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商品	説明	価格
The Bressonians French Cinema and the Culture of Authorship【電子書籍】[ Codru?a Morari ] 楽天Kobo電子書籍ストア	＜p＞How should we understand film authorship in an era when the idea of the solitary and sovereign ＜em＞auteur＜/em＞ has come under attack, with critics proclaiming the death of the author and the end of cinema? ＜em＞The Bressonians＜/em＞ provides an answer in the form of a strikingly original study of Bresson and his influence on the work of filmmakers Jean Eustache and Maurice Pialat. Extending the discourse of authorship beyond the idea of a singular visionary, it explores how the imperatives of excellence function within cinema’s pluralistic community. Bresson’s example offered both an artistic legacy and a creative burden within which filmmakers reckoned in different, often arduous, and altogether compelling ways.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	5,005円
Eighteenth-Century Authorship and the Play of Fiction Novels and the Theater, Haywood to Austen【電子書籍】[ Emily Hodgson Anderson ] 楽天Kobo電子書籍ストア	＜p＞This study looks at developments in eighteenth-century drama that influenced the rise of the novel; it begins by asking why women writers of this period experimented so frequently with both novels and plays. Here, Eliza Haywood, Frances Burney, Elizabeth Inchbald, Maria Edgeworth, and Jane Austen explore theatrical frames--from the playhouse, to the social conventions of masquerade, to the fictional frame of the novel itselfーthat encourage audiences to dismiss what they contain as feigned. Yet such frames also, as a result, create a safe space for self-expression. These authors explore such payoffs both within their workーthrough descriptions of heroines who disguise themselves to express themselvesーand through it. Reading the act of authorship as itself a form of performance, Anderson contextualizes the convention of fictionality that accompanied the development of the novel; she notes that as the novel, like the theater of the earlier eighteenth century, came to highlight its fabricated nature, authors could use it as a covert yet cathartic space. Fiction for these authors, like theatrical performance for the actor, thus functions as an act of both disclosure and disguiseーor finally presents self-expression as the ability to oscillate between the two, in "the play of fiction."＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	12,298円
Early Modern Authorship and the Editorial Tradition Shakespeare, Donne, Herbert, and Milton【電子書籍】[ Aleida Auld ] 楽天Kobo電子書籍ストア	＜p＞This volume adds a new dimension to authorship studies by linking the editorial tradition to the transformative reception of early modern authors and their works across time. Aleida Auld argues that the editorial tradition provides privileged access to the reception of early modern literature, informing our understanding of certain reconfigurations and sometimes helping to produce them between their time and our own. At stake are reconfigurations of oeuvre and authorship, the relationship between the author and work, the relationship between authors, and the author’s own role in establishing an editorial tradition. Ultimately, this study recognizes that the editorial tradition is a stabilizing force while asserting that it may also be a source of strange and provocative reconceptions of early modern authors and their works in the present day. Scholars and students of early modern literature will benefit from this approach to editing as a form of reception that encompasses all the editorial decisions that are necessary to ‘put forth’ a text.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	8,921円
Selfhood and Otherness in Kierkegaard's Authorship A Heterological Investigation【電子書籍】[ Leo Stan ] 楽天Kobo電子書籍ストア	＜p＞This book investigates the polysemy of the category of otherness in S?ren Kierkegaard’s authorship as a whole. Leo Stan identifies, expands upon, and discusses the interconnections between four different senses of otherness: the other within the human self, the infinite alterity of God, the paradoxical alterity of Christ, and the alterity of the human other. He also analyzes in detail the three stages of human existence: the aesthetic, the ethical, and the religious. His claim is that in its Kierkegaardian version, otherness can be understood only within the redemption-oriented framework of Christianity and in strict correlation with an ethic of singular persons.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	16,425円
Fashion and Authorship Literary Production and Cultural Style from the Eighteenth to the Twenty-First Century【電子書籍】楽天Kobo電子書籍ストア	＜p＞Studies of fashion and literature in recent decades have focused primarily on representations of clothing and dress within literary texts. But what about the author? How did he dress? What where her shopping practices and predilections? What were his alliances with modishness, stylishness, fashion? The essays in this book explore these and other questions as they look at authors from the eighteenth century through the postmodern and digital eras, cultural producers who were also men and women of fashion: Alexander Pope, Hester Thrale, Mary Robinson, Lord Byron, William Thackeray, Charlotte Bronte, Wilkie Collins, Margaret Oliphant, Virginia Woolf, Rebecca West, Trudi Kanter, Angela Carter, and Martin Margiela. The essays collected here ultimately converge upon a fundamental question: what happens to our notions of timeless literature when authorship itself is implicated in the transient and the temporary, the cycles and materials of fashion?＜/p＞＜p＞“Gerald Egan’s provocative introduction to this exciting new book poses a bold question: How are authorship and literature ? so often linked to ideas of transcendence ? implicated in the transient trends and stuff of fashion? The thirteen chapters that follow track authorship’s complex implication in the discourses and materiality of fashion and fashionable goods from the eighteenth to the twentieth centuries. Wide-ranging in discipline and chronology, yet forensically focused and carefully argued, this book makes a striking and wonderfully original contribution to studies of authorship, celebrity and material culture.”＜/p＞＜p＞ー Dr Jennie Batchelor, Professor of Eighteenth-Century Studies,＜/p＞＜p＞University of Kent, UK＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	15,800円
Narrative Design and Authorship in Bloodborne An Analysis of the Horror Videogame【電子書籍】[ Madelon Hoedt ] 楽天Kobo電子書籍ストア	＜p＞In the vein of their cult-classic dark fantasy titles ＜em＞Demon's Souls＜/em＞ (2009) and the Dark Souls franchise (2011, 2014, 2016), game developers FromSoftware released the bleak Gothic horror ＜em＞Bloodborne＜/em＞ in 2015. Players are cast in the role of hunters in a hostile land, probing the shadowy city of Yharnam in search of "paleblood." The game achieved iconic status as both a horror and an action title for its rich lore and for the continuity of story elements through all aspects of game design.＜/p＞＜p＞This first full-length study examines ＜em＞Bloodborne＜/em＞'s themes of dangerous knowledge and fatal pride and its aesthetics in the context of other works on game studies, horror and the Gothic. The book's three parts focus on lore and narrative, the game's nightmarish world, and its mechanics.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	2,695円
Reappearing Characters in Nineteenth-Century French Literature Authorship, Originality, and Intellectual Property【電子書籍】[ Sotirios Paraschas ] 楽天Kobo電子書籍ストア	＜p＞This book examines the phenomenon of the reappearance of characters in nineteenth-century French fiction. It approaches this from a hitherto unexplored perspective: that of the twin history of the aesthetic notion of originality and the legal notion of literary property. While the reappearance of characters in the works of canonical authors such as Honor? de Balzac and ?mile Zola is usually seen as a device which transforms the individual works of an author into a coherent whole, this book argues that the unprecedented systematisation of the reappearance of characters in the nineteenth century has to be seen within a wider cultural, economic, and legal context. While fictional characters are seen as original creations by their authors, from a legal point of view they are considered to be ‘ideas’ which are not protected and can be appropriated by anyone. By co-examining the reappearance of characters in the work of canonical authors and their reappearances in unauthorised appropriations, such as stage adaptations and sequels, this book discusses a series of issues that have shaped our understanding of authorship, originality, and property.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	12,154円
The Romantic Scottish Ballads: Their Epoch and Authorship【電子書籍】[ Robert William Chambers ] 楽天Kobo電子書籍ストア	＜p＞Percy, at the close of his copy of Sir Patrick Spence, tells us that 'an ingenious friend' of his was of opinion that 'the author of Hardyknute has borrowed several expressions and sentiments from the foregoing [ballad], and other old Scottish songs in this collection.' It does not seem to have ever occurred to the learned editor, or any friend of his, however 'ingenious,' that perhapsSir Patrick Spence had no superior antiquity over Hardyknute, and that the parity he remarked in the expressions was simply owing to the two ballads being the production of one mind. Neither did any such suspicion occur to Scott. He fully accepted Sir Patrick Spence as a historical narration, judging it to refer most probably to an otherwise unrecorded embassy to bring home the Maid of Norway, daughter of King Eric, on the succession to the Scottish crown opening to her in 1286, by the death of her grandfather, King Alexander III., although the names of the ambassadors who did go for that purpose are known to have been different. The want of any ancient manuscript, the absence of the least trait of an ancient style of composition, the palpable modernness of the dictionーfor example, 'Our ship must sail the faem,' a glaring specimen of the poetical language of the reign of Queen Anneーand, still more palpably, of several of the things alluded to, as cork-heeled shoon, hats, fans, and feather-beds, together with the inapplicableness of the story to any known event of actual history, never struck any editor of Scottish poetry, till, at a recent date, Mr David Laing intimated his suspicions that Sir Patrick Spence and Hardyknute were the production of the same author. To me it appears that there could not well be more remarkable traits of an identity of authorship than what are presented in the extracts given from Hardyknute and the entire poem of Sir Patrickーgranting only that the one poem is a considerable improvement upon the other. Each poem opens with absolutely the same set of particularsーa Scottish king sittingーdrinking the blude-red wineーand sending off a message to a subject on a business of importance. Norway is brought into connection with Scotland in both cases. Sir Patrick's exclamation, 'To Noroway, to Noroway,' meets with an exact counterpart in the 'To horse, to horse,' of the courtier in Hardyknute.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	640円
Black Pro Se Authorship and the Limits of Law in Nineteenth-Century African American Literature【電子書籍】[ Faith Barter ] 楽天Kobo電子書籍ストア	＜p＞Black thinkers in the antebellum United States grappled with what it meant to inhabit a place, a history, and a violent legal regime. In newspapers and pamphlets, political speeches, and fiction, Black writers persistently imagined alternative and liberatory legal futures. In reading these writers as architects of legal possibility, Faith Barter mobilizes the coincidental intimacy of prose and the legal term pro se, which refers to litigants who represent themselves in court. The book studies multiple literary genresーshort stories, novels, freedom narratives, speeches, confessions, periodicals, and pamphletsーalongside legal historical treatises, trial transcripts, judicial opinions, and statutes.＜/p＞＜p＞Barter juxtaposes nineteenth-century law and literature to show how Black writers counterintuitively used legal forms to reimagine their own relationships to time and place. Organized around four legal formsーappeal, confession, jurisdiction, and precedentーthis book demonstrates how Black writers creatively used them to challenge the logics of their oppression. Reading Black writers not merely as witnesses or victims but as visionaries for what the legal system could be, this book excavates the importance of legal thinking in the African American literary tradition.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	2,863円
Finding Ferrante Authorship and the Politics of World Literature【電子書籍】[ Alessia Ricciardi ] 楽天Kobo電子書籍ストア	＜p＞Elena Ferrante’s Neapolitan novels achieved stunning global success in part because of the mystery surrounding their pseudonymous author. English-speaking readers were tantalized by her enigmatic biography as well as what they took to be her authentic portrayal of working-class Naples. However, we now know that the person behind the writing is most likely Anita Raja, a prominent translator of German literature whose background is very different from Ferrante’s supposed life.＜/p＞＜p＞In ＜em＞Finding Ferrante＜/em＞, Alessia Ricciardi revisits questions about Ferrante’s identity to show how the problem of authorship is deeply intertwined with the novels’ literary ambition and politics. Going beyond the local and national cultures of Naples and Italy, Ricciardi reads Ferrante’s fiction as world literature, foregrounding Raja’s work as a translator. She examines the novels’ engagement with German literature and criticism, particularly Goethe, Walter Benjamin, and Christa Wolf, while also tracing the influence of Italian thinkers such as Antonio Gramsci, Carla Lonzi, and the Milan Women’s Bookstore Collective. Considering central questions of sexuality, work, politics, and place, Ricciardi demonstrates how intertextual resonances reshape our understanding of Lila and Elena, the protagonists of the Neapolitan Quartet, as well as the characters and language of Ferrante’s other books.＜/p＞＜p＞This bold reconsideration of one of today’s most acclaimed authors reveals Ferrante’s works as fiercely intellectual, showing their deep concern with feminist and cultural politics and the ethical and political stakes of literature.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	4,043円
Pre-K Stories Playing with Authorship and Integrating Curriculum in Early Childhood【電子書籍】[ Dana Frantz Bentley ] 楽天Kobo電子書籍ストア	＜p＞＜em＞Pre-K Stories＜/em＞ offers a lively exploration of how one classroom community played with and collaboratively engaged in authorship. Through everyday stories, readers are invited to witness and engage with classroom practices that honor young children’s brilliance and build on their questions, interests, and strengths. Weaving together literacy, language arts, social studies, science, mathematics, and more, the authors illustrate how curriculum can be authentically and meaningfully integrated. They also offer a unique perspective on the development of language and literacy practices by framing children’s play narratives as the foundation from which rich curricula can grow. ＜em＞Pre-K Stories＜/em＞ allows readers to experience the rich cadence of a classroom while also coming to understand important theories that undergird early childhood teaching and young children’s learning.＜/p＞＜p＞“A powerful and much-needed text that brings us back to what matters in education: children, their interests, and their potential. You will fall in love with this book!”＜br /＞ーCatherine Compton-Lilly, University of South Carolina＜/p＞＜p＞“An inspiring, heartwarming book for all teachers committed to nurturing children’s growing literacy as tools for actively engaging with the world around them.”＜br /＞ーLouise Derman-Sparks, faculty emerita, Pacific Oaks College＜/p＞＜p＞“One of the many strengths of this book is that it looks at writing and authorship across disciplines. I’d like to get this book into the hands of every early childhood educator.”＜br /＞ーMaisha T. Winn, University of California, Davis＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	4,576円
Invention and Authorship in Medieval England【電子書籍】[ Robert R. Edwards ] 楽天Kobo電子書籍ストア	＜p＞From the twelfth century onwards, medieval English writers adapted the conventions of high literary culture to establish themselves as recognized authors and claim a significant place for works of imagination beside those of doctrine and instruction. Their efforts extended over three languagesーLatin, French, and Englishーand across a discontinuous literary history. Their strategy was to approach authorship as a field of rhetorical invention rather than a fixed institution. Consequently, their work is at once revisionary and ambivalent. Writers conspicuously position themselves within tradition, exploit the resources of poetic belatedness, and negotiate complex relations to their audiences and social authority.＜/p＞＜p＞Authorial invention in the Middle Ages is the base of a national tradition that English writers in the Renaissance saw as stable and capable of emulating the canons of classical languages and the Italian and French vernaculars. In ＜em＞Invention and Authorship in Medieval England,＜/em＞ Robert R. Edwards brings new interpretive perspectives to Walter Map, Marie de France, John Gower, Geoffrey Chaucer, Thomas Hoccleve, and John Lydgate. He offers a critical reading of key moments that define the emergence of medieval English authorship by showing how writers adapt the commonplaces of authorship to define themselves and their works externally and to construct literary meaning internally.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	4,846円
Authorship in the Days of Johnson Being a Study of the Relation Between Author, Patron, Publisher and Public, 1726-1780【電子書籍】[ A.S. Collins ] 楽天Kobo電子書籍ストア	＜p＞Originally published in 1928, this book discusses the complex relationships between authors, patrons and publishers in the 18th Century and the ideals and struggles for copyright. It examines the power of booksellers over authors and the effect on authors of copyright security and the lapse of patronage.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	11,792円
Shakespeare and His Authors Critical Perspectives on the Authorship Question【電子書籍】楽天Kobo電子書籍ストア	＜p＞The Shakespeare Authorship question - the question of who wrote Shakespeare's plays and who the man we know as Shakespeare was - is a subject which fascinates millions of people the world over and can be seen as a major cultural phenomenon. However, much discussion of the question exists on the very margins of academia, deemed by most Shakespearean academics as unimportant or, indeed, of interest only to conspiracy theorists. Yet, many academics find the Authorship question interesting and worthy of analysis in theoretical and philosophical terms.＜br /＞ This collection brings together leading literary and cultural critics to explore the Authorship question as a social, cultural and even theological phenomenon and consider it in all its rich diversity and significance.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	31,579円
Women's Transborder Cinema Authorship, Stardom, and Filmic Labor in South Asia【電子書籍】[ Esha Niyogi De ] 楽天Kobo電子書籍ストア	＜p＞Can we write women’s authorial roles into the history of industrial cinema in South Asia? How can we understand women’s creative authority and access to the film business infrastructure in this postcolonial region? Esha Niyogi De draws on rare archival and oral sources to explore these questions from a uniquely comparative perspective, delving into examples of women holding influential positions as stars, directors, and producers across the film industries in India, Pakistan, and Bangladesh.＜/p＞＜p＞De uses film tropes to examine the ways women directors and film entrepreneurs claim creative control within the contexts of anti-colonial nationalism and global capitalism. The region’s fictional cinemas have become staging grounds for postcolonialism, with colonial and local hierarchies merged into new imperial formations. De’s analysis shows how the gendered intersections of inequity and opportunity shape women’s fiction filmmaking while illuminating the impact of state and market formations on the process.＜/p＞＜p＞Innovative and essential, ＜em＞Women’s Transborder Cinema＜/em＞ examines the works of South Asia’s women filmmakers from a regional perspective.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	2,690円
Art, Agency and the Continued Assault on Authorship【電子書籍】[ Simon Blond ] 楽天Kobo電子書籍ストア	＜p＞This book presents a counter-history to the relentless critique of the humanist subject and authorial agency that has taken place over the past fifty years.＜/p＞＜p＞It is both an interrogation of that critique and the tracing of an alternative narrative from Romanticism to the twenty-first century which celebrates the agency of the artist as a powerful contribution to the wellbeing of the community. It does so through arguments based on philosophical aesthetics and cultural theory interspersed with case histories of particular artists. It also engages with a second issue that cannot be separated from the first. This is the question of what the role and purpose of art is in society. This has become particularly important since the 1990s because of the "social turn" in art in which it is claimed that the only valid role for art was one that had explicit social consequences. This book argues that a political role for art is valuable, but not the only one that can be envisaged nor indeed is it the most obvious or most important. Art has other social roles both as a means to engender empathy and community, and to re-enchant a world bereft of meaning and reduced to material values.＜/p＞＜p＞The book will appeal to practising artists as well as scholars working in art history, philosophy, aesthetics, and curatorial studies.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	9,097円
Testimony of the Sonnets as to the Authorship of the Shakespearean Plays and Poems Revealing the Sonnets' Secret Author: A New Perspective on Shakespearean Works【電子書籍】[ Jesse Johnson ] 楽天Kobo電子書籍ストア	＜p＞In "Testimony of the Sonnets as to the Authorship of the Shakespearean Plays and Poems," Jesse Johnson presents a meticulous examination of the sonnets attributed to William Shakespeare, positing that these poetic works provide crucial insights into the true authorship of the famed plays. Johnson employs a critical literary style, blending textual analysis with biographical context, to argue for a reconsideration of the existing scholarship surrounding Shakespeare's identity. The book situates itself within the larger discourse of authorship studies, challenging conventional beliefs and inviting readers to engage deeply with the nuances of poetic interpretation and their implications for understanding literature's most enigmatic figure. Jesse Johnson is a dedicated scholar whose background in literary history and criticism informs his passionate inquiry into Shakespeare's legacy. His extensive research reveals a profound interest in the socio-political environment of Elizabethan England, which shaped not only Shakespeare's works but also the literary culture of the time. Johnson'??s exploration is fueled by a desire to uncover the truth behind one of literature'??s greatest mysteries and to challenge prevailing narratives that have remained uncritically accepted. This book is a compelling read for students, scholars, and enthusiasts of Shakespearean literature alike. Johnson'??s thought-provoking arguments and thorough analysis encourage readers to reconsider their perceptions of authorship and invite them to explore the rich tapestry of historical context that informs these timeless works. Engage with Johnson'??s insights to deepen your understanding of Shakespeare'??s legacy and its implications for contemporary literature.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	150円
The cinema of Oliver Stone Art, authorship and activism【電子書籍】[ Ian Scott ] 楽天Kobo電子書籍ストア	＜p＞This book analyses the work of Oliver Stone - arguably one of the foremost political filmmakers in Hollywood during the last thirty years. From early productions like ＜em＞Platoon＜/em＞ (1986) and ＜em＞Wall Street＜/em＞ (1987) to contemporary dramas and documentaries such as ＜em＞World Trade Center＜/em＞ (2006), ＜em＞Wall Street: Money Never Sleeps＜/em＞ (2010) and ＜em＞The Untold History of the United States＜/em＞ (2012) Stone has re-defined political filmmaking in an era when Hollywood and the United States in general has been experiencing rapid and radical change. Drawing on previously unseen production files as well as hours of interviews with the director and his associates within the industry, this book is a thematic exploration of Stone's life and work, charting the development of political and aesthetic changes in his filmmaking. Those changes are mapped onto academic debates about the relationship between film and history as well as wider critiques about Hollywood and the film industry.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	3,364円
Style, Computers, and Early Modern Drama Beyond Authorship【電子書籍】[ Hugh Craig ] 楽天Kobo電子書籍ストア	＜p＞Hugh Craig and Brett Greatley-Hirsch extend the computational analysis introduced in Shakespeare, Computers, and the Mystery of Authorship (edited by Hugh Craig and Arthur F. Kinney; Cambridge, 2009) beyond problems of authorship attribution to address broader issues of literary history. Using new methods to answer long-standing questions and challenge traditional assumptions about the underlying patterns and contrasts in the plays of Shakespeare and his contemporaries, Style, Computers, and Early Modern Drama sheds light on, for example, different linguistic usages between plays written in verse and prose, company styles and different character types. As a shift from a canonical survey to a corpus-based literary history founded on a statistical analysis of language, this book represents a fundamentally new approach to the study of English Renaissance literature and proposes a new model and rationale for future computational scholarship in early modern literary studies.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	17,118円
聚焦臺灣──作家、媒介與文學史的連結 Focusing on Taiwan: Authorship, Media, and Literary History【電子書籍】[ 洪淑苓 ] 楽天Kobo電子書籍ストア	＜p＞本書從歐美、日本、中國、東南亞對於臺灣文學史的激盪與?發出發，聚焦臺灣，對臺灣文學特有的體質與風貌做出深入而獨到的詮釋。本書以「聚焦臺灣」為出發點，透過語文現象、社會意識、刊物發行、作家書寫等各種主題研究，和臺灣文學史的脈絡做連結，藉此開拓臺灣文學?文學史研究的面向。近年來，各地的臺灣文學系所、研究中心相繼成立，臺灣文學研究已形成重要的學科，並為國際學界所重視。無論是文學史料的整理、作家作品的爬梳以及理論的應用與建構，均已累積相當多的研究成果，既提升臺灣文學的能見度，也強化了相關研究的縱深與廣度。本書收?論文九篇，由九位現任或曾任國立臺灣大學臺灣文學研究所的教授撰寫，各篇論點精采透闢，為臺灣文學研究提出深刻而獨特的見解，展現本土學者集體的學術成果。＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	1,848円
Enter the Undead Author Intellectual Property, the Ideology of Authorship, and Performance Practices since the 1960s【電子書籍】[ George Pate ] 楽天Kobo電子書籍ストア	＜p＞Many narratives of theater history suggest that the 1960s marked the start of a turning away from traditional, script-based, playwright-centric production practices. Literary studies in this period began exploring the concept of the “death of the author” along similar lines. But the author refused to die quietly, and authorship reasserts itself in even revolutionary and avant-garde theaters throughout the latter half of the twentieth century. The model of authorshipーvalorizing individuality, ownership, and originalityーserves to maintain traditional modes of production that reproduce and uphold dominant ideologies even when the products created by those modes of production claim to buck tradition or run counter to cultural currents. This ideology of authorship plays a part in playwrights shutting down productions of their own plays, in the privileging of individual authorship over joint authorship even in collaborative genres, and in the insistence on originality even in performance traditions rooted in a shared repertoire. This tension between the theoretical death of the author and the growth of actual authors’ abilities to control access to and even in some cases interpretations of their work exposes the deftness with which dominant ideologies and their attendant modes of production can repurpose the aesthetics of even countercultural or revolutionary movements in theater.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	6,512円
A Battle of the Books, recorded by an unknown writer for the use of authors and publishers A Literary Battle of Words: Insights into Publishing and Authorship【電子書籍】[ Gail Hamilton ] 楽天Kobo電子書籍ストア	＜p＞In "A Battle of the Books, recorded by an unknown writer for the use of authors and publishers," Gail Hamilton presents a vibrant critique of the literary marketplace during the late 19th century. The text employs a satirical style that mirrors the fervent debates among authors and publishers about the value of content over commercial viability. Through witty prose and incisive commentary, Hamilton dissects the tensions of an evolving literary culture, where populism and highbrow criticism often stand in stark opposition. The work serves as a critical lens on the commodification of literature, capturing the anxieties and aspirations of writers eager to stake their claim amid shifting reader preferences and market dynamics. Gail Hamilton, a pseudonym for the prominent author and feminist journalist Mary Abigail Dodge, was deeply embedded in the literary and cultural revolutions of her time. Her background as a writer and her progressive views on gender and society inform her critique, providing a unique perspective on the challenges faced by authors within the commercial framework. Hamilton's experiences and advocacy for women's rights resonated throughout her work, highlighting the struggles for authenticity and integrity in an increasingly commercialized literary landscape. This book is indispensable for readers interested in the intersection of literature and commerce, as well as those seeking to understand the historical context surrounding authorship. Hamilton's keen observations and spirited analysis invite readers to reflect on the challenges of literary creation while encouraging a broader discourse on the enduring significance of integrity in artistic endeavors. The relevance of her insights remains poignant today, making this work a significant contribution to literary studies.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	310円
The Letters of Paul: Authorship and Interpretation【電子書籍】[ William Henderson ] 楽天Kobo電子書籍ストア	＜p＞The Pauline Epistles, a collection of letters attributed to the Apostle Paul, form one of the foundational pillars of Christian theology and doctrine. Paul's letters provide a window into the early Christian church's struggles, triumphs, and theological development in the decades following the death and resurrection of Jesus Christ. Written between roughly 50 and 60 AD, these letters were addressed to various Christian communities across the Roman Empire, as well as to specific individuals. They are rich with theological insights and ethical instructions, offering profound reflections on Christian identity, salvation, faith, and the Church's mission in the world.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	450円
Shakespeare and the Authorship of the Sonnets An Oxfordian Reading【電子書籍】[ Dennis Hirsch ] 楽天Kobo電子書籍ストア	＜p＞The persona of Edward de Vere represents a contrast to the canonical, Stratfordian image of Shakespeare. His adulterous affair with a teenage girl half his age, his complicity in acts of treason against Queen Elizabeth, and the bankruptcy of his earldom due to his lavish spending all combine to paint a picture of a man contrary to the Stratfordian ideal.＜/p＞＜p＞However, it is this unattractive portrayal of him that supports the argument that de Vere wrote the sonnets, since the sonnets themselves offer up underlying messages of ridicule, deception, avarice, and sexual obsession that doggedly champion the author's own best interests above others. This work presents an Oxfordian reading of the sonnets and the problematic life of Edward de Vere, the 17th Earl of Oxford.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	4,043円
Animation Genre and Authorship【電子書籍】[ Paul Wells ] 楽天Kobo電子書籍ストア	＜p＞＜em＞Animation: Genre and Authorship＜/em＞ explores the distinctive language of animation, its production processes, and the particular questions about who makes it, under what conditions, and with what purpose. In this first study to look specifically at the ways in which animation displays unique models of ‘auteurism’ and how it revises generic categories, Paul Wells challenges the prominence of live-action moviemaking as the first form of contemporary cinema and visual culture. The book also includes interviews with Ray Harryhausen and Caroline Leaf, and a full timeline of the history of animation.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	2,829円
Forensic Authorship Analysis and the World Wide Web【電子書籍】[ S. Larner ] 楽天Kobo電子書籍ストア	＜p＞Implementing a novel method for identifying idiolectal co-selections, and taking the UNABOM investigation as a case study, this Pivot evaluates the effectiveness and reliability of using the web for forensic purposes.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	6,076円
The Rise of Corporate Publishing and Its Effects on Authorship in Early Twentieth Century America【電子書籍】[ Kim Becnel ] 楽天Kobo電子書籍ストア	＜p＞This study examines the way that the modernization and incorporation of the American publishing industry in the early twentieth century both helped to foment the emerging late industrial cultural hierarchy and capitalized on that same hierarchy to increase readership and profits. More importantly, however, it attempts to trace the ways in which recently-introduced marketing techniques, reconceived ideas of audience, and new paradigms in author-publisher relations affected American writers of the 1930s and the literature they produced. Using case studies of authors chosen from various points on the spectrum of so-called high-, middle-, and lowbrow literature, the author demonstrates that, contrary to popular critical opinion, this new publishing landscape--dominated by big-business practices and strict categorizations of audiences, writers, and works--did not ruin or corrupt literature but in fact enriched our literary heritage by providing authors with inspiration and opportunity that they may not otherwise have had.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	12,298円
Kierkegaard, Communication, and Virtue Authorship as Edification【電子書籍】[ Mark A. Tietjen ] 楽天Kobo電子書籍ストア	＜p＞＜strong＞“Tietjen offers the kind of approach that encourages us to put the emphasis where it rightly belongs: on Kierkegaard’s philosophical ideas.” ー＜em＞Notre Dame Philosophical Reviews＜/em＞＜/strong＞＜/p＞＜p＞In contrast to recent postmodern and deconstructionist readings, Mark A. Tietjen believes that the purpose behind Kierkegaard’s writings is the moral and religious improvement of the reader. Tietjen defends Kierkegaard against claims that certain features of his works, such as pseudonymity, indirect communication, irony, and satire are self-deceived or deceitful. ＜em＞Kierkegaard, Communication, and Virtue＜/em＞ reveals how they are directly related to the virtues or moral issues being discussed. In fact, Tietjen argues, the manner of presentation is a critical element of the philosophical message being conveyed. Reading broadly in Kierkegaard’s writings, he develops a hermeneutics of trust that fully illustrates Kierkegaard’s aim to evoke faith in his reader.＜/p＞＜p＞＜strong＞“Tietjen’s critique of deconstructionist readings of Kierkegaard along with an emphasis on employing a hermeneutic of trust clearly distinguishes his work from other treatments of Kierkegaard as a virtue ethicist and edifying writer.” ーSylvia Walsh, Stetson University＜/strong＞＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	1,584円
Michael Psellos Rhetoric and Authorship in Byzantium【電子書籍】[ Stratis Papaioannou ] 楽天Kobo電子書籍ストア	＜p＞This book explores Michael Psellos' place in the history of Greek rhetoric and self-representation and his impact on the development of Byzantine literature. Avoiding the modern dilemma that vacillates between Psellos the pompous rhetorician and Psellos the ingenious thinker, Professor Papaioannou unravels the often misunderstood Byzantine rhetoric, its rich discursive tradition and the social fabric of elite Constantinopolitan culture which rhetoric addressed. The book offers close readings of Psellos' personal letters, speeches, lectures and historiographical narratives, and analysis of other early Byzantine and classical models of authorship in Byzantine book culture, such as Gregory of Nazianzos, Synesios of Cyrene, Hermogenes and Plato. It also details Psellos' innovative attention to authorial creativity, performative mimesis and the aesthetics of the self. Simultaneously, it traces within Byzantium complex expressions of emotion and gender, notions of authorship and subjectivity, and theories of fictionality and literature, challenging the common fallacy that these are modern inventions.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	6,739円
Early Modern Authorship and Prose Continuations Adaptation and Ownership from Sidney to Richardson【電子書籍】[ N. Simonova ] 楽天Kobo電子書籍ストア	＜p＞The first in-depth account of fictional sequels in the seventeenth and eighteenth centuries, this examines cases of prose fiction works being continued by multiple writers, reading them for evidence of Early Modern attitudes towards authorship, originality, and literary property.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	6,076円