TORLASCO

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TORLASCO Domietta
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商品	説明	価格
The Heretical Archive Digital Memory at the End of Film【電子書籍】[ Domietta Torlasco ] 楽天Kobo電子書籍ストア	＜p＞＜em＞The Heretical Archive＜/em＞ examines the relationship between memory and creation in contemporary artworks that use digital technology while appropriating film materials. Domietta Torlasco argues that these digital films and multimedia installations radically transform our memory of cinema and our understanding of the archive. Indeed, such works define a notion of archiving not as the passive preservation of audiovisual signs but as an intervention and the creative rearticulation of cinema’s perceptual and political textures.＜/p＞＜p＞Connecting psychoanalysis, phenomenology, and feminist theory in innovative ways, Torlasco analyzes cutting-edge digital works that engage with the past of European cinema and visual culture, including video installations by Monica Bonvicini (＜em＞Destroy She Said＜/em＞) and Pierre Huyghe (＜em＞The Ellipsis＜/em＞), Agn?s Varda’s film ＜em＞The Gleaners and I＜/em＞, Marco Poloni’s multimedia installation ＜em＞The Desert Room＜/em＞, and Chris Marker’s CD-ROM ＜em＞Immemory＜/em＞.＜/p＞＜p＞Torlasco’s central claim is that if the archives of psychoanalysis and cinema have long privileged the lineage that runs from Oedipus to Freud, the archives of the digital ageーwhat she calls the “heretical archive”ーcan help us imagine an unruly, porous, multifaceted legacy, one in which marginal figures return to speak of lost life as much as of life that demands to be lived.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	2,404円
The Rhythm of Images Cinema beyond Measure【電子書籍】[ Domietta Torlasco ] 楽天Kobo電子書籍ストア	＜p＞＜strong＞A rigorous and imaginative inquiry into rhythm’s vital importance for film and the moving image＜/strong＞＜/p＞＜p＞Focusing attention on a concept much neglected in the study of film, ＜em＞The Rhythm of Images＜/em＞ opens new possibilities for thinking about expanded perception and idiosyncratic modes of being. Author Domietta Torlasco engages with both philosophy and cinema to elaborate a notion of rhythm in its pre-Socratic sense as a “manner of flowing”ーa fugitive mode that privileges contingency and calls up the forgotten fluidity of forms. In asking what it would mean to take this rhythm as an ontological force in its own right, she creatively draws on thinkers such as Giorgio Agamben, Roland Barthes, Gilles Deleuze, and Luce Irigaray. Rhythm emerges here as a form that eludes measure, a key to redefining the relation between the aesthetic and the political, and thus a pivotal means of resistance to power.＜/p＞＜p＞Working with constellations of films and videos by international artistsーfrom Michelangelo Antonioni, Jean-Luc Godard, and David Lynch to Harun Farocki and Victor Burgin, among othersーTorlasco brings to bear on them her distinctive concept of rhythm with respect to four interrelated domains: life, labor, memory, and medium. With innovative readings of artworks and critical texts alike, ＜em＞The Rhythm of Images＜/em＞ fashions a vibrant, provocative theory of rhythm as the excess or potential of perception.＜/p＞＜p＞Ultimately, the book reconceives the relation between rhythm and the world-making power of images. The result is a vision of cinema as a hybrid medium endowed with the capacity not only to reinvent corporeal boundaries but also to find new ways of living together.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちらをクリックして下さい。 ※このページからは注文できません。	2,671円