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304件中 151件 - 180件  1 2 3 4 5 6 7 8 9 10 11
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Performing Authorship in Eighteenth-Century English Periodicals【電子書籍】[ Manushag N. Powell ]

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<p>Performing Authorship in Eighteenth-Century Periodicals discusses the English periodical and how it shapes and expresses early conceptions of authorship in the eighteenth century. Unique to the British eighteenth century, the periodical is of great value to scholars of English cultural studies because it offers a venue where authors hash out, often in extremely dramatic terms, what they think it should take to be a writer, what their relationship with their new mass-media audience ought to be, and what qualifications should act as gatekeepers to the profession. Exploring these questions in The Female Spectator, The Drury-Lane Journal,The Midwife, The World, The Covent-Garden Journal, and other periodicals of the early and mid-eighteenth century, Manushag Powell examines several “paper wars” waged between authors. At the height of their popularity, essay periodicals allowed professional writers to fashion and make saleable a new kind of narrative and performative literary personality, the eidolon, and arguably birthed a new cult of authorial personality. In Performing Authorship in Eighteenth-Century Periodicals, Powell argues that the coupling of persona and genre imposes a lifespan on the periodical text; the periodicals don’t only rise and fall, but are born, and in good time, they die.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 7,316円

Modernist Women Dandies Poetry, Photography, Authorship【電子書籍】[ Christoph Ehland ]

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<p>Assessing the cultural history of the dandy as a figure traditionally gendered masculine, this wide-ranging study advances a critical space for the discussion of the woman dandy. <em>Modernist Women Dandies</em> revisits dandyism to provide an interpretative framework for re-evaluating the literary careers of women authors with atypical literary presence: Edith Sitwell, Nancy Cunard, and Mina Loy. Cutting across media boundaries, it demonstrates how their experimental poetry and portrait photographs feed into each other, fabricating dandy authorial performances that are simultaneously unapologetically feminine and queer. In showing how these authors redefined the interplay between dandyism and authorship, this book makes an important contribution to rethinking modernist literary culture.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 8,330円

Ecclesiastes and the Riddle of Authorship【電子書籍】[ Thomas M. Bolin ]

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<p>In Ecclesiastes, the authorial voice of Qohelet presents an identity that has challenged readers for centuries. This book offers a reception history of the different ways readers have constructed Qohelet as an author. Previous reception histories of Ecclesiastes group readings into "premodern" and "critical," or separate Jewish from Christian readings. In deliberate contrast, this analysis arranges readings thematically according to the interpretive potential inherent in the text, a method of biblical reception history articulated by Brennan Breed. Doing so erases the artificial distinctions between so-called scholarly and confessional readings and highlights the fact that many modern academic readings of the authorship of Ecclesiastes travel in well-worn interpretive paths that long predate the rise of critical scholarship. Thus this book offers a reminder that, while critical biblical scholarship is an essential part of the interpretive task, academic readings are themselves indebted to the Bible’s reception history and a part of it.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 7,338円

Romantic Writing and the Empire of Signs: Periodical Culture and Post-Napoleonic Authorship ROMANTIC WRITING & EMPIRE OF S [ Karen Fang ]

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ROMANTIC WRITING & EMPIRE OF S Karen Fang UNIV OF VIRGINIA PR2010 Hardcover English ISBN:9780813928746 洋書 Fiction & Literature(小説&文芸) Literary Criticism 11,809円

Finding Ferrante Authorship and the Politics of World Literature【電子書籍】[ Alessia Ricciardi ]

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<p>Elena Ferrante’s Neapolitan novels achieved stunning global success in part because of the mystery surrounding their pseudonymous author. English-speaking readers were tantalized by her enigmatic biography as well as what they took to be her authentic portrayal of working-class Naples. However, we now know that the person behind the writing is most likely Anita Raja, a prominent translator of German literature whose background is very different from Ferrante’s supposed life.</p> <p>In <em>Finding Ferrante</em>, Alessia Ricciardi revisits questions about Ferrante’s identity to show how the problem of authorship is deeply intertwined with the novels’ literary ambition and politics. Going beyond the local and national cultures of Naples and Italy, Ricciardi reads Ferrante’s fiction as world literature, foregrounding Raja’s work as a translator. She examines the novels’ engagement with German literature and criticism, particularly Goethe, Walter Benjamin, and Christa Wolf, while also tracing the influence of Italian thinkers such as Antonio Gramsci, Carla Lonzi, and the Milan Women’s Bookstore Collective. Considering central questions of sexuality, work, politics, and place, Ricciardi demonstrates how intertextual resonances reshape our understanding of Lila and Elena, the protagonists of the Neapolitan Quartet, as well as the characters and language of Ferrante’s other books.</p> <p>This bold reconsideration of one of today’s most acclaimed authors reveals Ferrante’s works as fiercely intellectual, showing their deep concern with feminist and cultural politics and the ethical and political stakes of literature.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 3,405円

洋書 Paperback, Social Authorship and the Advent of Print

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*** We ship internationally, so do not use a package forwarding service. We cannot ship to a package forwarding company address because of the Japanese customs regulation. If it is shipped and customs office does not let the package go, we do not make a refund. 【注意事項】 *** 特に注意してください。 *** ・個人ではない法人・団体名義での購入はできません。この場合税関で滅却されてもお客様負担になりますので御了承願います。 ・お名前にカタカナが入っている場合法人である可能性が高いため当店システムから自動保留します。カタカナで記載が必要な場合はカタカナ変わりローマ字で記載してください。 ・お名前またはご住所が法人・団体名義(XX株式会社等)、商店名などを含めている場合、または電話番号が個人のものではない場合、税関から法人名義でみなされますのでご注意ください。 ・転送サービス会社への発送もできません。この場合税関で滅却されてもお客様負担になりますので御了承願います。 *** ・注文後品切れや価格変動でキャンセルされる場合がございますので予めご了承願います。 ・当店でご購入された商品は、原則として、「個人輸入」としての取り扱いになり、すべてニュージャージからお客様のもとへ直送されます。 ・ご注文後、30営業日以内(通常2~3週間)に配送手続きをいたします。配送作業完了後、2週間程度でのお届けとなります。 ・まれに商品入荷状況や国際情勢、運送、通関事情により、お届けが2ヶ月までかかる場合がありますのでお急ぎの場合は注文をお控えください。 ・個人輸入される商品は、すべてご注文者自身の「個人使用・個人消費」が前提となりますので、ご注文された商品を第三者へ譲渡・転売することは法律で禁止されております。 ・関税・消費税が課税される場合があります。詳細はこちらをご確認下さい。PC販売説明文 6,825円

African Literature and the CIA Networks of Authorship and Publishing【電子書籍】[ Caroline Davis ]

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<p>During the period of decolonisation in Africa, the CIA covertly subsidised a number of African authors, editors and publishers as part of its anti-communist propaganda strategy. Managed by two front organisations, the Congress of Cultural Freedom and the Farfield Foundation, its Africa programme stretched across the continent. This Element unravels the hidden networks and associations underpinning African literary publishing in the 1960s; it evaluates the success of the CIA in secretly infiltrating and influencing African literary magazines and publishing firms, and examines the extent to which new circuits of cultural and literary power emerged. Based on new archival evidence relating to the Transcription Centre, The Classic and The New African, it includes case studies of Wole Soyinka, Nat Nakasa and Bessie Head, which assess how the authors' careers were affected by these transnational networks and also reveal how they challenged, subverted, and resisted external influence and control.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 1,922円

Authorship’s Wake Writing After the Death of the Author【電子書籍】[ Dr. Philip Sayers ]

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<p><em>Authorship's Wake</em> examines the aftermath of the 1960s critique of the author, epitomized by Roland Barthes's essay, “The Death of the Author.” This critique has given rise to a body of writing that confounds generic distinctions separating the literary and the theoretical. Its archive consists of texts by writers who either directly participated in this critique, as Barthes did, or whose intellectual formation took place in its immediate aftermath. These writers include some who are known primarily as theorists (Judith Butler), others known primarily as novelists (Zadie Smith, David Foster Wallace), and yet others whose texts are difficult to categorize (the autofiction of Chris Kraus, Sheila Heti, and Ben Lerner; the autotheory of Maggie Nelson). These writers share not only a central motivating question ? how to move beyond the critique of the author-subject ? but also a way of answering it: by writing texts that merge theoretical concerns with literary discourse. <em>Authorship's Wake</em> traces the responses their work offers in relation to four themes: communication, intention, agency, and labor.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 4,156円

Death of the Author: A Brief Semiotic Examination of the End of Authorship【電子書籍】[ Crispin Mayfair ]

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<p>Who is the final authority on the meaning of a literary text? Does the reader’s interpretation hold more value than the writer’s intent?</p> <p>This 1,500-word essay exploring Roland Barthes’s paper “The Death of the Author” takes a semiotic approach to literary interpretation and touches on Surrealism, automatic writing, and psychoanalysis.</p> <p>About the Author: Crispin Mayfair is a semiotician by training and an author by trade.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 333円

Relational Liberalism: Democratic Co-Authorship in a Pluralistic World RELATIONAL LIBERALISM 2023/E (Philosophy and Politics - Critical Explorations) [ Federica Liveriero ]

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RELATIONAL LIBERALISM 2023/E Philosophy and Politics ー Critical Explorations Federica Liveriero SPRINGER NATURE2023 Hardcover 2023 English ISBN:9783031227424 洋書 Social Science(社会科学) Philosophy 35,464円

【中古】【輸入品・未使用】Defining Authorship%カンマ% Debating Authenticity: Problems of Authority from Classical Antiquity to the Renaissance (Issn)

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【中古】【輸入品・未使用】Defining Authorship%カンマ% Debating Authenticity: Problems of Authority from Classical Antiquity to the Renaissance (Issn)【メーカー名】De Gruyter【メーカー型番】【ブランド名】de Gruyter【商品説明】Defining Authorship%カンマ% Debating Authenticity: Problems of Authority from Classical Antiquity to the Renaissance (Issn)当店では初期不良に限り、商品到着から7日間は返品を 受付けております。こちらは海外販売用に買取り致しました未使用品です。買取り致しました為、中古扱いとしております。他モールとの併売品の為、完売の際はご連絡致しますのでご了承下さい。速やかにご返金させて頂きます。ご注文からお届けまで1、ご注文⇒ご注文は24時間受け付けております。2、注文確認⇒ご注文後、当店から注文確認メールを送信します。3、配送⇒当店海外倉庫から取り寄せの場合は10〜30日程度でのお届けとなります。国内到着後、発送の際に通知にてご連絡致します。国内倉庫からの場合は3〜7日でのお届けとなります。 ※離島、北海道、九州、沖縄は遅れる場合がございます。予めご了承下さい。お電話でのお問合せは少人数で運営の為受け付けておりませんので、メールにてお問合せお願い致します。営業時間 月〜金 10:00〜17:00お客様都合によるご注文後のキャンセル・返品はお受けしておりませんのでご了承下さい。 54,704円

No Excuses:Your Guide To Successful Authorship【電子書籍】[ Jennifer Sharp ]

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<p>We all make excuses from time to time, putting off doing something we really want to do.</p> <p>Why do we do that?</p> <p>In <em>No Excuses! Your Guide to Successful Authorship</em>, you are taken through a series of steps that will support you through the stumbling blocks you may be feeling toward writing your story.</p> <p>Whether you have a business story or write in a world of fantasy, there is no better time than now to share your gift with the world.</p> <p>Go on. You can do it.</p> <p><em>No Excuses!</em></p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 450円

Women Writing Fancy Authorship and Autonomy from 1611 to 1812【電子書籍】[ Maura Smyth ]

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<p>This book brings to the foreground the largely forgotten “Fancy” of the seventeenth and eighteenth centuries and follows its traces as they extend into the nineteenth and twentieth. Trivialized for its flightiness and femininity, Fancy nonetheless provided seventeenth- and eighteenth-century women writers such as Margaret Cavendish, Aphra Behn, Delarivier Manley, Eliza Haywood, and Anna Barbauld a mode of vision that could detect flaws in the Enlightenment’s patriarchal systems and glimpse new, female-authored worlds and genres. In carving out unreal, fanciful spaces within the larger frame of patriarchal culture, these women writers planted Fancyーand, with it, female authorial inventionーat the cornerstone of Enlightenment empirical endeavor. By finally taking Fancy seriously, this book offers an alternate genealogy of female authorship and a new framework for understanding modernity’s triumph.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 10,938円

Thackeray’s Skeptical Narrative and the ‘Perilous Trade’ of Authorship【電子書籍】[ Judith L. Fisher ]

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<p>Drawing on the rhetorical work of James Phelan, Wayne Booth's ethical criticism, recent work on William Makepeace Thackeray, as well as an understanding of the role of skepticism in eighteenth- and nineteenth-century English thought, Thackeray's Skeptical Narrative and the "Perilous Trade" of Authorship makes a substantial contribution to nineteenth-century reading practices, as well as narratology in general. Judith Fisher combines in this study rhetorical and ethical analysis of Thackeray's narrative techniques to trace how his fiction develops to educate his reader into what she terms a "hermeneutic of skepticism." This is a kind of poised reading which enables his readers to integrate his fiction into their life in what Thackeray called "a world without God" without becoming pessimistic or fatalistic. Although Thackeray's narrative strategies have been the subject of study, most have focused on Vanity Fair and Henry Esmond only, and none look as closely as does this study at actual rhetorical techniques such as his use of pronominalization to interpolate the reader into his skeptical discourse. Fisher also brings her analysis to bear on The Adventures of Philip and The Virginians, Thackeray's last two complete novels, both of which were critical failures even as contemporary critics acknowledged their stylistic excellence. This is the first study to attempt to understand the puzzle of those two books; Fisher recovers them from their marginalized position in Thackeray's oeuvre. Fisher expertly weaves an accessible narrative theory with thoroughgoing knowledge of Thackeray's life in an integrated reading of his entire works. Reading Thackeray holistically in spite of his own disruptive practices, she does full justice to his critical skepticism while elucidating his canon for a new readership.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 7,338円

Clowning and Authorship in Early Modern Theatre【電子書籍】[ Richard Preiss ]

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<p>To early modern audiences, the 'clown' was much more than a minor play character. A celebrity performer, he was a one-man sideshow whose interactive entertainments - face-pulling, farce interludes, jigs, rhyming contests with the crowd - were the main event. Clowning epitomized a theatre that was heterogeneous, improvised, participatory, and irreducible to dramatic texts. How, then, did those texts emerge? Why did playgoers buy books that deleted not only the clown, but them as well? Challenging the narrative that clowns were 'banished' by playwrights like Shakespeare and Jonson, Richard Preiss argues that clowns such as Richard Tarlton, Will Kemp, and Robert Armin actually made playwrights possible - bridging, through the publication of their routines, the experience of 'live' and scripted performance. Clowning and Authorship tells the story of how, as the clown's presence decayed into print, he bequeathed the new categories around which theatre would organize: the author, and the actor.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 3,204円

Helene Cixous Authorship, Autobiography and Love【電子書籍】[ Susan Sellers ]

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<p>This book is a clear and accessible introduction to the writings of Helene Cixous, novelist, dramatist and critic, whose work has had a major impact on feminist theory and practice.</p> <p>Susan Sellers, a major scholar on Cixous, provides a lucid account of Cixous's theoretical position, and in particular her distinctive theory of an <em>'?criture f?minine'.</em> She discusses the development of Cixous's literary <em>oeuvre</em> in the context of this theory, and analyses a selection of the works in detail to illustrate the different stages in Cixous's writing career.</p> <p>Focusing on the key novels and plays, Sellers explores a range of issues and themes central to her work; the correlation between the death of Cixous's own father and her 'coming-into-being' as a writer; the psychological process of separation and individuation and the creation of a female authorial self; the discovery of the other and the dramatization of love; the delineation/depiction of an alternative form of relationship between self and other which would have a significance in a wider sphere than that of the merely personal.</p> <p>This much-needed book will be welcomed by students in literature and literary theory, feminism and women's studies, English and French studies and philosophy.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 2,958円

Works Of Arthur Schopenhauer: The Wisdom Of Life, Religion: A Dialogue, On Human Nature, The Art Of Literature, The Art Of Controversy, On Authorship And Style And Other Essays (Mobi Collected Works)【電子書籍】[ Arthur Schopenhauer ]

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<p>This collection was designed for optimal navigation on eReaders and other electronic devices. It is indexed alphabetically, making it easier to access individual books and essays. This collection offers lower price, the convenience of a one-time download, and it reduces the clutter in your digital library. All books included in this collection feature a hyperlinked table of contents and footnotes. The collection is complimented by an author biography.Table of ContentsThe Art of Controversy translated by T. Bailey SaundersThe Art of Literature translated by T. Bailey SaundersCounsels and Maxims translated by T. Bailey SaundersOn Authorship and Style and Other Essays translated by Mrs. Rudolf DircksOn Human Nature translated by T. Bailey SaundersReligion: a Dialogue, Etc. translated by T. Bailey SaundersStudies in Pessimism translated by T. Bailey SaundersThe Wisdom of Life translated by T. Bailey SaundersAppendix:Arthur Schopenhauer BiographyList of Works in Alphabetical Order</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 360円

Making German Jewish Literature Anew Authorship, Memory, and Place【電子書籍】[ Katja Garloff ]

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<p>In <em>Making German Jewish Literature Anew,</em> Katja Garloff traces the emergence of a new Jewish literature in Germany and Austria from 1990 to the present. The rise of new generations of authors who identify as both German and Jewish, and who often sustain additional affiliations with places such as France, Russia, or Israel, affords a unique opportunity to analyze the foundational moments of diasporic literature. <em>Making German Jewish Literature Anew</em> is structured around a series of founding gestures: performing authorship, remaking memory, and claiming places. Garloff contends that these founding gestures are literary strategies that reestablish the very possibility of a German Jewish literature several decades after the Holocaust.</p> <p><em>Making German Jewish Literature Anew</em> offers fresh interpretations of second-generation authors such as Maxim Biller, Doron Rabinovici, and Barbara Honigmann as well as of third-generation authors, many of whom come from Eastern European and/or mixed-religion backgrounds. These more recent writers include Benjamin Stein, Lena Gorelik, and Katja Petrowskaja. Throughout the book, Garloff asks what exactly marks a given text as Jewishーthe author's identity, intended audience, thematic concerns, or stylistic choicesーand reflects on existing definitions of Jewish literature.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 3,972円

Mass Authorship and the Rise of Self-Publishing【電子書籍】[ Timothy Laquintano ]

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<p>In the last two decades, digital technologies have made it possible for anyone with a computer and an Internet connection to rapidly and inexpensively self-publish a book. Once a stigmatized niche activity, self-publishing has grown explosively. Hobbyists and professionals alike have produced millions of books, circulating them through e-readers and the web. What does this new flood of books mean for publishing, authors, and readers? Some lament the rise of self-publishing because it tramples the gates and gatekeepers who once reserved publication for those who met professional standards. Others tout authors’ new freedom from the narrow-minded exclusivity of traditional publishing. Critics mourn the death of the author; fans celebrate the democratization of authorship.</p> <p>Drawing on eight years of research and interviews with more than eighty self-published writers, <em>Mass Authorship</em> avoids the polemics, instead showing how writers are actually thinking about and dealing with this brave new world. Timothy Laquintano compares the experiences of self-publishing authors in three distinct genresーpoker strategy guides, memoirs, and romance novelsーas well as those of writers whose self-published works hit major bestseller lists. He finds that the significance of self-publishing and the challenge it presents to traditional publishing depend on the aims of authors, the desires of their readers, the affordances of their platforms, and the business plans of the companies that provide those platforms.</p> <p>In drawing a nuanced portrait of self-publishing authors today, Laquintano answers some of the most pressing questions about what it means to publish in the twenty-first century: How do writers establish credibility in an environment with no editors to judge quality? How do authors police their copyrights online without recourse to the law? How do they experience Amazon as a publishing platform? And how do they find an audience when, it sometimes seems, there are more writers than readers?</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 2,671円

The Pedagogy of Self-Authorship The Neurocognitive Impact of Science and Metacognition【電子書籍】[ Philip R. Hulbig ]

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<p>This book is a deep dive into the developmental and neurocognitive impact of metacognition and its role in self-transformation. It connects the latest science on learning, neuroplasticity, and self-development with the rich history of metacognitive educational practices, creating an educational vision capable to address difficult issues faced by modern education.</p> <p>This vision highlights self-regulation, self-authorship, and self-transformation as the key learning goals of a free and equitable education system. This model of education is grounded in science, problem solving and is capable of addressing the needs of a neurologically diverse humanity. Interviews from experts at Program for the Advancement of Learning (PAL) are integrated with the author autobiographical account of their transformative learning experience, to provide evidence on the effectiveness of utilizing a metacognitive pedagogy in promoting transformative learning.</p> <p>The book concludes with a general pedagogy of metacognitive instruction that integrates the scientific method with the development of an individual's theory of mind to induce expansive personal development and achievement. This book would be of interest to educators and scholars, as well as practitioners supporting neurodivergent students and employees, neurodiversity advocates, and critical disability studies researchers.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 18,231円

Learning Partnerships Theory and Models of Practice to Educate for Self-Authorship【電子書籍】

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<p>While a common goal of higher education is to improve student learning to prepare young adults for the professional, civic and personal challenges of their lives, few institutions have a model to facilitate these outcomes. Learning Partnerships offers a grounded theory and practical examples of how these objectives can be achieved at the college course, program, and institutional levels.The book takes as its foundation Marcia Baxter Magolda’s "Learning Partnerships Model" based on her seventeen-year longitudinal study of young adults’ learning and development from their undergraduate years through their thirties. Based on nearly a thousand participant narratives, the model offers an empirically grounded yet flexible approach to promote "self-authorship." Marcia Baxter Magolda describes the nature of self-authorship--its centrality to the learning goals of cognitive maturity, an integrated identity, mature relationships, and effective citizenship--and the Model.The book then documents examples of actual practice and the learning outcomes they have yielded. The settings include community college and undergraduate courses, exchange and internship programs, residential life, a Masters’ program, faculty development and student affairs organization.Learning Partnerships offers models for all educators--faculty and student affairs staff alike--who work to balance guidance and learner responsibility to prepare students for the complexity of the twenty-first century.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 4,389円

To Make Negro Literature Writing, Literary Practice, and African American Authorship【電子書籍】[ Elizabeth McHenry ]

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<p>In <em>To Make Negro Literature</em> Elizabeth McHenry traces African American authorship in the decade following the 1896 legalization of segregation. She shifts critical focus from the published texts of acclaimed writers to unfamiliar practitioners whose works reflect the unsettledness of African American letters in this period. Analyzing literary projects that were unpublished, unsuccessful, or only partially achieved, McHenry recovers a hidden genealogy of Black literature as having emerged tentatively, laboriously, and unevenly. She locates this history in books sold by subscription, in lists and bibliographies of African American authors and books assembled at the turn of the century, in the act of ghostwriting, and in manuscripts submitted to publishers for consideration and the letters of introduction that accompanied them. By attending to these sites and prioritizing overlooked archives, McHenry reveals a radically different literary landscape, revising concepts of Black authorship and offering a fresh account of the development of “Negro literature” focused on the never published, the barely read, and the unconventional.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 3,092円

The Elusive Auteur The Question of Film Authorship Throughout the Age of Cinema【電子書籍】[ Barrett Hodsdon ]

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<p>The director's authorial role in filmmaking--the extent to which a film reflects his or her individual style and creative vision--has been much debated among film critics and scholars for decades. Drawing on generations of criticism, this study describes how the designation "auteur" has gone from stylistic criterion to product label--in what has always been an essentially collaborative industry. Examining the controversy in regard to Hollywood directors, the author compares directors and would-be auteurs of the classic studio system with those of contemporary Hollywood and its new climate of cultural entrepreneurship.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 4,272円

British Travel Writers in Europe 1750-1800 Authorship, Gender, and National Identity【電子書籍】[ Katherine Turner ]

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<p>This title was first published in 2001: Hundreds of European travelogues produced by British travellers between 1750 and 1800 remain out of sight in most libraries and have generally been out of print since the 18th century. While many people with a working knowledge of the 18th century are familiar with works including Sterne's "A Sentimental Journey" and Smollett's "Travels through France and Italy", those produced by less "literary" travellers are largely unknown. This study aims to recreate the world of 18th-century travel writing in order to illuminate its central role in shaping Britain's emerging sense of national identity - an identity which proves to be more complex an less homogeneous than some cultural and historical studies would suggest. The author finds that the developing discourse of national character is bound up with questions of gender: national and authorial virtue are projected in terms of appropriately gendered behaviour, for male and female travel writers alike. In turn, gender intersects with class, most obviously in the tendency to denigrate aristocratic travellers as effeminate and celebrate the more manly activities of the middle-class traveller. These then - national identity, authorship and gender - are the central preoccupations of the study</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 6,007円

Dickens, Family, Authorship Psychoanalytic Perspectives on Kinship and Creativity【電子書籍】[ Lynn Cain ]

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<p>Drawing on a wide range of Dickens's writings, including all of his novels and a selection of his letters, journalism, and shorter fiction, Dickens, Family, Authorship provides a provocative account of the evolution of an author from whose psychological honesty and imaginative generosity emerged precocious fictional portents of Freudian and post-Freudian theory. The decade 1843-1853 was pivotal in Dickens's career. A phase of feverish activity on both personal and professional fronts, it included the irrevocable souring of his relations with his parents, the peripatetic residence in continental Europe, and a massive proliferation of writing and editing activities including the aborted autobiography. It was a period of astounding creativity which consolidated Dickens's authorial and financial stature. It was also one tainted by loss: the deaths of his father, sister and daughter, and the alarming desertion of his early facility for composition. Lynn Cain's substantial study of the four novels produced during this turbulent decade - Martin Chuzzlewit, Dombey and Son, David Copperfield and Bleak House - traces the evolution of Dickens's creative imagination to discover in the modulating fictional representation of family relationships a paradigm for his authorial development. Closely argued readings demonstrate a reorientation from a patriarchal to a maternal dynamic which signals a radical shift in Dickens's creative technique. Interweaving critical analysis of the four novels with biography and the linguistic and psychoanalytic writings of modern theorists, especially Kristeva and Lacan, Lynn Cain explores the connection between Dickens's susceptibility to depression during this period and his increasingly self-conscious exploitation of his own mental states in his fiction.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 8,945円

Music, Authorship, Narration, and Art Cinema in Europe 1940s to 1980s【電子書籍】

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<p><em>Music, Authorship, Narration, and Art Cinema in Europe: 1940s to 1980s</em> investigates the function of music in European cinema after the Second World War up to the fall of the Berlin wall, a period when composers and directors embraced experimentation. Through analyses of music and sound in a wide range of iconic films from across Europe, the essays in this book provide a nuanced reconsideration of three core themes: auteur theory, art house film, and national cinema.</p> <p>Chapters written by an international array of contributors focus on case studies of music in the cinema of Carlos Saura, Jean-Pierre Melville, the Polish School, and Romanian directors, as well as collaborations between directors and composers, including Michelangelo Antonioni and Giovanni Fusco, Federico Fellini and Nino Rota, Leo Arnshtam and Dmitry Shostakovich, and Peter Greenaway and Michael Nyman. The contributors shift the emphasis from a director-centered view to the working relationship between director and composer, and from the visual component to the sonic aspects of these films, without ignoring the close correlation between soundtrack and visual elements.</p> <p>Enriching our understanding of the complex, intertwined nature of authorship in film, the role of film music, and sound, nation-state and art cinema, and European cinematic history, this volume offers a valuable addition to research across music and film studies.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 7,343円

Retrospective Prophecy and Medieval English Authorship【電子書籍】[ Kimberly Fonzo ]

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<p>The prescience of medieval English authors has long been a source of fascination to readers. <em>Retrospective Prophecy and Medieval English Authorship</em> draws attention to the ways that misinterpreted, proleptically added, or dubiously attributed prognostications influenced the reputations of famed Middle English authors. It illuminates the creative ways in which William Langland, John Gower, and Geoffrey Chaucer engaged with prophecy to cultivate their own identities and to speak to the problems of their age.</p> <p><em>Retrospective Prophecy and Medieval English Authorship</em> examines the prophetic reputations of these well-known medieval authors whose fame made them especially subject to nationalist appropriation. Kimberly Fonzo explains that retrospectively co-opting the prophetic voices of canonical authors aids those looking to excuse or endorse key events of national history by implying that they were destined to happen. She challenges the reputations of Langland, Gower, and Chaucer as prophets of the Protestant Reformation, Richard II’s deposition, and secular Humanism, respectively.</p> <p>This intellectual and critical assessment of medieval authors and their works successfully makes the case that prophecy emerged and recurred as an important theme in medieval authorial self-representations.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 6,944円

We Read therefore We Write The Paradox of Authorship and the Reader-Writer Bond【電子書籍】[ Karim Lediwa ]

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<p>Humanity is built for speed, not comfort. We are intrepid adventurers. We populated the entire earth (and beyond!) in a mere eighty thousand years. But, we are not cognitively evolved to go beyond our own limitations; we cannot solve the profound problems we face. However, those limitations mean we share a core systemic understanding and cooperative element in understanding stories, and in storytelling mechanics. The deep programming within our rawest biocultural elements has ensured that the historic links of human visual and written communication were (and will be) essentially identical, from the first hints of symbolic thought: images carved in stone and bone, and on cave walls; clearly reflected later on clay tablets in cuneiform script, (with the earliest recorded myths, like the Epic of Gilgamesh); and further, on to the first moveable type courtesy of Bi Sheng, almost one thousand years ago. This is followed by the precursor to the internet??the “Romanesque” wine press that created the Gutenberg Bible. And now, to the (mostly) superficiality of Facebook, Twitter, (and less so) YouTube and Google, and the non-communicative mass consumption outlets of the internet, like Amazon, iTunes, Kobo, and eBay.</p> <p> </p> <p>Why should the reader be considered a co-author, in spirit, of any written work, especially in literature? How does the reader play (arguably) the most important part in any writer's creation, besides the obvious pair of eyes lapping up pages? Why is the reader the actual writer, and completes the work, putting that final empathetic touch to the piece? Why? Perhaps because of the yin and yang of existence, the omnipresent duality of life and eternity, and the shared duality of pain, joy and connection, embodied in the creative process--that occurs every single second of interaction with every form of expression. There is so much more to the falsely passive (i.e., cognitively, emotionally complex) endeavour that one undertakes when they open the page and inundate themselves with our shared brethren's mind/words.Is everyone a writer by virtue of the fact that they read? All the world's a novel..short story, poem, play, personal letter....as well as a stage. What does it mean to indulge in the overwhelming experience of reading? It is far more than simply "reading". What is the true nature of the exploration between writing and reading, and how do these two intrinsic aspects of human nature converge to form a union among disparate individuals that transcend differences, distance, and background?</p> <p> </p> <p>The twinning of these two phenomena makes a connection that may even surpass the (almost) inexplicable wonder of music, art, dance, or any other human expressive venture. This is accomplished between the creator of the written word and the active, participatory audience, who, paradoxically, are not passive consumers but co-creators, especially in our multivocal, increasingly connected planet; this is, indeed, and ironically, an unwritten quest for true "unity" par excellence.</p> <p>This recent explosion of interaction is, laughably, NOT the "miracle" of modern communication with all its mystique and tech. dazzle. These recent modifications are merely the latest reflections of human communication, as old as our species beginnings almost one hundred millenia prior, and, thus, a tribute, both to our excellence and our limitations. In fact, all-encompassing, rapid information excess is not without its pitfalls and pathologies, and the directions they head must be controlled and planned better than they have been. However this communicative explosion unfolds in the future, we remain cognitively hard-wired for the cross-fertilization of ideas and imagination based on our reflective symbiosis exemplified by the reader-writer bond, and other means of communication. </p> <p>The feelings expressed within 'these' pages merely tap the surface. They are, and must, be joined with the thoughts and feelings of the reader, without whom, any piece of writing will forever be incomplete. Once passed to ones partner in creation (the reader....through an editor to a public outlet--a publisher) the writer is lulled into the deceptive impression that the creative process is complete. It is obviously not, and never will be. Invariably, every author feels their work requires some fine-tuning, some refurbishment. It is this mystical missing element that is precisely found with the contribution of the incalculable perspectives from a vast sea of human experience and cultures--the reader, for whom a piece is written or waiting to be read, thus, experienced, and created within a sea of diverse impressions and thoughts. And, today within the self-publishing universe, and openness of certain enlightened writers, the reader can share in the creative process, bonding themselves, and influencing the actual written word; authors can incorporate, and even share the text through online platforms for readers to input their own ideas, thoughts, and material into the book, thereby imprinting themselves on the formation of the work.</p> <p> </p> <p> </p> <p> </p> <p> </p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 149円

Writing Arctic Disaster Authorship and Exploration【電子書籍】[ Adriana Craciun ]

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<p>How did the Victorian fixation on the disastrous John Franklin expedition transform our understanding of the Northwest Passage and the Arctic? Today we still tend to see the Arctic and the Northwest Passage through nineteenth-century perspectives, which focused on the discoveries of individual explorers, their illustrated books, visual culture, imperial ambitions, and high-profile disasters. However, the farther back one looks, the more striking the differences appear in how Arctic exploration was envisioned. Writing Arctic Disaster uncovers a wide range of exploration cultures: from the manuscripts of secretive corporations like the Hudson's Bay Company, to the nationalist Admiralty and its innovative illustrated books, to the searches for and exhibits of disaster relics in the Victorian era. This innovative study reveals the dangerous afterlife of this Victorian conflation of exploration and disaster, in the geopolitical significance accruing around the 2014 discovery of Franklin's ship Erebus in the Northwest Passage.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 5,554円

Making of the Victorian Novelist Anxieties of Authorship in the Mass Market【電子書籍】[ Bradley Deane ]

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<p>This book examines a sequence of crises in nineteenth-century print culture and offers an original narrative of what it meant to be a Victorian novelist. Easily dismissed at the beginning of the century as hacks who pandered to the ignorant or indolent, novelists by the end of Victoria's reign could be esteemed among the greatest of artists. Between these extremes stretches a century of ideological contention between alternative representations of authorship. Deane brings new attention in his account to the trends in publishing and the expanding market surrounding Victorian literature, such as the new modes of production, arguments over copyright legislation, and revisions of the criteria of periodical criticism. Combining literary sociology and close readings, The Making of the Victorian Novelist offers an innovative history of the material pressures and rhetorical struggles that produced - and ultimately shattered - the Victorians' understanding of their great novelists.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 3,599円