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商品	説明	価格
Thackeray’s Skeptical Narrative and the ‘Perilous Trade’ of Authorship【電子書籍】[ Judith L. Fisher ] 楽天Kobo電子書籍ストア	＜p＞Drawing on the rhetorical work of James Phelan, Wayne Booth's ethical criticism, recent work on William Makepeace Thackeray, as well as an understanding of the role of skepticism in eighteenth- and nineteenth-century English thought, Thackeray's Skeptical Narrative and the "Perilous Trade" of Authorship makes a substantial contribution to nineteenth-century reading practices, as well as narratology in general. Judith Fisher combines in this study rhetorical and ethical analysis of Thackeray's narrative techniques to trace how his fiction develops to educate his reader into what she terms a "hermeneutic of skepticism." This is a kind of poised reading which enables his readers to integrate his fiction into their life in what Thackeray called "a world without God" without becoming pessimistic or fatalistic. Although Thackeray's narrative strategies have been the subject of study, most have focused on Vanity Fair and Henry Esmond only, and none look as closely as does this study at actual rhetorical techniques such as his use of pronominalization to interpolate the reader into his skeptical discourse. Fisher also brings her analysis to bear on The Adventures of Philip and The Virginians, Thackeray's last two complete novels, both of which were critical failures even as contemporary critics acknowledged their stylistic excellence. This is the first study to attempt to understand the puzzle of those two books; Fisher recovers them from their marginalized position in Thackeray's oeuvre. Fisher expertly weaves an accessible narrative theory with thoroughgoing knowledge of Thackeray's life in an integrated reading of his entire works. Reading Thackeray holistically in spite of his own disruptive practices, she does full justice to his critical skepticism while elucidating his canon for a new readership.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	9,285円
Authorship in the Long Eighteenth Century【電子書籍】[ Dustin Griffin ] 楽天Kobo電子書籍ストア	＜p＞This book deals with changing conditions and conceptions of authorship in the long eighteenth century, a period often said to have witnessed the birth of the modern author. It focuses not on authorial self-presentation or self-revelation but on an author’s interactions with booksellers, collaborators, rivals, correspondents, patrons, and audiences. Challenging older accounts of the development of authorship in the period as well as newer claims about the “public sphere” and the “professional writer,” it engages with recent work on print culture and the history of the book. Methodologically eclectic, it moves from close readings to strategic contextualization. The book is organized both chronologically and topically. Early chapters deal with writers ? notably Milton and Dryden ? at the beginning of the long eighteenth century, and later chapters focus more on writers ー among them Johnson, Gray, and Gibbon ー toward its end. Looking beyond the traditional canon, it considers a number of little-known or little-studied writers, including Richard Bentley, Thomas Birch, William Oldys, James Ralph, and Thomas Ruddiman. Some of the essays are organized around a single writer, but most deal with a broad topic ? literary collaboration, literary careers, the republic of letters, the alleged rise of the “professional writer,” and the rather different figure of the “author by profession.”＜/p＞＜p＞Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	5,390円
The Writer on Film Screening Literary Authorship【電子書籍】楽天Kobo電子書籍ストア	＜p＞Examining films about writers and acts of writing, The Writer on Film brilliantly refreshes some of the well-worn 'adaptation' debates by inviting film and literature to engage with each other trenchantly and anew ? through acts of explicit configuration not adaptation.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	6,076円
Community Authorship An Exploration of the Copyright Bargain in Traditional Irish Music【電子書籍】[ Nuallt?in ] 楽天Kobo電子書籍ストア	＜p＞Master's Thesis from the year 2008 in the subject Law - Media, Multimedia Law, Copyright, grade: 1, University of Limerick (Irish World Academy of Music and Dance), course: Ethnomusicology, language: English, abstract: Copyright law represents a cultural bargain: to encourage creativity, authors are granted time-limited monopolies over tangible expressions of their creative works. The incentive to create is thus balanced against the general public good, which includes the value of a healthy intellectual commons. This intellectual property bargain has now been institutionalised internationally through trade treaties and national and international laws. In the case of traditional cultural expressions, though, the bargain appears to fall down. First, there seems to be no evidence that creativity within most traditional cultures is or has been contingent upon the granting of such monopolies for exploitation. Second, in the case of traditional cultures, concepts such as 'author', 'expression' and 'creative work' can be extremely slippery. Third, the concept of creativity within many traditional cultures does not automatically support the idea that cultural artefacts are in fact created by individual authors. Using Irish traditional music as an example of a community-based traditional art form, I show that authors create new expressions within such cultures only through the implicit or explicit engagement with other cultural actors. As such, the concept of the single 'author' within such cultures is problematic, and leads inevitably to a discrediting of the traditional discourse of intellectual property regulation. I also show that even the seemingly fixed expressions of such a traditional culture are 'fixed' only in the most local sense--in an oral rather than literary culture, ideas are continuously reused and remixed in extremely mutable ways. As a result of this finding, the process of creativity must be re!examined in such contexts in order to support a more appropriate formulation of the intellectual property bargain.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	1,690円
Victorian Sensation The Extraordinary Publication, Reception, and Secret Authorship of Vestiges of the Natural History of Creation【電子書籍】[ James A. Secord ] 楽天Kobo電子書籍ストア	＜p＞Fiction or philosophy, profound knowledge or shocking heresy? When V＜em＞estiges of the Natural History of Creation＜/em＞ was published anonymously in 1844, it sparked one of the greatest sensations of the Victorian era. More than a hundred thousand readers were spellbound by its startling visionーan account of the world that extended from the formation of the solar system to the spiritual destiny of humanity. As gripping as a popular novel, ＜em＞Vestiges＜/em＞ combined all the current scientific theories in fields ranging from astronomy and geology to psychology and economics. The book was banned, it was damned, it was hailed as the gospel for a new age. This is where our own public controversies about evolution began.＜/p＞＜p＞In a pioneering cultural history, James A. Secord uses the story of ＜em＞Vestiges＜/em＞ to create a panoramic portrait of life in the early industrial era from the perspective of its readers. We join apprentices in a factory town as they debate the consequences of an evolutionary ancestry. We listen as Prince Albert reads aloud to Queen Victoria from a book that preachers denounced as blasphemy vomited from the mouth of Satan. And we watch as Charles Darwin turns its pages in the flea-ridden British Museum library, fearful for the fate of his own unpublished theory of evolution. Using secret letters, Secord reveals how ＜em＞Vestiges＜/em＞ was written and how the anonymity of its author was maintained for forty years. He also takes us behind the scenes to a bustling world of publishers, printers, and booksellers to show how the furor over the book reflected the emerging industrial economy of print.＜/p＞＜p＞Beautifully written and based on painstaking research, ＜em＞Victorian Sensation＜/em＞ offers a new approach to literary history, the history of reading, and the history of science. Profusely illustrated and full of fascinating stories, it is the most comprehensive account of the making and reception of a book (other than the Bible) ever attempted.＜/p＞＜p＞Winner of the 2002 Pfizer Award from the History of Science Society＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	3,696円
The Preface American Authorship in the Twentieth Century【電子書籍】[ Ross K. Tangedal ] 楽天Kobo電子書籍ストア	＜p＞Building on insights from the fields of textual criticism, bibliography, narratology, authorship studies, and book history, ＜em＞The Preface: American Authorship in the Twentieth Century＜/em＞ examines the role that prefaces played in the development of professional authorship in America. Many of the prefaces written by American writers in the twentieth century catalogue the shifting landscape of a more self-consciously professionalized trade, one fraught with tension and compromise, and influenced by evolving reading publics. With analyses of Willa Cather, Ring Lardner, F. Scott Fitzgerald, Ernest Hemingway, Robert Penn Warren, and Toni Morrison, Ross K. Tangedal argues that writers used prefaces as a means of expanding and complicating authority over their work and, ultimately, as a way to write about their careers. Tangedal’s approach offers a new way of examining American writers in the evolving literary marketplace of the twentieth century.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	14,585円
The Novelist in the Novel Gender and Genius in Fictional Representations of Authorship, 1850?1949【電子書籍】[ Elizabeth King ] 楽天Kobo電子書籍ストア	＜p＞Why do writers so often write about writers? This book offers the first comprehensive account of the phenomenon of the fictional novelist as a character in literature, arguing that our notions of literary genius ? and what it means to be an author ? are implicitly shaped by and explicitly challenged in novels about novelists, a genre that has been critically underexamined. Employing both close and distant reading techniques to analyse a large corpus of author-stories, ＜em＞The Novelist in the Novel＜/em＞ explores the forms and functions of author-stories and the characters within them, offering a new theory that frames these works as textual sites at which questions of literary value and the cultural conceptions around authorship are constantly being negotiated and revised in a form of covert criticism aimed directly at readers. While nineteenth-century novels about novelists reveal a pervasive frustration with the market ? a starving artist vs. commercial sell-out dichotomy ? modernist examples of the genre focus on the development of the individual author-as-artist, entirely aloof from the marketplace and from the literary sphere at large. Yet, each of these dynamics is gendered, with women denigrated to commercial producers and men elevated to artists, and while the canon has largely supported the male view of authorship, a closer look at the work of women writers from this period reveals concerted attempts to counteract it. "Silly Lady Novelists" are pitted against serious male modernists in a battle to define what it means to be a literary genius.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	9,285円
The Literary Market Authorship and Modernity in the Old Regime【電子書籍】[ Geoffrey Turnovsky ] 楽天Kobo電子書籍ストア	＜p＞A central theme in the history of Old Regime authorship highlights the opportunities offered by a growing book trade to writers seeking to free themselves from patrons and live "by the pen." Accounts of this passage from patronage to market have explored in far greater detail the opportunities themselvesーthe rising sums paid by publishers and the progression of laws protecting literary propertyーthan how and why writers would have seized on them, no doubt because the choice to do so has seemed an obvious or natural one for writers assumed to prefer economic self-sufficiency over elite protection.＜/p＞＜p＞In ＜em＞The Literary Market＜/em＞, Geoffrey Turnovsky claims that there was nothing obvious or natural about the choice. Writers had been involved in commercial book publication since the earliest days of the printing press, yet had not necessarily linked these activities with their freedom to think and write. The association of autonomy and professionalism was forged, not given. Analyzing the literary market as a key articulation of the association, Turnovsky explores how in eighteenth-century polemics a rhetoric of commercial authorship came to signify independence for intellectuals. He finds the roots of the connection not in the claims of entrepreneurial writers to rights and income but in a world to which that of the modern author has been contrasted: the aristocratic culture of the seventeenth century. Aristocratic culture, he argues, generated a disparaging view of the professional author as one defined by activities tainting him or her as greedy and arrogant and therefore unworthy of protection and socially isolated. ＜em＞The Literary Market＜/em＞ examines the story of the "birth of the author" in terms of the revalorization of this negative trope in Enlightenment-era debates about the radically changing role of writers in society.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	7,101円
Words Old and New Gems from the Christian Authorship of all Ages【電子書籍】[ Horatius Bonar ] 楽天Kobo電子書籍ストア	＜p＞An anthology of quotations from some of the most significant figures in the Christian centuries. A labour of love on the part of Horatius Bonar, one of its special attractions is its chronological order. We are led from the passionate words of the early martyr Ignatius of Antioch (‘Let all the malice of the devil come upon me; only may I enjoy Jesus Christ’) through reformers like John Bradford (‘Faith must go before, and then feeling will follow’) to Bonar’s friend Robert Murray M’Cheyne (‘You will be incomplete Christians if you do not look for the coming again of the Lord Jesus’).＜/p＞＜p＞Words Old and New is a treasure-trove for personal or family meditation and devotion, and an attractive introduction to many of the men and women of faith in past centuries.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	411円
Writing and Holiness The Practice of Authorship in the Early Christian East【電子書籍】[ Derek Krueger ] 楽天Kobo電子書籍ストア	＜p＞Drawing on comparative literature, ritual and performance studies, and the history of asceticism, Derek Krueger explores how early Christian writers came to view writing as salvific, as worship through the production of art. Exploring the emergence of new and distinctly Christian ideas about authorship in late antiquity, ＜em＞Writing and Holiness＜/em＞ probes saints' lives and hymns produced in the Greek East to reveal how the ascetic call to imitate Christ's humility rendered artistic and literary creativity problematic. In claiming authority and power, hagiographers appeared to violate the saintly practices that they sought to promote. Christian writers meditated within their texts on these tensions and ultimately developed a new set of answers to the question "What is an author?"＜/p＞＜p＞Each of the texts examined here used writing as a technique for the representation of holiness. Some are narrative representations of saints that facilitate veneration; others are collections of accounts of miracles, composed to publicize a shrine. Rather than viewing an author's piety as a barrier to historical inquiry, Krueger argues that consideration of writing as a form of piety opens windows onto new modes of practice. He interprets Christian authors as participants in the religious system they described, as devotees, monastics, and faithful emulators of the saints, and he shows how their literary practice integrated authorship into other Christian practices, such as asceticism, devotion, pilgrimage, liturgy, and sacrifice. In considering the distinctly literary contributions to the formation of Christian piety in late antiquity, ＜em＞Writing and Holiness＜/em＞ uncovers Christian literary theories with implications for both Eastern and Western medieval literatures.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	3,549円
The Films of Martin Scorsese, 1978-99 Authorship and Context II【電子書籍】[ L. Grist ] 楽天Kobo電子書籍ストア	＜p＞A detailed, theoretically attuned analysis of all of the Scorsese-directed features from The Last Waltz to Bringing Out the Dead . Grist illuminates Scorsese's authorship, but also reflects back upon a range of informing contexts.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	6,076円
Poisonous Muse The Female Poisoner and the Framing of Popular Authorship in Jacksonian America【電子書籍】[ Sara L. Crosby ] 楽天Kobo電子書籍ストア	＜p＞The nineteenth century was, we have been told, the “century of the poisoner,” when Britain and the United States trembled under an onslaught of unruly women who poisoned husbands with gleeful abandon. That story, however, is only half true. While British authorities did indeed round up and execute a number of impoverished women with minimal evidence and fomented media hysteria, American juries refused to convict suspected women and newspapers laughed at men who feared them.＜/p＞＜p＞This difference in outcome doesn’t mean that poisonous women didn’t preoccupy Americans. In the decades following Andrew Jackson’s first presidential bid, Americans buzzed over women who used poison to kill men. They produced and devoured reams of ephemeral newsprint, cheap trial transcripts, and sensational “true” pamphlets, as well as novels, plays, and poems. Female poisoners served as crucial elements in the literary manifestos of writers from Nathaniel Hawthorne and Edgar Allan Poe to George Lippard and the cheap pamphleteer E. E. Barclay, but these characters were given a strangely positive spin, appearing as innocent victims, avenging heroes, or engaging humbugs.＜/p＞＜p＞The reason for this poison predilection lies in the political logic of metaphor. Nineteenth-century Britain strove to rein in democratic and populist movements by labeling popular print “poison” and its providers “poisoners,” drawing on centuries of established metaphor that negatively associated poison, women, and popular speech or writing. Jacksonian America, by contrast, was ideologically committed to the popularーalthough what and who counted as such was up for serious debate. The literary gadfly John Neal called on his fellow Jacksonian writers to defy British critical standards, saying, “Let us have poison.” ＜em＞Poisonous Muse＜/em＞ investigates how they answered, how they deployed the figure of the female poisoner to theorize popular authorship, to validate or undermine it, and to fight over its limits, particularly its political, gendered, and racial boundaries.＜/p＞＜p＞＜em＞Poisonous Muse＜/em＞ tracks the progress of this debate from approximately 1820 to 1845. Uncovering forgotten writers and restoring forgotten context to well-remembered authors, it seeks to understand Jacksonian print culture from the inside out, through its own poisonous language.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	8,780円
Femininity and Authorship in the Novels of Elizabeth von Arnim At Her Most Radiant Moment【電子書籍】[ Juliane R?mhild ] 楽天Kobo電子書籍ストア	＜p＞When Elizabeth von Arnim anonymously published her debut Elizabeth and Her German Garden (1898), she became a literary star overnight. The mystery surrounding the identity of this witty aristocratic diarist in her romantic garden kept readers guessing: Who was Elizabeth? A Prussian Princess? The daughter of Queen Victoria? Throughout her long and successful career as one of England’s best satirical novelists, von Arnim never officially revealed her identity. Instead, to her readers and friends she simply became known as “Elizabeth.” From her first book to her capricious autobiography All the Dogs of My Life (1936), throughout her career von Arnim would explore questions of identity and self-representation. And in spite of von Arnim’s love of masquerades and guises, her books include funny and surprisingly personal meditations on the challenges of being a woman writer wrestling with a masculine literary tradition, of taking pride in one’s commercial success while moving in Modernist circles, and of being both a hard-working professional and an elegant hostess.＜br /＞ In tracing the conflict between femininity and authorship in von Arnim’s works, this book engages with key literary issues of the time. Von Arnim’s early books offer a witty critique of New Woman fiction. Von Arnim’s self-positioning on the literary market and her relationships with writers like Katherine Mansfield, Henry James, and Virginia Woolf shed light on the relationship between middlebrow and modernist literature. Von Arnim’s complex autobiography, finally, gives a tentative answer to the all-important question: can a writing woman be a lady?＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	14,829円
The Scientific Journal Authorship and the Politics of Knowledge in the Nineteenth Century【電子書籍】[ Alex Csiszar ] 楽天Kobo電子書籍ストア	＜p＞Not since the printing press has a media object been as celebrated for its role in the advancement of knowledge as the scientific journal. From open communication to peer review, the scientific journal has long been central both to the identity of academic scientists and to the public legitimacy of scientific knowledge. But that was not always the case. At the dawn of the nineteenth century, academies and societies dominated elite study of the natural world. Journals were a relatively marginal feature of this world, and sometimes even an object of outright suspicion.＜/p＞＜p＞＜em＞The Scientific Journal＜/em＞ tells the story of how that changed. Alex Csiszar takes readers deep into nineteenth-century London and Paris, where savants struggled to reshape scientific life in the light of rapidly changing political mores and the growing importance of the press in public life. The scientific journal did not arise as a natural solution to the problem of communicating scientific discoveries. Rather, as Csiszar shows, its dominance was a hard-won compromise born of political exigencies, shifting epistemic values, intellectual property debates, and the demands of commerce. Many of the tensions and problems that plague scholarly publishing today are rooted in these tangled beginnings. As we seek to make sense of our own moment of intense experimentation in publishing platforms, peer review, and information curation, Csiszar argues powerfully that a better understanding of the journal’s past will be crucial to imagining future forms for the expression and organization of knowledge.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	3,696円
Spenser, Kyd, and the Authorship of “The Spanish Tragedy”【電子書籍】[ Frank R. Ardolino ] 楽天Kobo電子書籍ストア	＜p＞＜em＞Spenser, Kyd, and the Authorship of "The Spanish Tragedy"＜/em＞ maintains that Edmund Spenser and not Thomas Kyd is the author of ＜em＞The Spanish Tragedy＜/em＞, written in 1590/1592. This argument is based on the strength of the internal evidence and not on computermetrics, linguistic statistics, or parallel passages. ＜em＞The Spanish Tragedy＜/em＞ and Spenser’s works are united by sources, themes, methods, and language to the point of authorial equation. Thomas Heywood provided the only attribution of the play to Kyd in 1612, but given the depth of the learning, the apocalyptic context of the anti-Spanish theme, and the literary, rhetorical, and metadramatic sophistication of ＜em＞The Spanish Tragedy＜/em＞, it is much more probable that Spenser wrote it and not the nearly anonymous journeyman writer Kyd. The internal evidence for a new attribution is compelling, and since the proposed author is Spenser, who is supposed to have been hostile to the public theater, the revelation of his hidden authorship of the most popular and influential play of the period is significant not only for Spenserian studies but also for the history of English literature.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	14,639円
English Authorship and the Early Modern Sublime Spenser, Marlowe, Shakespeare, Jonson【電子書籍】[ Patrick Cheney ] 楽天Kobo電子書籍ストア	＜p＞Patrick Cheney's new book places the sublime at the heart of poems and plays in late sixteenth- and early seventeenth-century England. Specifically, Cheney argues for the importance of an 'early modern sublime' to the advent of modern authorship in Spenser, Marlowe, Shakespeare, and Jonson. Chapters feature a model of creative excellence and social liberty that helps explain the greatness of the English Renaissance. Cheney's argument revises the received wisdom, which locates the sublime in the eighteenth-century philosophical 'subject'. The book demonstrates that canonical works like The Faerie Queene and King Lear reinvent sublimity as a new standard of authorship. This standard emerges not only in rational, patriotic paradigms of classical and Christian goodness but also in the eternizing greatness of the author's work: free, heightened, ecstatic. Playing a centralizing role in the advent of modern authorship, the early modern sublime becomes a catalyst in the formation of an English canon.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	4,050円
Women and the People Authority, Authorship and the Radical Tradition in Nineteenth-Century England【電子書籍】[ Helen Rogers ] 楽天Kobo電子書籍ストア	＜p＞Based on extensive new research investigating the range of women’s involvement in early nineteenth-century popular politics, mid-Victorian reform and the women’s movements of the late century, Women and the People makes an original intervention in the historiography of the radical tradition by exploring the interconnections of populism, liberalism and feminism. Attending to authorship, the study argues that the representational forms adopted by radicals were as important as the content of what they said in shaping their self-perception, their construction of others, and the reception of their ideas. In fiction, poetry and autobiography, as well as in political writing, speeches and journalism, women reworked radical conventions and imagined new models of political identity, participation and authority. Though, in general, radicals appealed to ’the people’, women were often positioned as the suffering objects of reform rather than as the agents of change. By showing how they challenged or reinforced these conceptions of ’women’ and ’the people’, the book contends that radical women invoked alternative communities of sex, class and nation, and helped to remake and discipline the political sphere, as they strove to make it their own.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	9,285円
The Age of Thomas Nashe Text, Bodies and Trespasses of Authorship in Early Modern England【電子書籍】[ Stephen Guy-Bray ] 楽天Kobo電子書籍ストア	＜p＞Traditional literary criticism once treated Thomas Nashe as an Elizabethan oddity, difficult to understand or value. He was described as an unrestrained stylist, venomous polemicist, unreliable source, and closet pornographer. But today this flamboyant writer sits at the center of many trends in early modern scholarship. Nashe’s varied output fuels efforts to reconsider print culture and the history of the book, histories of sexuality and pornography, urban culture, the changing nature of patronage, the relationship between theater and print, and evolving definitions of literary authorship and 'literature' as such. This collection brings together a dozen scholars of Elizabethan literature to characterize the current state of Nashe scholarship and shape its emerging future. The Age of Thomas Nashe demonstrates how the works of a restless, improvident, ambitious young writer, driven by radical invention and a desperate search for literary order, can restructure critical thinking about this familiar era. These essays move beyond individual and generic conceptions of authorship to show how Nashe’s career unveils the changing imperatives of literary production in late sixteenth-century England. Thomas Nashe becomes both a marker of the historical milieu of his time and a symbolic pointer gesturing towards emerging features of modern authorship.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	9,285円
The Mercurial Mark Twain(s) Reception History, Audience Engagement, and Iconic Authorship【電子書籍】[ James L. Machor ] 楽天Kobo電子書籍ストア	＜p＞Who was Mark Twain? Was he the genial author of two beloved boys books, the white-haired and white-suited avuncular humorist, the realistic novelist, the exposer of shams, the author repressed by bourgeois values, or the social satirist whose later writings embody an increasingly dark view? In light of those and other conceptions, the question we need to ask is not who he was but how did we get so many Mark Twains? ＜em＞The Mercurial Mark Twains(s): Reception History and Iconic Authorship＜/em＞ provides answers to that question by examining the way Twain, his texts, and his image have been constructed by his audiences. Drawing on archival records of responses from common readers, reviewer reactions, analyses by Twain scholars and critics, and film and television adaptations, this study provides the first wide-ranging, fine-grained historical analysis of Twain’s reception in both the public and private spheres, from the 1860s until the end of the twentieth century.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	9,453円
Revising the Eighteenth-Century Novel Authorship from Manuscript to Print【電子書籍】[ Hilary Havens ] 楽天Kobo電子書籍ストア	＜p＞Revisions form a natural part of the writing process, but is the concept of revision actually an intrinsic part of the formation of the novel genre? Through the recovery and analysis of material from novel manuscripts and post-publication revisions, Hilary Havens identifies a form of 'networked authorship'. By tracing authors' revisions to their novels, the influence of familial and literary circles, reviewers, and authors' own previous writings can be discerned. Havens focuses on the work of Samuel Richardson, Frances Burney, Jane Austen, and Maria Edgeworth to challenge the individualistic view of authorship that arose during the Romantic period, and argues that networked authorship shaped the composition of eighteenth-century novels. Exploring these themes of collaboration and social networks, as well as engaging with the burgeoning trend towards textual recovery, this work is an important contribution in the study of eighteenth-century novels and their manuscript counterparts.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	5,672円
Women’s Authorship in Interwar Yugoslavia The Politics of Love and Struggle【電子書籍】[ Jelena Petrovi? ] 楽天Kobo電子書籍ストア	＜p＞This book highlights the extent to which women were positioned as historical subjects in the process of constructing political, social, and cultural history in Yugoslavia, while simultaneously facing the politics of institutional exclusion and academic ignorance of progressive ideas and emancipatory struggles. To this effect, the book interprets a series of works written in interwar Yugoslavia by women or about women’s position in public space. The research corpus is varied, including LGBT literature, autobiographies, travelogues, literary correspondence, political writings, parody, bibliographies and dictionaries, etc. The book argues that women have been programmatically made absent from the so-called universal canon of (post)Yugoslav literature, or else negatively valorised or labeled, while at the same time women’s writing in interwar Yugoslavia reflected, articulated and mapped significant social, political and cultural issues. The book proposes a re-reading of the once censored and forgotten texts to counter the politics of exclusion that operates even today in the post-Yugoslav space. This re-reading is carried out in the light of contemporary feminist theories and aims to reveal and emphasise the emancipatory importance of women’s authorship. In this way, Jelena Petrovi? provides a fresh perspective on the topical issue of the still contested (post)Yugoslav space.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	9,116円
J.M. Coetzee and the Paradox of Postcolonial Authorship【電子書籍】[ Jane Poyner ] 楽天Kobo電子書籍ストア	＜p＞In her analysis of the South African novelist J. M. Coetzee's literary and intellectual career, Jane Poyner illuminates the author's abiding preoccupation with what Poyner calls the "paradox of postcolonial authorship". Writers of conscience or conscience-stricken writers of the kind Coetzee portrays, whilst striving symbolically to bring the stories of the marginal and the oppressed to light, always risk reimposing the very authority they seek to challenge. From Dusklands to Diary of a Bad Year, Poyner traces how Coetzee rehearses and revises his understanding of the ethics of intellectualism in parallel with the emergence of the "new South Africa". She contends that Coetzee's modernist aesthetics facilitate a more exacting critique of the problems that encumber postcolonial authorship, including the authority it necessarily engenders. Poyner is attentive to the ways Coetzee's writing addresses the writer's proper role with respect to the changing ethical demands of contemporary political life. Theoretically sophisticated and accessible, her book is a major contribution to our understanding of the Nobel Laureate and to postcolonial studies.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	9,285円
BIBLE DIFFICULTIES Defending the Mosaic Authorship of the Pentateuch【電子書籍】[ Edward D. Andrews ] 楽天Kobo電子書籍ストア	＜p＞Tracing the origin of the Documentary Hypothesis through the centuries, Edward Andrews investigates the assumptions and presuppositions underlying the theory, critically analyzing the original Bible text and addressing popular issues and authorial concerns. By comparing the textual evidence and the commentaries of scholars from the past four centuries, Andrews effectively debunks the Documentary Hypothesis, providing a conservative approach that lifts up the first five books of the Bible as being authored by Moses in addition to demonstrating that they are reliable and factual information, as well as consistent truth. In this publication Andrews has offered current thought on the matter, as well as, taken some of the best apologetic authors over the past century and has updated their material, to offer an understanding of how higher criticism has infested our secular universities, as well as most of our seminaries. The reader will have the tools to defend Mosaic authorship against the critics, and help those who may have begun to doubt.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	954円
Authorship and Publishing in the Humanities【電子書籍】[ Marcel Kn?chelmann ] 楽天Kobo電子書籍ストア	＜p＞What is the point of publishing in the humanities? This Element provides an answer to this question. It builds on a unique set of quantitative and qualitative data to understand why humanities scholars publish. It looks at both basic characteristics such as publication numbers, formats, and perceptions, and differences of national academic settings alongside the influences of the UK's Research Excellence Framework and the German Exzellenzinitiative. The data involve a survey of more than 1,000 humanities scholars and social scientists in the UK and Germany, allowing for a comprehensive comparative study, and a series of qualitative interviews. The resulting critique provides scholars and policy makers with an accessible and critical work about the particularities of authorship and publishing in the humanities. And it gives an account of the problems and struggles of humanities scholars in their pursuit of contributing to discourse, and to be recognised with their intellectual work.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	2,430円
Translating Christ in the Middle Ages Gender, Authorship, and the Visionary Text【電子書籍】[ Barbara Zimbalist ] 楽天Kobo電子書籍ストア	＜p＞＜strong＞This study reveals how women’s visionary texts played a central role within medieval discourses of authorship, reading, and devotion.＜/strong＞＜/p＞＜p＞From the twelfth to the fifteenth centuries, women across northern Europe began committing their visionary conversations with Christ to the written word. Translating Christ in this way required multiple transformations: divine speech into human language, aural event into textual artifact, visionary experience into linguistic record, and individual encounter into communal repetition. This ambitious study shows how women’s visionary texts form an underexamined literary tradition within medieval religious culture. Barbara Zimbalist demonstrates how, within this tradition, female visionaries developed new forms of authorship, reading, and devotion. Through these transformations, the female visionary authorized herself and her text, and performed a rhetorical ＜em＞imitatio Christi＜/em＞ that offered models of interpretive practice and spoken devotion to her readers.＜/p＞＜p＞This literary-historical tradition has not yet been fully recognized on its own terms. By exploring its development in hagiography, visionary texts, and devotional literature, Zimbalist shows how this literary mode came to be not only possible but widespread and influential. She argues that women’s visionary translation reconfigured traditional hierarchies and positions of spiritual power for female authors and readers in ways that reverberated throughout late-medieval literary and religious cultures. In translating their visionary conversations with Christ into vernacular text, medieval women turned themselves into authors and devotional guides, and formed their readers into textual communities shaped by gendered visionary experiences and spoken ＜em＞imitatio Christi＜/em＞.＜/p＞＜p＞Comparing texts in Latin, Dutch, French, and English, ＜em＞Translating Christ in the Middle Ages＜/em＞ explores how women’s visionary translation of Christ’s speech initiated larger transformations of gendered authorship and religious authority within medieval culture. The book will interest scholars in different linguistic and religious traditions in medieval studies, history, religious studies, and women’s and gender studies.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	5,739円
Medieval Theory of Authorship Scholastic Literary Attitudes in the Later Middle Ages【電子書籍】[ Alastair Minnis ] 楽天Kobo電子書籍ストア	＜p＞It has often been held that scholasticism destroyed the literary theory that was emerging during the twelfth-century Renaissance, and hence discussion of late medieval literary works has tended to derive its critical vocabulary from modern, not medieval, theory. In ＜em＞Medieval Theory of Authorship＜/em＞, now reissued with a new preface by the author, Alastair Minnis asks, "Is it not better to search again for a conceptual equipment which is at once historically valid and theoretically illuminating?"＜/p＞＜p＞Minnis has found such writings in the glosses and commentaries on the authoritative Latin writers studied in schools and universities between 1100 and 1400. The prologues to these commentaries provide valuable insight into the medieval theory of authorship. Of special significance is scriptural exegesis, for medieval scholars found the Bible the most difficult text to describe appropriately and accurately.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	3,549円
Sell More Books Using Your Author Website The Easiest Way to Brand, Build, Market, and Manage Your Authorship【電子書籍】[ Radu Balas ] 楽天Kobo電子書籍ストア	＜p＞Welcome to the definitive guide to helping writers make the most of their books.This is for beginners and experienced writers alike. If you want to sell more books, you're in the right place.＜br＞＜br＞ Facebook isn't enough anymore, I will teach you exactly how to:＜br＞＜br＞ > Establish a brand＜br＞ > Build an audience＜br＞ > Easily create an author platform＜br＞ > How to make more money and sell more books using the internet＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	505円
Women's Authorship and the Early Gothic Legacies and Innovations【電子書籍】楽天Kobo電子書籍ストア	＜p＞This edited collection examines Gothic works written by women authors in the late eighteenth and early nineteenth centuries, with a specific focus on the novels and chapbooks produced by less widely commercially and critically popular writers. Bringing these authors to the forefront of contemporary critical examinations of the Gothic, chapters in this collection examine how these works impacted the development of ‘women’s writing’ and Gothic writing during this time. Offering readers an original look at the literary landscape of the period and the roles of the creative women who defined it, the collection argues that such works reflected a female-centred literary subculture defined by creative exchange and innovation, one that still shapes perceptions of the Gothic mode today. This collection, then, presents an alternative understanding of the legacy of women Gothic authors, anchoring this understanding in complex historical and social contexts and providing a new world of Gothic literature for readers to explore.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	13,779円
Writing, Authorship and Photography in British Literary Culture, 1880 - 1920 Capturing the Image【電子書籍】[ Dr Emily Ennis ] 楽天Kobo電子書籍ストア	＜p＞At the turn of the 20th century, printing and photographic technologies evolved rapidly, leading to the birth of mass media and the rise of the amateur photographer. Demonstrating how this development happened symbiotically with great changes in the shape of British literature, ＜em＞Writing, Authorship and Photography in British Literary Culture, 1880-1920＜/em＞ explores this co-evolution, showing that as both writing and photography became tools of mass dissemination, literary writers were forced to re-evaluate their professional and personal identities.＜/p＞＜p＞Focusing on four key authors-Thomas Hardy, Bram Stoker, Joseph Conrad and Virginia Woolf-each of which had their own private and professional connections to photographs, this book offers valuable historical contexts for contemporary cultural developments and anxieties. At first establishing the authors' response to developing technologies through their non-fiction, personal correspondences and working drafts, Ennis moves on to examine how their perceptions of photography extend into their major works of fiction: ＜em＞A Laodicean＜/em＞, ＜em＞Dracula＜/em＞, ＜em＞The Secret Agent, The Inheritors＜/em＞ and ＜em＞The Voyage Out.＜/em＞＜/p＞＜p＞Reflecting on the first 'graphic revolution' in a world where text and image are now reproduced digitally and circulated en masse and online, Ennis redirects our attention to when image and text appeared alongside each other for the first time and the crises this sparked for authors: how they would respond to increasingly photographic depictions of everyday life, and in turn, how their writing adapted to a distinctly visual mass media.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	5,159円
DEFENDING OLD TESTAMENT AUTHORSHIP The Word of God Is Authentic and True【電子書籍】[ Edward D. Andrews ] 楽天Kobo電子書籍ストア	＜p＞How true is the Old Testament? For over two centuries Biblical scholars have held to the so-called documentary hypothesis, namely, that Genesis-Deuteronomy was not authored by Moses, but rather by several writers, some of whom lived centuries after Moses’ time. How have many scholars questioned the writership of Isaiah, and are they correct? When did skepticism regarding the writership of Isaiah begin, and how did it spread? What dissecting of the book of Isaiah has taken place? When did criticism of the book of Daniel begin, and what fueled similar criticism in more recent centuries? What charges are sometimes made regarding the history in Daniel?＜/p＞＜p＞Why is the question of the authenticity of the books of Moses, the Book of Isaiah and the Book of Daniel an important one? What evidence is there to show that the books of Moses, the Book of Isaiah and the Book of Daniel is authentic and true? Do these critics have grounds for challenging these Bible author's authenticity and historical truthfulness? Why is it important to discuss whether Old Testament Aurhoriship is authentic and true or not?＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	1,004円