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Heldon - Stand By LP レコード 【輸入盤】

WORLD DISC PLACE
◆タイトル: Stand By◆アーティスト: Heldon◆現地発売日: 2020/02/21◆レーベル: Bureau BHeldon - Stand By LP レコード 【輸入盤】※商品画像はイメージです。デザインの変更等により、実物とは差異がある場合があります。 ※注文後30分間は注文履歴からキャンセルが可能です。当店で注文を確認した後は原則キャンセル不可となります。予めご了承ください。[楽曲リスト] 5,611円
【輸入盤CD】Heldon / Third (2PK) 【K2018/6/29発売】
あめりかん・ぱい
発売日: 2018/6/29輸入盤USレーベル: Bureau B収録曲:コメント: 3,940円
【輸入盤LPレコード】Heldon / 6: Interface【LP2020/1/31発売】
あめりかん・ぱい
こちらの商品は輸入盤のため、稀にジャケットに多少のスレや角にシワがある場合がございます。こちらの商品はネコポスでお届けできません。2020/1/31発売輸入盤レーベル:BUREAU B収録曲: 5,290円

Coronavirus 2054【電子書籍】[ H. S. Heldon ]

楽天Kobo電子書籍ストア
<p>In un futuro lontano, uno studente di storia scrive una sua ricerca sulla seconda met? del XXI secolo. Seguendo la storia del giovane Wu, il lettore viene portato in un mondo distopico, che nell'arco di pochi decenni ha dovuto ridefinire le proprie regole e i propri stili di vita per affrontare le varie ondate di virus che hanno colpito la terra a quel tempo. E' solo la fine di un'epoca o anche l'inizio di una nuova?</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 484円

【中古】 Heldon (エルドン) / Interface 【CD】

HMV&BOOKS online 1号店
状態可状態詳細ツメ折れ、ケースすれ、ジャケット爪噛み中古商品のご購入について※中古商品の状態、仕様、内容等に関するお問い合わせはお受けできません※中古商品にはサイト上に記載がある場合でも、封入/外付け特典は付属いたしません>>その他注意事項(必ずご確認ください)出荷目安の詳細はこちら曲目リストDisc11.Les Soucoupes Volantes Vertes/2.Jet Girl: Part 1: In New York Or Paris, Equivalent/Part II: In South Bronx/3.Le Retour Des Soucoupes Volantes/4.Bal-A-Fou/5.Le Fils Des Soucoupes Volantes (Vertes)/6.Interface-Live (Part I)/7.Interface-Live (Part 2)/8.Interface 880円
【輸入盤CD】HELDON / INTERFACE
あめりかん・ぱい
輸入盤収録曲: 3,290円
【輸入盤CD】Heldon / Electronique Guerilla 【K2018/3/23発売】
あめりかん・ぱい
発売日: 2018/3/23輸入盤USレーベル: Bureau B収録曲: 1.1 Zind (2:20)1.2 Back to Heldon (8:36)1.3 Northernland Lady (7:03)1.4 Ouais, Marchais, Mieux Qu'en 68 (4:26)1.5 Circulus Vitiosus (8:45)1.6 Ballade Pour Puig Antich, Revolutionnaire Assasasine en Espagne (2:26)"コメント:Bureau B present a reissue of Heldon's debut album Electronique Guerilla, originally released on Disjuncta in 1974. In 1973, 22-year old Richard Pinhas was well on his way to becoming a full-time philosopher. He had almost finished his PhD and begun teaching at the University of Paris. But he also had a hobby: writing music and recording it himself. When he submitted a few tracks to British label E.G. (home of King Crimson and Roxy Music), the imprint was interested, but Pinhas was frustrated to find out he'd have to wait a year for them to release anything. So Pinhas put out his first album on his own label, Disjuncta. He called the project Heldon (from a location in Norman Spinrad's 1972 sci-fi novel The Iron Dream). It might have been the first self-released rock record in France. "Or at least the first one that worked, " says Pinhas. "It was like a musical and political event in France. Musical because there were few artists using synthesizers here, or even in the world. And political because we tried to say that the big companies make everything bad and their records are too expensive." Most of Electronique Guerilla was made by Pinhas alone, but "Ouais, Marchais, Mieux Qu'en 68" featured five collaborators, including one of his mentors, Gilles Deleuze. Over winding guitars and pointed percussion, the French philosopher reads lyrics taken from Friedrich Nietzsche's "The Voyager and His Shadow" (1880). Despite being self-released - with Pinhas himself delivering some stock directly to record stores - Electronique Guerilla quickly sold over 19, 000 copies. That convinced Pinhas he should make and release more music by himself - but he would have little time for philosophy. "I had to make a decision, because at that point in France, you couldn't do two jobs, " he remembers. "So I made this very bad choice to be a rock 'n' roll musician." It's a choice he's stuck to for four decades, and the fiery Electronique Guerilla provided a potent spark. 2018 remaster by Willem Makkee.Bureau B present a reissue of Heldon's debut album Electronique Guerilla, originally released on Disjuncta in 1974. In 1973, 22-year old Richard Pinhas was well on his way to becoming a full-time philosopher. He had almost finished his PhD and begun teaching at the University of Paris. But he also had a hobby: writing music and recording it himself. When he submitted a few tracks to British label E.G. (home of King Crimson and Roxy Music), the imprint was interested, but Pinhas was frustrated to find out he'd have to wait a year for them to release anything. So Pinhas put out his first album on his own label, Disjuncta. He called the project Heldon (from a location in Norman Spinrad's 1972 sci-fi novel The Iron Dream). It might have been the first self-released rock record in France. "Or at least the first one that worked, " says Pinhas. "It was like a musical and political event in France. Musical because there were few artists using synthesizers here, or even in the world. And political because we tried to say that the big companies make everything bad and their records are too expensive." Most of Electronique Guerilla was made by Pinhas alone, but "Ouais, Marchais, Mieux Qu'en 68" featured five collaborators, including one of his mentors, Gilles Deleuze. Over winding guitars and pointed percussion, the French philosopher reads lyrics taken from Friedrich Nietzsche's "The Voyager and His Shadow" (1880). Despite being self-released - with Pinhas himself delivering some stock directly to record stores - Electronique Guerilla quickly sold over 19, 000 copies. That convinced Pinhas he should make and release more music by himself - but he would have little time for philosophy. "I had to make a decision, because at that point in France, you couldn't do two jobs, " he remembers. "So I made this very bad choice to be a rock 'n' roll musician." It's a choice he's stuck to for four decades, and the fiery Electronique Guerilla provided a potent spark. 2018 remaster by Willem Makkee. 3,390円
【輸入盤CD】Heldon / Reve Sans Consequence Speciale【K2020/1/31発売】
あめりかん・ぱい
発売日: 2020/1/31輸入盤USレーベル: Bureau B収録曲:コメント: 3,390円
【輸入盤LPレコード】Heldon / Electronique Guerilla (Heldon I) (50th Anniversary【LP2024/3/1発売】
あめりかん・ぱい
こちらの商品は輸入盤のため、稀にジャケットに多少のスレや角にシワがある場合がございます。こちらの商品はネコポスでお届けできません。2024/3/1 発売輸入盤レーベル:BUREAU B収録曲: 6,590円
【輸入盤LPレコード】Heldon / Reve Sans Consequence Speciale【LP2020/1/31発売】
あめりかん・ぱい
こちらの商品は輸入盤のため、稀にジャケットに多少のスレや角にシワがある場合がございます。こちらの商品はネコポスでお届けできません。2020/1/31発売輸入盤レーベル:BUREAU B収録曲: 5,290円

Heldon - Allez-Teia (Heldon II) CD アルバム 【輸入盤】

WORLD DISC PLACE
◆タイトル: Allez-Teia (Heldon II)◆アーティスト: Heldon◆現地発売日: 2018/03/23◆レーベル: Bureau BHeldon - Allez-Teia (Heldon II) CD アルバム 【輸入盤】※商品画像はイメージです。デザインの変更等により、実物とは差異がある場合があります。 ※注文後30分間は注文履歴からキャンセルが可能です。当店で注文を確認した後は原則キャンセル不可となります。予めご了承ください。[楽曲リスト]1.1 In the Wake of King Fripp 1.2 Aphanisis 1.3 Omar Diop Blondin 1.4 Moebius 1.5 Fluence: Continuum Mobile 1.6 Fluence: Disjonction Inclusive 1.7 St. Mikael Samstag Abends 1.8 Michel EttoriBureau B present a reissue of Heldon's second album Allez-Teia, originally released on Disjuncta in 1975. Before making his own music in the early '70s, Richard Pinhas was a King Crimson fan. The British group has buzzed in Pinhas's mind for decades, but their greatest impact came early. When he first saw them play, Pinhas was struck by music played during intermission. When I saw (King Crimson guitarist) Robert Fripp and Brian Eno perform in Paris later, I realized that the intermission music was their work, Pinhas said. I didn't know that when I first heard it, but I was very impressed by it. It was the most important influence on Heldon. That influence is clear on Allez- Teia, originally released in 1975 on Pinhas's own Disjuncta label. In The Wake Of King Fripp is a soaring mix of string-like electronics and smeared guitar, a reference both to the guitarist and King Crimson's second album In The Wake Of Poseidon (1970). The meditative Omar Diop Blondin, in which free tones float above a repetitive guitar figure, is dedicated to Fripp and Eno. A strong influence also comes from The Soft Machine's Robert Wyatt, who was slated to record some tracks with Pinhas for Allez-Teia until the expense of his travel from London to Paris proved prohibitive. Yet Allez-Teia - the title a nod to the ancient Greek term for philosophical truth, aletheia - is hardly a tribute album. The pieces Pinhas crafts with partner Georges Grunblatt - guitar, Mellotron, ARP synths - are beatific on the surface but infused with undercurrents of tension. Over four decades after he made Allez-Teia, Pinhas's admiration for King Crimson remains profound. He actually met Fripp in 1974, and the two still stay in touch. We have a great friendship; he has been very helpful, says Pinhas. Fripp has always been my Hendrix. Some artists might balk at admitting such strong influence over their own work, but for Pinhas it's all about respect. In the academic world in France, you list your sources, says Pinhas, who received a PhD in philosophy before launching his music career. So I thought it was good to say, 'Yes, we are influenced by this, and we are proud of it, and people have to know it.' The work of King Crimson at that time was very important. It's not a secret. 2018 remaster by Willem Makkee. 4,021円

Heldon - Stand By CD アルバム 【輸入盤】

WORLD DISC PLACE
◆タイトル: Stand By◆アーティスト: Heldon◆現地発売日: 2020/01/31◆レーベル: Bureau BHeldon - Stand By CD アルバム 【輸入盤】※商品画像はイメージです。デザインの変更等により、実物とは差異がある場合があります。 ※注文後30分間は注文履歴からキャンセルが可能です。当店で注文を確認した後は原則キャンセル不可となります。予めご了承ください。[楽曲リスト] 4,028円

【中古】 Heldon (エルドン) / Stand By 【CD】

HMV&BOOKS online 1号店
状態可コメントケースすれ・汚れ/ジャケット若干傷み中古商品のご購入について※中古商品の状態、仕様、内容等に関するお問い合わせはお受けできません※中古商品にはサイト上に記載がある場合でも、封入/外付け特典は付属いたしません>>その他注意事項(必ずご確認ください)出荷目安の詳細はこちら曲目リストDisc11.Stand By/2.Drole de Journee, Une/3.Bolero: Apprehension/Bolero Proprement Dit/Recognition/Repetition/Rot: Part I: Apprehension / Part II: Bolero Proprement Dit / Part III: Recognition / Part IV: Repetition / Part V: Rote Armee Fraction / Part VI: Production / Part VII: Distribution / 1,100円
【輸入盤CD】HELDON / CHRONOLYSE
あめりかん・ぱい
輸入盤収録曲: 3,290円

Heldon - Third CD アルバム 【輸入盤】

WORLD DISC PLACE
◆タイトル: Third◆アーティスト: Heldon◆現地発売日: 2018/06/29◆レーベル: Bureau BHeldon - Third CD アルバム 【輸入盤】※商品画像はイメージです。デザインの変更等により、実物とは差異がある場合があります。 ※注文後30分間は注文履歴からキャンセルが可能です。当店で注文を確認した後は原則キャンセル不可となります。予めご了承ください。[楽曲リスト] 4,848円

Heldon (エルドン) / Reve Sans Consequence Speciale 【LP】

HMV&BOOKS online 1号店
出荷目安の詳細はこちら 3,949円

【中古】 Heldon (エルドン) / Stand By 【SHM-CD】

HMV&BOOKS online 1号店
状態可状態詳細帯付、紙ジャケット、SHM-CDコメントJKTにサインらしき書き込み有中古商品のご購入について※中古商品の状態、仕様、内容等に関するお問い合わせはお受けできません※中古商品にはサイト上に記載がある場合でも、封入/外付け特典は付属いたしません>>その他注意事項(必ずご確認ください)出荷目安の詳細はこちら曲目リストDisc11.ボレロ/パート1 理解 Apprehension/2.ボレロ/パート2 ボレロ Bolero proprement dit/3.ボレロ/パート3 認識 Recognition/4.ボレロ/パート4 反復 Repetition/5.ボレロ/パート5 ロートの軍隊 Rote Armee Fraktion/6.ボレロ/パート6 作品 Production/7.ボレロ/パート7 配給 Distribution/8.ボレロ/パート8 頽廃 Deterrioration/9.奇妙な日 Une Drle de Journe/10.スタンバイ Stand By 3,080円
【輸入盤LPレコード】Heldon / Stand By【LP2020/1/31発売】
あめりかん・ぱい
こちらの商品は輸入盤のため、稀にジャケットに多少のスレや角にシワがある場合がございます。こちらの商品はネコポスでお届けできません。2020/1/31発売輸入盤レーベル:BUREAU B収録曲: 5,290円

Heldon - Un Reve Sans Consequence Speciale CD アルバム 【輸入盤】

WORLD DISC PLACE
◆タイトル: Un Reve Sans Consequence Speciale◆アーティスト: Heldon◆現地発売日: 2020/01/31◆レーベル: Bureau BHeldon - Un Reve Sans Consequence Speciale CD アルバム 【輸入盤】※商品画像はイメージです。デザインの変更等により、実物とは差異がある場合があります。 ※注文後30分間は注文履歴からキャンセルが可能です。当店で注文を確認した後は原則キャンセル不可となります。予めご了承ください。[楽曲リスト] 4,028円
【輸入盤CD】Heldon / Agneta Nilsson 【K2018/6/29発売】
あめりかん・ぱい
発売日: 2018/6/29輸入盤USレーベル: Bureau B収録曲: 1.1 Perspective I1.2 Perspective II1.3 Perspective III1.4 Intermede ; Bassong1.5 Perspective IVコメント: 3,390円
【輸入盤CD】HELDON / ALLEZ TEIA
あめりかん・ぱい
輸入盤収録曲: 3,290円

Heldon - 6: Interface LP レコード 【輸入盤】

WORLD DISC PLACE
◆タイトル: 6: Interface◆アーティスト: Heldon◆現地発売日: 2020/02/21◆レーベル: Bureau BHeldon - 6: Interface LP レコード 【輸入盤】※商品画像はイメージです。デザインの変更等により、実物とは差異がある場合があります。 ※注文後30分間は注文履歴からキャンセルが可能です。当店で注文を確認した後は原則キャンセル不可となります。予めご了承ください。[楽曲リスト] 5,625円

Ark Book V: Beneath【電子書籍】[ John Heldon ]

楽天Kobo電子書籍ストア
<p>“Field of Dreams Meets Stargate”<br /> Introducing Book V of the Ark Fantasy Saga as the mysteries of the Middle Trilogy dare us to consider the truth.</p> <p>An impervious portal appears suddenly in the basement floor of the Ark, nickname for the old gym at Sunnyside College in Delaware. It’s the first event in a series foretelling the approach of doomsday, unless a way to enter it can be found.</p> <p>John realizes that there are some big holes in his memory of recent events. He knows something happened to him a few days before, but is not sure if he was dreaming, or awake. Unfamiliar images haunt both his sleep and his waking hours. These are puzzle pieces he must align to reveal what actually happened. He’s trying to figure this out for himself, and not alarm his quirky wife, Genna, who already suspects he’s not well.</p> <p>As he’s doing this, other clues as to what happened, and those suggesting another dimension to the Ark, are presented to him in real time. John brings his friend, Calvin, to see if Cal shares the same experiences. He doesn’t. John realizes their realities are different, but why?</p> <p>Almost magnetically, John is drawn into a search for a Native American tribe, the Nemacole, who mysteriously disappeared just before the European explorers arrived. He will also collide with the burly security guard at the Ark, Ben. After a shaky start, it turns out they have something in common. John, Cal, and Ben’s different backgrounds, personalities, and strengths will mesh together for the common quest their lives were destined to pursue.</p> <p>The unlikely trio plunge from reality to fantasy as paranormal events roller coaster quickly before them, all occurring within the Ark. John concludes that the portal is a doorway to a different level of existence which holds the Nemacole secrets of how to prevent Doomsday. His desire to travel through the portal intensifies, yet his frustration grows as he loses hope that a method can be found to open the portal. Friendly ghosts ally with them, while evil supernatural forces are hell bent on keeping them out.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 130円

Ark: Book VI Above【電子書籍】[ John Heldon ]

楽天Kobo電子書籍ストア
<p>The old Sunnyside College gym, nicknamed the Ark, has a paranormal portal that gives a chosen few a glimpse of Doomsday, which is near and unavoidable, unless these few can convince mankind a change in its approach to life is needed.<br /> Ben, Cal, and John clear what they thought was a major hurdle, only to find it’s a step into a vast abyss making all they’ve overcome to reach this level seem like child’s play. Not only are their tasks more difficult, the relentless Evil still in their way is even more determined to thwart them.<br /> Mary, Phyllis, and Genna are finally privy to their husbands’ quest. Mysteriously, they’ve been made to feel like long lost sisters, forming a sextet from a trio. Their trips into the abyss are filled with intriguing instructions and riddles from their ‘Mentors’, while they discover ‘holes’ in their reality above ground.<br /> The Ark’s appearance is acting strangely, for all around to see. This event is what the sextet are hoping will allow them to spread the message they’ve been asked to deliver. Inexplicably, it has no impact on humanity. This happens again, and again. Their deep faith in the redemptive message keeps them trying, with near fatal consequences.<br /> They discover the Nemacole secret to a life near perfect. How to get other basically good people to see it that way is the message they’re to deliver, but it may be too late. The world isn’t listening, and the monstrous Evil force that speaks, but is unseen, is battering them toward defeat, and Doomsday.<br /> Despite the hopelessness, their ‘Mentors’ never abandon them, as long as they never give up. The six are shown a final vision of what could be, with two endings. The hopeful one requires an upheaval to the current way of the world.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 128円

【輸入盤LPレコード】Heldon / Electronique Guerilla【LP2018/3/23発売】

あめりかん・ぱい
こちらの商品は輸入盤のため、稀にジャケットに多少のスレや角にシワがある場合がございます。こちらの商品はネコポスでお届けできません。2018/3/23 発売輸入盤レーベル:BUREAU B収録曲:Bureau B present a reissue of Heldon's debut album Electronique Guerilla, originally released on Disjuncta in 1974. In 1973, 22-year old Richard Pinhas was well on his way to becoming a full-time philosopher. He had almost finished his PhD and begun teaching at the University of Paris. But he also had a hobby: writing music and recording it himself. When he submitted a few tracks to British label E.G. (home of King Crimson and Roxy Music), the imprint was interested, but Pinhas was frustrated to find out he'd have to wait a year for them to release anything. So Pinhas put out his first album on his own label, Disjuncta. He called the project Heldon (from a location in Norman Spinrad's 1972 sci-fi novel The Iron Dream). It might have been the first self-released rock record in France. "Or at least the first one that worked, " says Pinhas. "It was like a musical and political event in France. Musical because there were few artists using synthesizers here, or even in the world. And political because we tried to say that the big companies make everything bad and their records are too expensive." Most of Electronique Guerilla was made by Pinhas alone, but "Ouais, Marchais, Mieux Qu'en 68" featured five collaborators, including one of his mentors, Gilles Deleuze. Over winding guitars and pointed percussion, the French philosopher reads lyrics taken from Friedrich Nietzsche's "The Voyager and His Shadow" (1880). Despite being self-released - with Pinhas himself delivering some stock directly to record stores - Electronique Guerilla quickly sold over 19, 000 copies. That convinced Pinhas he should make and release more music by himself - but he would have little time for philosophy. "I had to make a decision, because at that point in France, you couldn't do two jobs, " he remembers. "So I made this very bad choice to be a rock 'n' roll musician." It's a choice he's stuck to for four decades, and the fiery Electronique Guerilla provided a potent spark. 2018 remaster by Willem Makkee. 5,290円

Les Ubicks d'Heldon【電子書籍】[ Michel Jeury ]

楽天Kobo電子書籍ストア
<p>Il existait maintenant un Richard Gloeck de plus sur la Terre de Runci ! Le cent milli?me ou le vingt-cinq millioni?me Richard Gloeck depuis que le Fondateur avait d?couvert la musique finale. Mais la Terre de Runci, encore appel?e le Globe, ?tait assez vaste pour accueillir des milliards de Richard Gloeck avec leur compagne et leurs serviteurs semi-vivants, sans oublier leur chien et leurs fant?mes... Assez vaste pour h?berger en m?me temps des milliards de Shalmanesers qui ?taient les ennemis mortels des Richard Gloeck. Car la Terre de Runci ?tait un univers, et peut-?tre l'Univers. Et les Richard Gloeck, clones du Fondateur, ne seraient jamais assez nombreux pour en peupler la milli?me partie.</p>画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。 165円
【輸入盤CD】Heldon / Allez Teia 【K2018/3/23発売】
あめりかん・ぱい
発売日: 2018/3/23輸入盤USレーベル: Bureau B収録曲: 1.1 In the Wake of King Fripp1.2 Aphanisis1.3 Omar Diop Blondin1.4 Moebius1.5 Fluence: Continuum Mobile1.6 Fluence: Disjonction Inclusive1.7 St. Mikael Samstag Abends1.8 Michel Ettoriコメント:Bureau B present a reissue of Heldon's second album Allez-Teia, originally released on Disjuncta in 1975. Before making his own music in the early '70s, Richard Pinhas was a King Crimson fan. The British group has buzzed in Pinhas's mind for decades, but their greatest impact came early. When he first saw them play, Pinhas was struck by music played during intermission. "When I saw (King Crimson guitarist) Robert Fripp and Brian Eno perform in Paris later, I realized that the intermission music was their work," Pinhas said. "I didn't know that when I first heard it, but I was very impressed by it. It was the most important influence on Heldon." That influence is clear on Allez- Teia, originally released in 1975 on Pinhas's own Disjuncta label. "In The Wake Of King Fripp" is a soaring mix of string-like electronics and smeared guitar, a reference both to the guitarist and King Crimson's second album In The Wake Of Poseidon (1970). The meditative "Omar Diop Blondin", in which free tones float above a repetitive guitar figure, is dedicated to Fripp and Eno. A strong influence also comes from The Soft Machine's Robert Wyatt, who was slated to record some tracks with Pinhas for Allez-Teia until the expense of his travel from London to Paris proved prohibitive. Yet Allez-Teia - the title a nod to the ancient Greek term for philosophical truth, "aletheia" - is hardly a tribute album. The pieces Pinhas crafts with partner Georges Grunblatt - guitar, Mellotron, ARP synths - are beatific on the surface but infused with undercurrents of tension. Over four decades after he made Allez-Teia, Pinhas's admiration for King Crimson remains profound. He actually met Fripp in 1974, and the two still stay in touch. "We have a great friendship; he has been very helpful," says Pinhas. "Fripp has always been my Hendrix." Some artists might balk at admitting such strong influence over their own work, but for Pinhas it's all about respect. "In the academic world in France, you list your sources," says Pinhas, who received a PhD in philosophy before launching his music career. "So I thought it was good to say, 'Yes, we are influenced by this, and we are proud of it, and people have to know it.' The work of King Crimson at that time was very important. It's not a secret." 2018 remaster by Willem Makkee.Bureau B present a reissue of Heldon's second album Allez-Teia, originally released on Disjuncta in 1975. Before making his own music in the early '70s, Richard Pinhas was a King Crimson fan. The British group has buzzed in Pinhas's mind for decades, but their greatest impact came early. When he first saw them play, Pinhas was struck by music played during intermission. "When I saw (King Crimson guitarist) Robert Fripp and Brian Eno perform in Paris later, I realized that the intermission music was their work," Pinhas said. "I didn't know that when I first heard it, but I was very impressed by it. It was the most important influence on Heldon." That influence is clear on Allez- Teia, originally released in 1975 on Pinhas's own Disjuncta label. "In The Wake Of King Fripp" is a soaring mix of string-like electronics and smeared guitar, a reference both to the guitarist and King Crimson's second album In The Wake Of Poseidon (1970). The meditative "Omar Diop Blondin", in which free tones float above a repetitive guitar figure, is dedicated to Fripp and Eno. A strong influence also comes from The Soft Machine's Robert Wyatt, who was slated to record some tracks with Pinhas for Allez-Teia until the expense of his travel from London to Paris proved prohibitive. Yet Allez-Teia - the title a nod to the ancient Greek term for philosophical truth, "aletheia" - is hardly a tribute album. The pieces Pinhas crafts with partner Georges Grunblatt - guitar, Mellotron, ARP synths - are beatific on the surface but infused with undercurrents of tension. Over four decades after he made Allez-Teia, Pinhas's admiration for King Crimson remains profound. He actually met Fripp in 1974, and the two still stay in touch. "We have a great friendship; he has been very helpful," says Pinhas. "Fripp has always been my Hendrix." Some artists might balk at admitting such strong influence over their own work, but for Pinhas it's all about respect. "In the academic world in France, you list your sources," says Pinhas, who received a PhD in philosophy before launching his music career. "So I thought it was good to say, 'Yes, we are influenced by this, and we are proud of it, and people have to know it.' The work of King Crimson at that time was very important. It's not a secret." 2018 remaster by Willem Makkee. 3,390円

Heldon - 6: Interface CD アルバム 【輸入盤】

WORLD DISC PLACE
◆タイトル: 6: Interface◆アーティスト: Heldon◆現地発売日: 2020/01/31◆レーベル: Bureau BHeldon - 6: Interface CD アルバム 【輸入盤】※商品画像はイメージです。デザインの変更等により、実物とは差異がある場合があります。 ※注文後30分間は注文履歴からキャンセルが可能です。当店で注文を確認した後は原則キャンセル不可となります。予めご了承ください。[楽曲リスト] 4,111円
【輸入盤CD】Heldon / 6: Interface【K2020/1/31発売】
あめりかん・ぱい
発売日: 2020/1/31輸入盤USレーベル: Bureau B収録曲:コメント: 3,390円

Heldon - Electronique Guerilla (Heldon I) CD アルバム 【輸入盤】

WORLD DISC PLACE
◆タイトル: Electronique Guerilla (Heldon I)◆アーティスト: Heldon◆現地発売日: 2018/03/23◆レーベル: Bureau BHeldon - Electronique Guerilla (Heldon I) CD アルバム 【輸入盤】※商品画像はイメージです。デザインの変更等により、実物とは差異がある場合があります。 ※注文後30分間は注文履歴からキャンセルが可能です。当店で注文を確認した後は原則キャンセル不可となります。予めご了承ください。[楽曲リスト]1.1 Zind (2:20) 1.2 Back to Heldon (8:36) 1.3 Northernland Lady (7:03) 1.4 Ouais, Marchais, Mieux Qu'en 68 (4:26) 1.5 Circulus Vitiosus (8:45) 1.6 Ballade Pour Puig Antich, R?volutionnaire Assasasin? en Espagne (2:26)Bureau B present a reissue of Heldon's debut album Electronique Guerilla, originally released on Disjuncta in 1974. In 1973, 22-year old Richard Pinhas was well on his way to becoming a full-time philosopher. He had almost finished his PhD and begun teaching at the University of Paris. But he also had a hobby: writing music and recording it himself. When he submitted a few tracks to British label E.G. (home of King Crimson and Roxy Music), the imprint was interested, but Pinhas was frustrated to find out he'd have to wait a year for them to release anything. So Pinhas put out his first album on his own label, Disjuncta. He called the project Heldon (from a location in Norman Spinrad's 1972 sci-fi novel The Iron Dream). It might have been the first self-released rock record in France. Or at least the first one that worked, says Pinhas. It was like a musical and political event in France. Musical because there were few artists using synthesizers here, or even in the world. And political because we tried to say that the big companies make everything bad and their records are too expensive. Most of Electronique Guerilla was made by Pinhas alone, but Ouais, Marchais, Mieux Qu'en 68 featured five collaborators, including one of his mentors, Gilles Deleuze. Over winding guitars and pointed percussion, the French philosopher reads lyrics taken from Friedrich Nietzsche's The Voyager and His Shadow (1880). Despite being self-released - with Pinhas himself delivering some stock directly to record stores - Electronique Guerilla quickly sold over 19, 000 copies. That convinced Pinhas he should make and release more music by himself - but he would have little time for philosophy. I had to make a decision, because at that point in France, you couldn't do two jobs, he remembers. So I made this very bad choice to be a rock 'n' roll musician. It's a choice he's stuck to for four decades, and the fiery Electronique Guerilla provided a potent spark. 2018 remaster by Willem Makkee. 4,021円