Authorship 電子書籍 the

Authorship
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商品	説明	価格
The Literary Market Authorship and Modernity in the Old Regime【電子書籍】[ Geoffrey Turnovsky ] 楽天Kobo電子書籍ストア	＜p＞A central theme in the history of Old Regime authorship highlights the opportunities offered by a growing book trade to writers seeking to free themselves from patrons and live "by the pen." Accounts of this passage from patronage to market have explored in far greater detail the opportunities themselvesーthe rising sums paid by publishers and the progression of laws protecting literary propertyーthan how and why writers would have seized on them, no doubt because the choice to do so has seemed an obvious or natural one for writers assumed to prefer economic self-sufficiency over elite protection.＜/p＞＜p＞In ＜em＞The Literary Market＜/em＞, Geoffrey Turnovsky claims that there was nothing obvious or natural about the choice. Writers had been involved in commercial book publication since the earliest days of the printing press, yet had not necessarily linked these activities with their freedom to think and write. The association of autonomy and professionalism was forged, not given. Analyzing the literary market as a key articulation of the association, Turnovsky explores how in eighteenth-century polemics a rhetoric of commercial authorship came to signify independence for intellectuals. He finds the roots of the connection not in the claims of entrepreneurial writers to rights and income but in a world to which that of the modern author has been contrasted: the aristocratic culture of the seventeenth century. Aristocratic culture, he argues, generated a disparaging view of the professional author as one defined by activities tainting him or her as greedy and arrogant and therefore unworthy of protection and socially isolated. ＜em＞The Literary Market＜/em＞ examines the story of the "birth of the author" in terms of the revalorization of this negative trope in Enlightenment-era debates about the radically changing role of writers in society.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	6,683円
Kierkegaard's Authorship A Guide to the Writings of Kierkegaard【電子書籍】[ George E. Arbaugh ] 楽天Kobo電子書籍ストア	＜p＞First published in English in 1968, ＜em＞Kierkegaard's Authorship＜/em＞ begins with a brief account of the life and meaning of Kierkegaard and concludes with the brief treatment of his relation to multifaceted existentialism. By reviewing the total authorship and by making available much of the fruit of widespread research, this work throws into relief Kierkegaard’s central purposes and makes it possible to avoid some of the dubious interpretations which have grown out of more narrowly selective study.＜/p＞＜p＞This critical introduction and guide is especially important because Kierkegaard’s style was deliberately indirect and distorted and even more because half of the works are actually antagonistic to Kierkegaard’s own views. By the pseudonymous works he intended to lead into truth through a process of frustration, provoking the reader into existence. In another sense, the body of the book is also a biography for, in a degree perhaps without parallel in world history, the library which he created was his deed and life. This is an important read for scholars and researchers of Philosophy specially existentialism.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	11,285円
Who Really Wrote the Bible? An Explanation of Biblical History and Authorship【電子書籍】[ Richard Heywood ] 楽天Kobo電子書籍ストア	＜p＞＜strong＞"Insightful, eye-opening and without doubt thought-provoking..." ー John Curtis＜/strong＞＜/p＞＜p＞Christianity is the largest religion in the world with over 2.51 billion believers, yet few understand the complex history of the Holy Bible. Were the books of the Old and New Testaments ＜em＞really＜/em＞ written by those they bear the name of? Did Matthew, Mark and Luke ＜em＞really＜/em＞ write their gospels themselves? This first-of-its-kind critical analysis of the Bible's history and authorship is presented with commentary that speaks to those who seek a deeper and more complete understanding of Christianity.＜/p＞＜p＞Features Include:＜/p＞＜p＞- Analysis of Old Testament and New Testament authorship.＜br /＞ - Chronological breakdown of Old Testament and New Testament books.＜br /＞ - Commentary drawn from expert biblical scholars and modern analyses.＜br /＞ - Historical context and explanations.＜br /＞ - Thoughtful layout to allow for easy reference.＜br /＞ - ＜strong＞BONUS:＜/strong＞ Includes additional analysis of non-canon texts.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	558円
Portraying Authorship Juan Manuel and the Rhetoric of Authority【電子書籍】[ Anita Savo ] 楽天Kobo電子書籍ストア	＜p＞＜em＞Portraying Authorship＜/em＞ argues that the medieval Castilian writer Juan Manuel fashioned a seemingly modern authorial persona from the accumulation and synthesis of medieval authorial roles.＜/p＞＜p＞In the manuscript culture of medieval Castile and across Latin Europe, writers typically referred to their work in ways that corresponded to their role in the bookmaking process: scribes took credit for preserving the works of others, compilers for combining disparate texts in productive ways, commentators for explaining obscure works, and authors for writing their own words. Combining literary analysis with book history, Anita Savo reveals how Juan Manuel forged his authorial persona, “Don Juan,” by adopting all four medieval writerly roles, thereby reaping the ethical benefits of each one. Each chapter in ＜em＞Portraying Authorship＜/em＞ highlights a different authorial role to show how Don Juan ? and others who wrote in his name ? assumed responsibility for that role and adapted its rhetoric to his vernacular literary project.＜/p＞＜p＞The book concludes that Don Juan’s authorial self-portrait not only gave the humanist writers of the fifteenth century a model to imitate, but also persuaded subsequent scribes, editors, and translators to portray him as an individual author. In doing so, ＜em＞Portraying Authorship＜/em＞ illuminates how Juan Manuel’s concept of authorship helped to secure him a privileged position in narratives of Spanish literary history.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	11,608円
Write My Name Authorship in the Poetry of Thomas Moore【電子書籍】[ Justin Tonra ] 楽天Kobo電子書籍ストア	＜p＞＜em＞Write My Name: Authorship in the Poetry of Thomas Moore＜/em＞ is the first monograph devoted to Moore’s poetry. The focus of the book is on Moore’s poetry and differing formulations of authorship therein. Its scope comprises poetic publications from Moore’s early career, from his Romantic Orientalist writings, and from selected musical works, and political and satirical verse. It shares the strong historicist awareness of much previous scholarship on Moore, but combines this with a range of new and interdisciplinary contexts that are of increasing interest to scholarship in the twenty-first century, and which are rarely adopted as frameworks for viewing Moore’s work: digital humanities, book history, legal history, and textual theory. Ultimately, the book argues for the value of attending to neglected aspects of Moore’s work through analysis of his shifting modes of authorship and their various motivations＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	8,866円
Copyright and Collective Authorship Locating the Authors of Collaborative Work【電子書籍】[ Daniela Simone ] 楽天Kobo電子書籍ストア	＜p＞As technology makes it easier for people to work together, large-scale collaboration is becoming increasingly prevalent. In this context, the question of how to determine authorship ? and hence ownership - of copyright in collaborative works is an important question to which current copyright law fails to provide a coherent or consistent answer. In Copyright and Collective Authorship, Daniela Simone engages with the problem of how to determine the authorship of highly collaborative works. Employing insights from the ways in which collaborators understand and regulate issues of authorship, the book argues that a recalibration of copyright law is necessary, proposing an inclusive and contextual approach to joint authorship that is true to the legal concept of authorship but is also more aligned with creative reality.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	4,902円
Dissident Authorship in Mozambique the Case of Ant?nio Quadros (1933-1994)【電子書籍】[ Mr Tom Stennett ] 楽天Kobo電子書籍ストア	＜p＞＜em＞Dissident Authorship in Mozambique: the Case of Ant?nio Quadros＜/em＞ is the first monograph on the literary works of the pennames of Portuguese poet and painter Ant?nio Quadros (1933-1994). The book uses Quadros's quirky case-- a Portuguese man who lived in colonial and post-independence Mozambique, where he published poetry and prose under three pennames--Jo?o Pedro Grabato Dias, Frey Ioannes Garabatus, and Mutimati Barnab? Jo?oto--to examine the question of what it means to be an author in Mozambique and how authorship changed after the end of Portuguese colonial rule. Quadros's engagement with the question of the authors' place and function in authoritarian contexts stands as a fruitful counterpoint to the influential essays by Roland Barthes ('The Death of the Author', 1968) and Michel Foucault ('What is an Author?', 1969), the publication of which coincided with Quadros's literary d?but in 1968. Quadros's interesting and useful contributions to the question of Mozambican authorship are analysed in historical context and read alongside postcolonial and decolonial theory. Tom Stennett address the political implications of Barthes's and Foucault's erasure of authorial identity and their respective challenges to authorial authority. He makes the case for an approach to the question of authorship that takes into account the anonymous agents and institutions--such as editors, political parties and the State--that are involved in the conferring of authority onto certain authors and readers. In contrast to much extant scholarship on Mozambican authorship, which has tended to focus on questions related to identity and canonicity, ＜em＞Dissident Authorship＜/em＞ addresses these themes as well as those of readership, authority, power, and representation.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	11,099円
The Romantic Scottish Ballads: Their Epoch and Authorship【電子書籍】[ Robert William Chambers ] 楽天Kobo電子書籍ストア	＜p＞Percy, at the close of his copy of Sir Patrick Spence, tells us that 'an ingenious friend' of his was of opinion that 'the author of Hardyknute has borrowed several expressions and sentiments from the foregoing [ballad], and other old Scottish songs in this collection.' It does not seem to have ever occurred to the learned editor, or any friend of his, however 'ingenious,' that perhapsSir Patrick Spence had no superior antiquity over Hardyknute, and that the parity he remarked in the expressions was simply owing to the two ballads being the production of one mind. Neither did any such suspicion occur to Scott. He fully accepted Sir Patrick Spence as a historical narration, judging it to refer most probably to an otherwise unrecorded embassy to bring home the Maid of Norway, daughter of King Eric, on the succession to the Scottish crown opening to her in 1286, by the death of her grandfather, King Alexander III., although the names of the ambassadors who did go for that purpose are known to have been different. The want of any ancient manuscript, the absence of the least trait of an ancient style of composition, the palpable modernness of the dictionーfor example, 'Our ship must sail the faem,' a glaring specimen of the poetical language of the reign of Queen Anneーand, still more palpably, of several of the things alluded to, as cork-heeled shoon, hats, fans, and feather-beds, together with the inapplicableness of the story to any known event of actual history, never struck any editor of Scottish poetry, till, at a recent date, Mr David Laing intimated his suspicions that Sir Patrick Spence and Hardyknute were the production of the same author. To me it appears that there could not well be more remarkable traits of an identity of authorship than what are presented in the extracts given from Hardyknute and the entire poem of Sir Patrickーgranting only that the one poem is a considerable improvement upon the other. Each poem opens with absolutely the same set of particularsーa Scottish king sittingーdrinking the blude-red wineーand sending off a message to a subject on a business of importance. Norway is brought into connection with Scotland in both cases. Sir Patrick's exclamation, 'To Noroway, to Noroway,' meets with an exact counterpart in the 'To horse, to horse,' of the courtier in Hardyknute.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	1,200円
Artist, Audience, Accomplice Ethics and Authorship in Art of the 1970s and 1980s【電子書籍】[ Sydney Stutterheim ] 楽天Kobo電子書籍ストア	＜p＞In ＜em＞Artist, Audience, Accomplice＜/em＞, Sydney Stutterheim introduces a new figure into the history of performance art and related practices of the 1970s and 1980s: the accomplice. Occupying roles including eyewitness, romantic partner, studio assistant, and documenter, this figure is situated between the conventional subject positions of the artist and the audience. The unseen and largely unacknowledged contributions of such accomplices exceed those performed by a typical audience because they share in the responsibility for producing artworks that entail potential ethical or legal transgressions. Stutterheim analyzes the art of Chris Burden, Hannah Wilke, Martin Kippenberger, and Lorraine O’Grady, showing how each cannily developed strategies of shared culpability that evoked questions about the accomplice’s various rights and roles. In this way, Stutterheim argues that the artist’s authority is not sovereign, total, or exclusive but, rather, fluid and relational. By examining the development of an alternative model of participatory art that relies on a network of accomplices, Stutterheim radically revises current understandings of artistic agency, aesthetic property, and acknowledged authorship.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	3,606円
The Pedagogy of Self-Authorship The Neurocognitive Impact of Science and Metacognition【電子書籍】[ Philip R. Hulbig ] 楽天Kobo電子書籍ストア	＜p＞This book is a deep dive into the developmental and neurocognitive impact of metacognition and its role in self-transformation. It connects the latest science on learning, neuroplasticity, and self-development with the rich history of metacognitive educational practices, creating an educational vision capable to address difficult issues faced by modern education.＜/p＞＜p＞This vision highlights self-regulation, self-authorship, and self-transformation as the key learning goals of a free and equitable education system. This model of education is grounded in science, problem solving and is capable of addressing the needs of a neurologically diverse humanity. Interviews from experts at Program for the Advancement of Learning (PAL) are integrated with the author autobiographical account of their transformative learning experience, to provide evidence on the effectiveness of utilizing a metacognitive pedagogy in promoting transformative learning.＜/p＞＜p＞The book concludes with a general pedagogy of metacognitive instruction that integrates the scientific method with the development of an individual's theory of mind to induce expansive personal development and achievement. This book would be of interest to educators and scholars, as well as practitioners supporting neurodivergent students and employees, neurodiversity advocates, and critical disability studies researchers.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	19,447円
The Elusive Auteur The Question of Film Authorship Throughout the Age of Cinema【電子書籍】[ Barrett Hodsdon ] 楽天Kobo電子書籍ストア	＜p＞The director's authorial role in filmmaking--the extent to which a film reflects his or her individual style and creative vision--has been much debated among film critics and scholars for decades. Drawing on generations of criticism, this study describes how the designation "auteur" has gone from stylistic criterion to product label--in what has always been an essentially collaborative industry. Examining the controversy in regard to Hollywood directors, the author compares directors and would-be auteurs of the classic studio system with those of contemporary Hollywood and its new climate of cultural entrepreneurship.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	5,158円
Authorship in the Long Eighteenth Century【電子書籍】[ Dustin Griffin ] 楽天Kobo電子書籍ストア	＜p＞This book deals with changing conditions and conceptions of authorship in the long eighteenth century, a period often said to have witnessed the birth of the modern author. It focuses not on authorial self-presentation or self-revelation but on an author’s interactions with booksellers, collaborators, rivals, correspondents, patrons, and audiences. Challenging older accounts of the development of authorship in the period as well as newer claims about the “public sphere” and the “professional writer,” it engages with recent work on print culture and the history of the book. Methodologically eclectic, it moves from close readings to strategic contextualization. The book is organized both chronologically and topically. Early chapters deal with writers ? notably Milton and Dryden ? at the beginning of the long eighteenth century, and later chapters focus more on writers ー among them Johnson, Gray, and Gibbon ー toward its end. Looking beyond the traditional canon, it considers a number of little-known or little-studied writers, including Richard Bentley, Thomas Birch, William Oldys, James Ralph, and Thomas Ruddiman. Some of the essays are organized around a single writer, but most deal with a broad topic ? literary collaboration, literary careers, the republic of letters, the alleged rise of the “professional writer,” and the rather different figure of the “author by profession.”＜/p＞＜p＞Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	5,125円
The Writer on Film Screening Literary Authorship【電子書籍】楽天Kobo電子書籍ストア	＜p＞Examining films about writers and acts of writing, The Writer on Film brilliantly refreshes some of the well-worn 'adaptation' debates by inviting film and literature to engage with each other trenchantly and anew ? through acts of explicit configuration not adaptation.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	6,076円
Community Authorship An Exploration of the Copyright Bargain in Traditional Irish Music【電子書籍】[ Nuallt?in ] 楽天Kobo電子書籍ストア	＜p＞Master's Thesis from the year 2008 in the subject Law - Media, Multimedia Law, Copyright, grade: 1, University of Limerick (Irish World Academy of Music and Dance), course: Ethnomusicology, language: English, abstract: Copyright law represents a cultural bargain: to encourage creativity, authors are granted time-limited monopolies over tangible expressions of their creative works. The incentive to create is thus balanced against the general public good, which includes the value of a healthy intellectual commons. This intellectual property bargain has now been institutionalised internationally through trade treaties and national and international laws. In the case of traditional cultural expressions, though, the bargain appears to fall down. First, there seems to be no evidence that creativity within most traditional cultures is or has been contingent upon the granting of such monopolies for exploitation. Second, in the case of traditional cultures, concepts such as 'author', 'expression' and 'creative work' can be extremely slippery. Third, the concept of creativity within many traditional cultures does not automatically support the idea that cultural artefacts are in fact created by individual authors. Using Irish traditional music as an example of a community-based traditional art form, I show that authors create new expressions within such cultures only through the implicit or explicit engagement with other cultural actors. As such, the concept of the single 'author' within such cultures is problematic, and leads inevitably to a discrediting of the traditional discourse of intellectual property regulation. I also show that even the seemingly fixed expressions of such a traditional culture are 'fixed' only in the most local sense--in an oral rather than literary culture, ideas are continuously reused and remixed in extremely mutable ways. As a result of this finding, the process of creativity must be re!examined in such contexts in order to support a more appropriate formulation of the intellectual property bargain.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	1,673円
Authorship’s Wake Writing After the Death of the Author【電子書籍】[ Dr. Philip Sayers ] 楽天Kobo電子書籍ストア	＜p＞＜em＞Authorship's Wake＜/em＞ examines the aftermath of the 1960s critique of the author, epitomized by Roland Barthes's essay, “The Death of the Author.” This critique has given rise to a body of writing that confounds generic distinctions separating the literary and the theoretical. Its archive consists of texts by writers who either directly participated in this critique, as Barthes did, or whose intellectual formation took place in its immediate aftermath. These writers include some who are known primarily as theorists (Judith Butler), others known primarily as novelists (Zadie Smith, David Foster Wallace), and yet others whose texts are difficult to categorize (the autofiction of Chris Kraus, Sheila Heti, and Ben Lerner; the autotheory of Maggie Nelson). These writers share not only a central motivating question ? how to move beyond the critique of the author-subject ? but also a way of answering it: by writing texts that merge theoretical concerns with literary discourse. ＜em＞Authorship's Wake＜/em＞ traces the responses their work offers in relation to four themes: communication, intention, agency, and labor.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	4,461円
Death of the Author: A Brief Semiotic Examination of the End of Authorship【電子書籍】[ Crispin Mayfair ] 楽天Kobo電子書籍ストア	＜p＞Who is the final authority on the meaning of a literary text? Does the reader’s interpretation hold more value than the writer’s intent?＜/p＞＜p＞This 1,500-word essay exploring Roland Barthes’s paper “The Death of the Author” takes a semiotic approach to literary interpretation and touches on Surrealism, automatic writing, and psychoanalysis.＜/p＞＜p＞About the Author: Crispin Mayfair is a semiotician by training and an author by trade.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	333円
The Novelist in the Novel Gender and Genius in Fictional Representations of Authorship, 1850?1949【電子書籍】[ Elizabeth King ] 楽天Kobo電子書籍ストア	＜p＞Why do writers so often write about writers? This book offers the first comprehensive account of the phenomenon of the fictional novelist as a character in literature, arguing that our notions of literary genius ? and what it means to be an author ? are implicitly shaped by and explicitly challenged in novels about novelists, a genre that has been critically underexamined. Employing both close and distant reading techniques to analyse a large corpus of author-stories, ＜em＞The Novelist in the Novel＜/em＞ explores the forms and functions of author-stories and the characters within them, offering a new theory that frames these works as textual sites at which questions of literary value and the cultural conceptions around authorship are constantly being negotiated and revised in a form of covert criticism aimed directly at readers. While nineteenth-century novels about novelists reveal a pervasive frustration with the market ? a starving artist vs. commercial sell-out dichotomy ? modernist examples of the genre focus on the development of the individual author-as-artist, entirely aloof from the marketplace and from the literary sphere at large. Yet, each of these dynamics is gendered, with women denigrated to commercial producers and men elevated to artists, and while the canon has largely supported the male view of authorship, a closer look at the work of women writers from this period reveals concerted attempts to counteract it. "Silly Lady Novelists" are pitted against serious male modernists in a battle to define what it means to be a literary genius.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	7,899円
The Literary Market Authorship and Modernity in the Old Regime【電子書籍】[ Geoffrey Turnovsky ] 楽天Kobo電子書籍ストア	＜p＞A central theme in the history of Old Regime authorship highlights the opportunities offered by a growing book trade to writers seeking to free themselves from patrons and live "by the pen." Accounts of this passage from patronage to market have explored in far greater detail the opportunities themselvesーthe rising sums paid by publishers and the progression of laws protecting literary propertyーthan how and why writers would have seized on them, no doubt because the choice to do so has seemed an obvious or natural one for writers assumed to prefer economic self-sufficiency over elite protection.＜/p＞＜p＞In ＜em＞The Literary Market＜/em＞, Geoffrey Turnovsky claims that there was nothing obvious or natural about the choice. Writers had been involved in commercial book publication since the earliest days of the printing press, yet had not necessarily linked these activities with their freedom to think and write. The association of autonomy and professionalism was forged, not given. Analyzing the literary market as a key articulation of the association, Turnovsky explores how in eighteenth-century polemics a rhetoric of commercial authorship came to signify independence for intellectuals. He finds the roots of the connection not in the claims of entrepreneurial writers to rights and income but in a world to which that of the modern author has been contrasted: the aristocratic culture of the seventeenth century. Aristocratic culture, he argues, generated a disparaging view of the professional author as one defined by activities tainting him or her as greedy and arrogant and therefore unworthy of protection and socially isolated. ＜em＞The Literary Market＜/em＞ examines the story of the "birth of the author" in terms of the revalorization of this negative trope in Enlightenment-era debates about the radically changing role of writers in society.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	7,101円
Words Old and New Gems from the Christian Authorship of all Ages【電子書籍】[ Horatius Bonar ] 楽天Kobo電子書籍ストア	＜p＞An anthology of quotations from some of the most significant figures in the Christian centuries. A labour of love on the part of Horatius Bonar, one of its special attractions is its chronological order. We are led from the passionate words of the early martyr Ignatius of Antioch (‘Let all the malice of the devil come upon me; only may I enjoy Jesus Christ’) through reformers like John Bradford (‘Faith must go before, and then feeling will follow’) to Bonar’s friend Robert Murray M’Cheyne (‘You will be incomplete Christians if you do not look for the coming again of the Lord Jesus’).＜/p＞＜p＞Words Old and New is a treasure-trove for personal or family meditation and devotion, and an attractive introduction to many of the men and women of faith in past centuries.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	407円
Writing and Holiness The Practice of Authorship in the Early Christian East【電子書籍】[ Derek Krueger ] 楽天Kobo電子書籍ストア	＜p＞Drawing on comparative literature, ritual and performance studies, and the history of asceticism, Derek Krueger explores how early Christian writers came to view writing as salvific, as worship through the production of art. Exploring the emergence of new and distinctly Christian ideas about authorship in late antiquity, ＜em＞Writing and Holiness＜/em＞ probes saints' lives and hymns produced in the Greek East to reveal how the ascetic call to imitate Christ's humility rendered artistic and literary creativity problematic. In claiming authority and power, hagiographers appeared to violate the saintly practices that they sought to promote. Christian writers meditated within their texts on these tensions and ultimately developed a new set of answers to the question "What is an author?"＜/p＞＜p＞Each of the texts examined here used writing as a technique for the representation of holiness. Some are narrative representations of saints that facilitate veneration; others are collections of accounts of miracles, composed to publicize a shrine. Rather than viewing an author's piety as a barrier to historical inquiry, Krueger argues that consideration of writing as a form of piety opens windows onto new modes of practice. He interprets Christian authors as participants in the religious system they described, as devotees, monastics, and faithful emulators of the saints, and he shows how their literary practice integrated authorship into other Christian practices, such as asceticism, devotion, pilgrimage, liturgy, and sacrifice. In considering the distinctly literary contributions to the formation of Christian piety in late antiquity, ＜em＞Writing and Holiness＜/em＞ uncovers Christian literary theories with implications for both Eastern and Western medieval literatures.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	3,549円
Women's Authorship and the Early Gothic Legacies and Innovations【電子書籍】楽天Kobo電子書籍ストア	＜p＞This edited collection examines Gothic works written by women authors in the late eighteenth and early nineteenth centuries, with a specific focus on the novels and chapbooks produced by less widely commercially and critically popular writers. Bringing these authors to the forefront of contemporary critical examinations of the Gothic, chapters in this collection examine how these works impacted the development of ‘women’s writing’ and Gothic writing during this time. Offering readers an original look at the literary landscape of the period and the roles of the creative women who defined it, the collection argues that such works reflected a female-centred literary subculture defined by creative exchange and innovation, one that still shapes perceptions of the Gothic mode today. This collection, then, presents an alternative understanding of the legacy of women Gothic authors, anchoring this understanding in complex historical and social contexts and providing a new world of Gothic literature for readers to explore.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	4,578円
The Films of Martin Scorsese, 1978-99 Authorship and Context II【電子書籍】[ L. Grist ] 楽天Kobo電子書籍ストア	＜p＞A detailed, theoretically attuned analysis of all of the Scorsese-directed features from The Last Waltz to Bringing Out the Dead . Grist illuminates Scorsese's authorship, but also reflects back upon a range of informing contexts.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	6,076円
Poisonous Muse The Female Poisoner and the Framing of Popular Authorship in Jacksonian America【電子書籍】[ Sara L. Crosby ] 楽天Kobo電子書籍ストア	＜p＞The nineteenth century was, we have been told, the “century of the poisoner,” when Britain and the United States trembled under an onslaught of unruly women who poisoned husbands with gleeful abandon. That story, however, is only half true. While British authorities did indeed round up and execute a number of impoverished women with minimal evidence and fomented media hysteria, American juries refused to convict suspected women and newspapers laughed at men who feared them.＜/p＞＜p＞This difference in outcome doesn’t mean that poisonous women didn’t preoccupy Americans. In the decades following Andrew Jackson’s first presidential bid, Americans buzzed over women who used poison to kill men. They produced and devoured reams of ephemeral newsprint, cheap trial transcripts, and sensational “true” pamphlets, as well as novels, plays, and poems. Female poisoners served as crucial elements in the literary manifestos of writers from Nathaniel Hawthorne and Edgar Allan Poe to George Lippard and the cheap pamphleteer E. E. Barclay, but these characters were given a strangely positive spin, appearing as innocent victims, avenging heroes, or engaging humbugs.＜/p＞＜p＞The reason for this poison predilection lies in the political logic of metaphor. Nineteenth-century Britain strove to rein in democratic and populist movements by labeling popular print “poison” and its providers “poisoners,” drawing on centuries of established metaphor that negatively associated poison, women, and popular speech or writing. Jacksonian America, by contrast, was ideologically committed to the popularーalthough what and who counted as such was up for serious debate. The literary gadfly John Neal called on his fellow Jacksonian writers to defy British critical standards, saying, “Let us have poison.” ＜em＞Poisonous Muse＜/em＞ investigates how they answered, how they deployed the figure of the female poisoner to theorize popular authorship, to validate or undermine it, and to fight over its limits, particularly its political, gendered, and racial boundaries.＜/p＞＜p＞＜em＞Poisonous Muse＜/em＞ tracks the progress of this debate from approximately 1820 to 1845. Uncovering forgotten writers and restoring forgotten context to well-remembered authors, it seeks to understand Jacksonian print culture from the inside out, through its own poisonous language.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	8,384円
Femininity and Authorship in the Novels of Elizabeth von Arnim At Her Most Radiant Moment【電子書籍】[ Juliane R?mhild ] 楽天Kobo電子書籍ストア	＜p＞When Elizabeth von Arnim anonymously published her debut Elizabeth and Her German Garden (1898), she became a literary star overnight. The mystery surrounding the identity of this witty aristocratic diarist in her romantic garden kept readers guessing: Who was Elizabeth? A Prussian Princess? The daughter of Queen Victoria? Throughout her long and successful career as one of England’s best satirical novelists, von Arnim never officially revealed her identity. Instead, to her readers and friends she simply became known as “Elizabeth.” From her first book to her capricious autobiography All the Dogs of My Life (1936), throughout her career von Arnim would explore questions of identity and self-representation. And in spite of von Arnim’s love of masquerades and guises, her books include funny and surprisingly personal meditations on the challenges of being a woman writer wrestling with a masculine literary tradition, of taking pride in one’s commercial success while moving in Modernist circles, and of being both a hard-working professional and an elegant hostess.＜br /＞ In tracing the conflict between femininity and authorship in von Arnim’s works, this book engages with key literary issues of the time. Von Arnim’s early books offer a witty critique of New Woman fiction. Von Arnim’s self-positioning on the literary market and her relationships with writers like Katherine Mansfield, Henry James, and Virginia Woolf shed light on the connections between middlebrow and modernist literature. Von Arnim’s complex autobiography, finally, gives a tentative answer to the all-important question: can a writing woman be a lady?＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	11,695円
Writing and Holiness The Practice of Authorship in the Early Christian East【電子書籍】[ Derek Krueger ] 楽天Kobo電子書籍ストア	＜p＞Drawing on comparative literature, ritual and performance studies, and the history of asceticism, Derek Krueger explores how early Christian writers came to view writing as salvific, as worship through the production of art. Exploring the emergence of new and distinctly Christian ideas about authorship in late antiquity, ＜em＞Writing and Holiness＜/em＞ probes saints' lives and hymns produced in the Greek East to reveal how the ascetic call to imitate Christ's humility rendered artistic and literary creativity problematic. In claiming authority and power, hagiographers appeared to violate the saintly practices that they sought to promote. Christian writers meditated within their texts on these tensions and ultimately developed a new set of answers to the question "What is an author?"＜/p＞＜p＞Each of the texts examined here used writing as a technique for the representation of holiness. Some are narrative representations of saints that facilitate veneration; others are collections of accounts of miracles, composed to publicize a shrine. Rather than viewing an author's piety as a barrier to historical inquiry, Krueger argues that consideration of writing as a form of piety opens windows onto new modes of practice. He interprets Christian authors as participants in the religious system they described, as devotees, monastics, and faithful emulators of the saints, and he shows how their literary practice integrated authorship into other Christian practices, such as asceticism, devotion, pilgrimage, liturgy, and sacrifice. In considering the distinctly literary contributions to the formation of Christian piety in late antiquity, ＜em＞Writing and Holiness＜/em＞ uncovers Christian literary theories with implications for both Eastern and Western medieval literatures.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	3,340円
Fashion and Authorship Literary Production and Cultural Style from the Eighteenth to the Twenty-First Century【電子書籍】楽天Kobo電子書籍ストア	＜p＞Studies of fashion and literature in recent decades have focused primarily on representations of clothing and dress within literary texts. But what about the author? How did he dress? What where her shopping practices and predilections? What were his alliances with modishness, stylishness, fashion? The essays in this book explore these and other questions as they look at authors from the eighteenth century through the postmodern and digital eras, cultural producers who were also men and women of fashion: Alexander Pope, Hester Thrale, Mary Robinson, Lord Byron, William Thackeray, Charlotte Bronte, Wilkie Collins, Margaret Oliphant, Virginia Woolf, Rebecca West, Trudi Kanter, Angela Carter, and Martin Margiela. The essays collected here ultimately converge upon a fundamental question: what happens to our notions of timeless literature when authorship itself is implicated in the transient and the temporary, the cycles and materials of fashion?＜/p＞＜p＞“Gerald Egan’s provocative introduction to this exciting new book poses a bold question: How are authorship and literature ? so often linked to ideas of transcendence ? implicated in the transient trends and stuff of fashion? The thirteen chapters that follow track authorship’s complex implication in the discourses and materiality of fashion and fashionable goods from the eighteenth to the twentieth centuries. Wide-ranging in discipline and chronology, yet forensically focused and carefully argued, this book makes a striking and wonderfully original contribution to studies of authorship, celebrity and material culture.”＜/p＞＜p＞ー Dr Jennie Batchelor, Professor of Eighteenth-Century Studies,＜/p＞＜p＞University of Kent, UK＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	15,800円
Narrative Design and Authorship in Bloodborne An Analysis of the Horror Videogame【電子書籍】[ Madelon Hoedt ] 楽天Kobo電子書籍ストア	＜p＞In the vein of their cult-classic dark fantasy titles ＜em＞Demon's Souls＜/em＞ (2009) and the Dark Souls franchise (2011, 2014, 2016), game developers FromSoftware released the bleak Gothic horror ＜em＞Bloodborne＜/em＞ in 2015. Players are cast in the role of hunters in a hostile land, probing the shadowy city of Yharnam in search of "paleblood." The game achieved iconic status as both a horror and an action title for its rich lore and for the continuity of story elements through all aspects of game design.＜/p＞＜p＞This first full-length study examines ＜em＞Bloodborne＜/em＞'s themes of dangerous knowledge and fatal pride and its aesthetics in the context of other works on game studies, horror and the Gothic. The book's three parts focus on lore and narrative, the game's nightmarish world, and its mechanics.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	2,578円
Authorship and Evidence : A Study of Attribution and the Renaissance Drama : Illustrated by the case of George Peele (1556-1596)【電子書籍】[ L?onard R. N. Ashley ] 楽天Kobo電子書籍ストア	＜p＞Designed to accompany its big sister from “Travaux d’Humanisme et Renaissance”, the “Cahiers d’Humanisme et Renaissance” series gathers a wide range of studies, historical, philological, bibliographical or literary, and of source editions (from Reformed theologians, diplomats, humanist historians), which have in common the fact that they shed light on an aspect of the cultural life in the 16th century and during the first modernity.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	1,700円
Victorian Sensation The Extraordinary Publication, Reception, and Secret Authorship of Vestiges of the Natural History of Creation【電子書籍】[ James A. Secord ] 楽天Kobo電子書籍ストア	＜p＞Fiction or philosophy, profound knowledge or shocking heresy? When V ＜em＞estiges of the Natural History of Creation＜/em＞ was published anonymously in 1844, it sparked one of the greatest sensations of the Victorian era. More than a hundred thousand readers were spellbound by its startling visionーan account of the world that extended from the formation of the solar system to the spiritual destiny of humanity. As gripping as a popular novel, ＜em＞Vestiges＜/em＞ combined all the current scientific theories in fields ranging from astronomy and geology to psychology and economics. The book was banned, it was damned, it was hailed as the gospel for a new age. This is where our own public controversies about evolution began.＜br /＞ In a pioneering cultural history, James A. Secord uses the story of ＜em＞Vestiges＜/em＞ to create a panoramic portrait of life in the early industrial era from the perspective of its readers. We join apprentices in a factory town as they debate the consequences of an evolutionary ancestry. We listen as Prince Albert reads aloud to Queen Victoria from a book that preachers denounced as blasphemy vomited from the mouth of Satan. And we watch as Charles Darwin turns its pages in the flea-ridden British Museum library, fearful for the fate of his own unpublished theory of evolution. Using secret letters, Secord reveals how ＜em＞Vestiges＜/em＞ was written and how the anonymity of its author was maintained for forty years. He also takes us behind the scenes to a bustling world of publishers, printers, and booksellers to show how the furor over the book reflected the emerging industrial economy of print.＜br /＞ Beautifully written and based on painstaking research, ＜em＞Victorian Sensation＜/em＞ offers a new approach to literary history, the history of reading, and the history of science. Profusely illustrated and full of fascinating stories, it is the most comprehensive account of the making and reception of a book (other than the Bible) ever attempted.＜/p＞＜p＞Winner of the 2002 Pfizer Award from the History of Science Society＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	3,359円
The Preface American Authorship in the Twentieth Century【電子書籍】[ Ross K. Tangedal ] 楽天Kobo電子書籍ストア	＜p＞Building on insights from the fields of textual criticism, bibliography, narratology, authorship studies, and book history, ＜em＞The Preface: American Authorship in the Twentieth Century＜/em＞ examines the role that prefaces played in the development of professional authorship in America. Many of the prefaces written by American writers in the twentieth century catalogue the shifting landscape of a more self-consciously professionalized trade, one fraught with tension and compromise, and influenced by evolving reading publics. With analyses of Willa Cather, Ring Lardner, F. Scott Fitzgerald, Ernest Hemingway, Robert Penn Warren, and Toni Morrison, Ross K. Tangedal argues that writers used prefaces as a means of expanding and complicating authority over their work and, ultimately, as a way to write about their careers. Tangedal’s approach offers a new way of examining American writers in the evolving literary marketplace of the twentieth century.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	14,585円