplines including anthropology, visual anthropology, visual culture and film and media studies.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 7,626円 |
 Screens of Blood A Critical Approach to Film and Television Violence【電子書籍】[ Gregory Desilet ] 楽天Kobo電子書籍ストア | ＜p＞Civilization seems to move ever more toward the power of words over weapons. But many people, especially Americans, still believe wrongs in life can be righted with a fist or a gun or a bomb. Cultural mythology lags reality and continues to send the message of regeneration through violence. But the transition to a healthier mythology is already underway and can be seen in the strength of an alternative trend in depictions of violence in storytelling.＜/p＞ ＜p＞This book examines this trend by comparing examples drawn from film and television with the traditional popular dramatic approach--reflecting and promoting a culture of violence. This comparison shows that attitudes toward conflict in drama are a key indicator of a shift in awareness of violence in society. The book concludes with an account of increasing challenges confronting the individual in today's world and the necessity for individual producers and consumers to take greater responsibility for their choices--which shape culture through omnipresent and profoundly influential screen technology.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 3,447円 |
 Moving Pictures: How They Are Made and Worked Enriched edition. Unveiling the Secrets of Cinematic Mastery: A Journey into Film Production and Visual Storytelling【電子書籍】[ Frederick Arthur Ambrose Talbot ] 楽天Kobo電子書籍ストア | ＜p＞In "Moving Pictures: How They Are Made and Worked," Frederick Arthur Ambrose Talbot provides an insightful exploration of the early mechanics and artistry behind filmmaking. Written during a period of rapid technological advancement in cinema, the book combines accessible language with meticulous detail, reflecting both the scientific principles of motion and the emergent narrative techniques of the silent film era. Talbot delves into the complexities of cinematography, editing, and projection, illustrating the intricate processes involved in bringing moving images to life, thereby laying a foundation for readers to appreciate the artistic and technical synergy of filmmaking at the time. Frederick Arthur Ambrose Talbot, a noted British inventor and writer, was deeply passionate about both technology and the performing arts. His background in engineering and his close ties to the evolving film industry provided him with a unique perspective, allowing him to demystify the filmmaking process for a wider audience. Talbot's innovative spirit and dedication to educating the public about the art and science of cinema are evident in this work, making it a significant contribution to film literature. This book is a must-read for anyone interested in the history of cinema or the revival of visual storytelling. With its detailed explanations and historical context, Talbot's work serves not only as an informative guide to the technical aspects of filmmaking but also as an inspiring introduction to the captivating world of moving images. In this enriched edition, we have carefully created added value for your reading experience: - Handーpicked Memorable Quotes shine a spotlight on moments of literary brilliance. - Interactive footnotes clarify unusual references, historical allusions, and archaic phrases for an effortless, more informed read.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 300円 |
 Seeing Through Music Gender and Modernism in Classic Hollywood Film Scores【電子書籍】[ Peter Franklin ] 楽天Kobo電子書籍ストア | ＜p＞Hollywood film music is often mocked as a disreputably 'applied' branch of the art of composition that lacks both the seriousness and the quality of the classical or late-romantic concert and operatic music from which it derives. Its composers in the 1930s and '40s were themselves often scornful of it and aspired to produce more 'serious' works that would enhance their artistic reputation. In fact the criticism of film music as slavishly descriptive or manipulatively over-emotional has a history that is older than film - it had even been directed at the relatively popular operatic and concert music written by some of the ?migr? Hollywood composers themselves before they had left Europe. There, as subsequently in America, such criticism was promoted by the developing project of Modernism, whose often high-minded opposition to mass culture used polarizing language that drew, intentionally or not, upon that of gender difference. Regressive, late-romantic music, the old argument ran, was -- as women were believed to be -- emotional, irrational, and lacking in logic. This book seeks to level the critical playing field between film music and "serious music," reflecting upon gender-related ideas about music and modernism as much as about film. Peter Franklin broaches the possibility of a history of twentieth-century music that would include, rather than marginalize, film music -- and, indeed, the scores of a number of the major Hollywood movies discussed here, like ＜em＞The Bride of Frankenstein, King Kong, Rebecca, Gone With The Wind, Citizen Kane＜/em＞ and ＜em＞Psycho＜/em＞. In doing so, he brings more detailed music-historical knowledge to bear upon cinema music, often discussed as a unique and special product of film, and also offers conclusions about the problematic aspects of musical modernism and some arguably liberating aspects of "late-romanticism."＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 4,791円 |
 Illusive Utopia Theater, Film, and Everyday Performance in North Korea【電子書籍】[ Suk-Young Kim ] 楽天Kobo電子書籍ストア | ＜p＞"North Korea is not just a security or human rights problem (although it is those things) but a real society. This book gets us closer to understanding North Korea beyond the usual headlines, and does so in a richly detailed, well-researched, and theoretically contextualized way."＜br /＞ ---Charles K. Armstrong, Director, Center for Korean Research, Columbia University＜/p＞ ＜p＞"One of this book's strengths is how it deals at the same time with historical, geographical, political, artistic, and cultural materials. Film and theatre are not the only arts Kim studies---she also offers an excellent analysis of paintings, fashion, and what she calls 'everyday performance.' Her analysis is brilliant, her insights amazing, and her discoveries and conclusions always illuminating."＜br /＞ ---Patrice Pavis, University of Kent, Canterbury＜/p＞ ＜p＞No nation stages massive parades and collective performances on the scale of North Korea. Even amid a series of intense political/economic crises and international conflicts, the financially troubled country continues to invest massive amounts of resources to sponsor unflinching displays of patriotism, glorifying its leaders and revolutionary history through state rituals that can involve hundreds of thousands of performers. Author Suk-Young Kim explores how sixty years of state-sponsored propaganda performances---including public spectacles, theater, film, and other visual media such as posters---shape everyday practice such as education, the mobilization of labor, the gendering of social interactions, the organization of national space, tourism, and transnational human rights. Equal parts fascinating and disturbing, ＜em＞Illusive Utopia＜/em＞ shows how the country's visual culture and performing arts set the course for the illusionary formation of a distinctive national identity and state legitimacy, illuminating deep-rooted cultural explanations as to why socialism has survived in North Korea despite the fall of the Berlin Wall, the collapse of the Soviet Union, and China's continuing march toward economic prosperity. With over fifty striking color illustrations, ＜em＞Illusive Utopia＜/em＞ captures the spectacular illusion within a country where the arts are not only a means of entertainment but also a forceful institution used to regulate, educate, and mobilize the population.＜/p＞ ＜p＞Suk-Young Kim is Associate Professor in the Department of Theater and Dance at the University of California, Santa Barbara, and coauthor with Kim Yong of ＜em＞Long Road Home: A Testimony of a North Korean Camp Survivor＜/em＞.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 8,616円 |
 Robert Altman's Soundtracks Film, Music, and Sound from M*A*S*H to A Prairie Home Companion【電子書籍】[ Gayle Sherwood Magee ] 楽天Kobo電子書籍ストア | ＜p＞American director Robert Altman (1925-2006) first came to national attention with the surprise blockbuster ＜em＞M*A*S*H＜/em＞ (1970), and he directed more than thirty feature films in the subsequent decades. Critics and scholars have noted that music is central to Altman's films, and in addition to his feature films, Altman worked in theater, opera, and the emerging field of cable television. His treatment of sound is a hallmark of his films, alongside overlapping dialogue, improvisation, and large ensemble casts. Several of his best-known films integrate musical performances into the central plot, including ＜em＞Nashville＜/em＞ (1975), ＜em＞Popeye＜/em＞ (1980), ＜em＞Short Cuts＜/em＞ (1993), ＜em＞Kansas City＜/em＞ (1996), ＜em＞The Company＜/em＞ (2003) and ＜em＞A Prairie Home Companion＜/em＞ (2006), his final film. Even such non-musicals as ＜em＞McCabe and Mrs. Miller＜/em＞ (1971) have been described as, in fellow director and prot?g? Paul Thomas Anderson's evocative phrase, as "musicals without people singing." ＜em＞Robert Altman's Soundtracks＜/em＞ considers Altman's celebrated, innovative uses of music and sound in several of his most acclaimed and lesser-known works. In so doing, these case studies serve as a window not only into Altman's considerable and varied output, but also the changing film industry over nearly four decades, from the heyday of the New Hollywood in the late 1960s through the "Indiewood" boom of the 1990s and its bust in the early 2000s. As its frame, the book considers the continuing attractions of auteurism inside and outside of scholarly discourse, by considering Altman's career in terms of the director's own self-promotion as a visionary and artist; the film industry's promotion of Altman the auteur; the emphasis on Altman's individual style, including his use of music, by the director, critics, scholars, and within the industry; and the processes, tensions, and boundaries of collaboration.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 7,610円 |
 War, Politics and Superheroes: Ethics and Propaganda in Comics and Film Ethics and Propaganda in Comics and Film【電子書籍】[ Marc DiPaolo ] 楽天Kobo電子書籍ストア | ＜p＞Superhero adventure comics have a long history of commenting upon American public opinion and government policy, and the surge in the popularity of comics since the events of September 11, 2001, ensures their continued relevance. This critical text examines the seventy-year history of comic book superheroes on film and in comic books and their reflections of the politics of their time. Superheroes addressed include Batman, Wonder Woman, Spider-Man, Superman, the Fantastic Four and the X-Men, and topics covered include American wars, conflicts, and public policy. Instructors considering this book for use in a course may ＜a href="www.mcfarlandpub.com/?page_id=106"＞request an examination copy here＜/a＞.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 2,652円 |
 Walls Have Feelings Architecture, Film and the City【電子書籍】[ Katherine Shonfield ] 楽天Kobo電子書籍ストア | ＜p＞For the first time, this book brings the insights, methodologies and visions of film to the practice of architecture.＜br /＞ ＜em＞Walls Have Feelings＜/em＞ poses unanswered questions from our immediate past, crucial for the future of the city: what was the cultural mindset leading to the triumph of Brutalism? What is the urban and domestic impact of large scale office building? Are there alternatives to the planners' city of object? and, Why does your flat leak?＜br /＞ This book uniquely brings to bear questions of urgent cultural relevance on critical design decisions. As such, it is of as much importance to architects, planners and students of design, as to students of cultural history, geography and all enthusiasts of cities and of film.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 17,410円 |
 Haunted Europe Continental Connections in English-Language Gothic Writing, Film and New Media【電子書籍】 楽天Kobo電子書籍ストア | ＜p＞＜em＞Haunted Europe＜/em＞ offers the first comprehensive account of the British and Irish fascination with a Gothic vision of continental Europe, tracing its effect on British intellectual life from the birth of the Gothic novel, to the eve of Brexit, and the symbolic recalibration of the UK’s relationship to mainland Europe.＜/p＞ ＜p＞By focusing on the development of the relationship between Britain and Ireland and continental Europe over more than two-hundred years, this collection marks an important departure from standard literary critical narratives, which have tended to focus on a narrow time-period and have missed continuities and discontinuities in our ongoing relationship with the mainland.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 10,280円 |
 An Introduction to Film Analysis Technique and Meaning in Narrative Film【電子書籍】[ Professor Michael Ryan ] 楽天Kobo電子書籍ストア | ＜p＞＜em＞An Introduction to Film Analysis＜/em＞ is designed to introduce students to filmmaking techniques while also providing an invaluable guide to film interpretation. It takes readers step by step through:＜/p＞ ＜p＞-the basic technical terms＜br /＞ -shot-by-shot analyses of film sequences＜br /＞ -set design, composition, editing, camera work, post-production, art direction and more＜br /＞ -each chapter provides clear examples and full colour images from classic as well as contemporary films＜/p＞ ＜p＞Ryan and Lenos's updated edition introduces students to the different kinds of lenses and their effects, the multiple possibilities of lighting, and the way post-production modifies images through such processes as saturation and desaturation. Students will learn to ask why the camera is placed where it is, why an edit occurs where it does, or why the set is designed in a certain way.＜/p＞ ＜p＞The second section of the book focuses on ＜strong＞critical analysis＜/strong＞, introducing students to the various approaches to film, from psychology to history, with new analysis on postcolonial, transnational and Affect Theory.＜/p＞ ＜p＞＜strong＞New to this edition＜/strong＞ is a third section featuring several in-depth analyses of films to put into practice what comes before: ＜em＞The Birds＜/em＞, ＜em＞The Shining＜/em＞, ＜em＞Vagabond＜/em＞, ＜em＞In the Mood for Love＜/em＞, ＜em＞Before the Devil Knows You're Dead＜/em＞.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 1,047円 |