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304件中 1件 - 30件
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| 商品 | 説明 | 価格 |
|---|---|---|
 The Romantic Scottish Ballads: Their Epoch and Authorship【電子書籍】[ Robert Chambers ] 楽天Kobo電子書籍ストア | ＜p＞Robert Chambers' 'The Romantic Scottish Ballads: Their Epoch and Authorship' delves into the rich tradition of Scottish ballads, exploring their historical context and exploring the intriguing question of authorship. Chambers meticulously examines the significance of these ballads within the broader literary landscape, shedding light on their themes, structure, and cultural impact. Written in a scholarly yet accessible style, this book provides valuable insights into one of Scotland's most beloved literary forms. Chambers' attention to detail and thorough research make this work a must-read for anyone interested in Scottish literature or romantic poetry. Drawing on his extensive knowledge of the subject matter, Chambers presents a compelling analysis that is sure to captivate readers. This book serves as a valuable resource for scholars, students, and anyone with a passion for the rich tapestry of Scottish folklore and literature.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 300円 |
 Resisting History Gender, Modernity, and Authorship in William Faulkner, Zora Neale Hurston, and Eudora Welty【電子書籍】[ Barbara Ladd ] 楽天Kobo電子書籍ストア | ＜p＞In a major reinterpretation, Resisting History reveals that women, as subjects of writing and as writing subjects themselves, played a far more important role in shaping the landscape of modernism than has been previously acknowledged. Here Barbara Ladd offers powerful new readings of three southern writers who reimagined authorship between World War I and the mid-1950s.＜br /＞ Ladd argues that the idea of a "new woman" -- released from some of the traditional constraints of family and community, more mobile, and participating in new contractual forms of relationality -- precipitated a highly productive authorial crisis of gender in William Faulkner. As "new women" themselves, Zora Neale Hurston and Eudora Welty explored the territory of the authorial sublime and claimed, for themselves and other women, new forms of cultural agency. Together, these writers expose a territory of female suffering and aspiration that has been largely ignored in literary histories.＜br /＞ In opposition to the belief that women's lives, and dreams, are bound up in ideas of community and pre-contractual forms of relationality, Ladd demonstrates that all three writers -- Faulkner in As I Lay Dying, Welty in selected short stories and in The Golden Apples, and Hurston in Tell My Horse -- place women in territories where community is threatened or nonexistent and new opportunities for self-definition can be seized. And in A Fable, Faulkner undertakes a related project in his exploration of gender and history in an era of world war, focusing on men, mourning, and resistance and on the insurgences of the "masses" -- the feminized "others" of history -- in order to rethink authorship and resistance for a totalitarian age.＜br /＞ Filled with insights and written with obvious passion for the subject, Resisting History challenges received ideas about history as a coherent narrative and about the development of U.S. modernism and points the way to new histories of literary and cultural modernisms in which the work of women shares center stage with the work of men.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 2,265円 |
 Formation of Periodical Authorship in 1920s Korea Distant and Close Reading【電子書籍】[ Jae-Yon Lee ] 楽天Kobo電子書籍ストア | ＜p＞＜em＞Formation of Periodical Authorship in 1920s Korea＜/em＞ argues that Korean authors who entered the literary scene during modern literature’s formative years were the subject mediated by periodicals. However, it has been difficult to substantiate this statement because periodicals, including magazines, were open to different groups of writers; various social, literary, religious, and cultural discourses; and dissimilar genres. The multi-level interactions between terms, knowledge, and writing styles in circulation unfolded at a larger scale at some times, and at other times in such an ordinary manner that one can hardly identify and synthesize them to make any sense. Employing not only conventional close reading, but also modes of distant reading developing out of cultural analytics, Lee investigates the specific ways in which patterns of social, semantic, and stylistic interactions in Korea’s major magazines configured three kinds of authorship, namely the “narcissistic author,” the “prophetic critic,” and the “everyday reviewer.” He rereads artist stories, leftist social discourses, religious cosmology, and joint reviews through quantitative analyses and offers an engaging account on the importance of repetitions in creating literary originality. This book extends periodical studies through cultural analytics and opens up a new horizon for the next generation of literary scholars seeking innovative experiments in a digital age.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 7,343円 |
 Shakespeare, Computers, and the Mystery of Authorship【電子書籍】 楽天Kobo電子書籍ストア | ＜p＞In this book Craig, Kinney and their collaborators confront the main unsolved mysteries in Shakespeare's canon through computer analysis of Shakespeare's and other writers' styles. In some cases their analysis confirms the current scholarly consensus, bringing long-standing questions to something like a final resolution. In other areas the book provides more surprising conclusions: that Shakespeare wrote the 1602 additions to The Spanish Tragedy, for example, and that Marlowe along with Shakespeare was a collaborator on Henry VI, Parts 1 and 2. The methods used are more wholeheartedly statistical, and computationally more intensive, than any that have yet been applied to Shakespeare studies. The book also reveals how word patterns help create a characteristic personal style. In tackling traditional problems with the aid of the processing power of the computer, harnessed through computer science, and drawing upon large amounts of data, the book is an exemplar of the new domain of digital humanities.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 5,767円 |
 Literary Friends and Acquaintance; a Personal Retrospect of American Authorship【電子書籍】[ William Dean Howells ] 楽天Kobo電子書籍ストア | ＜p＞In 'Literary Friends and Acquaintance; a Personal Retrospect of American Authorship' by William Dean Howells, the reader is taken on a journey through the literary landscape of America in the 19th century. Howells provides an insightful account of his personal interactions with prominent American authors, offering a unique perspective on their lives and works. The book is written in a clear and engaging style, allowing readers to immerse themselves in the world of American literature during this time period. Howells' keen observations and detailed descriptions of his literary friends provide a valuable insight into the creative process and challenges faced by these writers. This literary work serves as a testament to the richness and diversity of American literature in the 19th century, making it a must-read for enthusiasts of literary history and biography. William Dean Howells' own experiences as a writer and editor undoubtedly influenced his decision to write this book, offering readers a glimpse into the world of American letters from the perspective of a fellow author. 'Literary Friends and Acquaintance' is a valuable addition to any bookshelf, offering a wealth of information and insights into the lives and works of some of America's most celebrated writers.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 300円 |
 The Idea of Authorship in Copyright【電子書籍】[ Lior Zemer ] 楽天Kobo電子書籍ストア | ＜p＞As information flows become increasingly ubiquitous in our post digital environment, the challenges to traditional concepts of intellectual property and the practices deriving from them are immense. The romantic understanding of the lone author as an endless source of new creations has to face these challenges. In order to do so, this work presents a collectivist model of intellectual property rights. The core argument is that since copyright works enjoy profit from significant public contribution, they should not be privately owned, but considered to be a joint enterprise, made real by both the public and author. It is argued that every copyright work depends on and is reflective of the author's exposure to externalities such as language, culture and the various social events and processes that occur in the public domain, therefore copyright works should not be regarded as exclusive private property. The study takes its organizing principle from John Locke, defining and proving the fatal flaw inherent in debates on copyright: on the one hand the copyright community is eager to arm authors with a robust property right over their creation, while on the other this community totally ignores the fact that the exposure of the individual to externalities is what makes him or her capable of creating material that is copyrightable. Just as Locke was against the absolute authority of kings, the expressed view of the study is against the exclusive right an author can claim.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 8,604円 |
 Kierkegaard's Authorship A Guide to the Writings of Kierkegaard【電子書籍】[ George E. Arbaugh ] 楽天Kobo電子書籍ストア | ＜p＞First published in English in 1968, ＜em＞Kierkegaard's Authorship＜/em＞ begins with a brief account of the life and meaning of Kierkegaard and concludes with the brief treatment of his relation to multifaceted existentialism. By reviewing the total authorship and by making available much of the fruit of widespread research, this work throws into relief Kierkegaard’s central purposes and makes it possible to avoid some of the dubious interpretations which have grown out of more narrowly selective study.＜/p＞ ＜p＞This critical introduction and guide is especially important because Kierkegaard’s style was deliberately indirect and distorted and even more because half of the works are actually antagonistic to Kierkegaard’s own views. By the pseudonymous works he intended to lead into truth through a process of frustration, provoking the reader into existence. In another sense, the body of the book is also a biography for, in a degree perhaps without parallel in world history, the library which he created was his deed and life. This is an important read for scholars and researchers of Philosophy specially existentialism.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 8,604円 |
 洋書 Paperback, Rough Writing: Ethnic Authorship in Theodore Roosevelt's America (Nation of Nations) Glomarket | *** We ship internationally, so do not use a package forwarding service. We cannot ship to a package forwarding company address because of the Japanese customs regulation. If it is shipped and customs office does not let the package go, we do not make a refund. 【注意事項】 *** 特に注意してください。 *** ・個人ではない法人・団体名義での購入はできません。この場合税関で滅却されてもお客様負担になりますので御了承願います。 ・お名前にカタカナが入っている場合法人である可能性が高いため当店システムから自動保留します。カタカナで記載が必要な場合はカタカナ変わりローマ字で記載してください。 ・お名前またはご住所が法人・団体名義（XX株式会社等）、商店名などを含めている場合、または電話番号が個人のものではない場合、税関から法人名義でみなされますのでご注意ください。 ・転送サービス会社への発送もできません。この場合税関で滅却されてもお客様負担になりますので御了承願います。 *** ・注文後品切れや価格変動でキャンセルされる場合がございますので予めご了承願います。 ・当店でご購入された商品は、原則として、「個人輸入」としての取り扱いになり、すべてニュージャージからお客様のもとへ直送されます。 ・ご注文後、30営業日以内(通常2~3週間)に配送手続きをいたします。配送作業完了後、2週間程度でのお届けとなります。 ・まれに商品入荷状況や国際情勢、運送、通関事情により、お届けが2ヶ月までかかる場合がありますのでお急ぎの場合は注文をお控えください。 ・個人輸入される商品は、すべてご注文者自身の「個人使用・個人消費」が前提となりますので、ご注文された商品を第三者へ譲渡・転売することは法律で禁止されております。 ・関税・消費税が課税される場合があります。詳細はこちらをご確認下さい。 | 3,284円 |
 Machine Learning for Authorship Attribution and Cyber Forensics【電子書籍】[ Farkhund Iqbal ] 楽天Kobo電子書籍ストア | ＜p＞The book first explores the cybersecurity’s landscape and the inherent susceptibility of online communication system such as e-mail, chat conversation and social media in cybercrimes. Common sources and resources of digital crimes, their causes and effects together with the emerging threats for society are illustrated in this book. This book not only explores the growing needs of cybersecurity and digital forensics but also investigates relevant technologies and methods to meet the said needs. Knowledge discovery, machine learning and data analytics are explored for collecting cyber-intelligence and forensics evidence on cybercrimes.＜/p＞ ＜p＞Online communication documents, which are the main source of cybercrimes are investigated from two perspectives: the crime and the criminal. AI and machine learning methods are applied to detect illegal and criminal activities such as bot distribution, drug trafficking and child pornography. Authorship analysis is applied to identify the potentialsuspects and their social linguistics characteristics. Deep learning together with frequent pattern mining and link mining techniques are applied to trace the potential collaborators of the identified criminals.＜/p＞ ＜p＞Finally, the aim of the book is not only to investigate the crimes and identify the potential suspects but, as well, to collect solid and precise forensics evidence to prosecute the suspects in the court of law.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 19,447円 |
 Collaborative Dickens Authorship and Victorian Christmas Periodicals【電子書籍】[ Melisa Klimaszewski ] 楽天Kobo電子書籍ストア | ＜p＞From 1850 to 1867, Charles Dickens produced special issues (called “numbers”) of his journals ＜em＞Household Words＜/em＞ and ＜em＞All the Year Round,＜/em＞ which were released shortly before Christmas each year. In ＜em＞Collaborative Dickens,＜/em＞ Melisa Klimaszewski undertakes the first comprehensive study of these Christmas numbers. She argues for a revised understanding of Dickens as an editor who, rather than ceaselessly bullying his contributors, sometimes accommodated contrary views and depended upon multivocal narratives for his own success.＜/p＞ ＜p＞Klimaszewski uncovers connections among and between the stories in each Christmas collection. She thus reveals ongoing conversations between the works of Dickens and his collaborators on topics important to the Victorians, including race, empire, supernatural hauntings, marriage, disability, and criminality. Stories from Wilkie Collins, Elizabeth Gaskell, and understudied women writers such as Amelia B. Edwards and Adelaide Anne Procter interact provocatively with Dickens’s writing. By restoring links between stories from as many as nine different writers in a given year, Klimaszewski demonstrates that a respect for the Christmas numbers’ plural authorship and intertextuality results in a new view of the complexities of collaboration in the Victorian periodical press and a new appreciation for some of the most popular texts Dickens published.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 9,078円 |
 Revising Flannery O'Connor: Southern Literary Culture and the Problem of Female Authorship REVISING FLANNERY OCONNOR [ Katherine Hemple Prown ] 楽天ブックス | REVISING FLANNERY OCONNOR Katherine Hemple Prown UNIV OF VIRGINIA PR2001 Hardcover English ISBN：9780813920122 洋書 Fiction & Literature（小説＆文芸） Literary Criticism | 13,006円 |
 【中古】【未使用・未開封品】Beyond Observation: A History of Authorship in Ethnographic Film (Anthropology, Creative Practice and Ethnography) AJIMURA-SHOP | 【中古】【未使用・未開封品】Beyond Observation: A History of Authorship in Ethnographic Film (Anthropology, Creative Practice and Ethnography)【メーカー名】【メーカー型番】【ブランド名】Manchester University Press Education & Reference, Documentaries, Anthropology, Amazon Student ポイント還元(洋書), Amazonアプリキャンペーン対象商品(洋書), 洋書（アダルト除く） Henley, Paul: Author【商品説明】Beyond Observation: A History of Authorship in Ethnographic Film (Anthropology, Creative Practice and Ethnography)【注意】こちらは輸入品となります。当店では初期不良に限り、商品到着から7日間は返品を 受付けております。こちらは当店海外ショップで一般の方から買取した未使用・未開封品です。買取した為、中古扱いとしております。他モールとの併売品の為、完売の際はご連絡致しますのでご了承ください。ご注文からお届けまで1、ご注文⇒ご注文は24時間受け付けております。2、注文確認⇒ご注文後、当店から注文確認メールを送信します。3、当店海外倉庫から当店日本倉庫を経由しお届けしますので10〜30営業日程度でのお届けとなります。4、入金確認⇒前払い決済をご選択の場合、ご入金確認後、配送手配を致します。5、出荷⇒配送準備が整い次第、出荷致します。配送業者、追跡番号等の詳細をメール送信致します。6、到着⇒出荷後、1〜3日後に商品が到着します。 ※離島、北海道、九州、沖縄は遅れる場合がございます。予めご了承下さい。お電話でのお問合せは少人数で運営の為受け付けておりませんので、メールにてお問合せお願い致します。営業時間 月〜金 10:00〜17:00お客様都合によるご注文後のキャンセル・返品はお受けしておりませんのでご了承下さい。 | 34,417円 |
 The Folly Bible The Bible's Internal Proof of its 100% Human Authorship【電子書籍】[ Ra?l Casso ] 楽天Kobo電子書籍ストア | ＜p＞The Bible is entirely man-made. ＜em＞The Folly Bible＜/em＞ establishes this disruptive thesis by way of a critical analysis of the Bible's own content, in a shooting-itself-in-the-foot sort of way. The first part of the book is a study of what must be the three most famous messianic, old-testament prophecies in the Christian Bible: Daniel 9:25-29, Isaiah's Virgin, and Psalm 22. I demonstrate the editorial seam in each of them that exposes the machinations of men (mountebanks) who long ago altered the Hebrew text to make the Christian bibles say what they wanted people to believe. The second part of ＜em＞The Folly Bible＜/em＞ compares the Gospels and exposes irreconcilable inconsistencies in the telling of the life and times of Jesus. Although its subject matter is very serious, much of it is told in a uniquely entertaining way. The truth that ＜em＞The Folly Bible＜/em＞ exposes, however, is that the origins of our cherished Bible are not supernatural; instead, the Bible is a literary work authored by human beings.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 794円 |
 Leverage: Authorship for the New Millenium Influential Authorship, #1【電子書籍】[ Lori Anne Rising ] 楽天Kobo電子書籍ストア | ＜p＞Based in original research, this ground-breaking book challenges the age-old "wisdom" of the publishing industry. By blending over 60 years of influence research from the business and leadership field with nonfiction authorship, this little book doesn't just teach writing skills, it provides a fundamental paradigm shift for authors that takes their books to a whole new level.＜/p＞ ＜p＞Experts and thought leaders will discover: What influence really is, why it matters, and how they can leverage it as an author; what the fundamental building blocks are to develop more powerful content far more easily, how the power of intentions guide content development to meet ? or even exceed ? goals and expectations, what really drives readers to take action in their lives, the biggest mistakes a new author can make, and much more!＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 1,212円 |
 The Cultural Life of Intellectual Properties Authorship, Appropriation, and the Law【電子書籍】[ Rosemary J. Coombe ] 楽天Kobo電子書籍ストア | ＜p＞Logos, trademarks, national insignia, brand names, celebrity images, design patents, and advertising texts are vibrant signs in a consumer culture governed by a regime of intellectual property laws. In ＜em＞The Cultural Life of Intellectual Properties＜/em＞, professor of law and cultural anthropologist Rosemary J. Coombe brings an illuminating ethnographic approach to an analysis of authorship and the role law plays in shaping the various meanings that animate these protected properties in the public sphere.＜br /＞ Although such artifacts are ubiquitous in contemporary culture, little attention has been paid to the impact of intellectual property law in everyday life or to how ownership of specific intellectual properties is determined and exercised. Drawing on a wide range of cases, disputes, and local struggles, Coombe examines these issues and dismantles the legal assumption that the meaning and value of a text or image is produced exclusively by an individual author or that authorship has a single point of origin. In the process, she examines controversies that include the service of turbanned Sikhs in the Royal Canadian Mounted Police and the use of the term ＜em＞Olympic＜/em＞ in reference to the proposed gay Olympic Games. Other chapters discuss the appropriation of such celebrity images as the Marx brothers, Judy Garland, Dolly Parton, James Dean, and Luke Skywalker; the conflict over team names such as the Washington Redskins; and the opposition of indigenous peoples to stereotypical Native American insignia proffered by the entertainment industry. Ultimately, she makes a case for redefining the political in commodified cultural environments.＜br /＞ Significant for its insights into the political significance of current intellectual property law, this book also provides new perspectives on debates in cultural anthropology, cultural studies, and political theory. It will therefore interest both a wide scholarly and a general audience.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 3,520円 |
 Who Wrote Citizen Kane? Statistical Analysis of Disputed Co-Authorship【電子書籍】[ Warren Buckland ] 楽天Kobo電子書籍ストア | ＜p＞This book offers a solution to one of film history’s major controversies: the long-running dispute over Orson Welles’ and Herman J. Mankiewicz’s contributions to the ＜em＞Citizen Kane＜/em＞ screenplay. It establishes the vital importance of computing and statistics to solving previously intractable puzzles in the arts and humanities.＜/p＞ ＜p＞＜em＞Citizen Kane＜/em＞ (1941) is one of the most acclaimed films in the history of cinema. For 50 years it topped the ＜em＞Sight & Sound＜/em＞ film critics’ poll. Orson Welles directed the film and is credited with co-writing the screenplay with Herman J. Mankiewicz. But the co-writer credit generates furious disputes between those who argue Mankiewicz is the sole author of ＜em＞Citizen Kane＜/em＞ and those who claim that Welles collaborated fully with its writing.＜/p＞ ＜p＞The author employs computing and statistics to answer two questions*: What are the distinguishing features of Welles’ and of Mankiewicz’s writing?*And ＜em＞What did each contribute to the writing of the Citizen Kane screenplay?＜/em＞ To answer these questions, the author bypasses opinions and impressions, and instead subjects the language of the ＜em＞Citizen Kane＜/em＞ screenplay to a ‘forensic’ examination.＜/p＞ ＜p＞Employing linguistics, basic statistical tests, plus computer technology and software,the author identifies the stylistic signature of each author ? the combination of consistent and regular linguistic habits that make eachauthor’s writing distinctive. This book replaces impressionistic discussions of Mankiewicz’s and Welles’ contributionsto the ＜em＞Citizen Kane＜/em＞ screenplay with a rigorous, experiment-driven statistical analysis. Earlier statistical studies of authorship have discovered that small, unassuming language features (such as punctuation, pronouns, and prepositions) in statistically significant quantities, constitute a screenwriter’s distinctive writing habits. Only with the extensive experimentation carried out in this volume, did the author decide Mankiewicz’s and Welles’ specific habits and their contributions to ＜em＞Citizen Kane＜/em＞.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 14,585円 |
 A Splendid Ecstasy The Trials, Thrills and Joys of Authorship【電子書籍】[ Emma S. Etuk ] 楽天Kobo電子書籍ストア | ＜p＞There is no available information at this time.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 468円 |
 Authorship in Film Adaptation【電子書籍】 楽天Kobo電子書籍ストア | ＜p＞Authoring a film adaptation of a literary source not only requires a media conversion but also a transformation as a result of the differing dramatic demands of cinema. The most critical central step in this transformation of a literary source to the screen is the writing of the screenplay. The screenplay usually serves to recruit producers, director, and actors; to attract capital investment; and to give focus to the conception and production of the film project. Often undergoing multiple revisions prior to production, the screenplay represents the crucial decisions of writer and director that will determine how and to what end the film will imitate or depart from its original source.＜/p＞ ＜p＞＜em＞Authorship in Film Adaptation＜/em＞ is an accessible, provocative text that opens up new areas of discussion on the central process of adaptation surrounding the screenplay and screenwriter-director collaboration. In contrast to narrow binary comparisons of literary source text and film, the twelve essays in this collection also give attention to the underappreciated role of the screenplay and film pre-production that can signal the primary intention for a film. Divided into four parts, this collection looks first at the role of Hollywood's activist producers and major auteurs such as Hitchcock and Kubrick as they worked with screenwriters to formulate their audio-visual goals. The second part offers case studies of ＜em＞Devil in a Blue Dress＜/em＞ and ＜em＞The Sweet Hereafter＜/em＞, for which the directors wrote their own adapted screenplays. Considering the variety of writer-director working relationships that are possible, Part III focuses on adaptations that alter genre, time, and place, and Part IV investigates adaptations that alter stories of romance, sexuality, and ethnicity.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 5,407円 |
 A Theory of Linguistic Individuality for Authorship Analysis【電子書籍】[ Andrea Nini ] 楽天Kobo電子書籍ストア | ＜p＞Authorship analysis is the process of determining who produced a questioned text by language analysis. Although there has been significant success in the performance of computational methods to solve this problem in recent years, these are often methods that are not amenable to interpretation. Authorship analysis is in all effects an area of computer science with very little linguistics or cognitive science. This Element introduces a Theory of Linguistic Individuality that, starting from basic notions of cognitive linguistics, establishes a formal framework for the mathematical modelling of language processing that is then applied to three computational experiments, including using the likelihood ratio framework. The results propose new avenues of research and a change of perspective in the way authorship analysis is currently carried out.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 2,351円 |
 The Trial of William Shakespeare A dramatization of the authorship controversy in which the audience renders a verdict【電子書籍】[ J. Ajlouny ] 楽天Kobo電子書籍ストア | ＜p＞Few men have endured the indignity of having their very existence challenged as thoroughly as William Shakespeare, late of Stratford-upon-Avon. From scholars to amateur enthusiasts, many cannot bring themselves to believe he wrote his own body of work. Playwright J. Ajlouny presents the arguments for and against, all statements and proofs drawn from the historical record. Everybody must decide for himself, but ＜em＞The Trial of William Shakespeare＜/em＞ makes the controversy both intriguing and fun.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 372円 |
 William Stanley as Shakespeare Evidence of Authorship by the Sixth Earl of Derby【電子書籍】[ John M. Rollett ] 楽天Kobo電子書籍ストア | ＜p＞Presenting striking new evidence, this book shows that "William Shakespeare" was the pen name of William Stanley, son of the Earl of Derby. Born in 1561, he was educated at Oxford, travelled for three years abroad, and studied law in London, mixing with poets and playwrights. In 1592 Spenser recorded that Stanley had written several plays. In 1594 he unexpectedly inherited the earldom--hence the pen name. He became a Knight of the Garter in 1601, eligible to help bear the canopy over King James at his coronation, likely prompting Sonnet 125's "Wer't ought to me I bore the canopy?"--he is the only authorship candidate ever in a position to "bear the canopy" (which was only ever borne over royalty).＜/p＞ ＜p＞＜em＞Love's Labour's Lost＜/em＞ parodies an obscure poem by Stanley's tutor, which few others would have read. Hamlet's situation closely mirrors Stanley's in 1602. His name is concealed in the list of actors' names in the First Folio. His writing habits match Shakespeare's as deduced from the early printed plays. He was a patron of players who performed several times at court, and financed the troupe known as Paul's Boys. No other member of the upper class was so thoroughly immersed in the theatrical world.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 2,776円 |
 Lukan Authorship of Hebrews【電子書籍】[ David L. Allen ] 楽天Kobo電子書籍ストア | ＜p＞A new volume in the NEW AMERICAN COMMENTARY STUDIES IN BIBLE AND THEOLOGY series, ＜em＞Lukan Authorship of Hebrews＜/em＞ explains why Luke is the likely author of the book of Hebrews. The ramifications of this possibility are then detailed in depth, including the way Hebrews informs the interpretation of the books of Luke and Acts. Also present throughout is commentary author David L. Allen’s thorough analysis of the writing style similarities between Hebrews, Luke, and Acts.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 2,670円 |
 Shakespeare's Authorship Question. A Short Input to a Long Discussion【電子書籍】[ Lore Li ] 楽天Kobo電子書籍ストア | ＜p＞Pre-University Paper from the year 2015 in the subject English Language and Literature Studies - Literature, grade: 15 NP, , language: English, abstract: William Shakespeare was born in 1564 and died in 1616 in Stratford-upon-Avon farther writing plays like 'Romeo and Juliet', 'Othello', 'Macbeth', 'A Midsummer Night's Dream' and others. He was a brilliant playwright creating nearly 40 productions and 154 sonnets, while dwelling in London. This is at least the majority opinion taught in schools. There is however reason for doubt. While dealing a bit deeper with Shakespeare you unavoidably will come to the point that opinions differ in the question if he truly was who he pretended to be. Imagine the magnificent bard was not the author of all the dramas, comedies, history plays and poems. Or could it be possible that this famous name was just a pseudonym? And if it was, then the question is why? Which clues for and against are existing? In the English lessons we learned the prevailing aspects along with the common view about the grand composer and his plays. After a rough contribution into the authorship debate more questions emerged and the foundation of this term paper was laid. To come to one of many answers, this work will be structured at first in a short biography of Shakespeare and an overview of his time concerning the theatre and authorship in general. Afterwards I would like to explore positions that assume Shakespeare not to be the man who is thought to be the drafter Shakespeare. On the other hand also the opposing view will be presented and explained. To forge an own profound opinion it is significant to have a review about this complex of themes. A detailed presentation of my own view regarding arguments for and against Shakespeare from Stratford as the writer will be followed by a final synopsis and prospect of the issue. So the focus in this work is more on investigate the Stratford-man than on other theories, even though these will come up for discussion. Because of their multifacetedness it would go beyond the scopes of this term paper.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 1,487円 |
 Authorship, Worldview, and Identity in Medieval Europe【電子書籍】 楽天Kobo電子書籍ストア | ＜p＞What did medieval authors know about their world? Were they parochial and focused on just their monastery, town, or kingdom? Or were they aware of the broader medieval Europe that modern historians write about? This collection brings the focus back to medieval authors to see how they described their world. While we see that each author certainly had their own biases, the vast majority of them did not view the world as constrained to their small piece of it. Instead, they talked about the wider world, and often they had informants or textual sources that informed them about the world, even if they did not visit it themselves. This volume shows that they also used similar ideas to create space and identity ? whether talking about the desert, the holy land, or food practices in their texts. By examining medieval authors and their own perceptions of their world, this collection offers a framework for discussions of medieval Europe in the twenty-first century.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 7,343円 |
 Modernist Authorship and Transatlantic Periodical Culture 1895?1925【電子書籍】[ Amanda Sigler ] 楽天Kobo電子書籍ストア | ＜p＞Exploring the collaborative, consumer-oriented Modernism that developed out of both planned and fortuitous groupings in periodicals, this book traces the serialization and advertisement of Henry James's ＜em＞The Turn of the Screw＜/em＞ in ＜em＞Collier's＜/em＞ (1898), Rudyard Kipling's ＜em＞Kim＜/em＞ in ＜em＞McClure's＜/em＞ and ＜em＞Cassell's＜/em＞ (1900-1901), James Joyce's ＜em＞Ulysses＜/em＞ in the ＜em＞Little Review＜/em＞ (1918-1920), and Virginia Woolf's “Mrs.Dalloway in Bond Street”in the ＜em＞Dial＜/em＞ (1923).＜/p＞ ＜p＞These periodicals-whether mass-market journals or literary magazines-adjust our perceptions of authors elsewhere known to be “in charge” and reveal the central role that compromise and chance played in the emergence of Modernism.＜/p＞ ＜p＞Bringing to light new research from multiple archives, Sigler pieces together original records of journals' advertising strategies, previously unpublished editorial correspondence, and long-buried letters to unearth the forgotten stories behind the texts we think we know so well.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 4,080円 |
 The Birth and Death of the Author A Multi-Authored History of Authorship in Print【電子書籍】 楽天Kobo電子書籍ストア | ＜p＞The Birth and Death of the Author is a work about the changing nature of authorship as a concept. In eight specialist interventions by a diverse group of the finest international scholars it tells a history of print authorship in a set of author case studies from the fifteenth to the twenty-first century. The introduction surveys the prehistory of print authorship and sets the historical and theoretical framework that opens the discussion for the seven succeeding chapters. Engaging particularly with the history of the materials and technology of authorship it places this in conversation with the critical history of the author up to and beyond the crisis of Barthes' 'Death of the Author'.＜/p＞ ＜p＞As a multi-authored history of authorship itself, each subsequent chapter takes a single author or work from every century since the advent of print and focuses in on the relationship between the author and the reader. Thus they explore the complexities of the concept of authorship in the works of Thomas Hoccleve and John Lydgate (Andrew Galloway, Cornell University), William Shakespeare and Christopher Marlowe (Rory Loughnane, University of Kent), John Taylor, "the Water Poet" (Edel Semple, University College Cork), Samuel Richardson (Natasha Simonova, University of Oxford), Herman Melville (and his reluctant scrivener ‘Bartleby’) (William E. Engel, Sewanee, The University of the South), James Joyce (Brad Tuggle, University of Alabama), and Grant Morrison (Darragh Greene, University College Dublin).＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 7,343円 |
 Laura Ingalls Wilder and Rose Wilder Lane Authorship, Place, Time, and Culture【電子書籍】[ John E. Miller ] 楽天Kobo電子書籍ストア | ＜p＞The mother-daughter partnership that produced the Little House books has fascinated scholars and readers alike. Now, John E. Miller, one of America’s leading authorities on Laura Ingalls Wilder and Rose Wilder Lane, combines analyses of both women to explore this collaborative process and shows how their books reflect the authors’ distinctive views of place, time, and culture. Along the way, he addresses the two most controversial issues for Wilder/Lane aficionados: how much did Lane actually contribute to the writing of the Little House books, and what was Wilder’s real attitude toward American Indians.＜/p＞ ＜p＞Interpreting these writers in their larger historical and cultural contexts, Miller reconsiders their formidable artistic, political, and literary contributions to American cultural life in the 1930s. He looks at what was happening in 1932ーfrom depression conditions and politics to chain stores and celebrity cultureーto shed light on Wilder’s life, and he shows how actual “little houses” established ideas of home that resonated emotionally for both writers.＜/p＞ ＜p＞In considering each woman’s ties to history, Miller compares Wilder with Frederick Jackson Turner as a frontier mythmaker and examines Lane’s unpublished history of Missouri in the context of a contemporaneous project, Thomas Hart Benton’s famous Jefferson City mural. He also looks at Wilder’s ＜em＞Missouri Ruralist＜/em＞ columns to assess her pre?Little House values and writing skills, and he readdresses her literary treatment of Native Americans. A final chapter shows how Wilder’s and Lane’s conservative political views found expression in their work, separating Lane’s more libertarian bent from Wilder’s focus on writing moralist children’s fiction.＜/p＞ ＜p＞These nine thoughtful essays expand the critical discussion on Wilder and Lane beyond the Little House. Miller portrays them as impassioned and dedicated writers who were deeply involved in the historical changes and political challenges of their timesーand contends that questions over the books’ authorship do not do justice to either woman’s creative investment in the series. Miller demystifies the aura of nostalgia that often prevents modern readers from seeing Wilder as a real-life woman, and he depicts Lane as a kindred artistic spirit, helping readers better understand mother and daughter as both women and authors.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 2,665円 |
 Templates for Authorship American Women's Literary Autobiography of the 1930s【電子書籍】[ Windy Counsell Petrie ] 楽天Kobo電子書籍ストア | ＜p＞As autobiographies by famous women like Eleanor Roosevelt and Amelia Earhart became bestsellers in the 1930s, American publishers sought out literary autobiographies from female novelists, poets, salon hosts, and editors. ＜em＞Templates for Authorship＜/em＞ analyzes the market and cultural forces that created an unprecedented boom in American women's literary autobiography.＜/p＞ ＜p＞Windy Counsell Petrie considers twelve autobiographies from a diverse group of writers, ranging from highbrow modernists such as Gertrude Stein and Harriet Monroe to popular fiction writers like Edith Wharton and Edna Ferber, and lesser known figures such as Grace King and Carolyn Wells. Since there were few existing examples of women's literary autobiography, these writers found themselves marketed and interpreted within four cultural templates: the artist, the activist, the professional, and the celebrity. As they wrote their life stories, the women adapted these templates to counter unwanted interpretations and resist the sentimental feminine traditions of previous generations with innovative strategies of deferral, elision, comedy, and collaboration. This accessible study contends that writing autobiography offered each of these writers an opportunity to define and defend her own literary legacy.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 2,456円 |
 Genre, Authorship and Contemporary Women Filmmakers【電子書籍】[ Katarzyna Paszkiewicz ] 楽天Kobo電子書籍ストア | 画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 446円 |
 Spearing the Wild Blue Boar Shakespeare Vs. Oxford: the Authorship Question【電子書籍】[ Frederick Keller ] 楽天Kobo電子書籍ストア | ＜p＞Is William Shakespeare of Stratford-Upon-Avon the true author of the poems and plays attributed to him? This book once and for all silences those critics who say he isn't. It takes particular aim at those who champion Edward de Vere, the 17th Earl of Oxford, whose crest was a wild blue boar. Who are these heretics who would strip Shakespeare of his laurels and drape them on a "nobler" brow? Foremost are John Thomas Looney, the Charlton Ogburn family and the latter-day anti-Stratfordians Richard Whalen, John Michell, David McCullough, Lewis H. Lapham, Mark Anderson and others. Using their own words against them, this book meticulously examines the claims of these Naysayers and destroys them. In addition, you'll learn about Shakespeare's early decline and fall as a literary giant; why so little is known of Shakespeare's life; and why his closest colleagues, Ben Jonson and the Shakespeare Folio editors, Heminges and Condell, have been branded fools or liars. Whether you are a teacher, student or simply someone interested in one of the foremost literary questions of the day, it's important to read Spearing the Wild Blue Boar.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 | 774円 |